To see the other types of publications on this topic, follow the link: Emblemos.
Dissertations / Theses on the topic 'Emblemos'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Emblemos.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Nakvosas, Algirdas. "Heraldika kaip pagalbinis visuminio pažinimo ugdymo pagrindas VII – VIII klasių moksleivių popamokinėje veikloje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050525_163837-91407.
Full textAbstract:
This study comprises the basic of Heraldy and Military insignia of the Lithuanian Armed Forces and the other signs used in the Military. The first part of the study introduces the evolution of the military insignia used at the interwar time by Lithuanian Military Corps and nowadays modern Military insignia as well. Military Heraldy describes and represents the kind of Military Forces, Military corps, specialization even the country that the Military corps belong to. Also reflects the short details of country’s history and culture. Taking the artistical approach understanding of the Military insignia is related to the fine arts (painting, sculpture and graphics) to art of computer graphics (scanning, installation, composition) and communication (information delivery). Insignia of the Lithuanian Armed Forces are created according the rules of Heraldy and confirmed by the commission of the Lithuanian Heraldy.
Second part of the study analyses the cumulate material by the angle of the assumption of art cognition. Creation of the Military insignia requires deep knowledge and of art and good skills in practice. Such as tune-up of metal and colour, detail compositions are highly required. Colours and metals are usually selected regarding the Military inheritance. If the Military corps are named on the name of one of the great duke’s of Lithuania, than the colours and metals are taken from the duke’s family blazon.
Third part of the study describes the pedagogical experiment... [to full text]
2
Bird, Amber. "Emblems of Incarnation: The Hypostatic Union of Word and Image in Francis Quarles' Emblemes." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8924.
Full textAbstract:
Although recent scholars have attempted to recuperate the cultural and literary value of Francis Quarles' Emblemes, traditional emblematic interpretations categorize the images as merely illustrations of the poetic utterance. The investment of this paper shifts critical attention away from the content of Quarles' text as the only source of meaning and argues that meaning is contingent on the interpretation of both word and image. In order for the images of the text to have full consideration, I have stepped away from the traditional emblem metaphor of body and soul in favor of an incarnational metaphor that joins image and word in a hypostatic union of interpretation.
3
Dževečkaitė, Vaida. "Gestų emblemų kaita Lietuvoje nuo 1990 iki 2010 metų." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2001~D_20140627_164542-69507.
Full textAbstract:
Magistro baigiamojo darbo objektas – gestai emblemos. Darbo tikslas – išanalizuoti ir parodyti gestų emblemų kaitos ypatumus lyginat gestus emblemas naudojamus skirtingų generacijų grupių atstovų. Darbo uždaviniai pateikiant atliktų tyrimų duomenis, rezultatus, remiantis teorinėmis įžvalgomis išanalizuoti teoriškai ir emyriškai patvirtintus duomenis apie gestus emblemas, jų santykį su verbaliniu kodu, kultūra per se, naudojimo ir kaitos ypatybes; atlikus empirinį tyrimą, interviu – nustatyti ir įvertinti kaip skiriasi gestai emblemos, jų naudojimas, suteikiama reikšmė skirtingose generacijose; nustatyti kaip pakito gestai emblemos Lietuvoje per pastaruosius du dešimtmečius. Išanalizavus mokslinę literatūra, taikant bendruosius (aprašomasis, sisteminis, analitinis) metodus bei remiantis analoginiu ir indukciniu metodais, prieita prie išvados, kad gestai emblemos yra konvencinio pobūdžio gestai, kurie dalyvaudami kultūros kaitos procesuose kinta, panašiai kaip kinta žodinė kalba, o jų kaitos ypatybės konkrečioje kultūroje geriausiai matomos lyginat skirtingų generacijų leksikonus. Gestai emblemos kaip ir žodinė kalba, yra kultūriniai segmentai. Jų sukūrimą, įtraukimą į kasdienį individų leksikoną, jiems priskiriamos reikšmės, jų vizualinės išraiškos formos sukūrimą ir kitimą įtakoja kultūros kaitos ir raidos procesai: materialinių ir dvasinių kultūrinių vertybių kaita, kultūrų difuzijos, integracijos, niveliacijos, asimiliacijos procesai, taip pat socialinio, ekonominio... [toliau žr. visą tekstą]The subject of the final Master work is about emblematic gestures. The paper aims to analyze and to indicate change of emblematic gestures comparing their usage in different generations. The main tasks carried out in the work are to analyze theoretically and empirically verified data about emblematic gestures, their relationship with verbal code and culture as such, use and change specific features; After doing empirical study interview – the paper also aims to establish and to evaluate differences of emblematic gestures, their usage and their meaning in different generations; to show how emblematic gestures have changed in Lithuania due to last two decades. There are carried out thesis – emblematic gestures change as changes culture in which they are used and comparing emblematic gestures used in different generations, we can make inferences about their change. In order to ground thesis, theoretical data was collected and empirical research was held. The analysis of scientific literature had showed that most of emblematic gestures are cultural borrowings and that their changes in visual form and meaning are influenced by culture. Emblematic gestures as oral language are elements of culture. They are creation and usage in everyday talk. The meaning and form that they gain are influenced by the processes of cultural change and development: creation of material and spiritual values, processes of cultural integration, nivelation, assimilation also the change of political... [to full text]
4
Craig, Jennifer J. "Inventing 'living emblems' : emblem tradition in the masques of Ben Jonson, 1605-1618." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1307/.
Full textAbstract:
While it is widely held that Ben Jonson uses emblem tradition in the development of imagery in his court masques and entertainments, how or why Jonson employs this genre of word-image combinations is rarely addressed. This thesis offers an explanation for what is often assumed in studies of Jonson’s masques and entertainments. Rather than identifying particularly emblematic scenes or characters and analysing their construction, however, this investigation of the emblematic in Jonson begins with analysis of his theory of masque creation. The evidence he leaves in the introductions to masque publications and his notes in Discoveries (1641) points to a conscious decision to incorporate not emblems themselves but an emblematic method in his new literary masque form, especially between 1605 and 1618. Once Jonson’s familiarity with emblematic methods is realized, what is considered ‘emblematic’ in his imagery can be reassessed. The reason why Jonson’s masques appear to retain emblematic qualities but contain few true emblems can thus be explained. In order to explicate Jonson’s use of emblem tradition in his creation of masque imagery, this thesis is divided into three parts. The first part outlines Jonson’s theory of masque writing within three contexts. It initially looks at how Jonson’s literary methods compare to contemporary emblem and symbol theories, and thus works out a methodology for analysing the emblematic in his masques. Then, it considers the awareness of emblems in the early modern British court, both in material and intellectual culture. In so doing, these two sections on emblems in sixteenth- and seventeenth-century British culture highlight the prevalence of the emblematic mindset in Jonson and his aristocratic audience. This argues for the relevance of Jonson’s emblematic development of imagery for performances in the Stuart court. The second and third parts of this thesis then turn to the masques and entertainments themselves. Part II looks at how Jonson uses emblematic techniques to design characters. Recognizing Jonson’s different approaches to abstract personifications and mythological figures, it is split into two sections. The first section looks at key personifications in The Masque of Beautie (1608) and The Masque of Queenes (1609). It considers how Jonson changes the characters Januarius and Fama bona from personifications in Ripa’s Iconologia to emblematically-rendered figures. The second section then analyses Jonson’s reinvention of stock characters Cupid and Hercules. Discussion covers Cupid’s appearance in many of Jonson’s entertainments, and then concentrates on his appearance with Anteros in A Challenge at Tilt (1613) and Loves Welcome at Bolsover (1634). Hercules’ pointedly emblematic role in Pleasure reconcild to Vertue (1618) finally crowns study of Jonson’s characters. Part III extends investigation into Jonson’s development of themes and arguments in the masques. By identifying Jonson’s processes in the expression of certain themes, this part gives a full picture of Jonson’s use of emblematic techniques and material. The first section realizes their use in the moulding of Platonic themes of love into celebration of King and State. The second section then scrutinizes the invention of the Masques of Blacknesse (1605) and Beautie, Love Freed (1611), and The Golden Age Restor’d (1615). This is followed by analysis of the changes Jonson makes to emblematic constructions between Pleasure reconcild and its rewrite For the Honour of Wales (1618). The alterations highlight Jonson’s reliance on emblematic interpretation of his entertainments. At the same time, it marks his decision to subvert his techniques after 1618 in order to cater to court tastes following the failure of Pleasure reconcild. A conclusion to this thesis is thus derived from the comparison, which illustrates Jonson’s methods up to 1618.
5
Scarassatti, Marco Antonio Farias. "Emblemas sonoros, emblemas da memoria." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251841.
Full textAbstract:
Orientador: Milton Jose de AlmeidaTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-11T17:46:07Z (GMT). No. of bitstreams: 1 Scarassatti_MarcoAntonioFarias_D.pdf: 34515032 bytes, checksum: 86455cc8e7e97526bc993b5b961b8d3c (MD5) Previous issue date: 2008
Resumo : Esta pesquisa propôs a construção de emblemas sonoros a partir do estudo das imagens do jesuíta alemão do século XVII, Athanasius Kircher. Neste trabalho essas imagens são vistas como aglutinações simbólicas. Os emblemas foram trabalhados e recriados nas formas: literária, de imagem e musical, na construção de um campo sonoro/espacial relacionado ao pensamento do padre alemão, bem como nos arredores simbólicos da sua época e nas ressonâncias artísticas de outros períodos
Abstract : This research proposed the construction of musical emblems from the study of the images of the German Jesuit of the century XVII, Athanasius Kircher. In this work these images are seen as symbolic agglutinations. The emblems were worked and recreated in the forms: literary, of image and musical, in the construction of a resonant / space field relative to the thought of the German priest, as well as in the symbolic surroundings of his time and in the artistic resonance of other periods
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
6
Carnochan, Robert Marbury. "Aaron Copland's Emblems /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Full text
7
Kotb, Mohamed. "Emblems in the digital age." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29513.
Full textAbstract:
This thesis deals with the representation of emblem literature in digital media in the modern age. A discussion of issues related to new media such as the advantages and disadvantages of digital media as well as copyright issues is presented. There follows a discussion of different technologies related to modern means of publishing, notably Acrobat technology, HTML, XHTML, and XML, and how they could be best used to serve the goal of dealing with emblems by means of digital media. A discussion of digitizing and indexing emblems as well as CD-ROM technology is also presented. This leads to an evaluation of some Internet web sites and a CD-ROM edition. The thesis concludes with a summary evaluating the success of modern attempts of presenting emblem literature in modern digital media.
8
Stagni, Reno. "Imagens alquímicas renascentistas: um estudo preliminar do manuscrito La génération et opération du grand oeuvre pour faire de l or (1620)." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/13401.
Full textAbstract:
Made available in DSpace on 2016-04-28T14:16:35Z (GMT). No. of bitstreams: 1
Reno Stagni.pdf: 4141111 bytes, checksum: 2cc8002a9378efb09dbf78cce5de9654 (MD5)
Previous issue date: 2008-10-03Conselho Nacional de Desenvolvimento Científico e Tecnológico
The objective of this study is to analyze, among the multiple aspects that permeate the alchemical tradition, one that treats the relation between image and text as a way to the knowledge stored in the books, and to try to evidence some aspects of the use of the image as a tool to decode the verbal text. Therefore it was chosen, as case study, the manuscript La Génération et Opération du Grand OEuvre pour Faire de l Or (The Generation and Operation of the Great Work to Make Gold), anonymous manuscript, copied in the first quarter of the XVII century, whose comparison with alchemical works related to that same period provided the analysis, object of this study
O objetivo deste estudo é analisar, dentre os múltiplos aspectos que permeiam a tradição alquímica, aquele que trata das relações entre imagem e texto como via de acesso aos conhecimentos guardados nos livros, e tentar evidenciar alguns aspectos do uso da imagem como instrumento de decodificação do texto verbal. Para tanto foi selecionado, como estudo de caso, o manuscrito La Génération et Opération du Grand OEuvre pour Faire de l Or (A Geração e Operação da Grande Obra para Fazer Ouro), manuscrito anepígrafo, copiado no primeiro quartel do século XVII, cujo confronto com outras obras alquímicas do mesmo período, propiciou a análise, objeto deste estudo
9
Merz, Andreas. "Embleme im interkulturellen Vergleich." Master's thesis, Universitätsbibliothek Leipzig, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-126381.
Full textAbstract:
The following thesis highlights intercultural misunderstandings that can occur due to different semantic values of emblems, a gesture generally defined as having an accepted verbal translation in a certain culture or community. To illustrate such problems, the semantic meanings of sixteen emblems in Colombia and Germany are analyzed. Misunderstandings caused by the use of these emblems are then explained from a communicative point of view, using Austin’s speech-act theory.
10
Aravena, Ortíz Sebastián. "Rescate iconográfico y análisis de los emblemas del Ejército de Chile desde 1810 hasta 2010." Tesis, Universidad de Chile, 2008. http://www.repositorio.uchile.cl/handle/2250/112952.
Full textAbstract:
Diseñador GráficoNo autorizada por el autor para ser publicada a texto completo
Este proyecto surge como una búsqueda de más instancias en el diseño, la idea de explorar cómo generar aportes nuevos en áreas diferentes a las más comunes en donde nuestra disciplina se ve relacionada, abriendo el espectro de funciones y nichos en donde el diseñador gráfico puede relacionarse y ayudar a construir. Una de las áreas en donde se puede trabajar es en la historia, dejar de mirar al futuro y a las nuevas tendencias estéticas para mirar hacia atrás, a lo que ya hemos pasado y hacer algo en función de ello, intentar rearmar nuestro pasado gráfico en función del diseño moderno. El proyecto se centra en el rescate patrimonial y valorización de los emblemas del Ejército de Chile a lo largo de los doscientos años de nuestro país. Estos signos pertenecen a nuestra historia gráfica y por eso es importante valorizarlos, sobretodo cuando se están perdiendo poco a poco. El otorgarles valor fortalece nuestra identidad como país aportando cultura y conocimiento de nosotros mismos. Para valorizar los emblemas el proyecto pretende aportar con un estudio de ellos, utilizando herramientas entregadas por diferentes pensadores del diseño y la semiótica, para generar un producto que no sólo los muestre sino que también hable de ellos. El proyecto será una publicación impresa que reunirá los diferentes emblemas del Ejército de Chile desde 1810 hasta 2010, que serán organizados y normalizados para luego, utilizando como base la semiótica, ser analizados desde tres puntos de vista: la sintaxis, la semántica y el pragmatismo.
11
Barr, Julie E. "A comparative, iconographic study of early-modern, religious emblems." Thesis, Connect to e-thesis, 2008. http://theses.gla.ac.uk/274/.
Full text
12
Erickson, Valerie J. "Mapping England's Trade Through Depictions in English Emblems." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/2258.
Full textAbstract:
This thesis explores the growing interaction between England and foreign countries comparing their trade with contemporary later sixteenth century and seventeenth century English emblems. The emblems used are those available over the internet from several different library and university sources. As England expanded its trade throughout the world, English emblems began to show the exchange occurring between England and its various trading partners. Historians have largely overlooked this valuable source of information. By studying emblems historians gain invaluable insight into the economy, society, politics, religion, and other matters with which England was concerned.
13
Eardley, Alice. "An edition of Lady Hester Pulter's Book of 'Emblemes'." Thesis, University of Warwick, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488491.
Full textAbstract:
Lady Hester Pulter's literary manuscript, comprising over one hundred poems and a prose romance, was uncovered in Leeds University Brotherton Library in 1996. Since then, there has been increasing scholarly interest in Pulter's compositions but as yet no edition of her text has been produced.
14
Bozzi, Caroline. "Emblems of Home: An Idea for Multi-Family Living." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522165335300957.
Full text
15
LIBONATI, Mariana Coêlho. "Facebook como plataforma de emblemas de consumo de intercambistas de graduação." Universidade Federal Rural de Pernambuco, 2017. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7514.
Full textAbstract:
Submitted by Mario BC (mario@bc.ufrpe.br) on 2018-09-05T12:24:54Z
No. of bitstreams: 1
Mariana Coelho Libonati.pdf: 5758386 bytes, checksum: 98e31d2f005cc3f89008ccea03d1ead5 (MD5)Made available in DSpace on 2018-09-05T12:24:54Z (GMT). No. of bitstreams: 1 Mariana Coelho Libonati.pdf: 5758386 bytes, checksum: 98e31d2f005cc3f89008ccea03d1ead5 (MD5) Previous issue date: 2017-08-31
In the contemporary world, mobile devices increasingly feed the excess and speed of information on social networks, they also help to stimulate even more the habit of the human being to "show up", since he lives immersed in these networks. Along with that, coexist the brands that propagate ideals of the "perfect" life with hedonic characteristics, such as happiness, status, beauty, self-esteem, confidence, youth, etc., due to the established relations also on networks. The present study has studied how the consumption badges occurs on Facebook, by students who have undergone the undergraduate international exchange program offered by the Brazilian Government "Sciences without Borders". It was a search for understanding how the new construction of the individual's identity in digital social networks occurs, since this individual is deterritorialized, and if there is space in the virtual world for the exposition of anguishes and fragilities or only for the idealization of the self that lives a recreated experience.
No mundo contemporâneo, os dispositivos móveis alimentam cada vez mais o excesso e a rapidez das informações veiculadas nas redes sociais, contribuindo, inclusive, para estimular ainda mais o hábito do ser humano “mostrar-se”, pois ele vive imerso nessas redes. Com ele, coexistem as marcas que propagam ideais de vida “perfeita” e com características hedônicas, dentre as quais se destacam a felicidade, o status, a beleza, a autoestima, a confiança, a juventude, etc., a partir das relações estabelecidas também nas redes. O presente trabalho estudou como se dão os emblemas de consumo no Facebook, por estudantes que realizaram intercâmbio internacional na graduação pelo programa do governo brasileiro Ciências Sem Fronteiras. Foi uma busca por compreender como ocorre a nova construção da identidade do indivíduo nas redes sociais digitais, já que esse se encontra desterritorializado, e se existe espaço no mundo virtual para a exposição de angústias e fragilidades, ou apenas para a idealização do eu que vive uma experiência recriada.
16
Schlotzhauer, May. "Gotô Baramon Kite as Emblem." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13432.
Full textAbstract:
The Baramon is a handmade kite from the Gotô Islands in Nagasaki Prefecture, Japan. Its motif features a fierce ogre biting an ornate warrior's helmet. Today, the Baramon is widely recognized as a unique Gotô product. However, nearby regions of Nagasaki also produce similar traditional kites. How and why was the Baramon's exclusive connection to Gotô cultivated and how does it affect notions of regional identity in contemporary Gotô? This thesis argues that while the Baramon belongs to the broader repertoire of Nagasaki kite types, the people of Gotô have gradually appropriated it as a regional symbol by selectively associating particular aspects of Gotô culture and history with the kite's iconography and shape. Consequently, it has become an officially recognized emblem of Gotô. Moreover, the playful transmutation of the Baramon continues in the tourist industry's continuous efforts to revitalize Gotô's image by promoting local history and culture.
17
Jammermann, Marco. "Das musikalische Labyrinth als Emblem." Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36715.
Full text
18
Murphy, Roberta. "Headstone Iconography: Documentation and Interpretation of Fraternal Emblems at Greenwood Cemetery, Orlando." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1180.
Full textAbstract:
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Sciences
Anthropology
19
Kalkat, Saloni Kaur. "Daughter, Wife, Mother: Women as Emblems of Indian Authenticity Throughout the Diaspora." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/925.
Full textAbstract:
It has been over a century since the maternal side of my family has resided in the natal land of our cultural heritage and religious proclivities – Punjab, India, where Sikhism was established. As an American I continue this extension of our roots from their source. Through the process of shifting location, cultural confluence, and passing time the experiences of the women in each successive generation of my family have altered significantly through our diasporic existence. However, even in the aftermath of colonization and immigration, the enduring responsibility of women is reliant upon their relation to family.
This ideology is imbued through the words of the Sikh holy text, the Guru Granth Sahib, as well as broader Indian cultural norms regarding gender roles. Implicit in the religious tradition of locating family in female members lies the practice of making women emblematic of cultural survival. Thus, within their role of sustaining physical life women also sustain culture. This becomes increasingly important when culture is extracted from its source. Despite dispersion across the world, the women in my family have continued to fulfill the responsibility of the safekeeping of culture and traditions.
My series of three portraits, Daughter, Wife, Mother, illustrates the primary familial ties that determine an Indian woman’s identity throughout her life, and evokes the duty of cultural preservation that is associated with each of them. These oil paintings are based off of photos of me, my mother, and my grandmother from our family archive. Daughter, Wife, Mother lacks any indications of time period or specific location, thus asserting that this gendered life journey has persisted throughout my family’s diaspora.
20
Malbouires, Virginie. "Les emblèmes du monastère franciscain de Cimiez à Nice : analyse ethnoculturelle et iconographique." Nice, 1996. http://www.theses.fr/1996NICE2035.
Full textAbstract:
Les emblèmes réalisés au XXVIIe siècle au monastère franciscain de Cimiez, comme toute cette vogue à l'époque à son apogée, sont placés sous le signe du voile et de l'énigme. Ils appellent inéluctablement une interprétation qui, aujourd'hui, exige au préalable l'acquisition d'une certaine familiarité avec leur milieu de production. L'étude du franciscanisme, de l'emblématise et des croyances et traditions relatives aux motifs représentés permet donc de progresser vers leur compréhension. Au terme de cette démarche progressive, il apparaît que le cycle emblématique de la sacristie, dédié à l'assomption de la vierge, évoque en outre les différentes démonstrations de la pureté mariale. Quant au cycle de l'oratoire, dédié au saint nom du Christ, il recèle des allusions à l'eucharistie et au sacré coeur. Ces emblèmes sont donc à la fois représentatifs de la religiosité de cet ordre et de cette époque mais également originaux par la polysémie dont ils font preuve qui les projette, au-delà des œuvres de dévotion et d'édification, dans le domaine de la méditationThe emblems realised at the XVII th century in the franciscan monastery of Cimiez, as all this vogue at this time at its apogee, implicate veil and enigma. They request an interpretation which, today, require to become familiarized with their production background. The study of franciscanism, emblematism and traditions and believes about the represented patterns allows to progress toward their comprehension. At the end of this approach, it appears that the emblematic cycle of the sacristy, dedicated to the virgin assumption, also treats about the different expressions of the marial purity. As regards the cycle of the oratory, dedicated to the Christ's holy name, it contains allusions to the eucharisty and the sacred heart. Therefore, these emblems are representative of the religiosity of this order and this time but at once original by the polysemy they convey. So, they go further than the devotion and edification works to the meditation field
21
AUBOURG, ODILE. "Analyse des emblemes des partis gaulliste et socialiste symboles d'une politique, 1946 a 1986." Paris 10, 1995. http://www.theses.fr/1995PA100163.
Full textAbstract:
Au cours des ages, grace a l'evolution des cultures et des esprits, le rituel politique se traduit dans un langage nouveau, la symbolique. Cette etude vise a presenter un ensemble de "rites" politiques destines a dejouer les ruses des partis, a ouvrir la porte des coulisses du pouvoir. Cette recherche s'est effectuee sur la base d'un corpus visuel de 151 affiches. Afin de pouvoir aboutir a des conclusions precises et constructives, l'analyse s'est limitee aux periodes clefs des evenements politiques de 1946 a 1986 : les campagnes presidentielles et legislatives. Aucune methodologie exacte est actuellement en place pour lire, comprendre et interpreter le langage de l'affiche politique. L'objectivite de ce travail s'appuie sur la mise en oeuvre d'une grille de lecture semantique. Quatre grilles d'etudes criteriologiques sont utilisees (signe repere les representations de l'embleme - signe banniere les composantes discursives - signe de rencontre les constituants iconiques - signe de fixation les codes ico niques et textuels). La construction des affiches se resume selon le principe systemique de coirsement de ces quatre signes. La perception du symbole exclut l'attitude du simple spctateur, elle exige une participation d'acteur. Au fil des affiches la vie politique se theatralise. Opera, drame ou comedie bourgeoise, la representation politique porte les traces d'une mise en espace permanenteIn the course of ages, owing to changes in cultures and ideas, the political ritual is conveyed through a particular symbolic language. This essay tends to set forth a body of political rites assigned to this essay tends to set forth a body of political rites assigned to outmanoeuvre the parties tricks, to pull the strings of power. This research has been carried out on the basis of a 151 posters visual corpus. In order to bring to sound outcomes, the analysis has been restricted to the main periods of 1946 - 1986 political hostory : the presidential and parliamentary electoral dives. At the time, there is no strict methology allowing the reading, understanding and interpreting of the political poster language. The objectiveness of our undertaking is built upon the implementation of a semantic deciphering pattern. We have made use of for criterion-based patterns which are : sign "reference" the images of the emblem - sign "banner" the discursive components - sign " meeting " the iconic components - sign ""fixing" the iconic and textuel code. The composition of posters is summed up according to the method of the four signs crossing. . . The feeling of symbol is incompatible with the coomon spectator attitude, it requires participating as an actor. Political life is turned into a play by posters influence. The political representation, opera, drama or middle-class farce, is marked by the current process of imbodiness
22
Leal, Pedro Germano Moraes Cardoso. "O espelho dos hier?glifos: da ru?na das letras eg?pcias ? sua reinven??o quim?rica entre os s?c. XV e XVII." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16148.
Full textAbstract:
Made available in DSpace on 2014-12-17T15:06:44Z (GMT). No. of bitstreams: 1
PedroGL.pdf: 4055992 bytes, checksum: 07612ef4f6c8a37bccd1cdde0131f320 (MD5)
Previous issue date: 2009-01-30Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This master thesis is an overview of how the Egyptian writing became a ruin, and then was mythunderstood by the Western culture through speculations based on its figurative appeal or by its magical nature this invention results not only in new idea of writing, but also in many graphical experiments which take part in the creation of the Renaissance and Baroque visual identity
A presente disserta??o ? um panorama de como a escrita hierogl?fica eg?pcia se torna uma ru?na e ent?o ? reinterpretada pelo Ocidente atrav?s de especula??es motivadas por seu apelo imag?tico ou por seu car?ter m?gico uma inven??o que resulta n?o apenas numa nova id?ia escrita, transcendental, mas que se desdobra em v?rias experimenta??es gr?ficas que participam ativamente da cria??o da identidade visual do Renascimento e Barroco
23
Selig, Karl-Ludwig. "Studies on Alciato in Spain /." New York : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb35525986k.
Full text
24
Potter, Dylan D. "Angelology in situ : recovering higher-order beings as emblems of transcendence, immanence and imagination." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3032.
Full textAbstract:
The aim of this study is twofold: to identify the theological purpose underlying the depiction of angels at certain key points in the history of their use, and to explore how far that deeper theological rationale can be re-appropriated for our own day. This study first traces the progression of the angelic motif in the Hebrew Scriptures. By examining numerous pericopes in the Pentateuch, major prophets and Daniel, I demonstrate that the metamorphosis of higher-order beings like the angel of the Lord, cherubim and seraphim, is directly related to the writers' desire to enhance God's transcendence. Next, I evaluate pseudo-Denys' hierarchical angelology, which prominent theologians like Luther and Calvin condemned as little more than a Neoplatonic scheme for accessing God through angels. I propose that not only has pseudo-Denys' Neoplatonism been overstated, but that his angelology is particularly noteworthy for the way it accentuates Christ's eucharistic immanence to the Church. Then I maintain that because assessments of Aquinas' angelology are often based upon the Summa Theologiae, his views are wrongly portrayed as overtly philosophical, rather than biblical and exegetical. In his lesser-known biblical commentaries, however, Aquinas pushes the semantic range of the word ‘angel' to include aspects of the physical world, which unveils an imaginative, Christocentric, and scriptural dimension of his angelology that is rarely acknowledged. The conclusion considers how contemporary figures and movements relate to these three angelologies. Barth emphasises the transcendent God but unlike Hebrew Scripture, weakens connections between God and angels. New Ageism affirms the immanent angel but unlike pseudo-Denys, does so at the expense of Christology and ecclesiology. Contemporary ecological discourse generally lacks Aquinas' appreciation for an imaginative, supernatural approach to the world. Finally, I ground the angels' relationship to transcendence, immanence and imagination in an experiential, eucharistic context.
25
Sperry, Amanda N. ""Emblems of adversity" W. B. Yeats's poetics of violence and contemporary Northern Irish poetry /." Winston-Salem, NC : Wake Forest University, 2009. http://dspace.zsr.wfu.edu/jspui/handle/10339/41353.
Full text
26
Ferguson, Ailsa Grant. "Catching the Conscience : Receding Shakespearean Emblems of Mortality In Counter-hegemonic Cinema, 1987-2000." Thesis, University of Bristol, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520312.
Full text
27
Calogero, Elena Laura. "Ideas and images of music in English and Continental emblem books /." Baden-Baden : Verlag Valentin Koerner, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783873204393.
Full textAbstract:
Zugl.: teilweise Diss. Univ. Firenze, 2001.Originaltitel: "Lo, Orpheus with his harpe" : la musica nei libri di emblemi inglesi, 1565-1700, Titel der Originaldissertation. Bibliography: S. 239-266.
28
Prinz, Stephan. "Juristische Embleme Rechtsmotive in den Emblemata des 16. bis 18. Jahrhunderts." Berlin Münster Lit, 2006. http://d-nb.info/993679080/04.
Full text
29
Savage, Christopher Tyra. "Alternative Epigraphic Interpretations of the Maya Snake Emblem Glyph." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2093.
Full textAbstract:
This thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the "Lord of the Snake." Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as originating from a broad area containing the sites of El Peru and La Corona in Guatemala, and Dzibanche, Mexico, a departure from the longstanding choice of Calakmul, Mexico. Unprovenanced snake emblem glyph texts have been cataloged under a "Site Q" designation ('Q' for the Spanish word Que, meaning "which") by Peter Mathews. Site Q is thus not securely identified geographically, which confounds efforts to designate a particular site as the snake emblem glyph site. Other problems with the snake emblem glyph, such as its geographically wide dispersal, hint that it is not a title of a particular city or region. Yet another problem is "a proper fit" between the individuals listed on unprovenanced material and individuals named at sites associated with the snake emblem glyph. It is argued that the interpretation of the snake emblem glyph differs from how emblem glyphs are presently understood. Rather than representing a physical location, the snake emblem glyph represents a mythological place or "state," containing members who legitimize their lineage (association) through ritual events such as communication with supernaturals via the vision serpent. The specialists perform rituals, scatterings, are ballplayers, and witness events. They are rarely associated with accession, which by current interpretation is implicitly tied to emblem glyphs.M.A.
Department of Liberal and Interdisciplinary Studies
Graduate Studies;
Liberal Studies MA
30
Tahbaz, Sofia. "Emblem use in parent-child interaction : A longitudinal study." Thesis, Stockholms universitet, Institutionen för lingvistik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144167.
Full textAbstract:
This thesis investigates emblem use exploratory in parent-child interaction. Emblems are conventional gestures with a verbal equivalent. The aim of this study was to answer if emblem use facilitates language acquisition. Formulaic gestures – fixed gestures accompanying songs – were examined as a subgesture of emblems. 20 children and their parents’ emblem use were recorded when interacting freely at seven age points: 6, 9, 12, 15, 18, 21 and 24 months. Emblem use was correlated to the children’s productive vocabulary at 30 months. The results showed that parental emblem use at 24 months and child emblem use at 15 months predicted child productive vocabulary at 30 months. T-tests showed how emblem production of children in a lower productive vocabulary group differed from children in a higher productive vocabulary group. A difference between the children of the lower productive vocabulary group and the children of the higher productive vocabulary group emblem use was also found at 15 months, indicating emblem use being important in language acquisition. Formulaic gestures did not correlate to child productive vocabulary. Emblem use developed along with child age and probably inherently with word production. Parents adjust their emblem use to the child’s age and/or possibly language skills, suggesting that child-directed gesturing occurs in parent-child interaction.Den här studien undersöker emblemanvändning explorativt i förälder-barninteraktion. Emblem definieras som konventionella gester med en verbal motsvarighet. Målet i denna studie var att undersöka om emblemanvändning underlättar språktillägnande. Fasta gester – gester tillhörande sånger – undersöktes som en underkategori till emblem. 20 barn och deras föräldrar spelades in när de interagerade fritt vid sju ålderspunkter: 6, 9, 12, 15, 18, 21 och 24 månader vilket också korrelerades med barnets produktiva ordförråd vid 30 månader. Resultaten visade att föräldrars emblemanvändning vid 24 månader och barns emblemanvändning vid 15 månader korrelerade med barnens ordförråd vid 30 månader, vilket indikerar att emblemanvändning vid dessa ålderspunkter förutsäger ordförrådets storlek några månader senare. T-tester visade att emblemproducering hos barn skiljde sig åt mellan gruppen med barn med lägre produktivt ordförråd och gruppen med barn med högre produktivt ordförråd. Vid 15 månader fanns också en signifikant skillnad mellan grupperna vilket indikerar att emblem spelar en viktig roll vid språktillägnandet. Fasta gester visade ingen korrelation med barnets språkutveckling. Barnens emblemproduktion utvecklades med åldern och troligtvis tillsammans med ordproduktion. Föräldrar verkar justera sitt emblemanvändande till barnets ålder och/eller språkkunskaper, vilket indikerar att ett barnriktat gestikulerande finns vid förälder-barn interaktion.
Modelling child language acquisition from parent-child interaction (MINT: MAW 2011:007)
31
Köhler, Johannes. "Der "Emblematum liber" von Andreas Alciatus, 1492-1550 : eine Untersuchung zur Entstehung, Formung antiker Quellen und pädagogischen Wirkung im 16. Jahrhundert /." Hildesheim : A. Lax, 1986. http://catalogue.bnf.fr/ark:/12148/cb349338330.
Full text
32
SANTOS, Luísa Ximenes. "A palavra e a imagem: usos da emblemática na Assistência portuguesa da Companhia de Jesus." Universidade Federal de Pernambuco, 2015. https://repositorio.ufpe.br/handle/123456789/16640.
Full textAbstract:
Submitted by Isaac Francisco de Souza Dias (isaac.souzadias@ufpe.br) on 2016-04-15T18:02:51Z
No. of bitstreams: 2
license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5)
DISSERTAÇÃO Luisa Ximenes Santos.pdf: 9108209 bytes, checksum: afdd0adc2b3d772300927fd6f92a6521 (MD5)Made available in DSpace on 2016-04-15T18:02:51Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTAÇÃO Luisa Ximenes Santos.pdf: 9108209 bytes, checksum: afdd0adc2b3d772300927fd6f92a6521 (MD5) Previous issue date: 2015-08-27
CNPQ
Nesta dissertação pretendemos analisar o uso da emblemática feito pelos jesuítas da Assistência portuguesa da Companhia de Jesus. Para tanto, por tratar-se de um tipo de linguagem, ou seja, de uma forma de discurso, tomamos como ponto de partida a reflexão acerca do ensino da retórica clássica nas instituições educacionais administradas pela Companhia, cujo programa de ensino era herdeiro dos modelos humanísticos. Fundada num momento em que a Igreja Católica rediscutia o papel da imagem na difusão da fé, a Ordem jesuítica demonstrou grande preocupação não só com o discurso proferido e escrito, mas também com aquele expresso através de imagens. Refletimos sobre o papel da Companhia na difusão, circulação e produção da emblemática a partir de uma abordagem em que os emblemas são considerados mais do que simplesmente uma forma de comunicar a mensagem cristã. Além de um instrumento didático, essa linguagem simbólica que coaduna texto e imagem foi uma das formas possíveis de discurso moralizante e político. Analisamos, assim, alguns testemunhos do uso da emblemática feito pelos jesuítas em impressos, cerimônias e edificações em Portugal e nos domínios ultramarinos lusitanos.
The purpose of this study is to analyze the use of emblems by the jesuits of the Portuguese Assistancy in the Society of Jesus. Therefore, since it is a type of language, in other words, a form of speech, our starting point was the reflection of the teaching process of classical rhetoric in the educational institutions organized by the Society, whose teaching program was influenced by humanistic models. Founded in a period when the Catholic Church was once again debating the role of images in the task of spreading the faith, the jesuits showed great concern not only with the speech that was being presented through spoken and written languages, but also with the one given through the use of images. This study focus on the role of the Society in the spreading and production of emblems through an approach where they are considered more than a simple way to communicate the Christian message. Much more than a didactic instrument, this symbolic language, which merges both text and image, was moralistic and political. Considering that, we analyze some examples of emblems used by the jesuits in publications, ceremonies and edifications in Portugal and in overseas portuguese areas of dominance.
33
BOUZY, CHRISTIAN. "Recherches sur la litterature emblematique espagnole au seizieme siecle : les emblemas morales de juan de horozco y covarrubias (1589)." Université Marc Bloch (Strasbourg) (1971-2008), 1990. http://www.theses.fr/1990STR20010.
Full textAbstract:
La these replace d'abord l'auteur et son ouvrage dans leur environnement historico-litteraire et fait le point sur des problemes de definition specifiques a la litterature emblematique. Elle etudie ensuite la lisibilite des emblemas morales sous leurs aspects morpho-syntaxiques, lexico-semantiques et rhetorico-pragmatiques avant de considerer leur visibilite en fonction d'une etude iconographique et iconologique; elle apprehende egalement les relations entre le texte et l'image. Finalement, elle etablit une triple typologie des emblemes (signifiant-signifie-referent) dans un but epistemologique, brosse un panorama de l'intertextualite dans l'ouvrage, et repere les sources morales de l'auteur. Metaphore oubliee, l'embleme a ete l'expression symbolique la plus en vogue aux 16e et 17e siecles. Les moralistes espagnols l'ont mis a profit a des fins catechistiques et didactiques. Les emblemas morales de jdh. Se situent dans la lignee neo-stoicienne mais se confinent dans l'orthodoxie religieuse en depit de references mythologiques qui demontrent la vigueur de la tradition humaniste en espagne a la fin du 16e siecle. Dans le dialogue entre l'image et le texte poetique, la rhetorique iconico-verbaleou s'entrecroisent symboles, allegories et exempla-, fruit d'une pensee de type obsessionnel fondee sur les acquis culturels de l'antiquite biblique et paienne, se met au service d'une modernite manieriste et conceptiste. Plus qu'un simple manuel de morale, l'ouvrage est tout ensemble traite de l'education du prince, catechisme pour erudit et parenese a propos de la mort. Futur eveque, l'auteur y montre tout l'art oratoire d'un ecclesiastique erudit de l'epoque. Alliant la rethorique des citations a la rhetorique des figures, jdh. Utilise les puissances pragmatiques de l'image afin de provoquer chez le lecteur une emotion qui doit le pousser a l'action. Tout au long des emblemes et des gloses qui les accompagnent, l'auteur mene une reflexion d'ou se degage une nouvelle vision morale du monde, celle du desenganoThis thesis places the author and his work in their historical and literary context and highlights the problems of definition inherent in the literature of emblems. It subsequently examines the accessibility of the e. M. Seen from the morphological-syntaxical, lexical-semantic and rhetorical-pragmatic point of view and then goes on to study the transmission of their message with reference to iconography and iconology. It also treats the relationship between the text and the image ending with a triple classification of the emblems (signifier, signified and reference) with regard to epistemology, gives the broad outlines of intertextuality and traces the author's moral sources. The emblem, which is now a neglected metaphor, was a symbolic means of expression very used in the 16th and 17th c. The spanish moralists used it in their teaching. In his work, jdh. Placed himself in the neo-stoic tradition but stayed within the bounds of very prudent religious orthodoxy in spite of numerous mythological references which show the power of the humanistic tradition in spain at the end of the 16th century. In the interaction of image and poetry, the iconical and verbal rhetoric (with many symbols, allegories and exempla) shows an obsessional way of thinking based on the inheritance of antiquity both biblical and pagan which is edging its way towards a mannerist modernity. More than a simple moral treatise the e. M. Are a combination of precepts for a prince, catechism for the learned and sermon on death. The author who was later to be given a bishopric, had thoroughly mastered the preacher's art of a learned ecclesiastic of his time. Jdh brings into play the powerful forces of imagery in order to provoke the emotion of reader. Emblems and explanations are encompassed by ideas which provide a new moral vision of the world, that of desengano
34
Toro, Navarrete Juan Nicolás. "La alegoría del cupido fúnebre en Otto Vaenius: un análisis en emblemas de Amorum emblemata y Amoris divini emblemata." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/112732.
Full textAbstract:
Facultad de Filosofía y HumanidadesInforme de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica, mención Literatura
El presente trabajo se centrará en la comparación de la representación alegórica de la relación entre el amor y la muerte en cuatro emblemas del pintor, dibujante y humanista, Otto van Veen, también conocido como Otto Vaenius. Específicamente nos centraremos en dos de sus tres libros de emblemas Amorum Emblemata (1608) y Amoris Divini Emblemata (1615). El género emblemático, inaugurado por el Emblematum Liber (1531) de Alciato, es poco conocido hoy en día, pero tuvo una gran importancia en los siglos XVI y XVII, pues respondía a las inquietudes pasatistas de la época, siguiendo, por una parte, la influencia de los epigramas latinos y por otra, la interpretación que tuvieron en este tiempo los jeroglíficos egipcios.
35
Juárez, Uribe José Carlos. "Los símbolos patrios : la reminiscencia de lo colonial." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2016. http://tesis.pucp.edu.pe/repositorio/handle/123456789/7667.
Full textAbstract:
Los símbolos patrios: la reminiscencia de lo colonial se presenta como una serie de indagaciones que, articulando la interpretación histórica con el quehacer artístico, tienen como objetivo principal evidenciar ácidamente nuestra prolongada herencia virreinal - colonial, entendiéndose herencia virreinal – colonial como el conjunto de estructuras económicas, políticas y sociales que caracterizaron los siglos XVI, XVII y XVIII y que aún son determinantes en el rumbo azaroso de la sociedad peruana. Con la finalidad de llegar a esos objetivos, el proyecto planea una revisión contextualizada del pasado y presente peruanos que sostenga la tesis de la precariedad de tales estructuras propias de un ordenamiento monárquico, pero que resultan un verdadero lastre para el desarrollo de una sociedad que se define moderna y que se rige bajo parámetros actuales en un mundo globalizado.
La presente tesis postula que todas estas características son reflejadas en la iconografía nacional republicana decimonónica. El estudio se dirige por lo tanto al análisis de los símbolos nacionales de carácter visual, como son el escudo y la bandera nacional, señalando su relación con la socieda peruana actual y sobre todo, enfatizando la relación con sus contextos de origen. De esta manera se busca comprender más acertadamente el rol cumplido por estas imágenes y señalar las contradicciones entre los discursos que los símbolos patrios pretender transmitir dentro de un ordenamiento capitalista que se ha presentado desde su conformación como un orden falible, susceptible de ser tergiversado y actualmente entendido por las élites locales de manera espuria. El proyecto representa así no solo una crítica, sino la avertencia de que un Estado fundado bajo esos viciados preceptos, prevalecerá la corrupción o la criminalidad, en este caso el narcotráfico y la depredación, generándose las condiciones ya no para una de las tantas crisis cíclicas de las que adolece el Perú, sino para un colapso mas severo, como así lo indican las experiencias de estados fagocitados por economías de carácterícticas extractivas primarias o ilegales.
Asímismo, la investigación visual y sus vínculos con la propuesta artística dan como resultado una serie de conclusiones que constituyen, además de un ordenamiento de ideas y valiosa fuente de información y referencias, la ruta por la que pueden direccionarse posteriores indagaciones complementarias.Tesis
36
Sulzer, Dieter Sauder Gerhard. "Traktate zur Emblematik : Studien zu einer Geschichte der Emblemtheorien /." St. Ingbert : W.J. Röhrig, 1992. http://catalogue.bnf.fr/ark:/12148/cb35598459g.
Full text
37
Couture, André. "Analyse des emblèmes graphiques --- (Yang) et -- (Yin) dans le Yi Jing, le livre des changements." [S.l. : s.n.], 2006.
Find full text
38
Lukic, Averill. "'The offices of dewtie and frendship are alwaies to bee fauored' : amity and patronage in Geffrey Whitney's 'A choice of emblemes'." Thesis, University of Strathclyde, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435136.
Full text
39
Go, Kenji. "Shakespeare, Daniel, and the emblem : a study of the 1609 quarto of Shakespeare's sonnets and 'A Lover's Complaint' in the light of Samuel Daniel's poems and the emblem." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342906.
Full text
40
Sousa, Gary Donn. "Musical conducting emblems : an investigation of the use of specific conducting gestures by instrumental conductors and their interpretation by instrumental performers." Connect to resource, 1988. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1217257892.
Full text
41
Espinosa, Anaya Nicola. "En busca de un nuevo emblema: narrativas de historia y disputas de identidad en Salas." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/77938.
Full textAbstract:
El presente artículo analiza las diferentes narrativas sobre la historia y orígenes del pueblo de salas apropiadas por diversos grupos, creando cada uno una versión de la historia e identidad saleña. en el caso de salas, el curanderismo es un componente elemental para la identidad del pueblo que ha entrado en discusión por su legitimidad. Luego, teniendo en cuenta a la construcción de una identidad como un proceso que cambia en el tiempo, se analizarán los cambios que ha habido en las narrativas locales para crear una identidad saleña y los mecanismos que se utilizan para recrearla y reforzarla y el papel que juega el curanderismo en ella.
42
Raasveld, Paulus Petrus Maria. "Pictura, poesis, musica : een onderzoek naar de rol van de muziek in embleemliteratuur : met een geannoteerde corpusbeschrijving van emblematische eenheden met liederen, en van emblemen met muzikale notatie in de picturae /." [S.l. : s.n.], 1995. http://catalogue.bnf.fr/ark:/12148/cb37640702t.
Full textAbstract:
Proefschrift--Universiteit Utrecht, 1995.Mention parallèle de titre ou de responsabilité : Pictura, poesis, musica : an investigation of the role of music in emblem literature : with an annotated catalogue of emblematic units with songs and music, and of emblems with musical notation in the picture. Résumé en anglais. Bibliogr. p. 419-444.
43
Gong, Chen Cong. "The symbolic power in the emblem of the Games of the 2008 Olympiad." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636341.
Full text
44
Frankel, Tara Maylyn. "Weaving Through Reality: Dance as an Active Emblem of Fantasy in Performance Literature." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/37.
Full textAbstract:
Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. The story of Giselle reveals a meta narrative describing the desire and plight of the professional dancer. Henrik Ibsen’s A Doll’s House, in contrast, provides a world in which dance as a fantasy element cannot exist. Examining the physical elements of these works of literature elucidates the use of dance as a lens that lets the performance become speech.
45
Hart, Vaughan Anthony. "Stonehenge as emblem : considerations on the 'restoration' of St. Paul's Cathedral by Inigo Jones." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/275243.
Full textAbstract:
Perhaps the clearest expression of the Stuart Court 'self-image' is to be found on the Banqueting House ceiling, where James is represented as Solomon; an antique Britain is characterised in the form of James's mythic ancestors, the first Christian King Lucius and the founder of a united Great Britain, Trojan Brute. Here, the past is seen to bear witness to the present, the restored Golden Age inaugurated by James's reign. The Jones-Webb survey of Stonehenge, commissioned by James around 1620, is concluded with the above figures of Cherubim and Astrology. The 'most notable antiquity of Great Britain', as the monument is entitled, becomes an analogue of Solomon's temple and the new Jerusalem heralded by Stuart rule finds physical expression on Salisbury plain. Here the stones are moulded into the general antique virtue represented by the Vitruvian theatre plan, a circle and triangles, the geometrical forms of neoplatonism; transformed in this way Stonehenge becomes a crumbling monument of the 'Albion and Jerusalem' antiquity pictured on the Banqueting House ceiling. The Stuart Court's understanding of itself and its architecture as a 'restoration' of this antique British culture will be examined in the first part of this study with reference to the intended centre-piece of Stuart London, Jones' 'restored' St. Paul's Cathedral. This will suggest connections with the Jones-Webb 'restoration' of Stonehenge, a link examined in the second part. For such links, in conclusion, made Jones's work verifiably British in origin, a thesis which will obviously question the traditional understanding of Stuart architecture as having derived its primary inspiration from Jones's Italian travels. The origins of British Palladianism are uncovered on Salisbury Plain.
46
Tunell, John. "Classification of offensive game-emblem drawings using CNN (convolutional neural networks) and transfer learning." Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-348944.
Full textAbstract:
Convolutional neural networks (CNN) has become an important tool to solve many computer vision tasks of today. The technique is though costly, and training a network from scratch requires both a large dataset and adequate hardware. A solution to these shortcomings is to instead use a pre-trained network, an approach called transfer learning. Several studies have shown promising results applying transfer learning, but the technique requires further studies. This thesis explores the capabilities of transfer learning when applied to the task of filtering out offensive cartoon drawings in the game of Battlefield 1. GoogLeNet was pre-trained on ImageNet, and then the last layers were fine-tuned towards the target task and domain. The model achieved an accuracy of 96.71% when evaluated on the binary classification task of predicting non-offensive or swastika/penis content in Battlefield "emblems". The results indicate that a CNN trained on ImageNet is applicable, even when the target domain is very different from the pre-trained networks domain.
47
Gambling, Stella. "Iconology in The Merchant of Venice." Thesis, University College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325295.
Full text
48
Molina, Olivares Mario Esteban. "Observaciones sobre la estética medusea en la poesía de Enrique Lihn: la poesía como un emblema aproximativo." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/108592.
Full textAbstract:
La lectura de la poesía de Enrique Lihn implica establecer dimensiones que escapan al concepto de belleza clásica (representado por lo grecorromano tradicional). Por esto es necesario relacionar lo grotesco con la belleza que puede acompañar a tal noción, y los discursos que exploren las negatividades de un yo poético traspasado por una contradicción inherente e irrenunciable. El mito de la Medusa y su lectura en ciertas fuentes literarias, críticas y filosóficas permite una interpretación que se sirve de la muerte y de negatividades para mirar de frente a los demonios de Lihn. Demonios o fantasmas que reflejan una identidad fracturada en un contexto donde la reificación campea. Cuando ese gesto que busca vislumbrar a la Medusa se concreta a través de la imagen literaria surge un nuevo espacio ético que define a la escritura de Enrique Lihn. Esa misma exploración y el hecho de enfrentarla aparecen en Lihn como una voluntad inclaudicable mediante las constantes centrífugas o rupturistas de su poesía. La transformación del concepto de la belleza clásica busca separarse de propuestas estáticas, repetitivas y monológicas, reemplazándolas por lo centrífugo, lo dialógico mediante lo grotesco considerado sólo un indicio o un camino para lo meduseo (como actitud de exploración vital).
49
Young, Miriam. "The influence of early modern emblem books and related forms upon eighteenth-century French literature." Thesis, University of Glasgow, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274115.
Full text
50
Visser, Arnoud Silvester Quartus. "Joannes Sambucus and the learned image : the use of the emblem in late-Renaissance humanism /." Leiden : Brill, 2005. http://catalogue.bnf.fr/ark:/12148/cb401047387.
Full text