Relevant bibliographies by topics / Emigre Graphics

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Emigre Graphics'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Emigre Graphics"

1

Baudin, Fernand. "EMIGRE, les « nouveaux Primitifs » du graphic design." Communication et langages 89, no. 1 (1991): 61–72. http://dx.doi.org/10.3406/colan.1991.2317.

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2

McVarish, Emily. "Periodical Archaeology." TMG Journal for Media History 19, no. 2 (2016): 1. http://dx.doi.org/10.18146/2213-7653.2016.263.

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Published in 1989, Emigre magazine’s eleventh issue, Ambition/Fear: Graphic Designers and the Macintosh Computer, contains vivid artifacts of a discipline’s first encounter with digital tools. From the aesthetics of bitmaps to the expressive interventions made possible by new access to typesetting controls, not to mention the self-publishing venture of the magazine itself, this issue combines modernist and postmodern agendas in a model construction of text-based community. Looking closely at Emigre #11 and more passingly at later issues, this article analyses the technical, critical, and cultu
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3

Романова, Елена Олеговна. "Image of Paris in graphic works of the Russian emigre artists." Искусство Евразии, no. 2(17) (June 27, 2020): 164–72. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.011.

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Париж начала XX столетия явился Меккой для художников из разных стран. Здесь можно было познакомиться с современными тенденциями и художественными течениями в искусстве, влиться в интернациональное сообщество авангардных художников и даже выставить свои работы, исполненные в самом модернистском ключе. Большинство представителей русского художественного круга, решившихся на эмиграцию после революции 1917 года, концентрировалось именно в Париже. Те, кто побывал хоть однажды в этом центре европейской художественной жизни, не могли забыть этот город, подаривший им художественную идентичность, чувс
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4

KINROSS, R. "Emigre Graphic Designers in Britain: Around the Second World War and Afterwards." Journal of Design History 3, no. 1 (1990): 35–57. http://dx.doi.org/10.1093/jdh/3.1.35.

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5

Romanova, E. O. "The Artist and His Circle. Russian Emigre Artist Eugene Klimoff." Art & Culture Studies, no. 2 (June 2023): 92–155. http://dx.doi.org/10.51678/2226-0072-2023-2-92-155.

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The article is devoted to the artist of the Russian emigre artistic circle Eugene E. Klimoff (1901–1990). A committed realist, as a painter and graphic artist, Klimoff worked in the field of landscape and portrait. The artist’s creative heritage includes many portraits of representatives of Russian artistic emigre circles, cultural and scientific figures, as well as landscapes of those places in which he happened to live during his life. These landscapes are autobiographical and belong to the category of historical evidence, acquiring special value after a hundred of years. A significant part
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6

Chwastyk-Kowalczyk, Jolanta. "Echa norwidowskie w polskich czasopismach emigracyjnych na Wyspach Brytyjskich w czasie i po drugiej wojnie światowej." Annales Universitatis Paedagogicae Cracoviensis | Studia ad Bibliothecarum Scientiam Pertinentia 20 (March 29, 2023): 517–32. http://dx.doi.org/10.24917/20811861.20.32.

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Poles who stayed in Great Britain during and after World War II, as well as those who came to the United Kingdom in the following emigration waves, brought with them the baggage of their own culture, national heroes, and ethos. An important figure in this context was Cyprian Norwid who was a true European, a citizen of the world, and at the same time a great patriot, poet, prose writer, playwright, essayist, graphic artist, sculptor, painter, philosopher, and highly regarded as the last of the four most important Polish Romantic poets.Remembrances of him and references to his work are usually
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7

Minin, Oleg. "Soviet Russia and Its Leaders in the Satirical Press of the Early Russian Emigration." Experiment 28, no. 1 (2022): 296–331. http://dx.doi.org/10.30965/2211730x-12340035.

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Abstract Surveying the satirical press in the time of the early Russian emigration ca. 1920–1931, this essay focuses on caricatures and satirical drawings published in the Paris-based weeklies Bitche (Whip, 1920) and Satirikon (1931). Arguably, exemplifying the émigré reception and portrayal of Soviet Russia, the graphic works prepared for these journals by artists such as Yurii Annenkov, Mikhail Drizo and Mikhail Linskii sought to lampoon and debunk the Soviet political and military establishment as a gesture of refusal to accept the Bolshevik Revolution and as a reflection of the ressentimen
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8

Lejman, Beata. "O niebezpiecznych związkach sztuki i polityki na przykładzie „żywotów równoległych” Michaela Willmanna i Philipa Bentuma." Porta Aurea, no. 19 (December 22, 2020): 114–34. http://dx.doi.org/10.26881/porta.2020.19.05.

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Michael Lucas Leopold Willmann (1630–1706) was born in Königsberg (now Kalinin grad in Russia), where his first teacher was Christian Peter, a well -off guild painter. After years of journeys of apprenticeship and learning in the Netherlands, the young artist returned to his homeland, after Matthias Czwiczek’s death in 1654 probably hoping for the position of the painter at the court of Great Elector Frederick William (1620–1688).What served to draw the ruler’s attention to himself was probably the lost painting, described by Johann Joachim von Sandrart as follows: ‘the Vulcan with his cyclops
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9

Mrowczyk, Jacek. "Promowanie przez pisanie. Rola publikacji i krytyki w kształtowaniu projektowania graficznego." Formy, no. 20 (April 29, 2024). http://dx.doi.org/10.52652/fxyz.20.24.6.

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This article attempts to analyse and critically discuss the evolution of graphic design promotion with emphasis on the influence of theory, professional criticism and publications on the development and perception of the discipline. It analyses the history of design from the epoch of mechanised production and invention of typographic print, through the development of theory and practice of typography, to the contemporary discourses and practices of design. Particular attention is paid to key figures and publications, which have had significant influence on the development of graphic design, su
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10

Lawal, Lukman, Abdulwahab Oluwatomisin Lawal, Opeyemi Pius Amosu, et al. "The COVID-19 pandemic and health workforce brain drain in Nigeria." International Journal for Equity in Health 21, no. 1 (2022). http://dx.doi.org/10.1186/s12939-022-01789-z.

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AbstractOver the years, the Nigerian healthcare workforce, including doctors, nurses, and pharmacists have always been known to emigrate to developed countries to practice. However, the recent dramatic increase in this trend is worrisome. There has been a mass emigration of Nigerian healthcare workers to developed countries during the COVID-19 pandemic. While the push factors have been found to include the inadequate provision of personal protective equipment, low monthly hazard allowance, and inconsistent payment of COVID-19 inducement allowance on top of worsening insecurity, the pull factor
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Dissertations / Theses on the topic "Emigre Graphics"

1

Muir, Margot. "Beyond commercial design: a critique of design and graphic design writings in Emigre and Dot Dot Dot magazines." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/12436.

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Graphic design faces the contradictions of commercial intent and social relevance. This study explores the contribution of criticism, in two independent, seminal graphic design magazines, towards shifting the dominant preferences of graphic design from a purely commercial pursuit to a human-centred practice. Emigre magazine (c.1984 - 2005) and Dot Dot Dot magazine (c.2000 - 2010) are recognised for their critical intent and within them are emerging critical issues that suggest a potential niche for graphic design beyond consumerism and commerce. In the discipline of graphic design, designers d
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Books on the topic "Emigre Graphics"

1

1961-, Licko Zuzana, Gray Mary E, and Keedy Jeffery, eds. Emigre: Graphic design into the digital realm. Van Nostrand Reinhold, 1993.

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2

1961-, Licko Zuzana, VanderLans Rudy 1955-, Lingen Charlotte van, Charles Nypels Stichting, and Jan van Eyck Akademie, eds. Charles Nypels Prijs 1998 =: Charles Nypels Award 1998 : Zuzana Licko, Rudy VanderLans : Emigre. Rosbeek, 1998.

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3

François, Lepage, and Roudaut Stevan, eds. La lune est blanche. Futuropolis, 2014.

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4

Emigre no. 70: The look back issue : selections from Emigre magazine 1-69, 1984-2009. Ginko Press, 2009.

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5

Vanderlans, Rudy, Zuzana Licko, Mary E. Gray, and Jeffery Keedy. Emigre: Graphic Design into the Digital Realm (The Book : Graphic Design Into the Digital Realm). Van Nostrand Reinhold, 1993.

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6

VanderLans, Rudy. Emigre 69: THE END (EMIGRE). Princeton Architectural Press, 2006.

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7

Emigre: Graphic Design into the Digital Realm. Booth-Clibborn Editions, 1994.

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8

Emigre: Graphic Design into the Digital Realm (Book). Wiley, 1994.

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9

Zuzana Licko, Rudy VanderLans, Emigre. Drukkerij Rosbeek, 1998.

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10

KINROSS, ROBIN. Emigré graphic designers in Britain: Around the second world war and afterwards. 1990.

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Book chapters on the topic "Emigre Graphics"

1

"Geo-Graphies: Writing on the Earth(Mother) in Emile Zola’s La bête humaine." In Geo/graphies. Brill | Rodopi, 2003. http://dx.doi.org/10.1163/9789004333581_008.

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"CHAPTER SEVEN: Graphic Humor and Early Cinema." In Emile Cohl, Caricature, and Film. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400860715.221.

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