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Carnochan, Robert Marbury. "Aaron Copland's Emblems /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
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Craig, Jennifer J. "Inventing 'living emblems' : emblem tradition in the masques of Ben Jonson, 1605-1618." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/1307/.
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While it is widely held that Ben Jonson uses emblem tradition in the development of imagery in his court masques and entertainments, how or why Jonson employs this genre of word-image combinations is rarely addressed. This thesis offers an explanation for what is often assumed in studies of Jonson’s masques and entertainments. Rather than identifying particularly emblematic scenes or characters and analysing their construction, however, this investigation of the emblematic in Jonson begins with analysis of his theory of masque creation. The evidence he leaves in the introductions to masque publications and his notes in Discoveries (1641) points to a conscious decision to incorporate not emblems themselves but an emblematic method in his new literary masque form, especially between 1605 and 1618. Once Jonson’s familiarity with emblematic methods is realized, what is considered ‘emblematic’ in his imagery can be reassessed. The reason why Jonson’s masques appear to retain emblematic qualities but contain few true emblems can thus be explained. In order to explicate Jonson’s use of emblem tradition in his creation of masque imagery, this thesis is divided into three parts. The first part outlines Jonson’s theory of masque writing within three contexts. It initially looks at how Jonson’s literary methods compare to contemporary emblem and symbol theories, and thus works out a methodology for analysing the emblematic in his masques. Then, it considers the awareness of emblems in the early modern British court, both in material and intellectual culture. In so doing, these two sections on emblems in sixteenth- and seventeenth-century British culture highlight the prevalence of the emblematic mindset in Jonson and his aristocratic audience. This argues for the relevance of Jonson’s emblematic development of imagery for performances in the Stuart court. The second and third parts of this thesis then turn to the masques and entertainments themselves. Part II looks at how Jonson uses emblematic techniques to design characters. Recognizing Jonson’s different approaches to abstract personifications and mythological figures, it is split into two sections. The first section looks at key personifications in The Masque of Beautie (1608) and The Masque of Queenes (1609). It considers how Jonson changes the characters Januarius and Fama bona from personifications in Ripa’s Iconologia to emblematically-rendered figures. The second section then analyses Jonson’s reinvention of stock characters Cupid and Hercules. Discussion covers Cupid’s appearance in many of Jonson’s entertainments, and then concentrates on his appearance with Anteros in A Challenge at Tilt (1613) and Loves Welcome at Bolsover (1634). Hercules’ pointedly emblematic role in Pleasure reconcild to Vertue (1618) finally crowns study of Jonson’s characters. Part III extends investigation into Jonson’s development of themes and arguments in the masques. By identifying Jonson’s processes in the expression of certain themes, this part gives a full picture of Jonson’s use of emblematic techniques and material. The first section realizes their use in the moulding of Platonic themes of love into celebration of King and State. The second section then scrutinizes the invention of the Masques of Blacknesse (1605) and Beautie, Love Freed (1611), and The Golden Age Restor’d (1615). This is followed by analysis of the changes Jonson makes to emblematic constructions between Pleasure reconcild and its rewrite For the Honour of Wales (1618). The alterations highlight Jonson’s reliance on emblematic interpretation of his entertainments. At the same time, it marks his decision to subvert his techniques after 1618 in order to cater to court tastes following the failure of Pleasure reconcild. A conclusion to this thesis is thus derived from the comparison, which illustrates Jonson’s methods up to 1618.
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Bird, Amber. "Emblems of Incarnation: The Hypostatic Union of Word and Image in Francis Quarles' Emblemes." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8924.
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Although recent scholars have attempted to recuperate the cultural and literary value of Francis Quarles' Emblemes, traditional emblematic interpretations categorize the images as merely illustrations of the poetic utterance. The investment of this paper shifts critical attention away from the content of Quarles' text as the only source of meaning and argues that meaning is contingent on the interpretation of both word and image. In order for the images of the text to have full consideration, I have stepped away from the traditional emblem metaphor of body and soul in favor of an incarnational metaphor that joins image and word in a hypostatic union of interpretation.
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Kotb, Mohamed. "Emblems in the digital age." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29513.
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This thesis deals with the representation of emblem literature in digital media in the modern age. A discussion of issues related to new media such as the advantages and disadvantages of digital media as well as copyright issues is presented. There follows a discussion of different technologies related to modern means of publishing, notably Acrobat technology, HTML, XHTML, and XML, and how they could be best used to serve the goal of dealing with emblems by means of digital media. A discussion of digitizing and indexing emblems as well as CD-ROM technology is also presented. This leads to an evaluation of some Internet web sites and a CD-ROM edition. The thesis concludes with a summary evaluating the success of modern attempts of presenting emblem literature in modern digital media.
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Barr, Julie E. "A comparative, iconographic study of early-modern, religious emblems." Thesis, Connect to e-thesis, 2008. http://theses.gla.ac.uk/274/.
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Erickson, Valerie J. "Mapping England's Trade Through Depictions in English Emblems." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/2258.
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This thesis explores the growing interaction between England and foreign countries comparing their trade with contemporary later sixteenth century and seventeenth century English emblems. The emblems used are those available over the internet from several different library and university sources. As England expanded its trade throughout the world, English emblems began to show the exchange occurring between England and its various trading partners. Historians have largely overlooked this valuable source of information. By studying emblems historians gain invaluable insight into the economy, society, politics, religion, and other matters with which England was concerned.
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Bozzi, Caroline. "Emblems of Home: An Idea for Multi-Family Living." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522165335300957.
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Scarassatti, Marco Antonio Farias. "Emblemas sonoros, emblemas da memoria." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251841.
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Orientador: Milton Jose de AlmeidaTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo : Esta pesquisa propôs a construção de emblemas sonoros a partir do estudo das imagens do jesuíta alemão do século XVII, Athanasius Kircher. Neste trabalho essas imagens são vistas como aglutinações simbólicas. Os emblemas foram trabalhados e recriados nas formas: literária, de imagem e musical, na construção de um campo sonoro/espacial relacionado ao pensamento do padre alemão, bem como nos arredores simbólicos da sua época e nas ressonâncias artísticas de outros períodos
Abstract : This research proposed the construction of musical emblems from the study of the images of the German Jesuit of the century XVII, Athanasius Kircher. In this work these images are seen as symbolic agglutinations. The emblems were worked and recreated in the forms: literary, of image and musical, in the construction of a resonant / space field relative to the thought of the German priest, as well as in the symbolic surroundings of his time and in the artistic resonance of other periods
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
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Sanzaro-Nishimura, Jennifer. "Emblems of Identity : Seeking Popular Symbols that Identify Contemporary Australians." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/366942.
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This exegesis explores emblems of identity worn by contemporary Australians. Emblems are intrinsic to most cultures and have specific histories within Europe, Japan and Indigenous Australia. I investigate the historic use of emblems as a visual language of identification and their relationship to the manner in which society and its communities are structured. Notably, this research focuses on the constructed Australian identity as conveyed through the symbols that adorn leisure-wear and apparel worn at Australian sporting events. Through globalisation and marketing, symbols have been co-opted for “high end” fashion accessories and worldwide distribution. This thesis examines the implications of heraldry, Japanese kamon (family crests) and Indigenous designs in the popular-culture context. The exegesis also analyses the seemingly inextricable connection between alcohol consumption and popular team sports in Australia through branded sponsorship of major sporting codes (mainly male).Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
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Murphy, Roberta. "Headstone Iconography: Documentation and Interpretation of Fraternal Emblems at Greenwood Cemetery, Orlando." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1180.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Sciences
Anthropology
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Kalkat, Saloni Kaur. "Daughter, Wife, Mother: Women as Emblems of Indian Authenticity Throughout the Diaspora." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/925.
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It has been over a century since the maternal side of my family has resided in the natal land of our cultural heritage and religious proclivities – Punjab, India, where Sikhism was established. As an American I continue this extension of our roots from their source. Through the process of shifting location, cultural confluence, and passing time the experiences of the women in each successive generation of my family have altered significantly through our diasporic existence. However, even in the aftermath of colonization and immigration, the enduring responsibility of women is reliant upon their relation to family.
This ideology is imbued through the words of the Sikh holy text, the Guru Granth Sahib, as well as broader Indian cultural norms regarding gender roles. Implicit in the religious tradition of locating family in female members lies the practice of making women emblematic of cultural survival. Thus, within their role of sustaining physical life women also sustain culture. This becomes increasingly important when culture is extracted from its source. Despite dispersion across the world, the women in my family have continued to fulfill the responsibility of the safekeeping of culture and traditions.
My series of three portraits, Daughter, Wife, Mother, illustrates the primary familial ties that determine an Indian woman’s identity throughout her life, and evokes the duty of cultural preservation that is associated with each of them. These oil paintings are based off of photos of me, my mother, and my grandmother from our family archive. Daughter, Wife, Mother lacks any indications of time period or specific location, thus asserting that this gendered life journey has persisted throughout my family’s diaspora.
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Potter, Dylan D. "Angelology in situ : recovering higher-order beings as emblems of transcendence, immanence and imagination." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3032.
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The aim of this study is twofold: to identify the theological purpose underlying the depiction of angels at certain key points in the history of their use, and to explore how far that deeper theological rationale can be re-appropriated for our own day. This study first traces the progression of the angelic motif in the Hebrew Scriptures. By examining numerous pericopes in the Pentateuch, major prophets and Daniel, I demonstrate that the metamorphosis of higher-order beings like the angel of the Lord, cherubim and seraphim, is directly related to the writers' desire to enhance God's transcendence. Next, I evaluate pseudo-Denys' hierarchical angelology, which prominent theologians like Luther and Calvin condemned as little more than a Neoplatonic scheme for accessing God through angels. I propose that not only has pseudo-Denys' Neoplatonism been overstated, but that his angelology is particularly noteworthy for the way it accentuates Christ's eucharistic immanence to the Church. Then I maintain that because assessments of Aquinas' angelology are often based upon the Summa Theologiae, his views are wrongly portrayed as overtly philosophical, rather than biblical and exegetical. In his lesser-known biblical commentaries, however, Aquinas pushes the semantic range of the word ‘angel' to include aspects of the physical world, which unveils an imaginative, Christocentric, and scriptural dimension of his angelology that is rarely acknowledged. The conclusion considers how contemporary figures and movements relate to these three angelologies. Barth emphasises the transcendent God but unlike Hebrew Scripture, weakens connections between God and angels. New Ageism affirms the immanent angel but unlike pseudo-Denys, does so at the expense of Christology and ecclesiology. Contemporary ecological discourse generally lacks Aquinas' appreciation for an imaginative, supernatural approach to the world. Finally, I ground the angels' relationship to transcendence, immanence and imagination in an experiential, eucharistic context.
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Ferguson, Ailsa Grant. "Catching the Conscience : Receding Shakespearean Emblems of Mortality In Counter-hegemonic Cinema, 1987-2000." Thesis, University of Bristol, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520312.
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Sperry, Amanda N. ""Emblems of adversity" W. B. Yeats's poetics of violence and contemporary Northern Irish poetry /." Winston-Salem, NC : Wake Forest University, 2009. http://dspace.zsr.wfu.edu/jspui/handle/10339/41353.
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Merz, Andreas. "Embleme im interkulturellen Vergleich." Master's thesis, Universitätsbibliothek Leipzig, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-126381.
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The following thesis highlights intercultural misunderstandings that can occur due to different semantic values of emblems, a gesture generally defined as having an accepted verbal translation in a certain culture or community. To illustrate such problems, the semantic meanings of sixteen emblems in Colombia and Germany are analyzed. Misunderstandings caused by the use of these emblems are then explained from a communicative point of view, using Austin’s speech-act theory.
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Stagni, Reno. "Imagens alquímicas renascentistas: um estudo preliminar do manuscrito La génération et opération du grand oeuvre pour faire de l or (1620)." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/13401.
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Previous issue date: 2008-10-03Conselho Nacional de Desenvolvimento Científico e Tecnológico
The objective of this study is to analyze, among the multiple aspects that permeate the alchemical tradition, one that treats the relation between image and text as a way to the knowledge stored in the books, and to try to evidence some aspects of the use of the image as a tool to decode the verbal text. Therefore it was chosen, as case study, the manuscript La Génération et Opération du Grand OEuvre pour Faire de l Or (The Generation and Operation of the Great Work to Make Gold), anonymous manuscript, copied in the first quarter of the XVII century, whose comparison with alchemical works related to that same period provided the analysis, object of this study
O objetivo deste estudo é analisar, dentre os múltiplos aspectos que permeiam a tradição alquímica, aquele que trata das relações entre imagem e texto como via de acesso aos conhecimentos guardados nos livros, e tentar evidenciar alguns aspectos do uso da imagem como instrumento de decodificação do texto verbal. Para tanto foi selecionado, como estudo de caso, o manuscrito La Génération et Opération du Grand OEuvre pour Faire de l Or (A Geração e Operação da Grande Obra para Fazer Ouro), manuscrito anepígrafo, copiado no primeiro quartel do século XVII, cujo confronto com outras obras alquímicas do mesmo período, propiciou a análise, objeto deste estudo
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Sousa, Gary Donn. "Musical conducting emblems : an investigation of the use of specific conducting gestures by instrumental conductors and their interpretation by instrumental performers." Connect to resource, 1988. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1217257892.
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Gong, Chen Cong. "The symbolic power in the emblem of the Games of the 2008 Olympiad." Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636341.
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Birkan, Amy. "The bronze serpent, a perplexing remedy : an analysis of Num. 21:4-9 in the light of Near Eastern serpent emblems, archaeology and inner Biblical exegesis." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82684.
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In Num. 21: 4-9, after complaining against God, the Israelites were punished with a plague of venomous serpents. Following their apology, God commanded Moses to fashion a bronze serpent and mount it on a standard; the bitten were to look at it to recover. The use of the serpent form is striking, as it seems to boldly negate the fundamental Torah law, which prohibits the use of any images or statues. To gain better insight into the narrative, the first section of this work explores a possible context for it, based on archaeological findings. The second section focuses on the two prominent Egyptian elements contained in the narrative, the serpent and the standard, whose local symbolism is evaluated. The third section explores whether there are ancient Near Eastern parallels for the healing serpent. The narrative, in the fourth section, is examined according to its inner-Biblical interpretation. As the episode is the last of the ten wilderness complaint sequences, each is analyzed for a comprehensive understanding of Num. 21: 4-9; what elements, if any, are unique to it, and might have contributed the narrative's use of this peculiar remedy?
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Chaufour, Marie. "Le moraliste et les images : recherches sur l'expression emblématique chez Jean Baudoin (ca.1584 - 1650)." Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL038.
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La thèse est consacrée à l’expression emblématique chez Jean Baudoin (1584-1650). D’abord Lecteur de Marguerite de Valois, Marie de Médicis l’envoya en Angleterre afin de traduire l’Arcadie de la Comtesse de Pembroke en 1624. Il fit partie de la maison du cardinal de Richelieu et fut un protégé du chancelier Séguier. Dès 1634, il rejoignit les premiers membres de l’Académie française et participa à la rédaction de ses statuts. À cet auteur et traducteur très abondant, on attribue quatre-vingt six ouvrages, dont la plupart sont des traductions significatives pour l’orientation qu’il donne à son oeuvre : les Discours politiques sur l’oeuvre de Tacite de Scipio Ammirato (1618), La Sagesse Mysterieuse des Anciens de Francis Bacon, la Mythologie de Natale Conti (1627) ou encore les Monita et Exempla politica de Juste Lipse (1606 et 1650). La tradition iconographique est essentielle chez Jean Baudoin, ainsi que l’explication symbolique. Le Recueil d’Emblemes divers, publié pour la première fois à Paris en 1638-1639 est l’objet principal de la recherche ici entreprise. Ce recueil d’emblèmes est une oeuvre de l’invention de Jean Baudoin qui a toutefois été fortement influencé, dans sa rédaction, par ses traductions antérieures. Deux autres ouvrages traduits par Baudoin sont indispensables à l’étude approfondie du Recueil d’Emblemes divers : l’adaptation de l’Iconologia de Cesare Ripa (première partie, 1636-1637 ; première et seconde parties, 1644) et la traduction des Fables d’Esope Phrygien (1631). Ce travail se propose d’aborder dans un premier temps la façon dont Baudoin n’a eu de cesse de mettre sa personne et son oeuvre au service du renforcement et de l’affirmation de la monarchie française et de l’édification morale du lecteur. Dans un second temps, nous nous proposons d’étudier les connexions entre ces trois ouvrages majeurs qui permettent de comprendre la portée de l’expression emblématique chez Jean Baudoin, à travers trois axes majeurs. Le renouvellement de la forme emblématique ; la création d’un vocabulaire allégorique qui avait pour fin la codification de la représentation du pouvoir et de la figure royale et une étude des gravures, de leur fonctionnement dans le texte et des mécanismes de leur productionThis dissertation is about the emblematical expression in the work of Jean Baudoin. At first Marguerite de Valois’s lecturer, he was sent to England by Marie de Médicis in order to translate L’Arcadie de la Comtesse de Pembroke, in 1624. Baudoin belonged to the House of the Cardinal de Richelieu and was one of chancelier Séguier’s protégés. As soon as 1634, hejoined the first members of the Académie française and took part in the writing of its statutes. Eighty six pieces of work are attributed to this prolific author and translator, most of which are translations significant of the orientation he gave to his work: the “Discours politiques” on Tacite’s work by Scipio Ammirato (1618), La Sagesse Mystérieuse des Anciens by Francis Bacon (1619), Mythologie by Natale Conti (1627) or Monita et Exempla politica by Justus Lipsus (1606 & 1650). The iconographical tradition is paramount in Jean Baudoin’s work, as well as the emblematical expression. The Recueil d’Emblemes divers, first published in Paris in 1638-1639 is the focus of the present dissertation. This collection of emblems was designed by Jean Baudoin, but he was largely influenced in its writing by previous translations. Two other pieces of work translated by Baudoin are essential to the thorough study of the Recueil d’Emblemes divers: the adaptation of Cesare Ripa’s Iconologia (First part 1636-1637, First and second part 1644) and the translation of Esope Phrygien’s Fables in 1631. The present work will first focus on how Baudoin constantly put himself and his work at the service of the reinforcement and affirmation of the French monarchy and of the moral edification of the reader. Then, we will study the connections between these three major works which enable to understand the importance of emblematical expression in Jean Baudoin. To do so, three main aspects will be studied: the renewal of the emblematical form/ genre, the creation of an allegorical vocabulary whose aim was the codification of the representation of power and monarchy, and a study of engraving, of it functioning in the text and of its production processes
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Jammermann, Marco. "Das musikalische Labyrinth als Emblem." Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36715.
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Schlotzhauer, May. "Gotô Baramon Kite as Emblem." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13432.
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The Baramon is a handmade kite from the Gotô Islands in Nagasaki Prefecture, Japan. Its motif features a fierce ogre biting an ornate warrior's helmet. Today, the Baramon is widely recognized as a unique Gotô product. However, nearby regions of Nagasaki also produce similar traditional kites. How and why was the Baramon's exclusive connection to Gotô cultivated and how does it affect notions of regional identity in contemporary Gotô? This thesis argues that while the Baramon belongs to the broader repertoire of Nagasaki kite types, the people of Gotô have gradually appropriated it as a regional symbol by selectively associating particular aspects of Gotô culture and history with the kite's iconography and shape. Consequently, it has become an officially recognized emblem of Gotô. Moreover, the playful transmutation of the Baramon continues in the tourist industry's continuous efforts to revitalize Gotô's image by promoting local history and culture.
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Nakvosas, Algirdas. "Heraldika kaip pagalbinis visuminio pažinimo ugdymo pagrindas VII – VIII klasių moksleivių popamokinėje veikloje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050525_163837-91407.
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This study comprises the basic of Heraldy and Military insignia of the Lithuanian Armed Forces and the other signs used in the Military. The first part of the study introduces the evolution of the military insignia used at the interwar time by Lithuanian Military Corps and nowadays modern Military insignia as well. Military Heraldy describes and represents the kind of Military Forces, Military corps, specialization even the country that the Military corps belong to. Also reflects the short details of country’s history and culture. Taking the artistical approach understanding of the Military insignia is related to the fine arts (painting, sculpture and graphics) to art of computer graphics (scanning, installation, composition) and communication (information delivery). Insignia of the Lithuanian Armed Forces are created according the rules of Heraldy and confirmed by the commission of the Lithuanian Heraldy.
Second part of the study analyses the cumulate material by the angle of the assumption of art cognition. Creation of the Military insignia requires deep knowledge and of art and good skills in practice. Such as tune-up of metal and colour, detail compositions are highly required. Colours and metals are usually selected regarding the Military inheritance. If the Military corps are named on the name of one of the great duke’s of Lithuania, than the colours and metals are taken from the duke’s family blazon.
Third part of the study describes the pedagogical experiment... [to full text]
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Leal, Pedro Germano Moraes Cardoso. "O espelho dos hier?glifos: da ru?na das letras eg?pcias ? sua reinven??o quim?rica entre os s?c. XV e XVII." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16148.
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Previous issue date: 2009-01-30Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This master thesis is an overview of how the Egyptian writing became a ruin, and then was mythunderstood by the Western culture through speculations based on its figurative appeal or by its magical nature this invention results not only in new idea of writing, but also in many graphical experiments which take part in the creation of the Renaissance and Baroque visual identity
A presente disserta??o ? um panorama de como a escrita hierogl?fica eg?pcia se torna uma ru?na e ent?o ? reinterpretada pelo Ocidente atrav?s de especula??es motivadas por seu apelo imag?tico ou por seu car?ter m?gico uma inven??o que resulta n?o apenas numa nova id?ia escrita, transcendental, mas que se desdobra em v?rias experimenta??es gr?ficas que participam ativamente da cria??o da identidade visual do Renascimento e Barroco
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Duarte, Sandra. "Entre déterminisme et libre arbitre : les images emblématiques de la Fortune dans le roman néo-grec espagnol (1604-1657)." Thesis, Clermont-Ferrand 2, 2013. http://www.theses.fr/2013CLF20012/document.
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Aux XVIe et XVIIe siècles, avec la lecture des œuvres d’Achille Tatius et Héliodore d’Émèse, auteurs grecs des premiers siècles de l’ère chrétienne, les auteurs espagnols redécouvrent un genre particulier qui sera qualifié tantôt de romand’aventures, tantôt de roman byzantin. Tant l’appellation de roman que la qualification de byzantin sont fautives puisqu’il s’agit en fait de récits poétiques ou en prose antérieurs à la fin du IVe siècle, c’est-à-dire antérieurs à ce qu’il est convenud’appeler historiquement l’ère byzantine. Pour notre part, nous retiendrons l’appellation de roman néo-hellénistique ou roman néo-grec espagnol – voire « roman baroque », à l’instar de Georges Molinié1 – pour qualifier le nouveau genreromanesque créé à partir de ces récits. Nous voyons dans ce genre le développement d’une littérature en adéquation avec les exigences éthiques et esthétiques de l’« utile dulci » horacien. Influencé par le contexte politico-religieux de la Contre-Réforme, le roman néo-grec espagnol ou roman baroque expose de manière plus ou moins patente le thème de la diatribe à propos du libre arbitre et de la prédestination. Le rôle joué au cœur de ces romans par la Providence et le Destin, en particulier sous leur forme emblématique, semble empreint de l’enseignement des dogmes catholiques défendus lors du Concile de Trente. Dans les quatre ouvrages du corpus (El peregrino en su patria de Lope de Vega, Los trabajos de Persiles y Sigismunda de Miguel de Cervantès, Historia de Hipólito y Aminta de Francisco de Quintana, El Criticón de Baltasar Gracián), le problème du déterminisme et celui du salut sont de nombreuses fois soulevés. Cela se produit soit dans des discussions entre les personnages, soit dans le cours même de l’intrigue par l’apparition de phénomènes de prédiction astrologique ou autre mettant en cause les notions de Fortune et de Destin. De la même façon, les personnages, par leur manière d’être et d’agir, évoquent la notion de libre arbitre soulignant ainsi l’importance des actes qu’ils accomplissent pour assurer leur salutIn the sixteenth and seventeenth centuries, thanks to the writings of Achilles Tatiusand Heliodorus of Emesa, two Greek authors who lived the first centuries of the Christian era, the Spanish writers rediscover a new particular genre. Those books are either labeled as adventure novels or Byzantine novels. Both the terms “novel” and “Byzantine” are inadequate since those books deal with storylines in prose or in verse dating back to the end of the fifth century, that is to say prior to what is commonly and historically termed as the Byzantine era. We will stick to the expressions “Spanishand Greek novel” or “Baroque novel” as taken up by Georges Molinié in order to label this new fictional genre in which we can perceive the development of a literature more in terms with the ethic and a esthetic standards of the Horacian « utile dulci ».Influenced by the political and religious frame of the Counter Reformation, the Spanish and Greek novel or « Baroque novel » exposes in an underlying way the theme of the diatribe about free will and predestination. The role played byProvidence and Fate in those novels, in particular under their emblematic form, is revealing of the Catholic dogmas defended during the Council of Trent. In the four books of the corpus (El peregrino en su patria by Lope de Vega, Los trabajos de Persiles y Sigismunda written by Miguel de Cervantes, Historia deHipólito y Aminta by Francisco de Quintana, Baltasar Gracian’s El Criticón) the issues of determinism and salvation are being raised. This occurs either during thedialogues, or in the development of the plot through the appearance of phenomena of astrological prediction or of other natures dealing with the notions of Fortune and Destiny. In the same way, the characters – through the way they act and behave –evoke the notion of free will, thus underlining the importance of the actions they accomplish in order to secure their salvation
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Aravena, Ortíz Sebastián. "Rescate iconográfico y análisis de los emblemas del Ejército de Chile desde 1810 hasta 2010." Tesis, Universidad de Chile, 2008. http://www.repositorio.uchile.cl/handle/2250/112952.
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Diseñador GráficoNo autorizada por el autor para ser publicada a texto completo
Este proyecto surge como una búsqueda de más instancias en el diseño, la idea de explorar cómo generar aportes nuevos en áreas diferentes a las más comunes en donde nuestra disciplina se ve relacionada, abriendo el espectro de funciones y nichos en donde el diseñador gráfico puede relacionarse y ayudar a construir. Una de las áreas en donde se puede trabajar es en la historia, dejar de mirar al futuro y a las nuevas tendencias estéticas para mirar hacia atrás, a lo que ya hemos pasado y hacer algo en función de ello, intentar rearmar nuestro pasado gráfico en función del diseño moderno. El proyecto se centra en el rescate patrimonial y valorización de los emblemas del Ejército de Chile a lo largo de los doscientos años de nuestro país. Estos signos pertenecen a nuestra historia gráfica y por eso es importante valorizarlos, sobretodo cuando se están perdiendo poco a poco. El otorgarles valor fortalece nuestra identidad como país aportando cultura y conocimiento de nosotros mismos. Para valorizar los emblemas el proyecto pretende aportar con un estudio de ellos, utilizando herramientas entregadas por diferentes pensadores del diseño y la semiótica, para generar un producto que no sólo los muestre sino que también hable de ellos. El proyecto será una publicación impresa que reunirá los diferentes emblemas del Ejército de Chile desde 1810 hasta 2010, que serán organizados y normalizados para luego, utilizando como base la semiótica, ser analizados desde tres puntos de vista: la sintaxis, la semántica y el pragmatismo.
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Calogero, Elena Laura. "Ideas and images of music in English and Continental emblem books /." Baden-Baden : Verlag Valentin Koerner, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783873204393.
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Zugl.: teilweise Diss. Univ. Firenze, 2001.Originaltitel: "Lo, Orpheus with his harpe" : la musica nei libri di emblemi inglesi, 1565-1700, Titel der Originaldissertation. Bibliography: S. 239-266.
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Bulté, Cécile. "Images dans la ville. Décors monumentaux et identités urbaines en France à la fin du Moyen Age." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040172.
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Lys de la royauté ou croix de l’Église, l’espace des villes médiévales se caractérise par les marques qu’y ont apposées les institutionsmédiévales. À la fin du Moyen Âge, les nouvelles élites urbaines s’approprient ce marquage de l’espace public par l’image en yimposant leurs propres signes. Elles affirment alors leur présence sur la scène publique et artistique. Aux XIVe et XVe siècles, ledécor civil se fait l’expression tangible de cette transformation sociale ; des signes emblématiques et de petites sculptures figuréesinvestissent l’espace urbain. L’institution municipale fait édifier un bâtiment emblématique, l’hôtel de ville, dont le portail armoriéfait écho aux emblèmes qu’elle fait placer dans les lieux stratégiques. Les particuliers, à leur tour, transposent à leurs habitations cesmodes de représentation monumentale. Officiers ou marchands, ces hommes nouveaux couvrent leurs résidences de blasons, figuresreligieuses ou emblématiques. Les ensembles décoratifs, en les rattachant à un métier, une institution ou une paroisse, disent laposition sociale et les valeurs morales que revendiquent les commanditaires bourgeois. Ceux-ci, par la présentation de leurs insignespersonnels, de leur devise ou de leur nom, mettent en scène leur identité, introduisant dans l’espace public urbain des fragments desubjectivité. Des petites figures singulières et radicales se déploient : corps nus et exposés, scènes grotesques et allégoriques, quifigurent la déchéance possible pour valoriser le statut. Structurés et hiérarchisés, ces décors forment un système relationnel danslequel l’ascension répond à l’exclusion, signes d’un ordre social en transformationWhether royal lily or Christian cross, the space of medieval towns is characterized by the marks placed on it by medieval institutions.At the end of the Middle-Ages, the new urban elites make the process of marking the city their own by imposing their own signs onthe public space. Thus, they assert their presence on the public and artistic scene. In the 14th and 15th century, civilian decorationbecomes the tangible expression of this social transformation ; emblems and small sculptural figures conquer the urban space. Anemblematic edifice, the town hall, is erected by the municipal institution, whose emblazoned portal echo other emblems placed atstrategic locations. Private citizens, in turn, transplant into their homes these monumental modes of representation. Officers ormerchants – these men of a new kind – cover their residences with coats of arms, religious or emblematic figures. By linking them toa profession, an institution or a parish, these decorative programs state the social standing and moral values that those affluentcommissioners claim for themselves. By presenting their personal insignia, their motto or their name, they put their identity on stage,thereby introducing fragments of subjectivity in the public and urban space. Some singular and radical small figures begin toproliferate: exposed, naked bodies, grotesque and allegorical scenes that foreshadow one’s possible downfall in order to exalt one’scurrent status. Structured and hierarchically organized, these decors form a relational system in which social promotion dialogueswith exclusion : telltale signs of a social order in transformation
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Vanin, Jacopo <1993>. "Evoluzione della localizzazione del franchise videoludico Fire Emblem." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15239.
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Lo scopo di questo elaborato è analizzare l’evoluzione della localizzazione del franchise videoludico Fire Emblem. Fire Emblem è una serie di giochi di ruolo tattici nata nel 1990, sviluppata da Inteligent Systems e pubblicata da Nintendo. Viene comunemente considerato come il franchise che definì le caratteristiche del genere.
Durante la nostra analisi andremo a porre particolare attenzione a due aspetti: come si sia evoluto l’approccio alla localizzazione di questa serie nel corso degli anni e come sia stato affrontato il problema della “nipponicità”. Per fare ciò, per prima cosa andremo a vedere quali sono oggigiorno i diversi approcci alla localizzazione dei videogiochi giapponesi, andando ad analizzare concetti quali “transcreazione”, “domesticazione”, “straniamento” e altri ancora. Creeremo così un framework d’analisi critica, che ci permetterà di inquadrare il modus operandi dei vari studi di localizzazione che hanno tradotto i diversi titoli di questa IP.
Ultimato questo processo, procederemo dando una breve storia introduttiva del franchise, accennando anche a diversi cambiamenti che i vari titoli hanno subito prima di raggiungere i mercati “occidentali”.
Successivamente presenteremo tre case studies dei titoli che ritengo più significativi al fine di comprendere l’evoluzione della localizzazione di queste serie videoludica.
Per concludere paragoneremo quindi gli approcci utilizzati nelle localizzazioni prese in esame, tentando di individuare un percorso evolutivo.
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Milazzo, Renaud. "Le marché des livres d'emblèmes en Europe. 1531-1750." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLV052/document.
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Si les livres d’emblèmes ont servi de sujet à de nombreuses études littéraires, leur marché n’a pas fait l’objet d’une analyse historique systématique. Pour y parvenir, cette recherche se base sur deux sources. Un corpus a été réalisé à partir des catalogues des principales bibliothèques permettant de suivre année par année, sur deux siècles et au niveau européen, l’évolution de la production des livres d’emblèmes. Rapidement cette étude a fait ressortir que le principal éditeur de ces ouvrages n’est autre que Christophe Plantin dont la politique commerciale dans ce domaine sera reprise par ses héritiers aussi bien à Anvers qu’à Leyde. La richesse des sources conservées au Musée Plantin-Moretus permet non seulement de connaître tous les frais de fabrication de nombreux livres d’emblèmes mais surtout d’en suivre les ventes au niveau national et international grâce aux foires de Francfort.La recherche a déjà souligné que la vogue des livres d’emblèmes suit de près la progression des idées de Luther en Europe. Les premiers dépouillements et analyses statistiques ont permis de confirmer que si les livres d’emblèmes sont, à l’origine, majoritairement silencieux sur les préférences confessionnelles de leurs auteurs, ils éveillent l’intérêt d’imprimeurs, d’éditeurs et d’auteurs imprégnés d’une culture favorable aux différents courants réformés. Ce facteur est souvent masqué par la prolifération tardive des livres d’emblèmes jésuites et dominicains répondant aux principes tridentins. A ce sujet, les deux sources utilisées ici permettent d’éclairer significativement la ventes des livres d’emblèmes au XVIe et XVIIe siècleWhile emblem books have been the subject of many literary studies, their trade has not been the subject of a systematic historical analysis. To achieve this, this research is based on two sources. A corpus was produced from the catalogs of the main libraries and provides data for tracking the evolution of the production of emblem books to be followed year by year, over two centuries on an European level. Quickly this study revealed that the main editor of these works is none other than Christophe Plantin, whose commercial policy in this field will be taken up by his heirs in Antwerp as well as in Leyden. The richness of the sources kept in the Plantin-Moretus Museum not only allows us to know all the costs of making many emblem books, but also to monitor their sales at national and international level through the Frankfurt trade fairs.Research has already emphasized that the vogue of emblem books is almost simultaneous with the progression of Luther's ideas in Europe. The first researches and statistical analyzes confirmed that if the emblem books were originally largely silent on the confessional preferences of their authors, they have awoken interest of printers, publishers and authors impregnated with a culture favorable to the various reformed currents. This factor is often masked by the late proliferation of books of Jesuit and Dominican emblems responding to the Tridentine precepts. In this regard, the two sources used here helped to enlight on the sales of emblem books in the sixteenth and seventeenth centuries
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Eardley, Alice. "An edition of Lady Hester Pulter's Book of 'Emblemes'." Thesis, University of Warwick, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488491.
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Lady Hester Pulter's literary manuscript, comprising over one hundred poems and a prose romance, was uncovered in Leeds University Brotherton Library in 1996. Since then, there has been increasing scholarly interest in Pulter's compositions but as yet no edition of her text has been produced.
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Dževečkaitė, Vaida. "Gestų emblemų kaita Lietuvoje nuo 1990 iki 2010 metų." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2001~D_20140627_164542-69507.
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Magistro baigiamojo darbo objektas – gestai emblemos. Darbo tikslas – išanalizuoti ir parodyti gestų emblemų kaitos ypatumus lyginat gestus emblemas naudojamus skirtingų generacijų grupių atstovų. Darbo uždaviniai pateikiant atliktų tyrimų duomenis, rezultatus, remiantis teorinėmis įžvalgomis išanalizuoti teoriškai ir emyriškai patvirtintus duomenis apie gestus emblemas, jų santykį su verbaliniu kodu, kultūra per se, naudojimo ir kaitos ypatybes; atlikus empirinį tyrimą, interviu – nustatyti ir įvertinti kaip skiriasi gestai emblemos, jų naudojimas, suteikiama reikšmė skirtingose generacijose; nustatyti kaip pakito gestai emblemos Lietuvoje per pastaruosius du dešimtmečius. Išanalizavus mokslinę literatūra, taikant bendruosius (aprašomasis, sisteminis, analitinis) metodus bei remiantis analoginiu ir indukciniu metodais, prieita prie išvados, kad gestai emblemos yra konvencinio pobūdžio gestai, kurie dalyvaudami kultūros kaitos procesuose kinta, panašiai kaip kinta žodinė kalba, o jų kaitos ypatybės konkrečioje kultūroje geriausiai matomos lyginat skirtingų generacijų leksikonus. Gestai emblemos kaip ir žodinė kalba, yra kultūriniai segmentai. Jų sukūrimą, įtraukimą į kasdienį individų leksikoną, jiems priskiriamos reikšmės, jų vizualinės išraiškos formos sukūrimą ir kitimą įtakoja kultūros kaitos ir raidos procesai: materialinių ir dvasinių kultūrinių vertybių kaita, kultūrų difuzijos, integracijos, niveliacijos, asimiliacijos procesai, taip pat socialinio, ekonominio... [toliau žr. visą tekstą]The subject of the final Master work is about emblematic gestures. The paper aims to analyze and to indicate change of emblematic gestures comparing their usage in different generations. The main tasks carried out in the work are to analyze theoretically and empirically verified data about emblematic gestures, their relationship with verbal code and culture as such, use and change specific features; After doing empirical study interview – the paper also aims to establish and to evaluate differences of emblematic gestures, their usage and their meaning in different generations; to show how emblematic gestures have changed in Lithuania due to last two decades. There are carried out thesis – emblematic gestures change as changes culture in which they are used and comparing emblematic gestures used in different generations, we can make inferences about their change. In order to ground thesis, theoretical data was collected and empirical research was held. The analysis of scientific literature had showed that most of emblematic gestures are cultural borrowings and that their changes in visual form and meaning are influenced by culture. Emblematic gestures as oral language are elements of culture. They are creation and usage in everyday talk. The meaning and form that they gain are influenced by the processes of cultural change and development: creation of material and spiritual values, processes of cultural integration, nivelation, assimilation also the change of political... [to full text]
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Tahbaz, Sofia. "Emblem use in parent-child interaction : A longitudinal study." Thesis, Stockholms universitet, Institutionen för lingvistik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144167.
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This thesis investigates emblem use exploratory in parent-child interaction. Emblems are conventional gestures with a verbal equivalent. The aim of this study was to answer if emblem use facilitates language acquisition. Formulaic gestures – fixed gestures accompanying songs – were examined as a subgesture of emblems. 20 children and their parents’ emblem use were recorded when interacting freely at seven age points: 6, 9, 12, 15, 18, 21 and 24 months. Emblem use was correlated to the children’s productive vocabulary at 30 months. The results showed that parental emblem use at 24 months and child emblem use at 15 months predicted child productive vocabulary at 30 months. T-tests showed how emblem production of children in a lower productive vocabulary group differed from children in a higher productive vocabulary group. A difference between the children of the lower productive vocabulary group and the children of the higher productive vocabulary group emblem use was also found at 15 months, indicating emblem use being important in language acquisition. Formulaic gestures did not correlate to child productive vocabulary. Emblem use developed along with child age and probably inherently with word production. Parents adjust their emblem use to the child’s age and/or possibly language skills, suggesting that child-directed gesturing occurs in parent-child interaction.Den här studien undersöker emblemanvändning explorativt i förälder-barninteraktion. Emblem definieras som konventionella gester med en verbal motsvarighet. Målet i denna studie var att undersöka om emblemanvändning underlättar språktillägnande. Fasta gester – gester tillhörande sånger – undersöktes som en underkategori till emblem. 20 barn och deras föräldrar spelades in när de interagerade fritt vid sju ålderspunkter: 6, 9, 12, 15, 18, 21 och 24 månader vilket också korrelerades med barnets produktiva ordförråd vid 30 månader. Resultaten visade att föräldrars emblemanvändning vid 24 månader och barns emblemanvändning vid 15 månader korrelerade med barnens ordförråd vid 30 månader, vilket indikerar att emblemanvändning vid dessa ålderspunkter förutsäger ordförrådets storlek några månader senare. T-tester visade att emblemproducering hos barn skiljde sig åt mellan gruppen med barn med lägre produktivt ordförråd och gruppen med barn med högre produktivt ordförråd. Vid 15 månader fanns också en signifikant skillnad mellan grupperna vilket indikerar att emblem spelar en viktig roll vid språktillägnandet. Fasta gester visade ingen korrelation med barnets språkutveckling. Barnens emblemproduktion utvecklades med åldern och troligtvis tillsammans med ordproduktion. Föräldrar verkar justera sitt emblemanvändande till barnets ålder och/eller språkkunskaper, vilket indikerar att ett barnriktat gestikulerande finns vid förälder-barn interaktion.
Modelling child language acquisition from parent-child interaction (MINT: MAW 2011:007)
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Savage, Christopher Tyra. "Alternative Epigraphic Interpretations of the Maya Snake Emblem Glyph." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2093.
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This thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the "Lord of the Snake." Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as originating from a broad area containing the sites of El Peru and La Corona in Guatemala, and Dzibanche, Mexico, a departure from the longstanding choice of Calakmul, Mexico. Unprovenanced snake emblem glyph texts have been cataloged under a "Site Q" designation ('Q' for the Spanish word Que, meaning "which") by Peter Mathews. Site Q is thus not securely identified geographically, which confounds efforts to designate a particular site as the snake emblem glyph site. Other problems with the snake emblem glyph, such as its geographically wide dispersal, hint that it is not a title of a particular city or region. Yet another problem is "a proper fit" between the individuals listed on unprovenanced material and individuals named at sites associated with the snake emblem glyph. It is argued that the interpretation of the snake emblem glyph differs from how emblem glyphs are presently understood. Rather than representing a physical location, the snake emblem glyph represents a mythological place or "state," containing members who legitimize their lineage (association) through ritual events such as communication with supernaturals via the vision serpent. The specialists perform rituals, scatterings, are ballplayers, and witness events. They are rarely associated with accession, which by current interpretation is implicitly tied to emblem glyphs.M.A.
Department of Liberal and Interdisciplinary Studies
Graduate Studies;
Liberal Studies MA
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Prinz, Stephan. "Juristische Embleme Rechtsmotive in den Emblemata des 16. bis 18. Jahrhunderts." Berlin Münster Lit, 2006. http://d-nb.info/993679080/04.
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LIBONATI, Mariana Coêlho. "Facebook como plataforma de emblemas de consumo de intercambistas de graduação." Universidade Federal Rural de Pernambuco, 2017. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7514.
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Mariana Coelho Libonati.pdf: 5758386 bytes, checksum: 98e31d2f005cc3f89008ccea03d1ead5 (MD5)Made available in DSpace on 2018-09-05T12:24:54Z (GMT). No. of bitstreams: 1 Mariana Coelho Libonati.pdf: 5758386 bytes, checksum: 98e31d2f005cc3f89008ccea03d1ead5 (MD5) Previous issue date: 2017-08-31
In the contemporary world, mobile devices increasingly feed the excess and speed of information on social networks, they also help to stimulate even more the habit of the human being to "show up", since he lives immersed in these networks. Along with that, coexist the brands that propagate ideals of the "perfect" life with hedonic characteristics, such as happiness, status, beauty, self-esteem, confidence, youth, etc., due to the established relations also on networks. The present study has studied how the consumption badges occurs on Facebook, by students who have undergone the undergraduate international exchange program offered by the Brazilian Government "Sciences without Borders". It was a search for understanding how the new construction of the individual's identity in digital social networks occurs, since this individual is deterritorialized, and if there is space in the virtual world for the exposition of anguishes and fragilities or only for the idealization of the self that lives a recreated experience.
No mundo contemporâneo, os dispositivos móveis alimentam cada vez mais o excesso e a rapidez das informações veiculadas nas redes sociais, contribuindo, inclusive, para estimular ainda mais o hábito do ser humano “mostrar-se”, pois ele vive imerso nessas redes. Com ele, coexistem as marcas que propagam ideais de vida “perfeita” e com características hedônicas, dentre as quais se destacam a felicidade, o status, a beleza, a autoestima, a confiança, a juventude, etc., a partir das relações estabelecidas também nas redes. O presente trabalho estudou como se dão os emblemas de consumo no Facebook, por estudantes que realizaram intercâmbio internacional na graduação pelo programa do governo brasileiro Ciências Sem Fronteiras. Foi uma busca por compreender como ocorre a nova construção da identidade do indivíduo nas redes sociais digitais, já que esse se encontra desterritorializado, e se existe espaço no mundo virtual para a exposição de angústias e fragilidades, ou apenas para a idealização do eu que vive uma experiência recriada.
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Bombera, Mojmír. "Návrh technologie výroby plastového emblému automobilu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2013. http://www.nusl.cz/ntk/nusl-230862.
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The project elaborated in scope of engineering studies branch 2307. The project is submitting design of production technology of car emblem. Different manufacturing technologies have been compared based on study of technical literature. Most suitable technologies have been chosen such as pressure die casting, especially aluminum alloys and plastic injection molding. Plastic part is metal plated afterwards in order to get desired metal look. Part of this project is injection molding tool design inclusive technical, technological and economic analysis.
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Jehl, Emilie. "Le motif du cœur dans l'emblématique anglaise de dévotion au XVIIe siècle." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC033.
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Ce travail met en regard les recueils emblématiques de Henry Hawkins (The Devout Hart, 1633), Christopher Harvey (The School of the Heart, 1647) et John Hall (Emblems with Elegant Figures, 1648). Il confronte ainsi des auteurs de confessions différentes dans l’Angleterre de Charles Ier, où la question religieuse continue d’alimenter des conflits et des tensions. Pourtant, ces emblémistes s’intéressent à un motif commun, celui du cœur, envisagé comme une métonymie de l’homme dans son rapport à la transcendance. En replaçant ce discours cordial dans le contexte historique, culturel et idéologique dans lequel il émerge, notre travail tente de montrer les convergences d’auteurs aux intérêts a priori discordants. Surtout, il s’intéresse à la façon dont textes et gravures dialoguent dans ces recueils pour articuler un discours affectif puissant, capable d’emporter l’empathie et l’adhésion du lecteur/spectateur. Le livre d’emblèmes devient ainsi le support d’un exercice méditatif à travers lequel le dévot peut espérer retrouver le chemin de son âme et, peut-être, la ramener à DieuThis thesis brings together three emblem books : Henry Hawkins’ The Devout Hart (1633), Christopher Harvey’s The School of the Heart (1647) and John Hall’s Emblems with Elegant Figures (1648). By doing so, it confronts three writers who display denominational differences in King Charles I’s England, where the issue of religion still fuels intense debates and conflicts. Yet those emblematists share an interest in the motif of the heart, which they use as a metonymy for man in his relationship to transcendence. By replacing the discourse of the heart in the historical, cultural and ideological context in which it has emerged, this thesis attempts to show how three authors with presumably conflicting views end up converging. Moreover, it shows how engravings and texts interact to articulate a powerful affective discourse, which can engage both the reader/spectator’s sympathy and adherence. The emblem book thus works as the support of a meditative exercise through which the devout can hope to find again the way to his soul and bring it back to God
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McCallum, Wendy M. "Pedagogical style and influence of Nadia Boulanger on music for wind symphony an analysis of three works by her students, Copland, Bassett, and Grantham /." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.unt.edu/theses/open/20041/mccallum%5Fwendy/index.htm.
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Go, Kenji. "Shakespeare, Daniel, and the emblem : a study of the 1609 quarto of Shakespeare's sonnets and 'A Lover's Complaint' in the light of Samuel Daniel's poems and the emblem." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342906.
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Chiarini, Martina <1988>. "Il fenomeno dei Rom in Francia: emblema di una politica nazionale dell’esclusione sociale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6983.
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Partendo dall’evoluzione storica della diaspora mondiale del popolo Rom che, originario della zona dell’Uttar Pradesh, nel nord dell’India, raggiunse la Francia nel XV secolo, questo elaborato si propone di descrivere la condizione odierna di tale popolazione all’interno dei confini di questo stato dell’Unione Europea.
Verranno dunque analizzate le tappe fondamentali della legislazione francese, partendo dalla legge del 1912 relativa alla circolazione dei “nomadi” in Francia fino alla “Seconda Legge Besson” promulgata nel 2000, riguardante la questione dell’accoglienza degli itineranti nel suolo francese, ma anche le politiche di espulsione attuate nei loro confronti nell’ultimo decennio.
Saranno dunque indagate le condizioni di vita, di esclusione e di emarginazione in cui si trovano le persone di origine Rom in Francia, in particolare per quanto riguarda il tema dell’accesso al mercato del lavoro, le condizioni abitative e sanitarie, l’istruzione e il livello di povertà a cui sono sottoposti.
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Frankel, Tara Maylyn. "Weaving Through Reality: Dance as an Active Emblem of Fantasy in Performance Literature." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/37.
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Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. The story of Giselle reveals a meta narrative describing the desire and plight of the professional dancer. Henrik Ibsen’s A Doll’s House, in contrast, provides a world in which dance as a fantasy element cannot exist. Examining the physical elements of these works of literature elucidates the use of dance as a lens that lets the performance become speech.
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AUBOURG, ODILE. "Analyse des emblemes des partis gaulliste et socialiste symboles d'une politique, 1946 a 1986." Paris 10, 1995. http://www.theses.fr/1995PA100163.
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Au cours des ages, grace a l'evolution des cultures et des esprits, le rituel politique se traduit dans un langage nouveau, la symbolique. Cette etude vise a presenter un ensemble de "rites" politiques destines a dejouer les ruses des partis, a ouvrir la porte des coulisses du pouvoir. Cette recherche s'est effectuee sur la base d'un corpus visuel de 151 affiches. Afin de pouvoir aboutir a des conclusions precises et constructives, l'analyse s'est limitee aux periodes clefs des evenements politiques de 1946 a 1986 : les campagnes presidentielles et legislatives. Aucune methodologie exacte est actuellement en place pour lire, comprendre et interpreter le langage de l'affiche politique. L'objectivite de ce travail s'appuie sur la mise en oeuvre d'une grille de lecture semantique. Quatre grilles d'etudes criteriologiques sont utilisees (signe repere les representations de l'embleme - signe banniere les composantes discursives - signe de rencontre les constituants iconiques - signe de fixation les codes ico niques et textuels). La construction des affiches se resume selon le principe systemique de coirsement de ces quatre signes. La perception du symbole exclut l'attitude du simple spctateur, elle exige une participation d'acteur. Au fil des affiches la vie politique se theatralise. Opera, drame ou comedie bourgeoise, la representation politique porte les traces d'une mise en espace permanenteIn the course of ages, owing to changes in cultures and ideas, the political ritual is conveyed through a particular symbolic language. This essay tends to set forth a body of political rites assigned to this essay tends to set forth a body of political rites assigned to outmanoeuvre the parties tricks, to pull the strings of power. This research has been carried out on the basis of a 151 posters visual corpus. In order to bring to sound outcomes, the analysis has been restricted to the main periods of 1946 - 1986 political hostory : the presidential and parliamentary electoral dives. At the time, there is no strict methology allowing the reading, understanding and interpreting of the political poster language. The objectiveness of our undertaking is built upon the implementation of a semantic deciphering pattern. We have made use of for criterion-based patterns which are : sign "reference" the images of the emblem - sign "banner" the discursive components - sign " meeting " the iconic components - sign ""fixing" the iconic and textuel code. The composition of posters is summed up according to the method of the four signs crossing. . . The feeling of symbol is incompatible with the coomon spectator attitude, it requires participating as an actor. Political life is turned into a play by posters influence. The political representation, opera, drama or middle-class farce, is marked by the current process of imbodiness
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Tunell, John. "Classification of offensive game-emblem drawings using CNN (convolutional neural networks) and transfer learning." Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-348944.
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Convolutional neural networks (CNN) has become an important tool to solve many computer vision tasks of today. The technique is though costly, and training a network from scratch requires both a large dataset and adequate hardware. A solution to these shortcomings is to instead use a pre-trained network, an approach called transfer learning. Several studies have shown promising results applying transfer learning, but the technique requires further studies. This thesis explores the capabilities of transfer learning when applied to the task of filtering out offensive cartoon drawings in the game of Battlefield 1. GoogLeNet was pre-trained on ImageNet, and then the last layers were fine-tuned towards the target task and domain. The model achieved an accuracy of 96.71% when evaluated on the binary classification task of predicting non-offensive or swastika/penis content in Battlefield "emblems". The results indicate that a CNN trained on ImageNet is applicable, even when the target domain is very different from the pre-trained networks domain.
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Hart, Vaughan Anthony. "Stonehenge as emblem : considerations on the 'restoration' of St. Paul's Cathedral by Inigo Jones." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/275243.
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Perhaps the clearest expression of the Stuart Court 'self-image' is to be found on the Banqueting House ceiling, where James is represented as Solomon; an antique Britain is characterised in the form of James's mythic ancestors, the first Christian King Lucius and the founder of a united Great Britain, Trojan Brute. Here, the past is seen to bear witness to the present, the restored Golden Age inaugurated by James's reign. The Jones-Webb survey of Stonehenge, commissioned by James around 1620, is concluded with the above figures of Cherubim and Astrology. The 'most notable antiquity of Great Britain', as the monument is entitled, becomes an analogue of Solomon's temple and the new Jerusalem heralded by Stuart rule finds physical expression on Salisbury plain. Here the stones are moulded into the general antique virtue represented by the Vitruvian theatre plan, a circle and triangles, the geometrical forms of neoplatonism; transformed in this way Stonehenge becomes a crumbling monument of the 'Albion and Jerusalem' antiquity pictured on the Banqueting House ceiling. The Stuart Court's understanding of itself and its architecture as a 'restoration' of this antique British culture will be examined in the first part of this study with reference to the intended centre-piece of Stuart London, Jones' 'restored' St. Paul's Cathedral. This will suggest connections with the Jones-Webb 'restoration' of Stonehenge, a link examined in the second part. For such links, in conclusion, made Jones's work verifiably British in origin, a thesis which will obviously question the traditional understanding of Stuart architecture as having derived its primary inspiration from Jones's Italian travels. The origins of British Palladianism are uncovered on Salisbury Plain.
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Espinosa, Anaya Nicola. "En busca de un nuevo emblema: narrativas de historia y disputas de identidad en Salas." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/77938.
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El presente artículo analiza las diferentes narrativas sobre la historia y orígenes del pueblo de salas apropiadas por diversos grupos, creando cada uno una versión de la historia e identidad saleña. en el caso de salas, el curanderismo es un componente elemental para la identidad del pueblo que ha entrado en discusión por su legitimidad. Luego, teniendo en cuenta a la construcción de una identidad como un proceso que cambia en el tiempo, se analizarán los cambios que ha habido en las narrativas locales para crear una identidad saleña y los mecanismos que se utilizan para recrearla y reforzarla y el papel que juega el curanderismo en ella.
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Gambling, Stella. "Iconology in The Merchant of Venice." Thesis, University College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325295.
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Selig, Karl-Ludwig. "Studies on Alciato in Spain /." New York : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb35525986k.
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Alonso, Rey Maria Dolores. "Emblèmes et iconographie dans la dramaturgie caldéronienne : les autos sacramentales." Tours, 2002. http://www.theses.fr/2002TOUR2029.
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Dans les autos sacramentales de Pedro Calderón de la Barca, la terminologie emblématique est amplement employée et fonctionne comme attribut linguistique des personnages incarnant le Mal. Nous retrouvons l'empreinte de l'emblématique à différents niveaux : au niveau de l'expression verbale apparaissent des références à des motifs qui coi͏̈ncident avec ceux des livres d'emblèmes. Mais le dramaturge détourne leur sens traditionnel. On retrouve l'emblème dans la genèse, dans la structure globale, dans certaines scènes et dans le décor des autos. Calderón crée des formulations visuelles complexes en combinant une série de matériaux d'origines diverses. Dans ces réseaux symboliques, l'iconographie joue un rôle décisif dans la construction de scènes à caractère emblématique. La matière dramatique s'organise suivant les phases de Création/Tentation/Chute/Pénitence/Rédemption. À chaque unité correspond une série d'images. L'auto s'organise comme une succession de tableaux emblématiques.
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Young, Miriam. "The influence of early modern emblem books and related forms upon eighteenth-century French literature." Thesis, University of Glasgow, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274115.
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