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Relevant bibliographies by topics / Emile Zola

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Academic literature on the topic 'Emile Zola'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 May 2024

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Journal articles on the topic "Emile Zola"

1

Hemmings, F. W. J., and Roger Clark. "Emile Zola: 'L'Assommoir'." Modern Language Review 87, no. 2 (April 1992): 488. http://dx.doi.org/10.2307/3730735.

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Lethbridge, Robert, and David Baguley. "Emile Zola: 'L'Assommoir'." Modern Language Review 89, no. 4 (October 1994): 1013. http://dx.doi.org/10.2307/3733953.

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นาควัชระ, ทัศนีย์. "บทบาทของวรรณกรรมและพันธกิจของนักเขียน ในทัศนะของ Emile Zola." Journal of Letters 20, no. 2 (July 1988): 81–128. http://dx.doi.org/10.58837/chula.jletters.20.2.6.

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Wesseling, H. L. "The Paris of Emile Zola." European Review 7, no. 2 (May 1999): 219–28. http://dx.doi.org/10.1017/s1062798700003999.

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Emile Zola (1840–1902) was one of the best known novelists of his time. In his work he gives a vivid description of French social and political life during the second Empire (1852–1870) and, in particular, of Paris. In this paper the author analyses the topography of the Paris of Emile Zola as described in one of his famous novels.

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Lethbridge, Robert, and David Baguley. "Critical Essays on Emile Zola." Modern Language Review 84, no. 4 (October 1989): 993. http://dx.doi.org/10.2307/3731229.

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Rollins, Yvonne Bargues. "Emile Zola: Correspondance VIII, 1893–1897." Romance Quarterly 41, no. 1 (January 1994): 44–47. http://dx.doi.org/10.1080/08831157.1994.10545055.

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Lastinger, Michael. "Emile Zola: Notes From Exile (review)." Nineteenth Century French Studies 34, no. 1 (2005): 206–7. http://dx.doi.org/10.1353/ncf.2005.0061.

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Aguilar, Alma Rosa. "Heroínas naturalistas: Germinal de Emile Zola." LETRAS, no. 37 (January 31, 2005): 95–113. http://dx.doi.org/10.15359/rl.1-37.6.

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Guedes, Rosane Mavignier. "Carta de Emile Zola ao Capitão Dreyfus." Língua e Literatura 29 (December 6, 2009): 279. http://dx.doi.org/10.11606/issn.2594-5963.lilit.2009.114728.

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A carta de Émile Zola ao Capitão Dreyfus, cuja tradução é o tema deste trabalho, faz parte da coletânea de cartas organizadas pelo próprio Zola a respeito do caso Dreyfus, e publicadas no Jornal Aurore no período de 1897 a 1900. Acusado de traição à pátria, o jovem capitão de origem judaica foi julgado e condenado à degradação militar e à prisão em exílio. Tendo o processo corrido em segredo de justiça, na Justiça Militar, esse caso ganhou repercussão internacional. Assim, Émile Zola, então chefe da Escola Naturalista e presidente da Société des Gens de Lettres, tomou partido em favor do capitão e, engajandose no caso, publicou diversas cartas abertas. Esta carta foi escrita após o acórdão de revisão do processo, anulando o julgamento de 1894, e antes da instauração de um novo processo. Dreyfus é reenviado diante do Conselho de Guerra de Rennes. Nesse contexto de efervescência política, Zola fala a Dreyfus da atuação de seu irmão e de sua esposa na luta pela anulação do primeiro julgamento, de seu sentimento e da esperança de que a justiça, enfim, seja feita

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Schaffner, Martin. "Emile Zola – oder die Erfindung des Intellektuellen." Historische Anthropologie 12, no. 3 (December 2004): 434–40. http://dx.doi.org/10.7788/ha.2004.12.3.434.

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Dissertations / Theses on the topic "Emile Zola"

1

Hinton, Marie-Laure. "Emile Zola photographe." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1555084531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Turck, Christian. "Medizin und die Psychologie in zwei Werken Emile Zolas: Son excellence Eugène Rougon und Le Rêve." [S.l. : s.n.], 2005. http://deposit.ddb.de/cgi-bin/dokserv?idn=974995355.

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Spieker, Annika. "Der doppelte Blick : Photographie und Malerei in Emile Zolas "Rougon-Macquart" /." Heidelberg : Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3066613&prov=M&dok_var=1&dok_ext=htm.

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Morel, Chantal Simone. "The fortune of Emile Zola in the United Kingdom." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424327.

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Macke, Jean-Sébastien. "Emile Zola - Alfred Bruneau : pour un théâtre lyrique naturaliste." Reims, 2003. http://www.theses.fr/2003REIML002.

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Le compositeur Alfred Bruneau fut, à la fin du XIXe siècle, l'un des musiciens les plus populaires. C'est à sa rencontre avec Emile Zola qu'il doit son premier succès, en 1891, avec le Rêve. Suivront alors plusieurs drames lyriques inspirés par l'oeuvre du romancier. Emile Zola s'intéresse de très près à cette démarche artistique et finit par écrire lui-même des livrets pour Alfred Bruneau. Cette colaboration fructueuse nous laisse un corpus littéraire tout à fait étonnant qui nous permet de donner une lecture nouvelle de l'oeuvre d'Emile Zola. C'est également un théâtre lyrique naturaliste qui se met en place avec ses codes et ses partis-pris théoriques. Le naturalisme lyrique occupe ainsi le devant de la scène jusqu'en 1907 et marque un profond bouleversement dans le monde musical français et européen. Pour étudier cet aspect peu connu de l'oeuvre d'Emile Zola il fallait une documentation originale et inédite. Ainsi, les riches collections conservées par Alfred Bruneau ont été largement utilisées : correspondance, lettres personnelles, notes inédites, manuscrits inédits. . . L'exploitation méticuleuse de ces documents permet ainsi d'apporter une matière nouvelle et indispensable aux spécialistes de la littérature et de la musique au XIXe siècle
Composer Alfred Bruneau was one of the most popular musicians in the late 19th century. It is with its meeting with Emile Zola that it owes its first success, in 1891, with le Rêve. He then produced several lyric dramas inspired by the novelist's works. Emile Zola got interested in this artistic process and strated writing books for Alfred Bruneau. This fruitful association left quite a surprising literary corpus which alows us a new reading of Emile Zoal's works. Naturalistic opera house also emerged with its own codes and theoric bias. Lyric naturalism was thus in the foreground until 1907 and deeply changed the french and european musical world. An original documentation was needed to study this relatively unknown part of Emile Zola 's works. Therefore the rich collections kept by Alfred Bruneau were used a lot correspondences, private letters, original notes and manuscripts. . . The meticulous investigation of these documents give new and essential material to 19th century literature and music specialists

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Küster, Sabine. "Medizin im Roman Untersuchungen zu "Les Rougon-Macquart" von Émile Zola." Göttingen Cuvillier, 2006. http://d-nb.info/991938798/04.

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MARSAL, JEAN. "Zola et lourdes etude historique et theologique." Université Marc Bloch (Strasbourg) (1971-2008), 1998. http://www.theses.fr/1998STR20070.

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Emile zola a decouvert a lourdes "un admirable sujet", qui lui fournit la matiere d'un roman, ou il entend demontrer que le culte rendu a la vierge marie devant la grotte repose sur "le mensonge et l'illusion". Lourdes contient d'abord un reportage objectif sur la ville et la domaine de la grotte en 1892. La division en cinq journees correspond a la duree du pelerinage national organise par les peres assomptionnistes : la premiere et la derniere relatent-le voyage des pelerins de paris a lourdes et retour; les trois autres se deroulent devant la grotte et dans l'hotel ou resident les personnages principaux, marie de guersaint, et l'abbe pierre froment. La jeune fille, paralysee, souffre d'une maladie nerveuse soudainement guerie. Zola veut demontrer que les pretendus miracles sont des phenomenes naturels : la foi de marie et l'exaltation de la foule qui l'entoure, ont cree les conditions suffisantes pour sa guerison. Les autres malades quittent lourdes sans etre definitivement gueris. Pierre est "l'incarnation" du romancier incroyant; il nie l'authenticite des apparitions de la vierge marie a bernadette; il considere la voyante comme une fillette hysterique, qui a pris ses reves pour des visions, reconnues veridiques par un clerge credule. La grotte est, pour zola, une tentative desesperee et infructueuse de l'eglise pour sauver le catholicisme moribond, qu'il entend remplacer par sa "religion nouvelle", annoncee a la fin de lourdes et presentee dans les cinq romans suivants
Emile zola discovered in lourdes a wonderful subject which gave him the matter of a novel in which he intends to prove that the worship to the virgin mary made in front of the grotto is based on "lie and illusion". Lourdes contains an objective reporting about the city and the domain of the grotto in 1892. The dividing in five days square with the lasting of the national pilgrimage organised by the assumption fathers : the first and the last day report the travel of the pilgrims from paris to lourdes and back; the three others days are being enacted in front of the grotto and in the hotel where the prominent characters are staying, marie de guersaint and pierre froment. The young woman is paralysed and suffers of a nervous illness of which she is suddenly healed. Zola wants to prove the alleged miracles are natural phenomena. Mary's faith and the crowd's excitement which surrounds her have created adequate conditions for the healing. The other sick people leave lourdes without being definitively healed. Pierre is the "incarnation" of an unbelieving novelist; he denies the authority of apparitions of the virgin mary to bernadette; he considers the seer as an hysteric girl who took their dreams for visions recognized as true by a credulous clergy. The grotto is for zola a desperate and unfruitful attempt made by the church to save the catholic religion which, in zola's thought and aim, will be replaced by his "new religion" announced at the end of lourdes and developed in the five next novels

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Viboud, Alexandrine. "Poétique du désir dans les Rougon-Macquart d'Emile Zola." Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2000. http://books.google.com/books?id=AxRdAAAAMAAJ.

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9

Durin, Jacques. "Le mal dans l'oeuvre d'emile zola." Paris 3, 1986. http://www.theses.fr/1986PA030087.

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A travers la decheance d'une famille, le desordre ineluctable des rapports collectifs, le detraquement des consciences emportees dans un processus existentiel dont elles tarderont a controler les effets, c'est l'experience du mal, que zola va mettre en lumiere; et les figures du mal seront chez lui, a l'image des niveaux d'existence et des degres de conscience de ses personnages. De la se degagera, non pas une conception du mal, tout d'une piece, massive, immuable, mais une multiplicite de figures, un carrefour d'interrogations, une diversite d'attitudes, auxquels fera echo en profondeur, le murissement de la conscience zolienne, que l'exigence de justice et de verite comme confirmation du depassement de la charite, viendra imposer a son heure, a la pesanteur du malheur. Cette these entreprend une lecture et une reflexion sur le mal, a travers la production d'une oeuvre litteraire percue dans son unite et sa globalite, et dont le rythme viendra recouvrir exactement les trois grandes etapes de l'oeuvre de zola. Temps des rougon-macquart, de la decheance, de la regression et de la chute, que ponctue la degenerescence d'une famille rendue contagieuse a son tour, par la decadence et le pourrissement de tout un empire. Temps des trois villes; moment de la conscience malheureuse, ou l'angoisse de la finitude et l'obsession de la liberte se heurtent dans le dechirement de pierre froment. Temps des quatre evangiles, de la redemptionet du salut; temps messianique qui s'achevera dans l'accession de l'humanite a la paix. Ni evenement passe, ni evenement a venir, mais fil qui relie les uns aux autres les evenements de l'histoire. Temps liberateur du mal, temps de la conscience eveillee et de l'amour, qui permet a la conscience zolienne pacifiee, de liquider enfin son vieux demon hereditaire, ses monstres interieurs. Lecture globale qui prend en compte pour la premiere fois, la totalite des ecrits du romancier naturaliste, en les confrontant aux ideologies de son temps
Through the downfall of a family, the inescapable discorder of collective relations, the confusion inconsciences swept away in an existential process whose affects they will control with the greatest difficulty, it is the experience of evil that zola brings to lignt. And with him the form of evil are in accordance with the levels of existence end the degrees of awareness of his caractere. Hence there will arise, not one conception of eveil, as a whole, powerful, immutable, but numberless forms, numberless questions, a thousand attitudes. These will be profondly echoed by the maturing of zolian conscience witch the demands of justice and truth, confirming that they can go beyond charity, will in their own time lignten the weignt of misery. This thesis undertakes a study and a reflection on evil, through through a literary work understood by its unity and as a whole, and whose rythme will follow precisely the three main stages of zola's work. The time of les rougon-macquart, of the downfall, regression and ruin, punctuated by the decadence of a family which as been contaminated in its turn, by the decadence end the corruption of an entire empire. The time of les trois villes, an unhappy state of mind in which the divergent yarnings of pierre froment. The time of les quatre evangiles, of redemption, and salvation; a messianic time which will climax in mankind finding peace. Neither a past event not a futur event, but e thread which links all the events of history to each other. A time of liberation from evil, a time of awakened conscience and love, wich enables zola's pacified conscience to do away with its old hereditary demon, its interior monsters. This exhaustive study takes into account for the first time all the writings of this naturalist novelist by setting them against the ideologies of his age

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Martin-Guay, Julie. "L'assommoir de Zola : du roman à la pièce de théâtre." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83126.

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This thesis deals with stage adaptation of Emile Zola's novel L'Assommoir. Adapted for the stage in 1879 by William Busnach, L'Assommoir was a hit, especially with the working class. Despite this, because of its supposed weak aesthetic value, the theatrical adaptation has not been recognized by literary history. Notwithstanding, the analysis of the characters and staging of this adaptation bring some interesting points to light. The representation of people at work, daily life, the clever transposition to stage of some of the novel's more daring passages, the use of slang and the choice of realist costumes and decor are novelties that signal a change in the established dramatic code and announce the realism of Andre Antoine.

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Books on the topic "Emile Zola"

1

Harold, Bloom, ed. Emile Zola. Philadelphia: Chelsea House, 2004.

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2

Baguley, David. Emile Zola, L'assommoir. Cambridge [England]: Cambridge University Press, 1992.

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Pagès, Alain. Guide Emile Zola. Paris: Ellipses, 2002.

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Berg, William J. Emile Zola revisited. New York: Twayne Publishers, 1992.

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Clark, Roger. Emile Zola, L'Assommoir. Glasgow: University of Glasgow French and German Publications, 1990.

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Pagès, Alain. Emile Zola: Bilan critique. Paris: Nathan, 1993.

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Emile Zola: A biography. New York: Holt, 1988.

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Schumacher, Claude. Emile Zola, Thérèse Raquin. Glasgow, Scotland: University of Glasgow French and German Publications, 1990.

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Kaempfer, Jean. Emile Zola: D'un naturalisme pervers. [Paris]: J. Corti, 1989.

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Regnault, Alice. Lettre à Emile Zola (1898). [Reims]: Editions "A l'Ecart,", 1991.

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Book chapters on the topic "Emile Zola"

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Nelson, Brian. "Zola, Emile, The Kill." In The Palgrave Encyclopedia of Urban Literary Studies, 1958–61. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_351.

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Nelson, Brian. "Zola, Emile, The Kill." In The Palgrave Encyclopedia of Urban Literary Studies, 1–4. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62592-8_351-1.

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Wierenga, Lambert. "The Rhetoric of the Commonplace: Argumentation and Ideology (Jules Verne and Emile Zola)." In Towards A Definition of Topos, 158–81. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-11502-0_7.

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"READING EMILE ZOLA, GREZ." In First Nights, 54. Princeton University Press, 2016. http://dx.doi.org/10.2307/j.ctvc7733c.55.

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"Reading Emile Zola, Grez." In First Nights, 54. Princeton University Press, 2017. http://dx.doi.org/10.1515/9781400883370-053.

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"Interview with Emile Zola." In Fifty Years of International Socialism (Routledge Revivals), 97–104. Routledge, 2014. http://dx.doi.org/10.4324/9781315775418-25.

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"ACHTES KAPITEL. Emile Zola." In Quellen zur Rezeption des englischen und französischen Romans in Deutschland und Österreich im 19. Jahrhundert, 494–583. Max Niemeyer Verlag, 1990. http://dx.doi.org/10.1515/9783110912418.494.

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"6. Zur wissenschaftlichen Hermeneutik der : Emile Zola." In Gedankenexperimente. Berlin, Boston: De Gruyter, 1999. http://dx.doi.org/10.1515/9783110910285-007.

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Pierre-Gnassounou, Chantal. "« Bâtir en Utopie » : Emile Zola/Anatole France." In Champ littéraire, fin de siècle autour de Zola, 165–76. Presses Universitaires de Bordeaux, 2004. http://dx.doi.org/10.4000/books.pub.6197.

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Diglio, Carolina. "I tessuti in Nana di Emile Zola." In « La grâce de montrer son âme dans le vêtement » Scrivere di tessuti, abiti, accessori. Studi in onore di Liana Nissim, 166–75. Ledizioni, 2015. http://dx.doi.org/10.4000/books.ledizioni.6497.

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