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Dissertations / Theses on the topic 'Embroidery textiles'

Author: Grafiati
Published: 9 September 2021
Last updated: 1 February 2022

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1

Gibson, Heather. "Embroidered history and familiar patterns textiles as expressions of Hmong and Mennonite lives /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 65 p, 2007. http://proquest.umi.com/pqdweb?did=1253509741&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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2

Crenn, Julie. "Arts textiles contemporains : quêtes de pertinences culturelles." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30054/document.

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L’étude propose une vue d’ensemble de la création textile à travers différents prismes puisque nous abordons les pratiques artistiques utilisant les costumes d’époque, la broderie, l’assemblage textile, les cheveux, les tissus traditionnels, la tapisserie ou encore l’art du quilting. Qu’il s’agisse des oeuvres de Yinka Shonibare, Louise Bourgeois, Hassan Musa, Faith Ringgold, Kimsooja ou Tracey Emin, chacun des artistes sélectionnés pour notre étude, propose une recherche visant une pertinence culturelle grâce à l’élaboration d’une pratique plastique où expériences personnelles et collectives
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Bergmark, Giesler Linn. "Investigating construction and design parameters of an embroidered resistive pressure sensor." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26450.

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Electronic textiles, or smart textiles, is a field that is growing due to the opportunities it provides. Textile integrated electronics enables soft, flexible, lightweight electronic devices that enable long term monitoring within the medical field. Pressure sensors is one device within this field that has been researched. A textile integrated pressure sensor enables monitoring of heart rate, muscle activity, posture, gait phases and finger movements. In this project a resistive pressure sensor has been produced using embroidery with the purpose of investigating how construction and design par
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Gudačiauskaitė, Dovilė. "Balta balta diena." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_155402-72946.

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Šiame esė formos rašto darbe, keliauju simbolinę kelionę, kuri neturi aiškaus, konkretaus tikslo, nei uždavinių. Būtis, laikas, atmintis, praeitis, Dievas, gimimas, mirtis, laikinumas, amžinybė – padriki egzitenciniai klausimai, į kuriuos įsižiūriu, bet neatsakinėju. Vadovaujuosi fragmentiškais atminties žemėlapiais, menininkų kūriniais ir jų atsiradimo sąlygomis. Remiuosi fenomenologiniu metodu, kuris pagrįstas refleksija ir reikalauja pakartoti esmines intuicijas, siekia išugdyti dėmesingumą, leidžia naujai įprasminti, kaip ir ką mes išgyvename. Darbo skyrius žymiu dienoraštį primenančiais p
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Zhong, Jingni Zhong. "Broadband Antennas and Arrays on Conductive Textile Threads." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1502797950559018.

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Hahner, Judith, Claudia Hinüber, Annette Breier, Tobias Siebert, Harald Brünig, and Gert Heinrich. "Adjusting the mechanical behavior of embroidered scaffolds to lapin anterior cruciate ligaments by varying the thread materials." Sage, 2015. https://tud.qucosa.de/id/qucosa%3A35401.

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Traumatic rupture of the anterior cruciate ligament (ACL) can cause local destabilization and loss of mobility. Reconstruction using engineered ACL grafts is rarely successful due to sub-optimal material choice and mechanical performance. Thus, the presented work demonstrates the fabrication of various embroidered single- and bi-component scaffolds made of two commercially available monofilament threads (polydioxanone, poly(lactic acid-co-ɛ- caprolactone)) as well as a novel melt spun poly(L-lactic acid) multifilament and their mechanical analysis by tensile tests and under cyclic loading. Sel
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Montesino, Hammarskjöld Teresa. "Crafting-design : Tuft meets Embroidery." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-24034.

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This project combines industrial tuft with handmade embroidery in order to explore various combinations of textured surfaces, materials and colors. The purpose is to investigate a meeting between craft and design by focusing on the encounter between the compact and the loose, the assembly of materials, as well as variations in levels and heights. The works are mainly based on recycled materials. Three textiles pieces were designed: a First Piece focuses on the meeting between craft and design; the Second Piece relates to different textures and the Third Piece addresses growth. The combination
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8

Antohe, Diana. "Parallel Pattern: A Familial Legacy of Care." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5837.

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My work revolves around exploring identity of the in-between, occupying the Venn diagram middle of two cultures. As a Romanian-born, American-raised artist, I want to preserve and broadcast links to the cultures of my upbringing and birthplace. In attempts to ground and define my own “in-between” identity, I look to my parents and grandparents for cues on how they made home for themselves wherever they went, reflecting their experiences with voluntary and involuntary displacement. This text connects the research and influential family practices that shaped its companion exhibition, ranging fro
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9

Erla, Adamsdóttir Lilý. "Tension Attention! : Dancing Embroidery." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12400.

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This Master’s degree project explores the design possibilities of thread tension, to create a transformation in an interactive, 3D embroidered, wooden surface. The aim is to create a playful visual expression on a surface triggered by interaction. The surface is manipulated by embroidery and the embroidery is manipulated by the tension in the thread. Together all parts create a simple mechanism that allows the viewer to sink into a playful loop of a rising and collapsing structure. Dancing embroidery.  The work explores the potential of the thread as a key factor together with interaction to m
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Bond, Kay. "Design of a novel high speed embroidery machine." Thesis, University of Nottingham, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282780.

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11

Furniss, Beverly. "Stitched in time: a progressive interpretation of embroidery." AUT University, 2009. http://hdl.handle.net/10292/947.

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This practice-based art and design project explores the potential use of contemporary materials and techniques in relation to extending aesthetic and structural possibilities of embroidery, with a focus on developing textile formations through the medium of ‘free stitch’ machine embroidery. Embroidery is often perceived by the non-enthusiast as a ‘granny craft’: an ‘old’ technique. Contemporary representations of embroidery suggest that new and innovative interpretations exist. Through investigation and experimentation with products, textiles and techniques, the embroidered artefacts that I ha
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Nickell, Karen. "Embroidery in the expanded field : textile narratives in Irish art post-1968." Thesis, Ulster University, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.626854.

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This thesis investigates embroidery / textile art in Ireland from the 1960s to the present day. It does so by drawing on the knowledge and experience of practitioners, educators and related professionals as a source of primary data, collected through interviews. The thesis questions how textile art emerged in Ireland, what structures and influences shaped its development and in what ways it is still relevant. It also questions if textile art in Ireland reflects specific cultural and regional identities and examines the relationship between contemporary textile art and the continuum of textile
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Bäckström, Maja. "Hanging on by a thread : Confronting mental illness and manifesting love through embroidery." Thesis, Konstfack, Textil, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7220.

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In this paper I investigate the emotional benefits of textile crafts in general and embroidery in particular. How can embroidery be used to express love and care for others? Can embroidery be used as a therapeutic tool? Using my own embroidery project Flower heart as a starting point, my research goes into craft as a manifestation of love, from handmade gifts in the 18th century to contemporary art, and crafting as a therapeutic medium, from rehabilitation of soldiers after WW1, to a recent study on 92 Finnish craft makers. My material is based on research on (textile) craft, research on occup
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14

Zhang, Shiyu. "Design advances of embroidered fabric antennas." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/14719.

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Wearable technology has attracted global attention in the last decade and the market is experiencing an unprecedented growth. Wearable devices are designed to be low-profile, light-weight and integrated seamlessly into daily life. Comfort is one of the most important requirements for wearable devices. Fabric based antennas are soft, flexible and can be integrated into clothing. State of the art textile manufacturing techniques such as embroidery, combined with advanced conductive textile materials can be used to fabricate flexible fabric based on-body antennas. In this thesis, the feasibility
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15

Rothman, Maria. "The needle has a point, stitch has a function : Exploring the embroidered stitch in a functional context." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-288.

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This project within the textile design field explores the textile technique embroidery. By using design methods based on words and actions the technique was used in another angle approach that allowed the stitches to be used in a more functional context. This approach differs from how embroidery is traditionally looked upon, an added decorative surface to an already functional object. Embroidery has been explored in a way to see if the technique could be used as something more than just an added surface and if that added surface could be manipulated so that the stitch has both decorative and f
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16

Heimbach, Nicole. "If Chivalry Is Dead, Women Have Killed It." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1394.

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I am interested in the dual meaning of pattern. Pattern is a design format used for decoration. By introducing certain images into patterns, they have the ability to give meaning or messages. The repetition of a certain image emphasizes importance to a particular idea or issue. I embroider pattern designs onto pre-manufactured clothing pattern pieces as a response to things in society that I find absurd. This body of work focuses on female iconography. The delicate nature of these materials lends themselves to feminine associations. Embroidery, which is stereotypically associated with wo
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17

Bergmark, Giesler Linn, and Anna Abrahamsson. "Trådlös laddning med en textil : Kan en broderad spole möjliggöra induktionsladdning av en mobiltelefon?" Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-21948.

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The development of electronic textiles has increased significantly during the last ten years. By integrating electronic components or using conductive thread you can create textiles with different technical functions. CEVT is a innovation company within the automotive industry who have gained interest in electronic textiles. The department of innovation want to explore the possibility to integrate electronic textiles into future cars. The mission they have assigned us is a sub-goal in a larger end goal in which we will investigate whether one can develope a textile that can charge a phone wire
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18

Castres, Astrid. "Brodeurs et chasubliers à Paris au XVIe siècle." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4086.

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Entre 1528, date à laquelle François Ier promit à la municipalité parisienne le retour de la cour après plus d'un siècle d'exil dans le Val de Loire, et 1589, année de la mort de Henri III et du début du siège, l'industrie de la broderie connut un grand essor à Paris. Le luxe entretenu au sein de l'entourage royal permet d'expliquer la prospérité des ateliers des brodeurs de la capitale durant cette période. À partir de l'analyse de documents notariaux, judiciaires et comptables, et de l'examen approfondi des textiles conservés, cette thèse propose d'examiner le rôle joué par Paris dans la pro
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19

Dyer, Mary Anne. "Threads of Time: Technique, Structure and Iconography in an Embroidered Mantle from Paracas." VCU Scholars Compass, 1996. http://scholarscompass.vcu.edu/etd/1501.

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This thesis analyzes the structure, technique and iconography of an embroidered burial mantle from Wari Kayan Necropolis on the Paracas Peninsula, Peru, which dates between approximately 100 B.C. and A.D. 100. The mantle is currently in the collection of the American Museum of Natural History in New York City (Accession no. 41.2/632), and will be referred to subsequently as the AMNH mantle. This study will consist of a structural analysis of the burial mantle, addressing the design of the textile and the iconography. In addition to examining the origin and iconography of the double-headed bird
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20

Skantze, Kristina. "Body anagram." Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5779.

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BODY ANAGRAM is a number of hand stitched sculptures, a growing collection of mountable body parts that can be organized and screwed together in different ways. The process of stitching and sculpting bodies is metaphorically compared to the art of anagrams, wordplays. Their common reversibility between recognition and destruction is discussed. Psychological perspectives on intersubjective, as well as subject-object relationships are used to explain what can happen when people and sculptures meet. How can common emotional experiences of relationships be embodied through human-like textile sculp
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21

Sun, Lushan. "Slow design in Chinese Su Xiu embroidery for apparel: applying silk, cotton, and wool flosses to silk and cotton fabrics with physical resist dyeing techniques using natural dye." Kansas State University, 2012. http://hdl.handle.net/2097/13704.

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Master of Science<br>Department of Apparel, Textiles, and Interior Design<br>Sherry J. Haar<br>This study was based on the concept of slow design, proposed after the slow food movement. The idea of slowing down production processes and increasing product quality and value suggests an antidote to the fast cycle of the fashion industry. Slow design supports two principals, inheriting tradition and maintaining eco-efficiency, which guided this project. Inheriting tradition is an expression that explores ways to sustain lost art and traditional heritage in our daily lives, as well as develop produ
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Winther, Leslie. "Från Japan till Sundborn : En undersökning av Karin Larssons textilier." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-435083.

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The present essay explores artworks of Karin Larsson through the feminist theoretical field of studies. The following three textile works were in the centre of the study, Kärlekens ros, Duk med tecken and Sashiko-gardin. The connection between japonisme, Japanese inspired art, and Karin Larssons art works were studied. Through feminist theories by art historians such as Linda Nochlin and Griselda Pollock the experience of being a woman in the 1800s affected the works of Karin Larsson were discussed. It was found that Karin Larssons upbringing and education as a woman differs from the usual mal
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Pemberton, Diana Ruth. "The Sacred Transfigured." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1587732487572178.

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Paraskevopoulos, Anastasios. "Body-centric wireless communications : wearable antennas, channel modelling, and near-field antenna measurements." Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/23827.

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This thesis provides novel contribution to the field of body-centric wireless communications (BCWC) with the development of a measurement methodology for wearable antenna characterisation on the human body, the implementation of fully-textile wearable antennas and the on-body channel modelling considering different antenna types and user's dynamic effects. More specifically, a measurement methodology is developed for characterising wearable antennas on different locations of the human body. A cylindrical near-field (CNF) technique is employed, which facilitates wearable antenna measurements on
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25

Cahill, Susan Elizabeth. "Crafting culture, fabricating identity: gender and textiles in Limerick lace, Clare embroidery and the Deerfield Society of Blue and White Needlework." Thesis, 2007. http://hdl.handle.net/1974/662.

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My thesis examines how identity was constructed in the late nineteenth and early twentieth century amidst the growing possibilities of the cross-cultural transfer of ideas and products by analysing case studies of women-owned and -operated craft organisations: Limerick Lace and Clare Embroidery (Ireland) and the Deerfield Society of Blue and White Needlework (United States). I contend that the increased accessibility of print culture, travel and tourism, and World’s Fairs enabled the women responsible for these craft organisations to integrate a pastiche of artistic influences – those recogni
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Cristovão, Inês de Castro. ""A principal riqueza que dali vem": Os têxteis bordados indianos em Portugal nos séculos XVI e XVII." Master's thesis, 2017. http://hdl.handle.net/10362/35219.

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Desde o período em que ocorreram os primeiros contactos entre Portugal e a Ásia, que os têxteis bordados chegaram em quantidades significativas aos portos portugueses, com destino a Portugal e à Europa. Estes objectos foram alvo de maior interesse a partir do século XVII, tendo adquirido uma crescente preeminência no quotidiano português. Este entusiasmo não só encorajou a chegada de um vasta diversidade de tipologias, no que diz respeito à origem, estilo e técnica, mas também inspirou novos produtos portugueses ao “estilo da Índia”, os quais até agora têm recebido reduzida atenção. A
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Petránek, Jan. "Hmotná kultura jako výraz životního stylu - výšivka indických Baňdžárů." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342345.

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The embroidery of the Banjara people makes an important part of Indian culture, The Banjara are a previously migrating non-hinduistic ethnic, today mostly settled and merging with the hinduistic population which represents the majority. We still have very scarce information about this distinctive textile production. This theses is based on mostly Indian studies, as well as on field-work which was carried out in fourteen Banjara communities living in two Indian states, Maharashtra and Karnataka. Another source of information were several collections of Banjara textile in important European muse
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Mc, Comas Dona L. "Processual aesthetics embroidered textiles and the Itul performance of the Bushong-Kuba /." 1994. http://catalog.hathitrust.org/api/volumes/oclc/30889761.html.

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Thesis (M.A.)--University of Wisconsin--Madison, 1994.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 68-73).
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29

Tsai, Hsu-Ching, and 蔡旭清. "Textile Conservation－Case studies of application of radiation in Chiang,Jia-Zon glove puppet clothing embroidery products." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/854j77.

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碩士<br>國立臺北藝術大學<br>建築與文化資產研究所<br>100<br>This paper gives a innovative scientific research and supplementary anthropological field study on the glove puppet clothing embroidery products, which aims at achieving a simpler and more efficient preservation and conservation of a very unique cultural heritage of puppet art. Since Chiang, Jia-Zon glove puppets were made of extremely exquisite and precious historical textiles, non-destructive analysis methodologies are adopted for material characterization. We have developed an analytical system combined with multiple spectroscopic methods such as vi
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Tocar, Sofia. "Tradiční technika vyšívání v současném umění." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-370068.

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The present master's thesis discusses the traditional textile technique of embroidery in the context of contemporary art and analyses the way in which this craft technique has evolved from its invention to this day. The historical development points at the inevitable link between this artistic technique and women's history in Western societies, where embroidery strove to maintain stereotypes on femininity. In the twentieth century, embroidery as well as other textile techniques take on a new, subversive quality which enables the beginning of a social dialogue through art. It becomes a part of
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Skafvenstedt, Ellen. "Att brodera är ett verb : Betraktelser ur ett nålsöga." Thesis, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5587.

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Under projektet ”Att brodera är ett verb –Betraktelser ur ett nålsöga” har jag använt applikationsbroderi som teknik för att transformera och bearbeta material från min omgivning. Jag har sorterat alla material efter färgcirkeln och skapat rutor som jag satt ihop till ett abstraherat lapptäcke. Arbetet har syftat till att undersöka processbaserat görande och jag har därför tagit hjälp av verben i konstnären Richard Serras ”Verb list”. Jag har satt upp fyra regler för mig själv att förhålla mig till under arbetets gång. Med reglerna har jag velat eliminera alla val och processer som inte handla
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Chiu, Yu-Jung, and 邱瑜蓉. "DISCUSSION ON THE DECORATION OF CARVED LACQUER WARES WITH THE MOTIVES OF FLOWERS, BIRDS, CLOUDS AND EMBROIDERED GROUNDS AND APPLICATION TO THE DESIGN RESEARCH OF TEXTILES." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/65604059484542343991.

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碩士<br>輔仁大學<br>織品服裝學系<br>90<br>Lacquer is a kind of great craft in ancient Chinese. The various decorative schemes are included in carved lacquer, a kind of new technique was developed during Tang Dynasty. The decoration of carved lacquer wares with the motives, such as flowers, birds, landscape, people, clouds and embroidered grounds, is smooth, fine, delicate and exquisite. Craftsmen represented the designs of carved lacquer wares by combining craft and art. The reference to design research is to study how craftsmen represented the motives. It is a way for designing textiles that n
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Cope, Richenda. "Accumulations of (Not) Doing." 2021. https://scholarworks.umass.edu/masters_theses_2/1041.

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As I encounter life during a global pandemic, caused by a virus that has us all homebound, I continue my own struggle with a different virus that keeps me not only homebound, but bed bound as well. In this thesis project, I make my way around and through the questions of chronic illness, self-worth, productivity and a changing relationship to time that arise in this dual viral experience - situating the personal within a larger social/political context.
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Yoon, Chaehee. "Mending What’s Invisible." 2021. https://scholarworks.umass.edu/masters_theses_2/1081.

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A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood
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