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Journal articles on the topic 'Emblems'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Cull, John T. "The Emblematic Exemplum in Agustín Moreto y Cabaña and Other Golden Age Playwrights." IMAGO. Revista de Emblemática y Cultura Visual, no. 9 (January 31, 2018): 151. http://dx.doi.org/10.7203/imago.9.10596.

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ABSTRACT: Taking as a point of departure Juan de Horozco's definition: «las emblemas se pueden hazer con figuras solas, como es más ordinario o con figuras y letras que siruan de mote, y esto es, porque la emblema quanto más guardare las propiedades de la empresa tanto será mejor según yo entiendo y juzgara qualquiera» (f. 64v), this study analyzes the presence and function of dramatic emblems in the plays of Agustín Moreto y Cabaña and other Spanish Golden Age Dramatists. It postulates that the poetic images, derived in many instances from emblem books, function as exempla in order to comment

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Zafra, Rafael. "Emblemas doctrinales." IMAGO. Revista de Emblemática y Cultura Visual, no. 11 (January 28, 2020): 85. http://dx.doi.org/10.7203/imago.11.16017.

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ABSTRACT: This study proposes to determine the emblematic character of a type of catechetical-doctrinal composition, influenced by Alciato’s Emblems, that emerged at the height of the dispute between Catholics and Protestants and their attempt to refute and extend their contradictions and respective doctrines. Starting from the notion that the emblem is a «transfigured common place», I analyze the massive use of these commonplaces in theological and doctrinal treatises, and conclude that both the compositions that formed the catechisms and emblematized sums, as well as many of the paintings an

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Rolle, Baptiste, and Edith Lafontaine. "The emblem that cried wolf: ICRC study on the use of the emblems." International Review of the Red Cross 91, no. 876 (2009): 759–78. http://dx.doi.org/10.1017/s1816383110000172.

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AbstractThe ICRC Study on Operational and Commercial and Other Non-operational Issues Involving the Use of the Emblems (‘the Emblem Study’) is an efficient and user-friendly tool to tackle issues regarding the use of the emblems of the red cross, red crescent, and red crystal. This article presents the Emblem Study's origin and objectives, and explains the structure and the methodology followed in its preparation. Recurrent questions regarding joint use of emblems and other signs are also examined, in order to demonstrate the Emblem Study's potential as an analytical and practical tool. Partic

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Kordyzon, Wojciech, and Martyna Osuch. "Zbiory emblematyczne w kolekcji Gabinetu Starych Druków Biblioteki Uniwersyteckiej w Warszawie. Przegląd bibliograficzny i proweniencyjny." Terminus 23, no. 3 (2021): 341–64. http://dx.doi.org/10.4467/20843844te.21.013.13850.

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Collection of Emblems in the Early Printed Books Department of the University of Warsaw Library: An Overview of Bibliography and Provenance Traits This paper presents synthetic information on the exhibition of early printed books from the collection of the Early Printed Books Department of the University of Warsaw Library, organized for the participants of the Seminar on emblems on 23–24 May 2019, at the Artes Liberales Faculty. The goal of this paper is to discuss a selection of emblem books being part of the library collection, with special focus on their provenance. The books are divided in

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TAN, Xiaoyan. "An Analysis of the Latest Five Emblems of Olympic Games from the Perspective of Three Meanings of Visual Grammar." International Journal of Social Science Research 10, no. 2 (2022): 59. http://dx.doi.org/10.5296/ijssr.v10i2.19812.

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In a multimedia society, single-mode gradually becomes insufficient to meet the public multifaceted needs. In this case, multimodality, such as moving images, sound, text, etc., is increasingly prominent and becomes more salient in people’s lives. Accordingly, research related to multimodality discourse analysis attracts more and more scholars’ attention, yet few analyze different emblems of Olympic Games from visual grammar. Under this background, this paper will analyze the latest five emblems of Olympic Games from representational, interactive, and compositional meanings. By so doing, it ai

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Górska, Magdalena Kinga. "Status teoretyczny emblematu w polskiej dekoracji." Terminus 23, no. 3 (2021): 227–58. http://dx.doi.org/10.4467/20843844te.21.010.13847.

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The Theoretical Status of the Emblem in Polish Decorative Art This paper argues that the theoretical status of the emblem in decorative art has methodological significance in emblem studies and art history, comparable to its status in the so-called book’s editorial frame. This claim is justified in the historical and theoretical tradition of defining emblems in the sources. The departure point for the author’s considerations comes from the findings of applied emblematics, and its foundation is provided by the theoretical sources describing symbolic genres (scil. emblema, symbolum, hierogliphic

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Germano Leal, Pedro. "‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture on the early Americas’." Norba. Revista de Arte, no. 40 (December 27, 2020): 113–28. http://dx.doi.org/10.17398/2660-714x.40.113.

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This white paper briefly outlines two co-dependent research initiatives: ‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture in Ibero-America’. Both projects are in their initial stage of development, at Brown University. ▪ ‘Global Emblems’ is set to map, document and study the presence of emblems in material culture, around the world, and cross-link these occurrences with pre-existing digital collections of emblem books. The database will be fed by an international network of specialists, which is already active, with members in over ten countries

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Germ, Tine. "The Emblems of the Album of the Ljubljana Noble Society of St Dismas: Context, Sources, Originality." Ars & Humanitas 11, no. 1 (2017): 149–70. http://dx.doi.org/10.4312/ah.11.1.149-170.

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The article discusses the sources for the iconography of emblems in the Album of the Ljubljana Noble Society of St Dismas (Archive of the Republic of Slovenia, ref. AS 1073, I/1) that has not yet been systematically addressed. The Album is a kind of memorial book of the Ljubljana Noble Society of St Dismas or Academia Unitorum, displaying the coats of arms, emblems and important data of their members. The book with exquisite full page illuminations is the most important illuminated manuscript of the Baroque era that survives in Slovenia. Recent research shows, that the idea of the academic mem

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Germ, Tine. "The Emblems of the Album of the Ljubljana Noble Society of St Dismas: Context, Sources, Originality." Ars & Humanitas 11, no. 1 (2017): 149–70. http://dx.doi.org/10.4312/ars.11.1.149-170.

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The article discusses the sources for the iconography of emblems in the Album of the Ljubljana Noble Society of St Dismas (Archive of the Republic of Slovenia, ref. AS 1073, I/1) that has not yet been systematically addressed. The Album is a kind of memorial book of the Ljubljana Noble Society of St Dismas or Academia Unitorum, displaying the coats of arms, emblems and important data of their members. The book with exquisite full page illuminations is the most important illuminated manuscript of the Baroque era that survives in Slovenia. Recent research shows, that the idea of the academic mem

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Graham, David. "Preface, Prescription, and Principle: The Early Development of Vernacular Emblem Proto-theory in France." Janus. Estudios sobre el Siglo de Oro, no. 06 (March 6, 2017): 1–31. https://doi.org/10.17979/janus.2016.0.05.10337.

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The first French-language treatises on emblems appeared in the seventeenth century, but prior to their appearance, many authors of emblem texts and vernacular translations offered glimpses in their paratextual material—prefaces and dedicatory letters, for the most part—of their concept of the emblem. As a rapidly emerging genre, the emblem itself underwent a series of transformations, and and attempt at developing a true theory of the emblem was rendered impossible not only by those but by the commercial pressures associated with attempting to take advantage of the new market for illustrated b

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Kim, Keun Tae, Won Chul Shin, Jee Hyun Kim, and Yong Won Cho. "The Emblems of Sleep Societies in Asia and the Republic of Korea." Journal of Sleep Medicine 18, no. 2 (2021): 61–65. http://dx.doi.org/10.13078/jsm.210014.

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An emblem is a symbolic representational image that stands for a certain organization, concept, team, or society. This study investigated the emblems of the sleep societies in South Korea and the international sleep societies in which they were registered as members. Three South Korean sleep societies were found by searching for the keyword ‘sleep’ in the Korea Citation Index. Subsequently, we identified three international societies in which the three South Korean conferences participate. The emblems can be classified according to their composition. Taegeuk patterns represent yin and yang, el

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Sands, Kathleen R. "Word and Sign in Elizabethan Conflicts with the Devil." Albion 31, no. 2 (1999): 238–56. http://dx.doi.org/10.1017/s0095139000062724.

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Gloriana, Britomart, Astraea, Belphoebe, the Sun in Splendor, England’s Moses, the new Deborah, the Phoenix—Elizabeth I possessed a generous wardrobe of public personas. Monarchy, chastity, divinity, and other intangibles played in the early modern mind as images, personifications, embodiments—the invisible rendered visible. As Clifford Geertz has observed, the Elizabethan imagination was “allegorical, Protestant, didactic, and pictorial; it lived on moral abstractions cast into emblems.” These emblems were culturally ubiquitous, appearing in books and broadsides, painted and carved portraits,

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Rechkalova, Anastasia, and Elena Voytishek. "The “On the Emblems” Treatise as a Valuable Source of the History of Date Clan Emblems." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 28, no. 1 (2022): 3–11. http://dx.doi.org/10.31250/1238-5018-2022-28-1-3-11.

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The article analyzes the history of family emblems that belonged to the Date clan, which is described in the “Aide‑Memoirs on the Careful Examination of [Date clan] Emblems” treatise by Confucian scholar Yusa Bokusai (also known as Yuza Jirouzaemon, 1658—1734). It considers the process of creation of this document, its structure and content as well as its value for modern studies on the Japanese family emblems. The main feature of the treatise is a detailed description of the use of each family emblem. Yusa Bokusai comprehensively compared the data from historical documents with artefacts he f

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Treter, Anna. "Wybrane passusy z czternastowiecznego traktatu Summa de exemplis et rerum similitudinibus Giovanniego z San Gimignano. Możliwe źrodło inspiracji dla ośmiu emblematow z cyklu Symbolica vitae Christi meditatio (Braniewo: Jerzy Schonfels, 1612) Tomasza Tretera." Terminus 23, no. 3 (2021): 309–39. http://dx.doi.org/10.4467/20843844te.21.012.13849.

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Chosen Passages from the 14th-Century Treatise Summa de exemplis et rerum similitudinibus by Giovanni da San Gimignano: A Possible Source of Inspiration for Eight Emblems from the Cycle Symbolica vitae Christi meditatio (Braniewo: Jerzy Schönfels, 1612) by Tomasz Treter In 1612, the Jerzy Schonfels’ printing house in Braniewo published Tomasz Treter’s posthumous work titled Symbolica vitae Christi meditatio. This cycle of ascetic and mystical reflections was considered by Janusz Pelc to be one of the most interesting emblem books written in the Polish Commonwealth. Also Tadeusz Chrzanowski, an

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Noviantono, Nurcahyo Eko, and Rini Maulina. "The Meaning of the Emblem of the Bandung Raya Regional Government." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 6 (March 31, 2023): 465–77. http://dx.doi.org/10.34010/icobest.v4i.407.

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The Bandung Raya area is contained in the Bandung basin, including the City of Bandung, Bandung Regency, West Bandung Regency, and Cimahi City. Based on government regulations, every regional government has emblems that function as an identity and binder of the socio-cultural unity of regional communities. This study aims to reveal the meaning contained in the emblem of local government. The research location was conducted in the city of Bandung, West Java. Previous research that has been carried out has not studied the meaning of regional emblems based on visual elements. The research conduct

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Binczek, Natalie. "Harsdörffers Geschirr." Zeitschrift für Medien- und Kulturforschung 10, no. 1 (2019): 23–37. http://dx.doi.org/10.28937/1000108230.

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Der deutsche Barockdichter Georg Philipp Harsdörffer skizziert eine Theorie der Emblematik, die vor allem dessen Anwendungsvielfalt hervorhebt. Er hebt dabei besonders den Unterschied zwischen buchinterner und buchexterner Verwendung auf, indem er sich nicht nur für die Aufnahme der Embleme in Büchern, sondern auch auf Geschirr und Tapeten ausspricht. Der Beitrag liest Harsdörffers extensive Überlegungen nicht nur als Beiträge zur Theorie und Geschichte der Embleme als ›Sinn-Bilder‹, sondern auch als Beitrag zur Designgeschichte. German Baroque poet Georg Philipp Harsdörffer delineates a theor

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Ruiz Sánchez, Marcos, and María Ruiz Sánchez. "Elementos iconográficos y emblemáticos en los epigramas de Interián de Ayala." IMAGO. Revista de Emblemática y Cultura Visual, no. 10 (February 4, 2019): 217. http://dx.doi.org/10.7203/imago.10.13132.

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ABSTRACT: The Neo-Latin poetry of Interián conveys the interest of the author of the Pictor Christianus in iconography and emblems. This interest is expressed in all of his compositions. But it is in the epigrams in particular where this side of the Mercedarian writer can be best observed.   KEYWORDS:Juan Interián de Ayala,Epigrams, Iconography, Emblems.   RESUMEN: La poesía neolatina de Interián refleja el interés del autor del Pictor Christianus por la iconografía y los emblemas. Este interés se manifiesta en todas sus composiciones. Pero es sobre todo en los ep

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Špániová, Marta. "Cor castum Dei speculum: Emblematics and the Heart Emblem in Jesuit Literature." Z Badań nad Książką i Księgozbiorami Historycznymi 16, no. 3 (2022): 339–57. http://dx.doi.org/10.33077/uw.25448730.zbkh.2022.732.

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This study focuses on the characteristic features of the emblems, the emblematic procedure, and the main functions, goals, and significance of the emblem books in the context of Jesuit spirituality and practice. It points out some prominent authors of Jesuit emblem books with a major influence on the development of this form of art in literature and art. It focuses on the heart emblem as a symbol of heart purification and on the artistic manifestations of “religio cordis” (the religious cult of the heart). It introduces one of the most popular books with heart emblems published on the territor

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Kurtz, Gretchen. "Curious Emblems." Polish American Studies 81, no. 1 (2024): 20–38. http://dx.doi.org/10.5406/23300833.81.1.04.

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Abstract As mainstream examples of Polish foodways, pierogi and pączki function as what Michael Owen Jones refers to as “emblems of ethnicity,” symbolizing Polishness for Americans with no ancestral ties to this ethnic group. In this article, I explore the opposite: foods that serve as emblems of ethnicity when the emblems in question are of contested ethnic origin. I also examine what that uncertainty means for the construction and transmission of ethnic identity. As documented in the literature, ethnic identity can be performed through food. Family recipes provide the script for this perform

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Amaral Jr., Rubem. "Salvador e Olinda nos emblemas urbanos do Thesaurus Philo-Politicus de Daniel Meisner e Eberhard Kieser." IMAGO. Revista de Emblemática y Cultura Visual, no. 9 (January 31, 2018): 177. http://dx.doi.org/10.7203/imago.9.10362.

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ABSTRACT: This article examines the emblems dedicated to Salvador (Bahia) and Olinda (Pernambuco) by Daniel Meisner and Eberhard Kieser in their singular book of urban emblems Thesaurus Philo-Politicus. Das ist: Politisches Schatzkästlein, first published in Frankfort on the Main between 1623 and 1631. Those Brazilian cities, together with Cuzco in Peru, were the only ones in America among the 830 plates included in the work. I describe the respective inserted emblematic picturae, with transcriptions and translations of the German and Latin inscriptiones, subscriptiones and explicit, and I att

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Posokhov, Sergiy. "Territorial Heraldry of the Kharkiv Region: Tradition and Innovation." Rocznik Polskiego Towarzystwa Heraldycznego. Seria nowa, no. 18 (December 31, 2019): 209–22. http://dx.doi.org/10.36693/rpther.2019.14.

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The article traces the evolution of territorial heraldry in the Kharkiv Region (northeastern Ukraine). Emblem-making began here rather late — in the second half of the eighteenth century, although first references to local territorial coats of arms belong to the second half of the 17th century. It proceeded under the influence of long-established Western European tradition and according to rules developed within the framework of a centralized Russian Empire. During the Soviet period, such traditions and rules underwent a radical revision. This uneven historical background determined the unique

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Kusler, Ágnes. "Succus Prudentiae: Hevenesi Gábor neosztoikus emblémáinak festészeti recepciója." Művészettörténeti Értesítő 71, no. 2 (2023): 213–32. http://dx.doi.org/10.1556/080.2022.00014.

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The Hungarian Jesuit Gábor (Gabriel) Hevenesi’s emblem book Succus prudentiae (The Seed of Wisdom) was published in 1690 in Vienna and then in 1701 in Nagyszombat (Trnava, Slovakia), containing fifty emblems. He compiled a collection of Christian wisdom and virtues with the help of quotations and paraphrases from the Stoic philosopher Seneca. In this article, I present two instances of applied emblematic reception of the emblems of Hevenesi’s Succus prudentiae in Transylvanian buildings. The first example is the painted decoration of a room in the castle of Nagyvárad (Oradea, Romania). The pro

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McKeown, Simon. "The Emblem Texts at Tådene, Västergötland." European Journal of Scandinavian Studies 51, no. 2 (2021): 319–34. http://dx.doi.org/10.1515/ejss-2020-2020.

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Abstract The church of Tådene in Västergötland is home to a series of painted panels dating from the early 1700s. Before their restitution to the church in the 1960s, the panels were stored in a mausoleum, putting them beyond the scrutiny of scholars. This obscurity helped conceal the fact that the panels constitute the most sophisticated surviving programme of emblems to be found in any church in Sweden, remarkable in scale, scope, and invention. This article presents for the first time the source of the emblems at Tådene, and argues that a factor in the programme’s success is the role played

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McKeown, Simon. "The Emblem Texts at Tådene, Västergötland." European Journal of Scandinavian Studies 51, no. 2 (2021): 319–34. http://dx.doi.org/10.1515/ejss-2020-2020.

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Abstract The church of Tådene in Västergötland is home to a series of painted panels dating from the early 1700s. Before their restitution to the church in the 1960s, the panels were stored in a mausoleum, putting them beyond the scrutiny of scholars. This obscurity helped conceal the fact that the panels constitute the most sophisticated surviving programme of emblems to be found in any church in Sweden, remarkable in scale, scope, and invention. This article presents for the first time the source of the emblems at Tådene, and argues that a factor in the programme’s success is the role played

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Jiang, Wei. "Funerary Emblems in Manila and the Rise of Devotion to Jerónima de la Asunción, OSC (1555-1630)." Estudios de Historia Novohispana, no. 71 (June 28, 2024): 85–116. http://dx.doi.org/10.22201/iih.24486922e.2024.71.77807.

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This paper examines a collection of 42 funerary emblems, or jerogl.ficos in Spanish, crafted in honour of the Spanish Abbess Mother Jerónima de la Asunción (1555-1630), the foundress of the first female monastery in the Philippines in 1621. While the original copies of these emblems, comprising images, biblical references, and Spanish verses, have yet been discovered, detailed descriptions of each emblem provide valuable insights into the production of imagery in relation to local veneration of a potential saint. By situating these emblems within the broader context of emblematics in early mod

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Meyer, Michael A. "Protecting the emblems in peacetime: The experiences of the British Red Cross Society." International Review of the Red Cross 29, no. 272 (1989): 459–64. http://dx.doi.org/10.1017/s0020860400074660.

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The special significance of the red cross and red crescent emblems as internationally agreed symbols of protection and neutrality in armed conflict will be diluted if these emblems, or signs closely resembling them, are used randomly or for diffuse purposes in time of peace. In countries like the United Kingdom which for the most part have been spared armed conflict for the past 40 years, the red cross emblem has frequently become closely identified with first aid and with general health or medical care, its primary and unique meaning during armed conflict often being forgotten or unknown. For

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Nolde, Carol. "Emblems." English Journal 86, no. 4 (1997): 50. http://dx.doi.org/10.2307/820998.

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Hoffman, Daniel. "Emblems." Critical Quarterly 44, no. 1 (2002): 77. http://dx.doi.org/10.1111/1467-8705.00403.

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Kusler, Ágnes. "The Emblematic Decoration of the Staircase at the Former Jesuit College of Győr in the Context of Jesuit Marian Iconography." Journal of Jesuit Studies 11, no. 1 (2023): 120–56. http://dx.doi.org/10.1163/22141332-11010006.

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Abstract This article contextualizes the emblematic decoration of the main staircase at the Jesuit College in Győr, northwestern Hungary. Painted in 1697, this fresco cycle visualizes the prayer of Salve Regina. The staircase emblems were designed as a visual aid to the Jesuits who wished to meditate on the significance of the Virgin Mary. Earlier scholarship has connected the decorative scheme to Jesuit emblem literature in general. In this article, I argue that the visual source of the program can be identified as the Salve Regina print series by Anton Wierix (1598). The emblems and their pr

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Hamal, Koshal. "Logos of South Asian Countries: A Visual Aesthetic and Symbolic Significance." Journal of Fine Arts Campus 5, no. 1 (2023): 12–22. http://dx.doi.org/10.3126/jfac.v5i1.60293.

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A national logo is a visual representation of a country, and it signifies the most powerful visual language of any country in the world. All the countries have their own logo to represent their country in visual form. In the context of each country in South Asia, a national logo is categorized as a national emblem. The national emblems of South Asian countries have different and unique meanings and are made with different cultural, religious, natural, and historical motifs and shapes. The main objective of this paper is to identify the visual aesthetic and symbolic significance of the national

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Nenarokova, Maria R. "Transformation of Symbolism of a “Mountain/Hill” in John Bunyan’s Pilgrim’s Progress (19th–21st Centuries)." Studia Litterarum 9, no. 3 (2024): 136–57. http://dx.doi.org/10.22455/2500-4247-2024-9-3-136-157.

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The article analyzes the functioning of emblems in the text of the Baroque era and their evolution in retellings and adaptations of the Baroque text in the 19th– 21st centuries. John Bunyan’s allegorical treatise Pilgrim’s Progress, rightly called “emblematic theater” in the history of literature, is chosen as the material for the study. One of the frequent elements in the Baroque emblem is the “mountain/hill” image. As part of the emblem, the visual-verbal image “mountain/hill” is a polysemantic word. In each context, this element takes on a new meaning; its connotations can be both positive

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Agudo Romeo, María del Mar. "El retrato de una mujer de su época en los Emblemas Morales de Sebastián de Covarrubias (1610)." IMAGO. Revista de Emblemática y Cultura Visual, no. 10 (February 4, 2019): 53. http://dx.doi.org/10.7203/imago.10.13108.

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ABSTRACT: This study shows the kind of woman that Sebastián de Covarrubias Orozco portrays in his Emblemas morales(1610). After a brief introduction and presentation of the author and his work, taking into account the different emblems in which a woman appears, this article studies women in general and, especially, their situation as nubile or married women, emphasizing the institutions of marriage and motherhood, with particular attention to women's participation in the education of their children; the last two sections focus on love as a passion and on beauty, respectively.  KEYW

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Obbema, Pieter, and Alastair Hamilton. "Paulus de Kempenaer and Petrus Plancius." Quaerendo 21, no. 1 (1991): 38–54. http://dx.doi.org/10.1163/157006991x00039.

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AbstractIn November 1989 the Bibliotheca Philosophica Hermetica in Amsterdam purchased three emblems signed by Paulus de Kempenaer, dated 1597, and forming a self-contained whole. This article offers an interpretation of them. An acrostic in the poem beneath the third emblem tells us that the work was intended for Petrus Plancius. The first emblem representing a man separating the corn from the chaff and the other two, each representing a goose, are a message to the great cartographer, urging him to ignore his rivals and to 'stand fast' in his convictions. The numerous Scriptural references re

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Okur, Çağlar. "Anniversary Emblem & Logotype Designs." Journal of Education Culture and Society 6, no. 2 (2020): 285–95. http://dx.doi.org/10.15503/jecs20152.285.295.

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Corporate anniversaries are mostly used as a promotional event to increase the value of corporate identity of firms, business enterprises or their brands. They are also used to create investment trust or strengthen the relations between, employees and customers. What makes corporate anniversaries meaningful is the importance of their moral value of continuity. Signs that are designed to identify these moral values and indicate the anniversaries can be defined as “anniversary emblems.” The design and uniqueness of these emblems are important in the means of being remarkable and memorable. Thus

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Irwanto, Dedi. "Malaise dan Lambang Kekayaan Ekonomi Penguasa Lokal di Palembang, 1929–1942." Lembaran Sejarah 13, no. 1 (2018): 48. http://dx.doi.org/10.22146/lembaran-sejarah.33511.

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This is an article on economic history, particularly on the economic growth of Palembang’sUluan local elites. But the main focus of the article is to understand and interpret other phenomenon that appeared as the product of that economic growth; its social-cultural implications that was present as a social reality of those economic conditions. It focuses on the creation of emblems of symbolic power in its political and economic manifestations. The emblems of economic wealth is seen as a symbol. As a symbol, this emblem represented meanings with several important functions, not merely as materi

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Šarkauskienė, Skirmantė. "Mathias Casimirus Sarbievius and Baroque Emblem." Respectus Philologicus, no. 10(15) (December 28, 2006): 88–100. http://dx.doi.org/10.15388/respectus.2006.37582.

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One of the most important genres optimally expressing the principles and art trends of the Baroque epoch was the emblem. The literary emblem is an amalgam of pictorial art (ars pictoria) and poetry (ars poetica), conditioning the layer of sense developing in between their synthesis. The present article discusses the main aspects of the relations between the poetical, scenic and prosaic works by Mathias Casimirus Sarbievius (1595-1640) with the Baroque emblemics. The four epigrams called emblems by Sarbievius himself and eulogistic epigrams interpreting heraldic signs reflect the interaction be

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Struwe-Rohr, Carolin. "Von Schwänen und Poeten." Daphnis 53, no. 1 (2025): 26–60. https://doi.org/10.1163/18796583-05203016.

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Abstract Andrea Alciato’s Emblematum libellus of 1534 is generally regarded as the beginning of the genre of emblematics. Using the emblem Insignia Poetarum (“The Poets’ Crest”) contained therein, this essay aims to show how the genre already reflects itself here in its origins. The second part of the article focuses on the transformations of the emblem in German-, French- and Spanish-language transcriptions of the 16th century. For in these modifications, a discussion about the activity of emblem writing and the understanding of emblems becomes tangible in both image and text.

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Kusler, Ágnes. "„Ut pictura meditatio”. A győri volt jezsuita rendház díszlépcsőinek dekorációja a jezsuita Mária-emblematika kontextusában." Művészettörténeti Értesítő 70, no. 2 (2022): 189–234. http://dx.doi.org/10.1556/080.2021.00012.

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This paper aims towards a contextual analysis of the emblematic decoration of the staircase of the former jesuit (today Benedictine) college in Győr, North-Western hun-gary. The decoration, created in 1697, visualizes the prayer Salve Regina, and its content is closely connected to the jesuit spiritual exercise of meditation. According to my interpretation, the emblems of the staircase offered a visual aid to the jesuit clerks, for their meditations on the significance of holy Mary. The emblems, thus, embody the idea of “Ut pictura meditatio”, as defined by Walter S. Melion.I offer an analysis

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Sakhno, Irina M. "“Ut Pictura Poesis”: the Poetic and Pictorial Emblem of the Baroque." Observatory of Culture, no. 5 (October 28, 2015): 94–101. http://dx.doi.org/10.25281/2072-3156-2015-0-5-94-101.

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The article describes parallelism of the two arts, poetry and painting, in the emblematic books of the Baroque epoch. In the Baroque art, an emblem, as a visual metaphor, formed stylistic singularity of the culture of the 16th-17th centuries. The emblem represented the principle of simultaneity, a picture with a brief motto coexisting with a didactic or spiritual text. Not only was the emblem an ornamental “insertion”, a piece of encrusted graphics, but it also reflected the Baroque principle of a witty game. A book of emblems could act as a visual dictionary of signified objects. The signific

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Maksimenko, Olga I., and Pavel N. Khromenkov. "Polysemiotic Elements of the State Emblems." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 4 (2019): 947–56. http://dx.doi.org/10.22363/2313-2299-2019-10-4-947-956.

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The national emblem of the country as one of three main symbols of the state can be considered as the polycode text including a verbal component (the motto, the name of the country) and iconic heraldic components. Presence on the arms potentially conflict elements (a figure of a bestiary, the weapon and so forth) can be perceived as latent conflictogenity. The article deals with linguosemiotic analysis of the arms of all world countries for their hypothetical conflictogenity. The results of the interpretation by recipients potentially conflict arms (national emblems) are given.

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Syeitkhan, Shynarbyek. "AN EPIGRAPHIC PERSPECTIVE ON THE TAMGAS (EMBLEMS) OF KAZAKH TRIBES." Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi, no. 114 (June 22, 2025): 329–50. https://doi.org/10.60163/tkhcbva.1469374.

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The Turkic peoples, who were part of the great steppe nomads, used emblems to define their sovereignty and independence since ancient times. Kazakh tribes also used individual emblems to preserve their independence and property. The history of these emblems, that defines the unity and integrity of tribes, is very deep. Determination of Kazakh tribes emblems, scientifically proof their image-forms still requires scientific research. Therefore, this theme is considered as a new theme that needs to be studied. Scientists studying Kazakh tribes often pay more attention to social and cultural issue

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Cholcman, Tamar. "The reading of triumphal entries’ emblems: emblems as footnotes." Word & Image 31, no. 3 (2015): 350–61. http://dx.doi.org/10.1080/02666286.2015.1057431.

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Dovgy, Olga L. "PUSHKIN IN A. MAKHOV’S NEW EMBLEMATICA." Lomonosov Journal of Philology, no. 3, 2024 (June 17, 2024): 63–74. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-03-5.

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The article is based on the material of the recently published A. Makhov’s Emblematica: Microcosm. Pushkin is included in the “personal pantheon” of A. Makhov, being a link between the main research worlds of the scholar: emblem studies, the history of Russian and European poetics, the history of European Romanticism, etc. By Pushkin’s “presence”, we mean not only mentions of Pushkin’s name and direct quotations from his writings, but also more or less easily readable convergences at the topic level. Makhov’s new book is devoted to man as a subject of European emblems of the 16th and 17th cent

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Moné, Thierry. "Du toug à l'étendard, dix emblèmes régimentaires pour les spahis du 1er Marocains." Revue Historique des Armées 240, no. 3 (2005): 92–102. http://dx.doi.org/10.3406/rharm.2005.5739.

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From a Pennant (Tug) to a Standard , ten regimental emblems for the 1st Morrocan Spahis Regiment ; The different emblems attributed to the 1st Spahis Regiment (former Morrocan Spahis Regiment) clearly show the rich history of this relatively young unit, raised in 1914 in Morroco as an auxiliary regiment, shifting to a regular regiment in 1923 and never since disbanded. The regiment has been issued with nine emblems since 1914 and only five of them were French Republic regular standards ; the first, second and third emblems were commanding officer’s pennants (Tugs) used as regimental emblems, a

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Mieliekiestsev, Kyrylo. "Emblems of the Post-Soviet Donetsk Region: Official Ones «From the Bossmen», Upgrades «From the People», Alternatives From the «Russian World» Supporters." Scientific Papers of the Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University. Series: History, no. 36 (June 2021): 58–66. http://dx.doi.org/10.31652/2411-2143-2021-36-58-66.

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The purpose of the article is the analysis of the development of Donetsk region emblems (official heraldry and vexillology of Donetsk Oblast, reflection of historical themes in commercial nomenclature, reinterpretations of official symbols by individuals) in 1991–2015, identifying the main trends in the development of emblems, their connections with the views of customers and authors on history and politics, transformations of symbolics. The methodology of the research is based on the principles of historicism, objectivity, and systematics. General scientific and special-historical methods wer

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Rautenberg, Michel. "Stereotypes and Emblems in the Construction of Social Imagination." Outlines. Critical Practice Studies 12, no. 2 (2010): 126–37. http://dx.doi.org/10.7146/ocps.v12i2.2687.

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This article develops two figures of the social imagination: the stereotype and the emblem. To start with we explore the notion of social imagination, principally from Emile Durkheim, Gaston Bachelard and Maurine Godelier. Secondly, the article deepens the two notions of stereotypes and emblems supported by the works of the historian Bronislaw Baczko and the anthropologist Michael Herzfeld’s. Throughout the paper, the theoretical aims are illustrated with reference to coal-mining memory and heritage in the north of France.

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Rogozhinsky, A. E., and D. V. Cheremisin. "The Tamga Signs of the Turkic Nomads in the Altai and Semirechye: Comparisons and Identifi cations." Archaeology, Ethnology & Anthropology of Eurasia 47, no. 2 (2019): 48–59. http://dx.doi.org/10.17746/1563-0110.2019.47.2.048-059.

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This article presents a classifi cation of tamgas on petroglyphs and portable items. Tamgas are signs of group identity used by medieval Turkic nomads inhabiting Southern Siberia, Mongolia, and Kazakhstan. We describe eight groups of tamgas found in the Altai and in Semirechye, and compare them with similar signs from other parts of the region. The mapping of tamgas, including petroglyphic, sphragistic, and others allowed us to assess their date, ethno-political attribution, and migration routes of groups with which they were associated. The comparison of tamgas in the Altai and Semirechye evi

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Strah, Marie Michelle, Alison Adams, and Stanton J. Linden. "Emblems and Alchemy." Sixteenth Century Journal 30, no. 4 (1999): 1108. http://dx.doi.org/10.2307/2544657.

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Saunders, Alison, Alison Adams, and Stanton J. Linden. "Emblems and Alchemy." Modern Language Review 95, no. 2 (2000): 594. http://dx.doi.org/10.2307/3736253.

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Toscano, Alberto. "Emblems and Cuts." Symposium 12, no. 2 (2008): 18–35. http://dx.doi.org/10.5840/symposium200812224.

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