Relevant bibliographies by topics / Emblems

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Emblems'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Emblems"

1

Cull, John T. "The Emblematic Exemplum in Agustín Moreto y Cabaña and Other Golden Age Playwrights." IMAGO. Revista de Emblemática y Cultura Visual, no. 9 (January 31, 2018): 151. http://dx.doi.org/10.7203/imago.9.10596.

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ABSTRACT: Taking as a point of departure Juan de Horozco's definition: «las emblemas se pueden hazer con figuras solas, como es más ordinario o con figuras y letras que siruan de mote, y esto es, porque la emblema quanto más guardare las propiedades de la empresa tanto será mejor según yo entiendo y juzgara qualquiera» (f. 64v), this study analyzes the presence and function of dramatic emblems in the plays of Agustín Moreto y Cabaña and other Spanish Golden Age Dramatists. It postulates that the poetic images, derived in many instances from emblem books, function as exempla in order to comment on the dramatic situation. The dramatic emblems are divided into two main groups: «marked emblems and «unmarked emblems». KEYWORDS: Agustín de Moreto; argumentum emblematicum; dramatic emblems; exempla. RESUMEN: Partiendo de la definición de Juan de Horozco de que «las emblemas se pueden hazer con figuras solas, como es más ordinario o con figuras y letras que siruan de mote, y esto es, porque la emblema quanto más guardare las propiedades de la empresa tanto será mejor según yo entiendo y juzgara qualquiera» (f. 64v), este estudio pretende analizar la presencia y función de emblemas dramáticos en las comedias de Agustín Moreto y Cabaña y otros dramaturgos del Siglo de Oro. Se postula que las imágenes poéticas derivadas de libros de emblemas funcionan como exempla para comentar la situación dramática. Los emblemas dramáticos se dividen en dos grupos generales, los «emblemas marcados» y los «emblemas sin marcar». PALABRAS CLAVES: Agustín de Moreto; argumentum emblematicum; emblemas dramáticos; exempla.
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Zafra, Rafael. "Emblemas doctrinales." IMAGO. Revista de Emblemática y Cultura Visual, no. 11 (January 28, 2020): 85. http://dx.doi.org/10.7203/imago.11.16017.

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ABSTRACT: This study proposes to determine the emblematic character of a type of catechetical-doctrinal composition, influenced by Alciato’s Emblems, that emerged at the height of the dispute between Catholics and Protestants and their attempt to refute and extend their contradictions and respective doctrines. Starting from the notion that the emblem is a «transfigured common place», I analyze the massive use of these commonplaces in theological and doctrinal treatises, and conclude that both the compositions that formed the catechisms and emblematized sums, as well as many of the paintings and other artistic compositions that derive from them, can be considered emblems in their purity, though not in a figurative sense, and constitute a category that can be called doctrinal emblems. KEYWORDS: Emblem Theory; Doctrine; Catechesis; Reform; Commonplaces. RESUMEN: Este trabajo trata de determinar el carácter emblemático de un tipo de composiciones catequetico-doctrinales surgidas, por influencia de los Emblemas de Alciato, en el momento cumbre de la disputa entre católicos y protestantes y su intento de refutar y extender sus contrarías y respectivas doctrinas. Partiendo de un concepto de emblema como «lugar común transfigurado» y tras analizar el empleo masivo de estos lugares en la tratados teológicos y doctrinales, se acaba concluyendo que tanto las composiciones que conformaron los catecismos y sumas emblematizadas como muchos de los cuadros y otras composiciones artísticas que de ellos se derivan, pueden ser considerados emblemas en puridad y no en sentido traslaticio, y constituyen una categoría a la que se puede denominar emblemas doctrinales.
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Rolle, Baptiste, and Edith Lafontaine. "The emblem that cried wolf: ICRC study on the use of the emblems." International Review of the Red Cross 91, no. 876 (December 2009): 759–78. http://dx.doi.org/10.1017/s1816383110000172.

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AbstractThe ICRC Study on Operational and Commercial and Other Non-operational Issues Involving the Use of the Emblems (‘the Emblem Study’) is an efficient and user-friendly tool to tackle issues regarding the use of the emblems of the red cross, red crescent, and red crystal. This article presents the Emblem Study's origin and objectives, and explains the structure and the methodology followed in its preparation. Recurrent questions regarding joint use of emblems and other signs are also examined, in order to demonstrate the Emblem Study's potential as an analytical and practical tool. Particular emphasis is placed on the need to avoid diluting the protective value of the emblems by maintaining a distinction between those entitled to use the emblems, their partners, and other players in the humanitarian field.
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Kordyzon, Wojciech, and Martyna Osuch. "Zbiory emblematyczne w kolekcji Gabinetu Starych Druków Biblioteki Uniwersyteckiej w Warszawie. Przegląd bibliograficzny i proweniencyjny." Terminus 23, no. 3 (2021): 341–64. http://dx.doi.org/10.4467/20843844te.21.013.13850.

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Collection of Emblems in the Early Printed Books Department of the University of Warsaw Library: An Overview of Bibliography and Provenance Traits This paper presents synthetic information on the exhibition of early printed books from the collection of the Early Printed Books Department of the University of Warsaw Library, organized for the participants of the Seminar on emblems on 23–24 May 2019, at the Artes Liberales Faculty. The goal of this paper is to discuss a selection of emblem books being part of the library collection, with special focus on their provenance. The books are divided into four main thematic groups: 1. Meditative emblems devoted to religion; 2. Emblem literature of formative function 3. Emblems for specific occasions; 4. Emblematic compendia. It is pointed out that a large number of the emblem books under discussion originate from libraries of religious orders.
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Górska, Magdalena Kinga. "Status teoretyczny emblematu w polskiej dekoracji." Terminus 23, no. 3 (2021): 227–58. http://dx.doi.org/10.4467/20843844te.21.010.13847.

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The Theoretical Status of the Emblem in Polish Decorative Art This paper argues that the theoretical status of the emblem in decorative art has methodological significance in emblem studies and art history, comparable to its status in the so-called book’s editorial frame. This claim is justified in the historical and theoretical tradition of defining emblems in the sources. The departure point for the author’s considerations comes from the findings of applied emblematics, and its foundation is provided by the theoretical sources describing symbolic genres (scil. emblema, symbolum, hierogliphicum) published in Poland from the 16th to the 18th century, including books of poetics, rhetoric, dictionaries and compendia. The first part of the article presents an overview of research on decorative emblems in Poland, together with factors responsible for the scarcity of such studies, including the lack of symbolic typology of the decorations, and the division into literary and non-literary studies, motivated by the philological roots of emblem studies. It is noted that the emblemata in the so-called book’s editorial frame and those in decorations should be studied separately, as the latter are of ornamental nature, and require a distinct order of perception, explication, and the recipient’s role. Besides, it is pointed out that the anachronism of the 16th-century formulae of emblema raises problems for the genological classification of Polish decorations, and so does the inter-genre, compendiumtype pattern of symbolism dominant in the 18th century. The second part of the article discusses the definition of the emblema, focusing on its details relevant for the artistic practice and present-day genre classification, such as technique, composition, the content of the image, which is confronted with Polish historical materials. The analysis carried out in the paper supports the claim that providing a genelogical definition of a work of art sheds light on its artistic rendition and aesthetic value. It also enhances the perspective on emblem studies, the workshop of an emblem artist and the reception of the emblem. Additionally, it enables the verification of synthetic accounts and research practice, offering a profound reflection on the chronology and previous conceptions of the emblem. Finally, it helps to formulate postulates, which can be useful for the met
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TAN, Xiaoyan. "An Analysis of the Latest Five Emblems of Olympic Games from the Perspective of Three Meanings of Visual Grammar." International Journal of Social Science Research 10, no. 2 (April 28, 2022): 59. http://dx.doi.org/10.5296/ijssr.v10i2.19812.

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In a multimedia society, single-mode gradually becomes insufficient to meet the public multifaceted needs. In this case, multimodality, such as moving images, sound, text, etc., is increasingly prominent and becomes more salient in people’s lives. Accordingly, research related to multimodality discourse analysis attracts more and more scholars’ attention, yet few analyze different emblems of Olympic Games from visual grammar. Under this background, this paper will analyze the latest five emblems of Olympic Games from representational, interactive, and compositional meanings. By so doing, it aims to unfold how each emblem mirrors the three meanings mentioned above, how they are coordinated to present multimodality, what rich information is embedded in each emblem, and what visual designs reveal different cultures in different countries. Through an analysis, this paper summarizes four major findings: representational, interactive, and compositional meanings of visual grammar are reflected in emblems of Olympic Games; the three meanings coordinate to effectively convey multimodal connotations of emblems; in a multimodal discourse like an emblem, different modes, such as images, words, colors, and typography, etc., are interconnected and interacted, making contributions to representing the original information in a comprehensive manner; and finally, visual designs of different emblems of Olympic Games are deeply influenced by different countries’ unique elements, including culture, history, ideology, geography, etc. Taking all these into account, this paper tries to shed light on dissecting Olympic emblems and their designs while enriching multimodal discourse analysis.
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Germano Leal, Pedro. "‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture on the early Americas’." Norba. Revista de Arte, no. 40 (December 27, 2020): 113–28. http://dx.doi.org/10.17398/2660-714x.40.113.

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This white paper briefly outlines two co-dependent research initiatives: ‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture in Ibero-America’. Both projects are in their initial stage of development, at Brown University. ▪ ‘Global Emblems’ is set to map, document and study the presence of emblems in material culture, around the world, and cross-link these occurrences with pre-existing digital collections of emblem books. The database will be fed by an international network of specialists, which is already active, with members in over ten countries and the support of the Society for Emblem Studies. The platform will allow searches by concepts (using Iconclass classification system) and a number of locations will allow users to ‘visit’ them through Virtual Reality (360 annotated photos). The database will be systematically studied through ‘thematic clusters’. Although at first glance the focus on emblems may seem narrow, emblems have a broad geographical and historical spread, which can be traced, and that provides the necessary data for the kind of analytical and interpretative study required in the second research initiative, which illustrates the importance of emblems within the wider frame of Latin American cultural history. ▪ ‘Transmission and Intermediality: the impact of the emblematic culture on the Early Americas’ will analyse the data from ‘Global Emblems’ in order to understand the role of emblems in the colonial process in the Americas. More specifically, this project will look at the ‘pictorial dispute’ in the New World, by examining the ‘pictorial turn’ from the ‘catecismos jeroglíficos’ to the displayed emblems in the 17th-century (many of them resulting from the remediation of European prints), and the ideological, political and sociological implications around the presence of these emblems in buildings and early-modern festivals.
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Germ, Tine. "The Emblems of the Album of the Ljubljana Noble Society of St Dismas: Context, Sources, Originality." Ars & Humanitas 11, no. 1 (July 31, 2017): 149–70. http://dx.doi.org/10.4312/ah.11.1.149-170.

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The article discusses the sources for the iconography of emblems in the Album of the Ljubljana Noble Society of St Dismas (Archive of the Republic of Slovenia, ref. AS 1073, I/1) that has not yet been systematically addressed. The Album is a kind of memorial book of the Ljubljana Noble Society of St Dismas or Academia Unitorum, displaying the coats of arms, emblems and important data of their members. The book with exquisite full page illuminations is the most important illuminated manuscript of the Baroque era that survives in Slovenia. Recent research shows, that the idea of the academic memorial book and its concept are modelled on the Memorie, imprese, e ritratti de’ signori Accademici Gelati de Bologna published in Bologna in 1672. Due to the specific context of the Album as a memorial book of St Dismas Society and a clearly articulated ambition of the patrons to create original individualized emblems, it is not easy to identify the possible sources let alone detect the direct influence. There are several emblem books to be taken into consideration and Alciati’s Emblematum liber appears to be a valuable source of inspiration. However, the research in Renaissance and Baroque books of emblems shows that it is actually Mundus Symbolicus by Filippo Picinelli (first published as Mondo simbolico, Milan 1653) which seems to be of vital importance for the creators of the Album. Since the proud members desired original and personalized emblems, it was only natural to rely upon a popular encyclopaedic work with a huge collection of systematically arranged descriptions of emblems. Picinelli’s book is actually a treasure-trove of ideas instigating new designs both in the sense of symbolic message and visual solutions, while the almost complete absence of illustrations prevents a simple reproduction of emblems. Due to their commitment to originality and the respect of the principles of St Dismas Society the members obviously found the traditional emblem books (where they could see prototypes including the picture) somehow less appealing. However, even when they use a traditional emblem book such as Alciati’s Emblematum liber as a model, the authors (both patrons and painters) of the Album exhibit great inventiveness and creativity and never simply reproduce a prototype. The Album thus represent a unique series of original emblems that also indicate the commitment to established tradition and occasionally reveal a direct influence of a popular emblem book as demonstrated in the article.
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Germ, Tine. "The Emblems of the Album of the Ljubljana Noble Society of St Dismas: Context, Sources, Originality." Ars & Humanitas 11, no. 1 (July 31, 2017): 149–70. http://dx.doi.org/10.4312/ars.11.1.149-170.

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The article discusses the sources for the iconography of emblems in the Album of the Ljubljana Noble Society of St Dismas (Archive of the Republic of Slovenia, ref. AS 1073, I/1) that has not yet been systematically addressed. The Album is a kind of memorial book of the Ljubljana Noble Society of St Dismas or Academia Unitorum, displaying the coats of arms, emblems and important data of their members. The book with exquisite full page illuminations is the most important illuminated manuscript of the Baroque era that survives in Slovenia. Recent research shows, that the idea of the academic memorial book and its concept are modelled on the Memorie, imprese, e ritratti de’ signori Accademici Gelati de Bologna published in Bologna in 1672. Due to the specific context of the Album as a memorial book of St Dismas Society and a clearly articulated ambition of the patrons to create original individualized emblems, it is not easy to identify the possible sources let alone detect the direct influence. There are several emblem books to be taken into consideration and Alciati’s Emblematum liber appears to be a valuable source of inspiration. However, the research in Renaissance and Baroque books of emblems shows that it is actually Mundus Symbolicus by Filippo Picinelli (first published as Mondo simbolico, Milan 1653) which seems to be of vital importance for the creators of the Album. Since the proud members desired original and personalized emblems, it was only natural to rely upon a popular encyclopaedic work with a huge collection of systematically arranged descriptions of emblems. Picinelli’s book is actually a treasure-trove of ideas instigating new designs both in the sense of symbolic message and visual solutions, while the almost complete absence of illustrations prevents a simple reproduction of emblems. Due to their commitment to originality and the respect of the principles of St Dismas Society the members obviously found the traditional emblem books (where they could see prototypes including the picture) somehow less appealing. However, even when they use a traditional emblem book such as Alciati’s Emblematum liber as a model, the authors (both patrons and painters) of the Album exhibit great inventiveness and creativity and never simply reproduce a prototype. The Album thus represent a unique series of original emblems that also indicate the commitment to established tradition and occasionally reveal a direct influence of a popular emblem book as demonstrated in the article.
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Kim, Keun Tae, Won Chul Shin, Jee Hyun Kim, and Yong Won Cho. "The Emblems of Sleep Societies in Asia and the Republic of Korea." Journal of Sleep Medicine 18, no. 2 (August 31, 2021): 61–65. http://dx.doi.org/10.13078/jsm.210014.

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An emblem is a symbolic representational image that stands for a certain organization, concept, team, or society. This study investigated the emblems of the sleep societies in South Korea and the international sleep societies in which they were registered as members. Three South Korean sleep societies were found by searching for the keyword ‘sleep’ in the Korea Citation Index. Subsequently, we identified three international societies in which the three South Korean conferences participate. The emblems can be classified according to their composition. Taegeuk patterns represent yin and yang, electroencephalography that stands for the objective indicator of sleep, and the acronym or abbreviation indicating the name of the society. All emblems in this study were combinations of pictorial images and letters. The pictorial image of the Korean Sleep Research Society is the only emblem representing an inset with Hangeul. The emblem is a medium that conveys diverse meanings beyond representation. The societies have attempted to embody the identity as well as their directions.
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Dissertations / Theses on the topic "Emblems"

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Carnochan, Robert Marbury. "Aaron Copland's Emblems /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Craig, Jennifer J. "Inventing 'living emblems' : emblem tradition in the masques of Ben Jonson, 1605-1618." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1307/.

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While it is widely held that Ben Jonson uses emblem tradition in the development of imagery in his court masques and entertainments, how or why Jonson employs this genre of word-image combinations is rarely addressed. This thesis offers an explanation for what is often assumed in studies of Jonson’s masques and entertainments. Rather than identifying particularly emblematic scenes or characters and analysing their construction, however, this investigation of the emblematic in Jonson begins with analysis of his theory of masque creation. The evidence he leaves in the introductions to masque publications and his notes in Discoveries (1641) points to a conscious decision to incorporate not emblems themselves but an emblematic method in his new literary masque form, especially between 1605 and 1618. Once Jonson’s familiarity with emblematic methods is realized, what is considered ‘emblematic’ in his imagery can be reassessed. The reason why Jonson’s masques appear to retain emblematic qualities but contain few true emblems can thus be explained. In order to explicate Jonson’s use of emblem tradition in his creation of masque imagery, this thesis is divided into three parts. The first part outlines Jonson’s theory of masque writing within three contexts. It initially looks at how Jonson’s literary methods compare to contemporary emblem and symbol theories, and thus works out a methodology for analysing the emblematic in his masques. Then, it considers the awareness of emblems in the early modern British court, both in material and intellectual culture. In so doing, these two sections on emblems in sixteenth- and seventeenth-century British culture highlight the prevalence of the emblematic mindset in Jonson and his aristocratic audience. This argues for the relevance of Jonson’s emblematic development of imagery for performances in the Stuart court. The second and third parts of this thesis then turn to the masques and entertainments themselves. Part II looks at how Jonson uses emblematic techniques to design characters. Recognizing Jonson’s different approaches to abstract personifications and mythological figures, it is split into two sections. The first section looks at key personifications in The Masque of Beautie (1608) and The Masque of Queenes (1609). It considers how Jonson changes the characters Januarius and Fama bona from personifications in Ripa’s Iconologia to emblematically-rendered figures. The second section then analyses Jonson’s reinvention of stock characters Cupid and Hercules. Discussion covers Cupid’s appearance in many of Jonson’s entertainments, and then concentrates on his appearance with Anteros in A Challenge at Tilt (1613) and Loves Welcome at Bolsover (1634). Hercules’ pointedly emblematic role in Pleasure reconcild to Vertue (1618) finally crowns study of Jonson’s characters. Part III extends investigation into Jonson’s development of themes and arguments in the masques. By identifying Jonson’s processes in the expression of certain themes, this part gives a full picture of Jonson’s use of emblematic techniques and material. The first section realizes their use in the moulding of Platonic themes of love into celebration of King and State. The second section then scrutinizes the invention of the Masques of Blacknesse (1605) and Beautie, Love Freed (1611), and The Golden Age Restor’d (1615). This is followed by analysis of the changes Jonson makes to emblematic constructions between Pleasure reconcild and its rewrite For the Honour of Wales (1618). The alterations highlight Jonson’s reliance on emblematic interpretation of his entertainments. At the same time, it marks his decision to subvert his techniques after 1618 in order to cater to court tastes following the failure of Pleasure reconcild. A conclusion to this thesis is thus derived from the comparison, which illustrates Jonson’s methods up to 1618.
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Bird, Amber. "Emblems of Incarnation: The Hypostatic Union of Word and Image in Francis Quarles' Emblemes." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8924.

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Although recent scholars have attempted to recuperate the cultural and literary value of Francis Quarles' Emblemes, traditional emblematic interpretations categorize the images as merely illustrations of the poetic utterance. The investment of this paper shifts critical attention away from the content of Quarles' text as the only source of meaning and argues that meaning is contingent on the interpretation of both word and image. In order for the images of the text to have full consideration, I have stepped away from the traditional emblem metaphor of body and soul in favor of an incarnational metaphor that joins image and word in a hypostatic union of interpretation.
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Kotb, Mohamed. "Emblems in the digital age." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29513.

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This thesis deals with the representation of emblem literature in digital media in the modern age. A discussion of issues related to new media such as the advantages and disadvantages of digital media as well as copyright issues is presented. There follows a discussion of different technologies related to modern means of publishing, notably Acrobat technology, HTML, XHTML, and XML, and how they could be best used to serve the goal of dealing with emblems by means of digital media. A discussion of digitizing and indexing emblems as well as CD-ROM technology is also presented. This leads to an evaluation of some Internet web sites and a CD-ROM edition. The thesis concludes with a summary evaluating the success of modern attempts of presenting emblem literature in modern digital media.
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Barr, Julie E. "A comparative, iconographic study of early-modern, religious emblems." Thesis, Connect to e-thesis, 2008. http://theses.gla.ac.uk/274/.

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Erickson, Valerie J. "Mapping England's Trade Through Depictions in English Emblems." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/2258.

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This thesis explores the growing interaction between England and foreign countries comparing their trade with contemporary later sixteenth century and seventeenth century English emblems. The emblems used are those available over the internet from several different library and university sources. As England expanded its trade throughout the world, English emblems began to show the exchange occurring between England and its various trading partners. Historians have largely overlooked this valuable source of information. By studying emblems historians gain invaluable insight into the economy, society, politics, religion, and other matters with which England was concerned.
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Bozzi, Caroline. "Emblems of Home: An Idea for Multi-Family Living." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522165335300957.

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Scarassatti, Marco Antonio Farias. "Emblemas sonoros, emblemas da memoria." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251841.

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Orientador: Milton Jose de Almeida
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-11T17:46:07Z (GMT). No. of bitstreams: 1 Scarassatti_MarcoAntonioFarias_D.pdf: 34515032 bytes, checksum: 86455cc8e7e97526bc993b5b961b8d3c (MD5) Previous issue date: 2008
Resumo : Esta pesquisa propôs a construção de emblemas sonoros a partir do estudo das imagens do jesuíta alemão do século XVII, Athanasius Kircher. Neste trabalho essas imagens são vistas como aglutinações simbólicas. Os emblemas foram trabalhados e recriados nas formas: literária, de imagem e musical, na construção de um campo sonoro/espacial relacionado ao pensamento do padre alemão, bem como nos arredores simbólicos da sua época e nas ressonâncias artísticas de outros períodos
Abstract : This research proposed the construction of musical emblems from the study of the images of the German Jesuit of the century XVII, Athanasius Kircher. In this work these images are seen as symbolic agglutinations. The emblems were worked and recreated in the forms: literary, of image and musical, in the construction of a resonant / space field relative to the thought of the German priest, as well as in the symbolic surroundings of his time and in the artistic resonance of other periods
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
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Sanzaro-Nishimura, Jennifer. "Emblems of Identity : Seeking Popular Symbols that Identify Contemporary Australians." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/366942.

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This exegesis explores emblems of identity worn by contemporary Australians. Emblems are intrinsic to most cultures and have specific histories within Europe, Japan and Indigenous Australia. I investigate the historic use of emblems as a visual language of identification and their relationship to the manner in which society and its communities are structured. Notably, this research focuses on the constructed Australian identity as conveyed through the symbols that adorn leisure-wear and apparel worn at Australian sporting events. Through globalisation and marketing, symbols have been co-opted for “high end” fashion accessories and worldwide distribution. This thesis examines the implications of heraldry, Japanese kamon (family crests) and Indigenous designs in the popular-culture context. The exegesis also analyses the seemingly inextricable connection between alcohol consumption and popular team sports in Australia through branded sponsorship of major sporting codes (mainly male).
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
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Murphy, Roberta. "Headstone Iconography: Documentation and Interpretation of Fraternal Emblems at Greenwood Cemetery, Orlando." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1180.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Sciences
Anthropology
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Books on the topic "Emblems"

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Platthy, Jenő. Emblems. Santa Claus, IN: Federation of International Poetry Associations of UNESCO, 1996.

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Burrows, Wayne. Emblems. Beeston, Nottingham: Shoestring Press, 2009.

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Vítková, Lenka. První kniha emblémů: First book of emblems. Brno: Fait Gallery, 2022.

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Bruck, Jacobus à. Emblemata politica. Hildesheim: Georg Olms Verlag, 2004.

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John, Mole. Winter emblems. Hitchin: Mandeville Press, 1986.

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Amy, Wygand, and University of Glasgow. Dept. of French., eds. New directions in emblem studies. Glasgow: Dept. of French, University of Glasgow, 1999.

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Neves, Manuel. Antonio Slepack: Emblemas de la realidad = emblems of reality. Buenos Aires: Walden Gallery, 2019.

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Morel, Colleen. Districts emblems, Seychelles =: Seychelles, les emblèmes des districts. [Victoria]: Ministry of Local Government, 1996.

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Köhler, Johannes. Angewandte Emblematik im Fliesensaal von Wrisbergholzen bei Hildesheim. Hildesheim: A. Lax, 1988.

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Moseley, C. W. R. D. A century of emblems: An introductory anthology. Aldershot, Hants, England: Scolar Press, 1989.

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Book chapters on the topic "Emblems"

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Kostelanetz, Richard, and Steve Silverstein. "Emblems." In Aaron Copland, 276. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003061724-70.

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Russell, Daniel. "Emblems and Iconoclasm." In Imago Figurata. Studies, 39–52. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ifstu-eb.4.2017004.

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Maxim, Juliana. "Emblems of Socialism." In Coastal Architectures and Politics of Tourism, 71–85. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003240716-7.

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Bright, David F., and Barbara C. Bowen. "Emblems, Elephants, and Alexander." In Humour and Humanism in the Renaissance, XXV_14—XXV_24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003418689-29.

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Hinson, Erin. "Emblems of the peace process." In The Routledge Handbook of the Northern Ireland Conflict and Peace, 512–24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003224372-45.

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Moseley, Charles. "Emblems." In The Cambridge Guide to the Worlds of Shakespeare, 407–17. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316137062.053.

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Mabuto, Faith. "EMBLEMS." In Writing Woman Anthology, 84. Mwanaka Media and Publishing Pvt Ltd, 2023. http://dx.doi.org/10.2307/jj.8595646.68.

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Nuessel, F. "Emblems." In Encyclopedia of Language & Linguistics, 125. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/01406-1.

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"Emblems." In Encyclopedia of Early Modern Philosophy and the Sciences, 546. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_300111.

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"Emblems." In A Woman's Weapon, xiii—xiv. University of Hawaii Press, 2021. http://dx.doi.org/10.1515/9780824861322-002.

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Conference papers on the topic "Emblems"

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Xu, Kun. "THE POLITICS-IMAGE INTERSECTION: PAOLO GIOVIO AND THE TEXTUAL TRACEABILITY OF SYMBOLIC MEANING IN IMAGES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs08.13.

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During the Renaissance, symbolic art flourished, and emblems were an important sort of emblem during this time period. Dialogo dell� Imprese Militari et Amorose, Paolo Giovio (1483-1552)�s work on emblems, was written during the development of the chronicle of his book Historiarum (1550-1552). It is an important aspect of the establishment of Giovio�s system of historiographical thought and aims to establish a model for the display of iconic pictures. The Dialogo is of tremendous relevance in cross-field studies due to the fact that it is an important work in the fields of both image studies and history studies. This paper will argue that Giovio�s writing does not stop at the symbolic description and interpretation of images, but rather borrows the functional features of the emblematic vehicle to symbolize the characters, and will attempt to further discuss the interpretive dimension of iconography through the use of Dialogo. The purpose of this paper is to link the perspective of image interpretation with the perspective of historiographical analysis. This argument will be presented through Dialogo.
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ASMAWATI, Asmawati. "Emblems of Gender Case Study to Indonesian Novel." In Sixth International Conference on Languages and Arts (ICLA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.37.

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Warisaya, Kanata, Hiroaki Hamanaka, Asao Tokolo, and Tomohiro Tachi. "Auxetic Structures Based on Rhombic Tiling." In ASME 2021 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/detc2021-67141.

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Abstract Auxetic material using corner-connected kinematic tiles has been applied to different kinematic designs. However, existing works rely on the connectivity of regular polygonal tilings because of the overconstraining nature of kinematic tiling. This study proposes a new family of auxetic structures based on non-regular and aperiodic rhombic tiling inspired by the Tokyo 2020 Emblems. We convert emblem-like patterns on rhombic tilings into kinematic structures by regarding the rectangular figure as voids and the region between rectangles as rigid bodies. Due to the geometric properties of rhombic tiling, the structure forms a one-degree-of-freedom planar mechanism with a constant Poisson’s ratio of −1. The large combinatorial family of rhombic tilings provides design variations of kinematic structures with non-regular topology. Furthermore, we show a kirigami-based method for fabricating the structure as a compliant mechanism. This connection between math and art potentially broadens the range of architected materials based on folding, kirigami, and tessellation.
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Bezrukov, A. V. "Trough Emblems to Metaphysical Wit: Creating the Art of Ingenuity." In PHILOLOGICAL SCIENCES, INTERCULTURAL COMMUNICATION AND TRANSLATION STUDIES: THEORETICAL AND PRACTICAL ASPECTS. Baltija Publishing, 2021. http://dx.doi.org/10.30525/978-9934-26-039-1-18.

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Jindal, Varun, Yukta Nagpal, Vinay Kukreja, Satvik Vats, and Rishabh Sharma. "Multiclassification Hybrid Model Using CNN and SVM for National Emblems." In 2023 World Conference on Communication & Computing (WCONF). IEEE, 2023. http://dx.doi.org/10.1109/wconf58270.2023.10235105.

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Hastie, Helen, Pasquale Dente, Dennis Küster, and Arvid Kappas. "Sound emblems for affective multimodal output of a robotic tutor: a perception study." In ICMI '16: INTERNATIONAL CONFERENCE ON MULTIMODAL INTERACTION. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2993148.2993169.

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Llorca, D. F., D. Colas, I. G. Daza, I. Parra, and M. A. Sotelo. "Vehicle model recognition using geometry and appearance of car emblems from rear view images." In 2014 IEEE 17th International Conference on Intelligent Transportation Systems (ITSC). IEEE, 2014. http://dx.doi.org/10.1109/itsc.2014.6958187.

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ЯРОВАЯ, Е. А. "Russian Merchants Seals of the XVIII–XIX Centuries (Based on N.F. Romanchenko’s Personal Collection)." In Тверь, тверская земля и сопредельные территории в эпоху средневековья. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2018.978-5-9906508-3-1.328-333.

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В статье сообщается о хранящемся в Государственном Эрмитаже комплексе памятников поздней сфрагистики с изображениями эмблем российского купечества. Предметы происходят из одной из крупнейших дореволюционных частных коллекций печатей-матриц, собранной на рубеже XIX–XX вв. петербургским архитектором Н.Ф. Романченко. Впервые опубликован каталожный перечень 26 атрибутированных печатей, датируемых XVIII–XIX вв. The article deals with complex of late sphragistic artefacts with emblems of Russian merchants which are stored in State Hermitage Museum. These items are from one of the most numerous pre-revolutionary personal collections of seal matrices built between the XIX–XX centuries by St. Petersburg architect N.F. Romanchenko. A catalogue list of 26 attributed seals dated by the XVIII–XIX centuries was published for the first time.
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Linker, Felix, and David Basin. "ADEM: An Authentic Digital EMblem." In CCS '23: ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3576915.3616578.

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Cole, Timothy W., Myung-Ja K. Han, and Jordan A. Vannoy. "Descriptive metadata, iconclass, and digitized emblem literature." In the 12th ACM/IEEE-CS joint conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2232817.2232839.

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Reports on the topic "Emblems"

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Bagwell, Randall J. Red Cross Under Fire: The future of the Geneva Convention's Distinctive Emblem on the Future Combat System - Medical Variant Vehicle. Fort Belvoir, VA: Defense Technical Information Center, February 2005. http://dx.doi.org/10.21236/ada464550.

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Aguilar Sánchez, John Fabio, Diana Patricia Neisa López, Juan Carlos Ávila Morales, Claudia Liliana Bernal Bermúdez, Nydia Alexandra Rojas Ávila, Adriana Carolina Silva Arias, Luis Alfredo Cabrera Albornoz, et al. Huichyká: Ciencias y saberes para compartir. Núm. 1 (2024). Universidad Militar Nueva Granada, July 2024. http://dx.doi.org/10.18359/cienab7485.

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Para la Universidad Militar Nueva Granada, en cabeza de la Vicerrectoría de Investigaciones y la División Editorial Neogranadina, es un honor presentarles la primera edición de la revista Huichyká, una publicación de ciencia abierta que nace con la misión de democratizar el conocimiento y hacer accesibles investigaciones científicas interesantes de diversos temas, a un público amplio y diverso. El nombre de huichyká proviene de una palabra de origen muisca-chibcha que significa —entre otras acepciones— conocimiento. Tomando este término como nombre, se busca rendir un homenaje a la variada diversidad cultural de Colombia y reflejar el compromiso con la inclusión y la pluralidad en el ámbito científico, desde la academia y la producción editorial. Huichyká se suma a la tendencia internacional, porque reconoce que la ciencia abierta es un enfoque revolucionario que promueve la transparencia, la accesibilidad y la colaboración en la investigación científica. En un mundo donde la información es poder, la ciencia abierta se erige como un pilar fundamental para el progreso y el bienestar social. En tal sentido, el objetivo es que el conocimiento científico deje de ser un privilegio de pocos y se convierta en un bien común, disponible para quienes deseen aprender y contribuir a la construcción de un diálogo de saberes, que genere apropiación social del conocimiento. La portada de esta primera edición representa la majestuosidad de un caballo, que encarna libertad, fuerza, lealtad, resistencia, determinación y coraje. Este emblema no solo simboliza las cualidades que aspiramos a alcanzar como publicación de ciencia abierta, sino que recuerda que la Universidad Militar Nueva Granada (UMNG) es más que una institución: es un vibrante campus lleno de vida, ideas, sueños, investigaciones y anhelos. En este primer número se abordan diversos temas de interés, desde la construcción de paz hasta la investigación-creación, pasando por estudios éticos, médicos y de migraciones, entre otros. La UMNG está comprometida con la misión de compartir conocimientos en un lenguaje accesible que fomente la apropiación social del conocimiento y que sea verdaderamente democrático. El objetivo es convertir a Huichyká en el punto de referencia enfocado en el cambio de paradigma de una ciencia que se piensa y se erige desde parámetros exclusivamente competitivos, hacia una ciencia que se piensa para divulgar y compartir, esto es, transitar del competir al compartir. A la luz del enfoque de Ciencias y saberes para compartir, Huichyká pretende convertirse en el espacio donde el conocimiento fluye libremente y afianza el fuerte vínculo entre la academia y la sociedad; además, se busca que cada lector, sin importar su formación, encuentre en estas páginas una fuente de inspiración y aprendizaje. Apreciado lector: disfrute de esta nueva aventura tanto como nosotros lo hicimos al prepararla para usted. De manera conjunta, se debe tener la mirada puesta en el futuro donde la ciencia y el conocimiento sean un patrimonio y un bien común compartido por toda la sociedad, en el que las ciencias y los saberes estén cada vez más cerca de la gente.
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Lewis, Dustin. Three Pathways to Secure Greater Respect for International Law concerning War Algorithms. Harvard Law School Program on International Law and Armed Conflict, 2020. http://dx.doi.org/10.54813/wwxn5790.

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Existing and emerging applications of artificial intelligence in armed conflicts and other systems reliant upon war algorithms and data span diverse areas. Natural persons may increasingly depend upon these technologies in decisions and activities related to killing combatants, destroying enemy installations, detaining adversaries, protecting civilians, undertaking missions at sea, conferring legal advice, and configuring logistics. In intergovernmental debates on autonomous weapons, a normative impasse appears to have emerged. Some countries assert that existing law suffices, while several others call for new rules. Meanwhile, the vast majority of efforts by States to address relevant systems focus by and large on weapons, means, and methods of warfare. Partly as a result, the broad spectrum of other far-reaching applications is rarely brought into view. One normatively grounded way to help identify and address relevant issues is to elaborate pathways that States, international organizations, non-state parties to armed conflict, and others may pursue to help secure greater respect for international law. In this commentary, I elaborate on three such pathways: forming and publicly expressing positions on key legal issues, taking measures relative to their own conduct, and taking steps relative to the behavior of others. None of these pathways is sufficient in itself, and there are no doubt many others that ought to be pursued. But each of the identified tracks is arguably necessary to ensure that international law is — or becomes — fit for purpose. By forming and publicly expressing positions on relevant legal issues, international actors may help clarify existing legal parameters, pinpoint salient enduring and emerging issues, and detect areas of convergence and divergence. Elaborating legal views may also help foster greater trust among current and potential adversaries. To be sure, in recent years, States have already fashioned hundreds of statements on autonomous weapons. Yet positions on other application areas are much more difficult to find. Further, forming and publicly expressing views on legal issues that span thematic and functional areas arguably may help States and others overcome the current normative stalemate on autonomous weapons. Doing so may also help identify — and allocate due attention and resources to — additional salient thematic and functional areas. Therefore, I raise a handful of cross-domain issues for consideration. These issues touch on things like exercising human agency, reposing legally mandated evaluative decisions in natural persons, and committing to engage only in scrutable conduct. International actors may also take measures relative to their own conduct. To help illustrate this pathway, I outline several such existing measures. In doing so, I invite readers to inventory and peruse these types of steps in order to assess whether the nature or character of increasingly complex socio-technical systems reliant upon war algorithms and data may warrant revitalized commitments or adjustments to existing measures — or, perhaps, development of new ones. I outline things like enacting legislation necessary to prosecute alleged perpetrators of grave breaches, making legal advisers available to the armed forces, and taking steps to prevent abuses of the emblem. Finally, international actors may take measures relative to the conduct of others. To help illustrate this pathway, I outline some of the existing steps that other States, international organizations, and non-state parties may take to help secure respect for the law by those undertaking the conduct. These measures may include things like addressing matters of legal compliance by exerting diplomatic pressure, resorting to penal sanctions to repress violations, conditioning or refusing arms transfers, and monitoring the fate of transferred detainees. Concerning military partnerships in particular, I highlight steps such as conditioning joint operations on a partner’s compliance with the law, planning operations jointly in order to prevent violations, and opting out of specific operations if there is an expectation that the operations would violate applicable law. Some themes and commitments cut across these three pathways. Arguably, respect for the law turns in no small part on whether natural persons can and will foresee, understand, administer, and trace the components, behaviors, and effects of relevant systems. It may be advisable, moreover, to institute ongoing cross-disciplinary education and training as well as the provision of sufficient technical facilities for all relevant actors, from commanders to legal advisers to prosecutors to judges. Further, it may be prudent to establish ongoing monitoring of others’ technical capabilities. Finally, it may be warranted for relevant international actors to pledge to engage, and to call upon others to engage, only in armed-conflict-related conduct that is sufficiently attributable, discernable, and scrutable.
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Commonwealth Bank - Head Office cnr Pitt Street & Martin Place - Facade - Shields bearing States' emblems - South Australia (plate 657). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000939.

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Commonwealth Bank - Head Office cnr Pitt Street & Martin Place - Exterior upon completion - Facade - Shields bearing States' emblems - Victoria (plate 657). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000942.

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Glass plate negative 657 - Commonwealth Bank - Head Office cnr Pitt Street & Martin Place - Exterior upon completion - Facade - Shields bearing States' emblems - c.1916. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2021/01071.

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Commonwealth Bank - Head Office cnr Pitt Street & Martin Place - Facade - Shields bearing State emblem of Western Australia (plate 653). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000936.

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Commonwealth Bank - Head Office cnr Pitt Street & Martin Place - Exterior - Shields bearing State emblem of Tasmania - c.1916 (plate 657). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000937.

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Design artwork by Gordon Andrews for the RBA Emblem / Logo / Symbol / Crest - with notation that it was approved by the Governor on the 4 June 1959. Reserve Bank of Australia, March 2023. http://dx.doi.org/10.47688/rba_archives_2018/07101.

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