Academic literature on the topic 'Emblemata'

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Journal articles on the topic "Emblemata"

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Coupe, W. A., Daniel Cramer, and Sabine Modersheim. "Emblemata Sacra." Modern Language Review 93, no. 2 (April 1998): 560. http://dx.doi.org/10.2307/3735455.

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Russell, Daniel, Andrea Alciato, and Betty I. Knott. ""Emblemata" Lyons, 1550." Sixteenth Century Journal 29, no. 2 (1998): 597. http://dx.doi.org/10.2307/2544575.

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Cazalla Canto, Silvia, and José Javier Azanza López. "De animales, pecados y emblemas: tradición europea para una Emblemata americana." Boletín de Arte, no. 40 (November 27, 2019): 87–98. http://dx.doi.org/10.24310/bolarte.2019.v0i40.5556.

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La publicación en 1860 en New Haven (Connecticut, EE.UU.) de The Book of Similitudes, libro de emblemas de John Barber dirigido al beneficio espiritual de sus lectores, constituye un claro ejemplo de la influencia europea en la emblemática americana del siglo XIX, por cuanto entre sus fuentes se encuentran los “espejos del alma” de origen francés y germánico. Este artículo analiza un conjunto de emblemas alusivos a los pecados capitales alegorizados por animales, a través de los cuales sus autores desarrollan una catequesis que transita desde el esclavo del pecado hasta el reincidente, pasando por el arrepentido y el santificado. El estudio nos permite concluir que, más allá del paralelismo del mensaje y de la reelaboración de los emblemas europeos realizada por Barber para adaptarlos al credo metodista, la tradición animalista mantiene plena vigencia en la América del siglo XIX en su simbolismo de los pecados capitales.
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Miedema, Hessel, and F. W. G. Leeman. "Alciatus' Emblemata; denkbeelden en voorbeelden." Simiolus: Netherlands Quarterly for the History of Art 15, no. 2 (1985): 151. http://dx.doi.org/10.2307/3780662.

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Becker, Jochen, and F. W. G. Leeman. "Alciatus' emblemata: denkbeelden en voorbeelden." Zeitschrift für Kunstgeschichte 50, no. 4 (1987): 576. http://dx.doi.org/10.2307/1482429.

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Aleksandrova, Anna Dmitrievna. "Symbols and Emblemata. Peter the First." Interactive science, no. 1 (23) (January 22, 2018): 18–23. http://dx.doi.org/10.21661/r-467995.

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Mañas Núñez, Manuel. "Los emblemata physico-ethica de Nicolás Taurello." Anuario de Estudios Filológicos 42 (July 1, 2019): 169–87. http://dx.doi.org/10.17398/2660-7301.42.169.

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Guimier‑Sorbets, Anne‑Marie. "Des emblemata – pinakes déliens : iconographie, technique, usage." Bulletin de Correspondance Hellénique, no. 141.1 (June 1, 2017): 227–63. http://dx.doi.org/10.4000/bch.543.

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SAUNDERS, ALISON. "SIXTEENTH-CENTURY FRENCH TRANSLATIONS OF ALCIATI'S EMBLEMATA." French Studies XLIV, no. 3 (1990): 271–88. http://dx.doi.org/10.1093/fs/xliv.3.271.

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Pérez Jiménez, Aurelio. "Plutarco y los Emblemata amorum de Vaenius." Humanitas 63 (2011): 185–99. http://dx.doi.org/10.14195/2183-1718_63_10.

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Dissertations / Theses on the topic "Emblemata"

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Toro, Navarrete Juan Nicolás. "La alegoría del cupido fúnebre en Otto Vaenius: un análisis en emblemas de Amorum emblemata y Amoris divini emblemata." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/112732.

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Facultad de Filosofía y Humanidades
Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica, mención Literatura
El presente trabajo se centrará en la comparación de la representación alegórica de la relación entre el amor y la muerte en cuatro emblemas del pintor, dibujante y humanista, Otto van Veen, también conocido como Otto Vaenius. Específicamente nos centraremos en dos de sus tres libros de emblemas Amorum Emblemata (1608) y Amoris Divini Emblemata (1615). El género emblemático, inaugurado por el Emblematum Liber (1531) de Alciato, es poco conocido hoy en día, pero tuvo una gran importancia en los siglos XVI y XVII, pues respondía a las inquietudes pasatistas de la época, siguiendo, por una parte, la influencia de los epigramas latinos y por otra, la interpretación que tuvieron en este tiempo los jeroglíficos egipcios.
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Zapheiropoulou, Maria-Kalliope. "Emblemata vermiculata hellenistische und spätrepublikanische Bildmosaiken." Paderborn München Wien Zürich Schöningh, 2001. http://deposit.ddb.de/cgi-bin/dokserv?id=2752563&prov=M&dok_var=1&dok_ext=htm.

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Prinz, Stephan. "Juristische Embleme Rechtsmotive in den Emblemata des 16. bis 18. Jahrhunderts." Berlin Münster Lit, 2006. http://d-nb.info/993679080/04.

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Scarassatti, Marco Antonio Farias. "Emblemas sonoros, emblemas da memoria." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251841.

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Orientador: Milton Jose de Almeida
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-11T17:46:07Z (GMT). No. of bitstreams: 1 Scarassatti_MarcoAntonioFarias_D.pdf: 34515032 bytes, checksum: 86455cc8e7e97526bc993b5b961b8d3c (MD5) Previous issue date: 2008
Resumo : Esta pesquisa propôs a construção de emblemas sonoros a partir do estudo das imagens do jesuíta alemão do século XVII, Athanasius Kircher. Neste trabalho essas imagens são vistas como aglutinações simbólicas. Os emblemas foram trabalhados e recriados nas formas: literária, de imagem e musical, na construção de um campo sonoro/espacial relacionado ao pensamento do padre alemão, bem como nos arredores simbólicos da sua época e nas ressonâncias artísticas de outros períodos
Abstract : This research proposed the construction of musical emblems from the study of the images of the German Jesuit of the century XVII, Athanasius Kircher. In this work these images are seen as symbolic agglutinations. The emblems were worked and recreated in the forms: literary, of image and musical, in the construction of a resonant / space field relative to the thought of the German priest, as well as in the symbolic surroundings of his time and in the artistic resonance of other periods
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
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Löffler, Thorsten. "Emblematik zwischen Genealogie und Fürstenspiegel." Diss., lmu, 2008. http://nbn-resolving.de/urn:nbn:de:bvb:19-86692.

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Frankhäuser-Kandler, Judith. "Zur angewandten religiösen Emblematik in Kirchen Niederbayerns." Diss., Ludwig-Maximilians-Universität München, 2011. http://nbn-resolving.de/urn:nbn:de:bvb:19-156737.

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Sullivan, Joy Elizabeth. "Emblematic representation in the tragedies of Thomas Middleton." Thesis, University of Birmingham, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532285.

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Aravena, Ortíz Sebastián. "Rescate iconográfico y análisis de los emblemas del Ejército de Chile desde 1810 hasta 2010." Tesis, Universidad de Chile, 2008. http://www.repositorio.uchile.cl/handle/2250/112952.

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Diseñador Gráfico
No autorizada por el autor para ser publicada a texto completo
Este proyecto surge como una búsqueda de más instancias en el diseño, la idea de explorar cómo generar aportes nuevos en áreas diferentes a las más comunes en donde nuestra disciplina se ve relacionada, abriendo el espectro de funciones y nichos en donde el diseñador gráfico puede relacionarse y ayudar a construir. Una de las áreas en donde se puede trabajar es en la historia, dejar de mirar al futuro y a las nuevas tendencias estéticas para mirar hacia atrás, a lo que ya hemos pasado y hacer algo en función de ello, intentar rearmar nuestro pasado gráfico en función del diseño moderno. El proyecto se centra en el rescate patrimonial y valorización de los emblemas del Ejército de Chile a lo largo de los doscientos años de nuestro país. Estos signos pertenecen a nuestra historia gráfica y por eso es importante valorizarlos, sobretodo cuando se están perdiendo poco a poco. El otorgarles valor fortalece nuestra identidad como país aportando cultura y conocimiento de nosotros mismos. Para valorizar los emblemas el proyecto pretende aportar con un estudio de ellos, utilizando herramientas entregadas por diferentes pensadores del diseño y la semiótica, para generar un producto que no sólo los muestre sino que también hable de ellos. El proyecto será una publicación impresa que reunirá los diferentes emblemas del Ejército de Chile desde 1810 hasta 2010, que serán organizados y normalizados para luego, utilizando como base la semiótica, ser analizados desde tres puntos de vista: la sintaxis, la semántica y el pragmatismo.
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Sulzer, Dieter Sauder Gerhard. "Traktate zur Emblematik : Studien zu einer Geschichte der Emblemtheorien /." St. Ingbert : W.J. Röhrig, 1992. http://catalogue.bnf.fr/ark:/12148/cb35598459g.

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Bartley, Roseanne, and bartleybila@netspace net au. "The Crafting of Text on Emblematic Objects: Jewellery and Tableware." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090331.115853.

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This project examines the historical use of text on emblematic objects and through a studio-based practice investigates the signifying properties of object, text and material in the communication of symbolic message. It involves the manufacture of contemporary jewellery and tableware in traditional and non-traditional materials and references cultural and political themes. The symbolism of these themes has been explored through the visual and material applications of selected text, the collection and manipulation of found material (found with or without text), and how meaning can be symbolised through the transcendent manipulation of form. In my research I examined the established history of emblematic objects, which through their incorporation of text, their function and scale in relation to the body, organise, distinguish, categorise, unite or isolate groups of people. In my research I established that text has been employed by gold and silversmiths through out history and in a variety of ways - to narrate messages, as an abstract decoration, or as a means of identifying the maker but the graphic potential of text as a visible sign was rarely demonstrated. With this studio based project I was interested in investigating the signifying properties of text and the creation of a dynamic relationship between text, form and material as a means to communicate symbolic meaning. My research establishes the potential of the metaphoric and material language of jewellery and tableware to make reference to and communicate within contemporary cultural and political dialogues.
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Books on the topic "Emblemata"

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Henkel, Arthur, and Albrecht Schöne, eds. Emblemata. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-03677-3.

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Henkel, Arthur, and Albrecht Schöne, eds. Emblemata. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6.

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Bruck, Jacobus à. Emblemata politica. Hildesheim: Georg Olms Verlag, 2004.

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Dekoninck, Ralph, and Agnès Guiderdoni - Bruslé, eds. Emblemata sacra. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ifstu-eb.5.113773.

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Veen, Otto van. Amorum emblemata. Aldershot, England: Scolar Press, 1996.

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Alciati, Andrea. Emblemata: Lyons, 1550. Aldershot, Hants., England: Scolar Press, 1996.

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1568?-1622, Maier Michael, and Artists' Books Collection (Library of Congress), eds. Neo emblemata nova. [Easthampton, Mass: Wide Awake Garage, 1990.

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Wachowski, Krzysztof. Emblemata mediaevalia profana: Przykład Polski. Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 2013.

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Kreihing, Johann. Emblemata ethico-politica (Antwerp 1661). Turnhout: Brepols, 1999.

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Hesius, Gulielmus. Emblemata sacra de fide, spe, charitate. Hildesheim: G. Olms, 2002.

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Book chapters on the topic "Emblemata"

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Henkel, Arthur, and Albrecht Schöne. "Makrokosmos." In Emblemata, 1–25. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_1.

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Henkel, Arthur, and Albrecht Schöne. "Bild-Register." In Emblemata, 971–1014. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_10.

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Henkel, Arthur, and Albrecht Schöne. "Bedeutungs-Register." In Emblemata, 1015–39. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_11.

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Henkel, Arthur, and Albrecht Schöne. "Die Vier Elemente." In Emblemata, 27–69. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_2.

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Henkel, Arthur, and Albrecht Schöne. "Pflanzenwelt." In Emblemata, 71–182. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_3.

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Henkel, Arthur, and Albrecht Schöne. "Tierwelt." In Emblemata, 183–473. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_4.

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Henkel, Arthur, and Albrecht Schöne. "Menschenwelt." In Emblemata, 475–763. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_5.

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Henkel, Arthur, and Albrecht Schöne. "Personifikationen." In Emblemata, 765–92. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_6.

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Henkel, Arthur, and Albrecht Schöne. "Biblisches." In Emblemata, 919–34. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_8.

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Henkel, Arthur, and Albrecht Schöne. "Motto-Register." In Emblemata, 937–70. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-00002-6_9.

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Conference papers on the topic "Emblemata"

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Chellali, Ryad, and Ilaria Renna. "Emblematic Gestures Recognition." In ASME 2012 11th Biennial Conference on Engineering Systems Design and Analysis. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/esda2012-82481.

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This paper presents a framework allowing emblematic gestures detection, segmentation and their recognition for human-robots interaction purposes. This framework is based on a new coding of arms’ kinematics reflecting both the muscular activity of the performer and the appearance of arm seen by the recipient when a gesture is performed. Following that, gestures can be seen as sequences of torques activations leading arm’s parts to express a comprehensive meaning. In addition, these sequences have very stable topologies and shapes regardless to performers. This facilitates the generalization of the recognition process with a minimalistic learning effort for online usages. Promising results were obtained for a set of 5 classes of gestures performed by 19 different persons.
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Giannotta, Maria Teresa, Lara De Giorgi, Giovanni Leucci, Raffaele Persico, Loredana Matera, and Ada Riccardi. "Preventive archaeology: The emblematic case of Ruvo di Puglia, Italy." In 2015 8th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2015. http://dx.doi.org/10.1109/iwagpr.2015.7292685.

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Ousterhout, Thomas. "N400 congruency effects from emblematic gesture probes following sentence primes." In 2015 IEEE 19th International Conference on Intelligent Engineering Systems (INES). IEEE, 2015. http://dx.doi.org/10.1109/ines.2015.7329744.

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Iglesias, Eva L., Nieves R. Brisaboa, and Miguel R. Penabad. "Graphic Interface to Access a Multimedia Database on Spanish Emblematic Literature." In Proceedings of the 3rd International Workshop on Interfaces to Databases, Napier University, Edinburgh. BCS Learning & Development, 1996. http://dx.doi.org/10.14236/ewic/ids1996.12.

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"Are Tall Buildings and a Cityís Skyline Emblematic of City Competitiveness?" In 16th Annual European Real Estate Society Conference: ERES Conference 2009. ERES, 2009. http://dx.doi.org/10.15396/eres2009_315.

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Flórez de la Colina, María Aurora, Pilar Cristina Izquierdo Gracia, and Mercedes Valiente López. "LEARNING TO SEE: MADRID AND ITS HISTORY THROUGH THE ANALYSIS OF THE MOST EMBLEMATIC CITY BUILDINGS." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/inted.2016.1466.

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Mansour, Hicham, Noureddine BOUAROUROU, Jean-Pierre Roperch, Faouzi Habib, and Mourad Said. "Abstract A14: The transcriptomic landscape of the two emblematic colorectal cancer cell lines HCT116 and HT29." In Abstracts: AACR Special Conference: Colorectal Cancer: From Initiation to Outcomes; September 17-20, 2016; Tampa, FL. American Association for Cancer Research, 2017. http://dx.doi.org/10.1158/1538-7445.crc16-a14.

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Erogova, Olga, Marco Ceccarelli, Juan Ignacio Cuadrado Iglesias, Carlos S. Lopez-Cajun, and Vladimir E. Pavlov. "Agustin Betancourt: An Early Modern Scientist and Engineer in TMM." In ASME 2006 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/detc2006-99198.

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In this paper, we have presented the personality and activity of Agustin Betancourt who can be considered among the first modern mechanical (industrial) engineers with a strong formation and expertise in TMM. Indeed his activity can be considered as a significant example of personality in the early modern developments of TMM but also how TMM formation has been useful for engineers and managers in the overcoming Industrial Revolution. In particular, Betancourt can be seen as an emblematic example of the international vision of TMM and its application, since he has been a successful scientist, engineer, and manager in Spain, France, and then Russia.
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Valsamidis, Stavros Ioannis, Dimitrios Maditinos, and Athanasios Mandilas. "Innovative Business Models in Tourism Industry." In INNODOCT 2019. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10146.

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This study examines the business models of four emblematic Digital Disruptive Intermediaries (DDIs), Airbnb, TripAdvisor, Expedia and Booking.com. The sources are constituted mainly by surveys, articles and expert opinions which are the main argumentation sources. The best practices for an ideal business model in tourism industry through the analysis of the DDIs are the findings of the study. The main functions of the DDIs are Cataloguing, Reordering or filtering, Ranking and Recommending, Bundling, Sharing, Intent Casting, Channelling Actors, Pricing and Matching Actors. The originality of the paper derives from the SWOT analysis of the business models of the four well known DDIs. There is no previous analysis which evaluates the business models and discloses the main functions they perform.
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RAMOS, DANIELA KARINE, BRUNA SANTANA ANASTACIO, and GLEICE ASSUNÇÃO DA SILVA. "GAMIFICAÇÃO NA EDUCAÇÃO A DISTÂNCIA: ESTRATÉGIAS E CONTRIBUIÇÕES À APRENDIZAGEM." In 26º CIAED Congresso Internacional ABED de Educação a Distância. Associação Brasileira de Educação a Distância - ABED, 2020. http://dx.doi.org/10.17143/ciaed.xxviciaed.2020.62202.

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O OBJETIVO DESTE ESTUDO FOI DESCREVER O PROCESSO DE GAMIFICAÇÃO DE UMA DISCIPLINA OFERTADA EM DOIS CURSOS DE LICENCIATURA A DISTÂNCIA UTILIZANDO O MOODLE PARA ANALISAR INDICADORES QUE SINALIZEM AS CONTRIBUIÇÕES À APRENDIZAGEM. PARA TANTO, PARTICIPARAM DO ESTUDO 10 ESTUDANTES REGULARES DOS CURSOS DE MATEMÁTICA (N=8) E FÍSICA (N=2) A DISTÂNCIA. O TRABALHO DESENVOLVIDO CARACTERIZA-SE COMO SENDO DE CAMPO. OS RESULTADOS APONTAM QUE A AVALIAÇÃO FORMATIVA REALIZADA POR MEIO DA DISCIPLINA GAMIFICADA CONTRIBUIU COM A APRENDIZAGEM DOS ALUNOS. DESTACA-SE NESTE CONTEXTO QUE OS EMBLEMAS (OU BADGES) TIVERAM POUCA INFLUÊNCIA NA APRENDIZAGEM, BEM COMO, A EVIDÊNCIA DE QUE APENAS METADE DOS ALUNOS CONSIDERAM QUE OS DESAFIOS APRESENTADOS FORAM MOTIVADORES.
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Reports on the topic "Emblemata"

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Hoinkes, Ulrich. Indexicality and Enregisterment as Theoretical Approaches to the Sociolinguistic Analysis of Romance Languages. Universitatsbibliothek Kiel, November 2019. http://dx.doi.org/10.21941/hoinkesindexenregromlang.

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Social indexicality and enregisterment are basic notions of a theoretical model elaborated in the United States, the aim of which is to describe the relationship between the use of language variation and patterns of social behavior at the level of formal classification. This analytical approach is characterized by focusing on the interrelation of social performance and language awareness. In my contribution, I want to show how this modern methodology can give new impetus to the study of today’s problem areas in Europe, such as migration and language or urban life and language use. In particular, I am interested in the case of Catalan, which has been studied for some time by proponents of the North American enregisterment theory. This leads me to indicate that explicit forms of social conduct, such as language shift or the emblematic use of linguistic forms, can be interpreted with regard to the social indexicality of Catalan. I thus analyze them in a way which shows that authenticity and integration in Catalan society can be achieved to a considerable extent by practicing forms of linguistic enregisterment.
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