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Journal articles on the topic 'Emblem of Ukraine'

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1

Posokhov, Sergiy. "Territorial Heraldry of the Kharkiv Region: Tradition and Innovation." Rocznik Polskiego Towarzystwa Heraldycznego. Seria nowa, no. 18 (December 31, 2019): 209–22. http://dx.doi.org/10.36693/rpther.2019.14.

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The article traces the evolution of territorial heraldry in the Kharkiv Region (northeastern Ukraine). Emblem-making began here rather late — in the second half of the eighteenth century, although first references to local territorial coats of arms belong to the second half of the 17th century. It proceeded under the influence of long-established Western European tradition and according to rules developed within the framework of a centralized Russian Empire. During the Soviet period, such traditions and rules underwent a radical revision. This uneven historical background determined the unique
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2

Bohaievskyi, Yurii. "When Ukraine will Finally Have its Great Emblem?" Diplomatic Ukraine, no. XIX (2018): 231–34. http://dx.doi.org/10.37837/2707-7683-2018-11.

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This article is focused on the fact that independent Ukraine still does not have the Big State Emblem as its major national symbol. Since December 2015, President of Ukraine Petro Poroshenko has signed Decree No 675/2015, which referred to the need to properly cover the history of state symbols. Therefore, the authors remind that by its decision on February 19, 1992 Verkhovna Rada (Parliament) of Ukraine had approved only a Trident as a temporary small state attribute and as the main element of the future Big State Emblem. However, the obligation to complete “in the near time period” the forma
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Mieliekiestsev, Kyrylo. "Emblems of the Post-Soviet Donetsk Region: Official Ones «From the Bossmen», Upgrades «From the People», Alternatives From the «Russian World» Supporters." Scientific Papers of the Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University. Series: History, no. 36 (June 2021): 58–66. http://dx.doi.org/10.31652/2411-2143-2021-36-58-66.

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The purpose of the article is the analysis of the development of Donetsk region emblems (official heraldry and vexillology of Donetsk Oblast, reflection of historical themes in commercial nomenclature, reinterpretations of official symbols by individuals) in 1991–2015, identifying the main trends in the development of emblems, their connections with the views of customers and authors on history and politics, transformations of symbolics. The methodology of the research is based on the principles of historicism, objectivity, and systematics. General scientific and special-historical methods wer
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4

Menzelevskyi, Stanislav. "The “Kino” magazine and the parable of Ukrainian film criticism of the 1920s." Culture of Ukraine, no. 87 (January 22, 2025): 19–31. https://doi.org/10.31516/2410-5325.087.02.

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The article endeavours to uncover the lesser-known history of the “Kino” magazine, the principal professional film publication in Soviet Ukraine during the 1920s. As a companion to the All-Ukrainian Photo and Film Administration VUFKU, the magazine stands out as a unique emblem of Ukrainian socialist culture. It plays a crucial role in decentralising the dominant Russo-centric narratives of the era, offering valuable research sources that have been largely ignored in established film studies traditions.
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5

Obolentsev, V., O. Gutsa, and V. Yeryomenko. "Experience of digital simulation of the Constitution system of Ukraine in the IDEF0 notation." Theory and practice of jurisprudence 2020, (VOL 2) 18 (2020): 2. https://doi.org/10.21564/2225-6555.2020.18.218892.

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<em>Object and process modeling allows to solve problems in systems. Therefore, developing a model of the Constitution of Ukraine using software is an urgent task for domestic jurisprudence.</em> <em>Previously, the authors conducted a systematic analysis of the Ukrainian state system and proposed its cognitive model in IDEF0 notation. We used the same notation to model the crime system and its prevention system. Hutsa O.M., Obolentsev V.F., Demchenko O.V. developed a technology for modeling and detecting algorithmic errors in software regulatory acts.</em> <em>The paper demonstrates the resul
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Nicolăescu, Victor. "The Principles of International Humanitarian Aid - Diversity and Innovation." Euro-Atlantic Studies, no. 5 (2022): 173–87. http://dx.doi.org/10.31178/eas.2022.5.7.

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Humanitarian assistance is currently a topic frequently addressed at the European level, in the context of the conflict in Ukraine, although the European Union is the main donor at the international level. The emergence of open conflict on the European continent, considered to be the largest military deployment since the Second World War, brought on the public agenda of European countries the provision of humanitarian assistance for the population that left Ukraine on February 24, 2022, located especially at the level of European countries. The involvement of citizens in humanitarian activitie
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Yashchuk, A. "OFFICIAL WEBSITES OF CITIES COUNCILS AS A SOURCE FOR THE STUDY OF MODERN URBAN HERALDRY OF THE SOUTHERN UKRAINE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 138 (2018): 71–75. http://dx.doi.org/10.17721/1728-2640.2018.138.16.

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The information content of the 50 official web-sites of the city councils of Zaporizhzhia, Mykolaiv, Odesa and Kherson regions as a specific source for the study of modern Ukrainian heraldry is analized in the article. On the basis of this analysis, the types and the kinds of information on the creation and use of a city emblem placed on such resources and its usefulness for heraldic research were determined. A description of the legislative framework and regulatory acts regulating the filling of the websites of city councils has been carried out. An overall assessment of the content of this g
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8

Batrynchuk, Zoriana, Nadia Yesypenko, Ihor Bloshchynskyi, Kostiantyn Dubovyi, and Olena Voitiuk. "Multimodal Texts of Political Print Advertisements in Ukraine." World Journal of English Language 12, no. 1 (2022): 115. http://dx.doi.org/10.5430/wjel.v12n1p115.

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Political print advertisements as an integral part of political propaganda contribute to creating a positive image of a politician or political party aiming to win popular votes. The effective combination of verbal and non-verbal (pictorial) components presupposes a purposeful influence on the electorate by means of activating existing socio-cultural schemas among voters. This study aims to analyze the generic structural potential of political print advertisements in Ukraine and to interpret the symbolic representation of the verbal and non-verbal levels of political advertisements. The data,
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9

Олег, Цебенко. "СИМВОЛІКА В МИСТЕЦЬКІЙ СПАДЩИНІ ГЕРБУРТІВ У ГАЛИЧИНІ XІV – ХХІ СТОЛІТТЯХ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 240–51. https://doi.org/10.5281/zenodo.33964.

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Are considered the role of symbols in formation and establishment of monumental art in the early XVII &ndash;XXI centuries of Galicia. An important sign-symbol is coat of arms, emblem-symbolic system of which had developed and established in Ukraine in XIV&ndash;XV centuries. The attention is paid to the art activities of Jan Szczasny Herburt. Thanks to his fixing points its content were materialized in the creation of pictures in the early XVII century in Dobromyl castle of Herburts. In the article are analyzed memorials and main aspects of art development preserved in saved compositions that
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10

Petrushanko, T. O., N. M. Ilenko, and O. M. Boychenko. "NATIONAL PATRIOTIC EDUCATION OF STUDENTS AT THE DEPARTMENT OF THERAPEUTIC DENTISTRY, UKRAINAN MEDICAL STOMATOLOGICAL ACADEMY." Актуальні проблеми сучасної медицини: Вісник Української медичної стоматологічної академії 20, no. 4 (2020): 185–87. http://dx.doi.org/10.31718/2077-1096.20.4.185.

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One of the benchmarks of national and patriotic upbringing is the attitude to the native country, its cultural and moral values. Over recent years, there have been changes in the issues of state-building ideological doctrine, which has deprived the society of spiritual and moral ideals. As a result, the younger generation is facing in many ways aggressive and destructive attitudes towards an individual, family, state, negligence to patriotic and spiritual feelings. In Ukraine today, one of the priority tasks in the educational process of higher education institutions is to create an effective
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11

Samoshchenko, I., and O. Zhytynskyi. "On the problem of criminal law protection of state symbols: Ukrainian and foreign experience." Problems of legality, no. 156 (April 22, 2022): 76–98. http://dx.doi.org/10.21564/2414-990x.156.252293.

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The article reveals the problem of Ukrainian and foreign state symbols criminal law protection considering domestic and world practice. The relevant norms of criminal laws of the Russian Empire, USSR and Poland, which were in force in the Ukrainian lands in the XIX-XX centuries, have been examined. An analysis of domestic judicial practice in criminal cases related to the abuse of state symbols has been done. It has been illustrated that Ukrainian law enforcement agencies do not always correctly determine the nature of this crime. That is due to the lack of constitutional laws enshrining the s
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12

Oliinyk, Oleksandr L. "The Fundamental Elements of Rhethoric and their Impact on Music Art." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 2443–58. http://dx.doi.org/10.47059/revistageintec.v11i4.2294.

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The article is devoted to the fundamental positions of rhetoric and their embodiment in music, which corresponds to the modern conditions of performing art activity. The methodological basis of the article is the position of linguistic musicology, presented by the heirs of B. Asafiev’s school in Ukraine, in which the concept of “musical vocabulary of the era” holds an honorable place. Particular attention is devoted to the features of stringed and plucked instruments, which make up the specifics and emblem of national Ukrainian art. The laws of rhetoric, especially the inventio principles, fix
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13

Kysliuk, Konstiantyn. "Features of the representations of Ukrainian identity in the visual content of popular telegram channels." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 10, no. 19 (2020): 37–48. http://dx.doi.org/10.34079/2226-2830-2020-10-19-37-48.

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In the article had been considered the features of the representations of Ukrainian identity in the visual content of 5 most popular Telegram-channels («Ukraine 24/7»; «Ukraine now», «Ukraine Online», «TSN», «Insider UA»). Two groups of its markers had been determineted – Political Identity (combination of blue-yellow colors, national banner or emblem (trident) as the center of the image or the dominant background) and Military (man and women in Ukrainian military uniforms, weapons and military equipment) In fact, the share of which markers had been highest than formally 2–3% of the total visu
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14

Zhukova, Oksana. "“Forward to the bright future of socialism!”: the role of images and symbols in promoting collectivization in Soviet Ukraine." SHS Web of Conferences 63 (2019): 10003. http://dx.doi.org/10.1051/shsconf/20196310003.

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In every country, state symbols such as the national flag, emblem, and national anthems represent the independence and sovereignty of the state. In the Soviet Union as well as in other autocratic states symbols also played an important role in propaganda, influencing peoples’ attitudes to the actions of the state at all levels. These symbols could also be found, together with powerful imagery in posters, on buildings, monuments and many other things visible and incorporated in the routine life the people. Ukraine has huge historical heritage of symbolism and propaganda from when the country wa
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15

Romaniuk, Іryna, Olena Yastrub, Liu Dan, Jiang Shanyu, and Svitlana Shchelkanova. "Choral Singing as An “Emblem” of National Culture: Global or Local? (A Performative Response to The ‎Question)‎." International Journal of Basic and Applied Sciences 14, no. 3 (2025): 26–33. https://doi.org/10.14419/sw5g9y57.

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The article aims to explore the emblematic function of choral singing, positioning it as a "key" to understanding the relationship ‎between two cultural development trends – global and local traditions, which remains highly relevant to contemporary performance practice. ‎The article examines the choral art of Ukraine, which has historically functioned as a performative phenomenon within a sacred chronotope. ‎At the level of compositional creativity, the dimensions of "sacred – secular" and "global–local" coexist on equal footing, facilitated by the ‎high standard of choral performance culture.
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16

Yezhova, Olga. "BASEBALL TEAM CORPORATE IDENTITY DESIGN: ARTISTIC AND TRADITIONAL CULTURE ASPECTS." New Design Ideas 8, no. 1 (2024): 81–96. http://dx.doi.org/10.62476/ndi.8181.

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The purpose of the article is to analyze the design of baseball team logos and create an original baseball club logo based on the identified trends. The analysis of the logos of baseball teams in the United States, China and Ukraine showed that the logos mainly depict elements related to baseball; elements of national cultural heritage; the name or monogram of the team. At the same time, the logos of baseball teams in the United States and China have pronounced features of shape, icon and color scheme. Baseball team logos in the USA often use a round shape. Blue and red are popular colors. The
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17

Nesterenko, Petro. "PUBLISHING SIGN OF UKRAINE OF THE SECOND HALF OF XX – BEGINNING OF XXI CENTURY: TRANSFORMATION IN TIME." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 116–23. http://dx.doi.org/10.33838/naoma.28.2019.116-123.

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Annotation. The article analyzes the little-studied art of the Ukrainian publishing sign, which has a history of almost fifty years and is well known for its highly artistic works. An excursion into the past of the Ukrainian publishing label has been made, collecting documents scattered across various sources of reports on samples of the publishing labels, both known and in the vast majority of unknown authors, and we pay tribute to this important cultural heritage that has developed in the course of the European process. The publishing signs of the second half of XX – beginning of XXI centuri
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18

Grasis, Janis. "Old Wine in New Bottles: Latvia 1940 Compared with Crimea 2014." Baltic Yearbook of International Law Online 21, no. 1 (2024): 99–109. https://doi.org/10.1163/22115897_02101_005.

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In late February, 2014, strange bands of armed gunmen, with no signs of a distinctive emblem belonging to any army, started to appear on the roads and streets of the Crimean peninsula in Ukraine. Later these ‘little green men’ began to seize government buildings in Crimea. Shortly afterwards, on 16 March 2014, the people of Crimea participated in an illegal referendum and voted overwhelmingly for their region to become a part of Russia. This vote was illegitimate, firstly as it was held under hostile Russian military occupation with no international monitoring and many reports of intimidation,
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19

Petrychenko, A. P., and G. O. Androshchuk. "Utilisation of state symbols of Ukraine and the Republic of Poland in trademarks: regulatory issues." Analytical and Comparative Jurisprudence 1, no. 3 (2025): 180–89. https://doi.org/10.24144/2788-6018.2025.03.1.25.

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The international and national regulatory framework for the protection of state symbols of Ukraine and the Republic of Poland (RP), in particular as part of trademarks, has been examined. International law and national legislation have established protective norms that provide for the procedure for using state symbols and liability for their unlawful use. The article compares Ukrainian and Polish legislation on the usage of state symbols in trademarks. In addition, a critical assessment was provided of the approach taken by Ukrainian lawmakers to include images imitating the small State Emblem
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20

Tomenko, Mykola. "The constitution as a (non) fundamental law for the authorities and society (on the specifics of Ukraine's newest constitutional process)." Bulletin of Taras Shevchenko National University of Kyiv. Public Administration 12, no. 2 (2019): 84–92. http://dx.doi.org/10.17721/2616-9193.2019/12-8/8.

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Despite the fact that the Ukrainian state since of June 28, 1996 has been living by its own Constitution, there is still a scientific discussion about optimal model of the Basic Law of Ukraine. In particular, one of the key problems is that specialists, scholars and constitutionalists are not involved in the process of discussing amendments to the Constitution and the creation of laws that would comply with the Constitution of Ukraine. It should also be noted that the Basic Law was usually changed not in the process of legislative evolution, but after the election of a new president. That can
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21

Kozubowskyi, Heorhii. "About One Debatable Question of Ukrainian History of the 14th Century." Arheologia, no. 1 (March 23, 2022): 55–85. http://dx.doi.org/10.15407/arheologia2022.01.055.

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The major element of Mongolian epoch in the East Europe was obligation to pay a tribute — «vyhod». The historical consequences of the Koriatovych brothers’ rule from the end of the 40’s of the 14th century and the triumph of the Grand Duchy of Lithuania during the heading of the Lithuanian Prince Algirdas in the Syni Vody battle of the 1362 in Podolia have been examined. A conception has been argued according to which Podolian Principality at the time of the Koriatovych brothers’ rule was liberated from the Horde warriors. Based on the analysis of the documents, archaeological and numismatic s
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22

Buletsa, S. B. "Trademark protection in the sphere of fashion and with the help of artificial intelligence." Analytical and Comparative Jurisprudence, no. 2 (May 11, 2024): 193–99. http://dx.doi.org/10.24144/2788-6018.2024.02.33.

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A registered trademark can offer legal safeguard for a designer's name, brand name, emblem, logo, color or combination of colors, pattern, and so on. Ukrainian designers frequently establish trademarks by registering their names, sometimes accompanied by a graphic picture. Not just the brand name and designer's name, but also other aspects can be registered as a trademark. Regrettably, securing legal protection for a certain color or color combination is a challenging task. It requires providing evidence that a particular color is strongly linked to a specific fashion brand, such as the turquo
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23

Васильєва, О. С., К. Л. Пашкевич, І. В. Васильєва, О. В. Гричанюк та О. Ю. Калун. "ЛОГОТИП ТА ЕМБЛЕМА ЯК СКЛАДОВІ ФІРМОВОГО СТИЛЮ ЗАКЛАДІВ ОСВІТИ УКРАЇНИ". Art and Design, № 4 (15 лютого 2021): 70–80. http://dx.doi.org/10.30857/2617-0272.2020.4.5.

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Purpose. The purpose of this article is to identify the characteristic design features of the corporate identity elements used in school uniforms in Ukraine, which have developed under the influence of national and cultural traditions. The objects of analysis were samples of emblems and logos of Ukrainian educational schools, which are visual symbols of the school and part of the design of a school uniform. Methodology. Methodological basis of research is complex approach, methods of visually analysis of research object, systematization of varieties of emblems and logotypes of educational scho
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24

Smolenska, Svitlana. "KHARKIV 1930: UKRAINIAN WINNERS OF THE FORGOTTEN WORLD-LEVEL COMPETITION." Current Issues in Research, Conservation and Restoration of Historic Fortifications 18, no. 2023 (2023): 84–92. http://dx.doi.org/10.23939/fortifications2023.18.084.

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The article examines a little-known event of world level that took place in Ukraine during the heyday of modernism in 1930: a competition for the design of the Sovereign Ukrainian Theatre of Mass Musical Action for Kharkiv. About 100 projects sent from abroad: from 9 European countries, as well as from the USA and Japan, were an obvious confirmation of its significance. The article proves the high professional level of the Ukrainian architectural school in 1930-1931. Its young representatives demonstrated innovative thinking, avant-garde developments in the actual field of multifunctional thea
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25

Rachkov, Yevhen. "Symbols and Emblems as Part of the Sign-Space of Ukrainian Universities, Late 20th to Early 21st Centuries." Rocznik Polskiego Towarzystwa Heraldycznego. Seria nowa, no. 18 (December 31, 2019): 265–77. http://dx.doi.org/10.36693/rpther.2019.18.

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The article traces the genesis of the symbols and emblems of Ukraine’s classical universities in the late 20th and early 21st centuries. The historical background of the body of symbols and emblems of the classical universities is reviewed. The current directions of the evolution of this symbolic complex are outlined. In particular, we conclude that at the end of the 20th and beginning of the 21st centuries, new symbols and emblems as a rule were created spontaneously and sporadically. In most cases, they are not systematic and represent a synthesis of Ukrainian and Western European symbolic f
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26

Gnatiuk, Oleksiy, and Anatoliy Melnychuk. "Historical heraldic symbols as a marker of reproducing and transforming regional identity: The case of Ukraine." Geographia Polonica 94, no. 4 (2021): 589–607. http://dx.doi.org/10.7163/gpol.0222.

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This paper demonstrates a way to examine the transformation of the territorial shape of the region. The official symbols (flags and emblems) of modern administrative units of Ukraine were analyzed for the usage of heraldic symbols of historical regions that lost their administrative status a century before. The results confirm more or less constant symbolic reproduction of historical regions, but their spatial shapes has changed under the influence of new administrative boundaries. Simultaneously, in certain cases historical heraldry loses its former meaning and is involved into the developmen
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А., В. Рудюк. "ГЕРАЛЬДИЧНЕ ЗАКОНОДАВСТВО В УКРАЇНІ". Історія та географія, № 52 (30 листопада 2015): 31–36. https://doi.org/10.5281/zenodo.34403.

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<em>The article examines the main milestones of heraldic legislation in Ukraine. The author traces the origins of government regulations in the field of heraldry and symbols. Analyzed the Law of Ukraine &quot;On local government in Ukraine&quot; and other legislative acts. Shows the system of government bodies dealing with issues of Heraldry at the highest level. As for the personal and corporate emblems, their creation and use is not regulated by law. The creation of coats of arms and observance of the rules takes care of Ukrainian Heraldry Society. Create of a similar coat-of-arms images is
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28

Baumann, Fabian. "“Well-Known and Sincerely Loved”: Banal Nationalism, Republican Pride, and Symbolic Ethnicity in Late Soviet Ukraine." Slavic Review 84, no. 1 (2025): 115–37. https://doi.org/10.1017/slr.2025.10153.

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AbstractThis article argues that the late Soviet period saw a new form of Ukrainian nationhood emerge, one based less on ethno-historical commonalities than on territorial and institutional cohesion. Combining Michael Billig’s notion of “banal nationalism” with Alexei Yurchak’s analysis of “hypernormalized authoritative discourse,” it shows that Soviet Ukrainian leaders reproduced the assumption of Ukrainian nationhood even as they deprived it of concrete political and cultural content. While First Secretary Petro Shelest still promoted ethno-historical topoi alongside pride in Ukraine’s repub
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Kapustin, Andrii. "LEGAL REGULATION OF THE USE AND PROTECTION IN UKRAINE OF THE EMBLEMS OF THE RED CROSS, RED CRESCENT, RED CRYSTAL." European Political and Law Discourse 7, no. 3 (2020): 41–46. http://dx.doi.org/10.46340/eppd.2020.7.3.7.

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Borkovska, O. "THE EMBLEMATIC CODE OF B. BRECHT’S "WAR PRIMER"." Brecht-Magazine: Articles, Essays, Translations, no. 9 (December 26, 2023): 39–56. http://dx.doi.org/10.35433/brecht.9.2023.39-56.

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In times of Russian military aggression against Ukraine the world’s anti-war literary heritage has been particularly relevant. The article analyses the peculiarities of "War Primer" by B. Brecht and its connection with the emblematic traditions of the Baroque era. Hence, "War Primer" resembles a photo album with photographs and commentaries on them. The historical sequence of the depicted events is evident – each photo is accompanied by a commentary, and almost every photo has a caption with reference material at the end of the album. All visual materials were published in Swedish and American
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31

Androshchuk, Gennadiy. "Use of state symbols in trademarks: problem issues." Theory and Practice of Intellectual Property, no. 3 (September 18, 2024): 38–48. http://dx.doi.org/10.33731/32024.311412.

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The article examines the international and national legal framework for the protectionof state symbols, in particular as part of a trademark. The facts of illegal use of state symbolsin everyday life and for commercial purposes have become more frequent. However, inUkraine, the issue of approval of state symbols by one legislative act or separate laws ofUkraine has not been resolved. International law established protective norms that providefor the procedure for the use and responsibility for the improper use of state symbols.Article 6ter of the Paris Convention is the most important norm tha
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32

Posokhov, Sergiy. "Exploring the Face of the City." Journal of V. N. Karazin Kharkiv National University. Series: History, no. 61 (June 27, 2022): 10–26. http://dx.doi.org/10.26565/2220-7929-2022-61-01.

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The book entitled “Exploring the Face of the City: Self-Representation Practices of Ukrainian Cities in the Industrial and Post-Industrial Age” (Kharkiv, 2021) was published at the end of 2021. It is devoted to the study of some theoretical and practical issues of urbanism. The main focus is on the symbolic spaces and cultural landscapes of five large cities of Eastern and Southern Ukraine — Dnipro, Donetsk, Zaporizhzhia, Odesa, and Kharkiv. The authors of the book are participants of the scientific project “CityFace: Practices of self-representation of multinational cities in the industrial a
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33

Holii, Roman. "Тhe seals of rural communities of Bircha district, 1876 (from the fund of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv)". Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, № 16(32) (грудень 2024): 432–55. https://doi.org/10.37222/2524-0315-2024-16(32)-19.

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The article describes the 52 seals of rural communities of the Bircha dist­rict, which were placed on the document of 1876. The document concerns the transfer of the district center from Bircha to Dobromil. The methods of diplomacy, archeography and epigraphy were used during the description of the seals. The description of the seals includes the following components: number in the list of communities on the document, name of the community, shape of the seal, its dimensions, material, colour, design, legend, type, carving and notes. The article describes the document and sphragistics analysis
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34

Sulyma, Mykola. "Panteleimon Kulish’s Novel “Commoners’ Council” in Context of ‘Postmodern’ Political Strategies." Слово і Час, no. 12 (December 20, 2019): 44–49. http://dx.doi.org/10.33608/0236-1477.2019.12.44-49.

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The paper covers the pre-election technologies and means of agitation that have been practiced since the 17th century and were described by Panteleimon Kulish in his novel “Commoners’ Council” (“Chorna Rada”). It is noticeable that even in those distant times people, just like now, succeeded in manipulating public opinion and will, directing social movements and trends into the way required by particular leaders or groups, especially during the elections. For this purpose, they disdained neither populist promises nor discrediting their opponents or violently grabbing the attributes of power, e
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Prydatko-Dolin, Vasyl. "Vsevolod Averin (1889–1946), master of the Ukrainian school of animaliers and graphic artists." GEO&BIO 2022, no. 22 (2022): 63–78. http://dx.doi.org/10.15407/gb2206.

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This article could have also been titled as ‘The little-known artist Vs. Averin.’ The impetus for its writing was the need to overcome post-Soviet propaganda, which invented the brand ‘Ukrainian Soviet artist’ and used it actively to sovietize biographies of Ukrainian artists. Vs. Averin is one of those artists. However, the Soviet style permeated Averin’s art independently through Averin’s presence in respective associations, unions, exhibitions, and publishing houses for which he acted professionally. In the same way, some of Averin’s art was adjusted artificially to the requirements of the
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Nwotite, Anita. "International Humanitarian Law and the Use of Starvation as a Method of Warfare: Positive Duties on the Parties to the Conflict." ABUAD Law Journal 11, no. 1 (2023): 17–44. http://dx.doi.org/10.53982/alj.2023.1101.02-j.

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Starvation is one of the numerous humanitarian consequences following armed conflicts as a result of the obstruction in the chain of production and distribution. However, the situation becomes worrisome when starvation isemployed by the parties to a conflict as a method of warfare. This trend was obvious in a number of contemporary armed conflicts such as Russia-Ukraine war, Syrian war, Ethiopia-Tigray war, and Yemeni war, to mention but a few. These were all characterized by the destruction of objects indispensable to the survival of the civilian population and in some casethe obstruction of
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Astasheva, O., and V. Cheban. "Possible environmental solutions to oil spills in the Black Sea due to the Russian invasion (on the examples of the U.S. and international experience dealing with oil spills)." Uzhhorod National University Herald. Series: Law 2, no. 74 (2023): 7–11. http://dx.doi.org/10.24144/2307-3322.2022.74.33.

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The Black Sea is an inland sea, that is basically isolated from the World Ocean. Even though it is connected only with the Mediterranean Sea through the Turkish Straits, the Black Sea is very environmentally vulnerable. Armed conflict invariably has a negative impact on nature. Oil spills that happened because of Russian invasion have radically changed the ecosystems of the Black Sea, and subsequently seriously threatened its biodiversity, and ecosystem as a whole. During the last 20-30 years, even before the full-scale Russian invasion, specialists of the Ukrainian Scientific Center for Marin
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Pohranychna, Iryna. "ANTIQUE IMAGES AND FORMS IN PALACE ARCHITECTURE OF THE LATE 18TH AND EARLY 19TH CENTURY." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 2 (2022): 140–46. http://dx.doi.org/10.23939/sa2022.02.140.

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The article defines antique images and forms in the architecture of palaces of the late 18th and early 19th century It was determined that the architectural and artistic system of classicism, preserving and repeating stable antique images and forms, was established in the compositional solutions of palace buildings on the territory of Ukraine, which for a long period of time preceded, coexisting in parallel with other stylistic currents. The development of the stylistic tendencies of classicism in palace architecture developed in the context of the pan-European architectural school and reflect
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Василь, Косів. "У тіні образотворчого мистецтва: історіографія графічного дизайну української діаспори 1945–1989 рр." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 140–58. https://doi.org/10.5281/zenodo.1313132.

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Professional careers of the Ukrainian diaspora artists from 1945&ndash;1989 are reflected in foreign magazines and newspapers articles, exhibitions catalogs, illustrated monographs and albums. Over the past decades, their names have become known in Ukraine as well. Publications of a different genre, aimed at different audiences, were published at different times in different countries, but almost all of them show a common tendency. Painting and sculpture are considered to be the greatest achievements, etching and book illustration follow, sometimes bookplates and applied art are presented. Rar
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Oprysk, Liliia. "Symbols of National Importance, Article 6ter Paris Convention and Public Policy and Morality: Ukraine’s State Border Guard Service Before the General Court in T-82/24 ‒ RUSSIAN WARSHIP." GRUR International, December 7, 2024. https://doi.org/10.1093/grurint/ikae151.

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Abstract 24 February 2022, the day that Russia launched its full-scale invasion of Ukraine, caught many by surprise and prompted an unprecedented use of the Ukrainian flag and other national symbols by public authorities and private entities across the globe. Public attention also led to a spike in applications for trademark registrations of such symbols, including at the European Union Intellectual Property Office (EUIPO). One of these applications, notably made on behalf of Ukraine’s State Border Guard Service, reached the General Court. The application does not concern a state emblem commun
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SAVYTSKYI, Volodymyr. "State Standard of Ukraine DSTU 4163: 2020: Innovations and Problems." University Scientific Notes, October 30, 2021, 108–24. http://dx.doi.org/10.37491/unz.82.9.

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According to public interest, caused by the entry into force on 01.09.2021 of the state standard of Ukraine DSTU 4163:2020 «State unified system of documentation. State unified documentation system. Unified system of organizational and administrative documentation. Requirements for execution of documents» this article is an author’s attempt from a professional point of view based on a systems approach to find out and evaluate the essence and significance of the innovations of this standard in relation to their impact on the preparation and execution of organizational and administrative documen
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Shpiliarevych, V. V. "War crimes on the territory of Ukraine in the conditions of the international armed conflict of the 21st century." Actual problems of improving of current legislation of Ukraine, no. 63 (September 14, 2023). http://dx.doi.org/10.15330/apiclu.63.1.10-1.26.

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From the first day of the invasion until today, the Russian Federation violates the laws and customs of war and massively commits war crimes on the territory of Ukraine, which are a serious violation of the provisions of international humanitarian law and pose a threat to the entire international community, for which criminal responsibility is provided both internationally and national levels. In particular, the international legal acts that codify international humanitarian law (laws of armed conflicts, laws of war) and contain a list of war crimes committed in the context of an international
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MJ, Rafal. "GASÁ SA GAZA: PANITIKAN AT PANININDIGAN SA PANAHON NG DIGMA." Entrada, December 31, 2023. https://doi.org/10.70922/bb8yyf82.

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Matindi ang hamon ng taong 2023. Bago matapos ang taon, lumantad sa ating lahat ang lagim na matagal nang nangyayari sa Gaza—ang paglipol ng Israel sa mga Palestino, ang sistematikong pagpapaalis sa lupaing marapat namang para talaga sa mga katutubong Palestino. Ngunit hindi sa kaso ng Israel na kinasasapakat ng imperyalistang Estados Unidos upang tuloy-tuloy ang opensibang militar laban sa mga inaakusahang teroristang Hamas, pinalalabnaw ang rebolusyunaryong diwa ng pagbawi para pulbusin ang hindi naman mapupulbos na adhika at tapang ng mga Palestino na ipaglaban ang kanilang lupa at lahi. Wi
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Harrison, Frances. "Reviving Heritage in Post-Soviet Eastern Europe: A Visual Approach To National Identity." University of Western Ontario Journal of Anthropology 20, no. 1 (2012). http://dx.doi.org/10.5206/uwoja.v20i1.8920.

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This paper seeks to demonstrate the controversial nature of heritage as it is expressed through visual media in the former Soviet republics. I explore Soviet-era emblems of cultural heritage in a post-Soviet context specifically to illuminate their influence on national identity. Drawing from imagery in the Baltic States, Belarus, and Ukraine I demonstrate how today’s lingering symbols of communist nationalism obscure the realization of national identity from being completely non-Soviet. Examples such as Grutas Park, Freedom Square and Minsk’s steadfast urban design illustrate how remembrance
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Fedorenko, V. L., and T. M. Chabanets. "EXPERT STUDY OF THE STATE FLAG IMAGE OR IMITATION BY TRADEMARK." ԴԱՏԱԿԱՆ ՓՈՐՁԱՔՆՆՈՒԹՅԱՆ ԵՎ ՔՐԵԱԳԻՏՈՒԹՅԱՆ ՀԱՅԿԱԿԱՆ ՀԱՆԴԵՍ, 2022, 96–108. http://dx.doi.org/10.53587/25792865-2022.7-96.

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The article is devoted to the theory and practice of expert researches of the state flag image or imitation by trademark, including the State Flag of Ukraine. The study reviews flag origin – banner of arms, standards, pennons, gonfalons, streamers and banderoles – and their classification and links with traditions and rules of flag colors and their combinations. It also addresses ordinary and heraldic figures and other issues of flag study science. In the paper, the legal status of state flags and the procedure for their use are addressed and determined. The forensic expert studies are reviewe
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Dvykaliuk, R. M., and L. O. Adamchuk. "Development of a propolis collecting device." Animal Science and Food Technology 12, no. 3 (2021). http://dx.doi.org/10.31548/animal2021.03.007.

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Propolis is a sticky resinous substance collected from buds, leaves, stems of wild plants and processed by bees, which has bactericidal properties and which they use to seal openings in the hive, polish the walls of wax cells, embalm the corpses of enemies. The analysis of research and publications gives grounds to conclude that Ukraine has not yet paid sufficient attention to the conditions of propolis production. There are no devices and equipment to improve the process of production of safe and high-quality propolis, which will meet the high requirements of regulatory acts on the quality an
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Smith, Jenny Leigh. "Tushonka: Cultivating Soviet Postwar Taste." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.299.

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During World War II, the Soviet Union’s food supply was in a state of crisis. Hitler’s army had occupied the agricultural heartlands of Ukraine and Southern Russia in 1941 and, as a result, agricultural production for the entire nation had plummeted. Soldiers in Red Army, who easily ate the best rations in the country, subsisted on a daily allowance of just under a kilogram of bread, supplemented with meat, tea, sugar and butter when and if these items were available. The hunger of the Red Army and its effect on the morale and strength of Europe’s eastern warfront were causes for concern for t
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