Relevant bibliographies by topics / Emily Dickinson

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Emily Dickinson'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 May 2024

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Journal articles on the topic "Emily Dickinson"

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Колівошко, В. В. "Semantic and stylistic aspects of using geographical vocabulary in Emily Dickinson’s verse." Studia Philologica, no. 10 (2018): 95–99. http://dx.doi.org/10.28925/2311-2425.2018.10.13.

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This article reports a study according to the tenets of empirical methodology in addressing research questions. The project tests the principles of using geographical vocabulary in Emily Dickinson’s verse. It focuses on the study of stylistic and semantic aspects of the usage of geographical vocabulary. The results demonstrate the quantitative and qualitative characteristics of the usage of geographical vocabulary. Emily Dickinson’s poems are full of geographical names, which she uses with both positive and negative connotations. As we can see, the negative connotations prevail. The results point out how Emily Dickinson manipulates geographical names at all levels of the language. In addition, the findings indicate specific color gamma of Emily Dickinson’s poems. The use of colors is different for each geographical object; especially it applies to the names of countries, towns etc. Emily Dickinson associates every continent with its own unique color. These findings demonstrate the individual style of Emily Dickinson, which is distinctive among other poets.
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Salska, Agnieszka. "Emily Dickinson po polsku." Poznańskie Studia Polonistyczne. Seria Literacka, no. 33 (October 26, 2018): 271–90. http://dx.doi.org/10.14746/pspsl.2018.33.16.

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The article traces Polish translations of Dickinson’s poetry preceding and following the publication in the nineteen nineties of 200 poems by Emily Dickinson translated by Stanisław Barańczak. It comments on some Polish poets’ response to Dickinson in their own works and points to the growing body of publications online of private selections from Dickinson’s poems previously translated by established Polish poets (mostly Barańczak or Marjańska) as well as translations and original poems inspired by Dickinson’s work authored by less known poets, amateur translators and lovers of poetry. The article suggests that the increased Polish interest in Dickinson’s work is not only a kind of domino effect following Barańczak’s impressive translations. It also results from the growth of interest in translation studies and skills and must be related, too, to the fact that her poetry of private sensibility confronted with a dramatically changing world resonates with contemporary experience of the sensitive individual.
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Sulaiman, Masagus. "IMAGERY ANALYSIS ON EMILY DICKINSONS POETRY." English Community Journal 1, no. 1 (March 3, 2017): 33. http://dx.doi.org/10.32502/ecj.v1i1.649.

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This research was conducted to figure out the imagery and its meanings in the five poetry of Emily Dickinson. This research was regarded on a descriptive-qualitative study. The researcher applied documentation technique in collecting the data. In data analysis, psychoanalytic approach by Kristeva was used. The results of the research showed that there were sixty-two types of imagery foundin the five poetry of Emily Dickinson, for instance; fifty-one visual, one auditory, one olfactory, three tactile, one organic and five kinesthetics. In addition, the five poetry of Emily Dickinson had something to do with the themes and meanings of humans livesand their relationship with their God that symbolized and illustrated by things, and personally regarded on the reflections of Emily Dickinsons life.
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Boggs, Colleen Glenney. "Emily Dickinson's Animal Pedagogies." PMLA/Publications of the Modern Language Association of America 124, no. 2 (March 2009): 533–41. http://dx.doi.org/10.1632/pmla.2009.124.2.533.

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E. DickinsonWould you instruct me now?—Emily Dickinson, The Letters of Emily Dickinson (Johnson 449)In 1866 Emily Dickinson Ended a lapse of eighteen months in her correspondence with Thomas Wentworth Higginson by sending him three lines that connect the major concerns of her work: death, subjectivity, and the conditions of knowledge. When Higginson later published these lines in “Emily Dickinson's Letters,” he explained that the poet would on occasion include “an announcement of some event, vast to her small sphere as this,” the death of her dog who had been her companion for sixteen years (450). In measuring Dickinson's loss biographically by the “small sphere” of her life, Higginson sets aside her ability to “wade grief” (Franklin 312) and situates her letter within the sentimental culture of pet keeping, which had transfigured a predominantly agricultural practice (pet initially referred to a lamb) into a staple of genteel domesticity and bourgeois subjectivity (Mason; Grier; Kete; Ritvo; Thomas). Far from participating uncritically in the roles and relations Higginson projects onto her, Dickinson interrogates the formation and gendering of sentimental subjectivity (Dillon; Blackwood) by placing “Carlo died” in relation to the other two lines—the signature and the call for instruction. “E. Dickinson” refers ambiguously to Emily or to her father, Edward Dickinson (Holland 146). The signature pluralizes the subject; it doubles and ultimately obscures “E.”'s gender. This ambiguous subject hinges on the animal's death as a scene of pedagogy: it stands in the liminal space between the announcement of Carlo's death and the request: “Would you instruct me now?”
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Khanom, Afruza. "Emily Dickinson:." Crossings: A Journal of English Studies 12 (September 1, 2021): 68–80. http://dx.doi.org/10.59817/cjes.v12i.26.

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No matter how loving parents may be, the demands their expectations lay on their children result in an emotional pressure that goes unnoticed until, in most cases, it is too late and the damage to emotional maturity and the negative effect on personality has already occurred. Such emotional neglect is mostly unintentional. The life of nineteenth century American poet, Emily Dickinson, is an example of how the internalization of parental expectations and childhood emotional neglect can affect emotional maturity and adult behaviour. “Introvert” and “reclusive” are the two words commonly used to refer to her. However, this paper focuses not on what she was, but why she was so. In this paper, I examine a number of Dickinson’s letters to explore her experience of life within a “loving” home full of parental expectations which exerted unintentional pressure on her emotions and made her the socially withdrawn person she ultimately became. For this purpose, I base my discussion on the psychoanalytic feminism of Nancy J. Chodorow and Jessica Benjamin to show how Dickinson’s subjectivity is negatively influenced by patriarchal dominance represented within the family by her father and reinforced by her emotionally absent mother.
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Cooney, William. "The Death Poetry of Emily Dickinson." OMEGA - Journal of Death and Dying 37, no. 3 (January 1, 1998): 241–49. http://dx.doi.org/10.2190/8tkd-4v2f-j9fq-axd0.

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The topic of death is an important theme in the work of Emily Dickinson, one of America's greatest poets. Dickinson scholars debate whether her focus on death (one quarter of all her poems) is an unhealthy and morbid obsession, or, rather, a courageous recognition that life itself cannot be understood fully except from the vantage point of the grave (just as light cannot be fully appreciated without the recognition of its opposite, i.e., darkness). Following the latter view, Dickinson's penetrating insights into death are examined. Some of her best known death poems are presented and briefly discussed (reference is also made to many other Dickinson poems, and insights are also drawn from her many letters). Brief comparisons of Dickinson's views to certain philosophers (for example, Nietzsche) are made, in order to provide a wider context of exploration into these important themes. In the end, Dickinson contends that affirmation of life is impossible without an examination of death—the article therefore ends with her famous poem about that affirmation.
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Loving, Jerome, and Helen McNeil. "Emily Dickinson." American Literature 59, no. 3 (October 1987): 458. http://dx.doi.org/10.2307/2927139.

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Thomières, Daniel. "Emily Dickinson." Journal of Philosophy: A Cross-Disciplinary Inquiry 8, no. 20 (2015): 17–33. http://dx.doi.org/10.5840/jphilnepal20158202.

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Baym, Nina, and Cynthia Griffin Wolff. "Emily Dickinson." New England Quarterly 60, no. 2 (June 1987): 320. http://dx.doi.org/10.2307/365624.

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WOHLFELD, VALERIE. "EMILY DICKINSON." Yale Review 102, no. 4 (2014): 150–51. http://dx.doi.org/10.1353/tyr.2014.0068.

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Dissertations / Theses on the topic "Emily Dickinson"

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York, Regina. "Feminism, Selfhood & Emily Dickinson." TopSCHOLAR®, 1991. https://digitalcommons.wku.edu/theses/3019.

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This paper will draw on the work of leading feminist critics and the works of Dickinson, her biographers, and her critics. No effort is being made to trace the history of feminist criticism; that has been done numerous times by critic after critic. Nor does this paper attempt to provide a concordance to critical thought on Dickinson. That, too, is unnecessary. Rather, this paper looks at the relationship between self-identity in Dickinson's poetry and the fundamental need for such a pronounced sense of identity to serve as the cornerstone of feminist criticism. Dickinson's courage to be female and the implications of that courage on her world view are at the core of neofeminist or post-feminist criticism. Dickinson exhibited an independence of mind that broke out of the boxes of cultural constraints developing a strong sense of identity as a woman and as a poet. She expressed a strong moral view of the world solidly grounded in, but often critical of, the Christian tradition. With her strong sense of self, her overarching moral vision, and her disregard for the "oughts" and "shoulds" of her culture, Dickinson held her work to a high standard of significance. Feminist criticism is only now reaching such a standard of significance. As Dickinson achieved personal wholeness and creative integrity through the integration of (not the obliteration or repression of) opposing qualities, feminist criticism, too, must have that same courage to stand firm in the face of powerful opposition and defy social and political pressures to conform. Conforming to a mediocre, and consequently powerless but socially acceptable, integrated position within mainstream criticism places feminist criticism once again on the sidelines waiting for the next popular trend to relegate it even further from the intellectual center.
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Amaral, Ana Luísa. "Emily Dickinson : uma poética de excesso." Doctoral thesis, Porto : [Edição do Autor], 1995. http://hdl.handle.net/10216/16155.

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Amaral, Ana Luísa. "Emily Dickinson : uma poética de excesso." Tese, Porto : [Edição do Autor], 1995. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000045812.

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Finnerty, Páraic. "Emily Dickinson's Shakespeare /." Amherst : University of Massachusetts press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40144864w.

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Ernst, Katharina. "Death in the poetry of Emily Dickinson /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35744533d.

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Lebow, Lori Karen. "Autobiographic self-construction in the letters of Emily Dickinson." Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010831.155604/index.html.

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Jun, Kyong-Sook Katherine. "A musical and poetic investigation of John Duke's Six poems by Emily Dickinson and Four poems by Emily Dickinson /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11429.

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Heisler, Eva. "Reading as sculpture Roni Horn and Emily Dickinson /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1109756723.

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Marques, Mariana da Silva. "Fluidez de papéis na poética de Emily Dickinson." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55484.

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A presente dissertação visa o estudo da poética de Emily Dickinson sob o ponto de vista da construção e desconstrução de papéis e identidades sexuais. Serão abordadas questões relacionadas com a diferença sexual: sendo a sexualidade feminina negada numa cultura falocrática, bem como o papel de poeta negado à mulher, defender-se-à a correlação entre sexualidade e textualidade, por outras palavras, a afirmação do feminino na ordem do simbólico através da construção de uma sexualidade fluida (não convencional). Por outro lado, defender-se-à a possibilidade de a escrita transcender binarismos, possibilitando a desestabilização das definições de masculinidade/ feminilidade, isto é, a fluidez de papéis.
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Heisler, Eva. "Reading as sculpture: Roni Horn and Emily Dickinson." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1109756723.

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Books on the topic "Emily Dickinson"

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Harold, Bloom, ed. Emily Dickinson. Philadelphia: Chelsea House, 2003.

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Dickinson, Emily. Emily Dickinson. New York: Sterling Pub. Co. ; Distributed in Great Britain and Europe by Cassell PLC Villiers House ; Distributed in Australia by Capricorn Link Pty, 1994.

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Berry, S. L. Emily Dickinson. Mankato, Minnesota: Creative Education, 2015.

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Wagner-Martin, Linda. Emily Dickinson. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137033062.

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1920-1999, Moore Geoffrey, ed. Emily Dickinson. New York: C.N. Potter, 1986.

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Kirkby, Joan. Emily Dickinson. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21307-8.

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Dickenson, Donna. Emily Dickinson. Leamington Spa, UK: Berg, 1985.

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Dickinson, Emily. Emily Dickinson. New York: Sterling Pub. Co. ; Distributed in Great Britain and Europe by Cassell PLC Villiers House ; Distributed in Australia by Capricorn Link Pty, 1994.

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Emily Dickinson. Sŏul Tʻŭkpyŏlsi: Hansin Munhwasa, 1986.

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Donoghue, Denis. Emily Dickinson. Minneapolis: University of Minnesota Press, 1987.

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Book chapters on the topic "Emily Dickinson"

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Cottle, Basil. "Emily Dickinson." In The Language of Literature, 100–106. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_14.

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Böker, Uwe. "Dickinson, Emily." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5177-1.

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Möckel-Rieke, Hannah. "Dickinson, Emily." In Metzler Autorinnen Lexikon, 127–29. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_90.

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VanTassel-Baska, Joyce, and Linda D. Avery. "Emily Dickinson." In Changing Tomorrow 2 Grades 6-8, 67–71. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233619-17.

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Garnes, David. "Dickinson, Emily." In Who's Who in Gay and Lesbian History, 127–28. 2nd ed. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-128.

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Kirkby, Joan. "Emily Dickinson’s Life: ‘I dwell in Possibility —’." In Emily Dickinson, 1–18. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21307-8_1.

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Kirkby, Joan. "The Grammar of the Self: ‘This loved Philology’." In Emily Dickinson, 19–41. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21307-8_2.

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Kirkby, Joan. "The Poetry of ‘As If’: ‘The real — fictitious seems’." In Emily Dickinson, 42–63. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21307-8_3.

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Kirkby, Joan. "Poems of Gender: ‘To hang our head — ostensibly —’." In Emily Dickinson, 64–86. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21307-8_4.

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Kirkby, Joan. "The Gothic Mode: ‘’Tis so appalling — it exhilarates —’." In Emily Dickinson, 87–109. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21307-8_5.

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Conference papers on the topic "Emily Dickinson"

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KÓNYI, Judit. "EMILY DICKINSON ÉS A PUBLIKÁLÁS ÚJ ÚTJAI." In 11th International Conference of J. Selye University. J. Selye University, Komárno, Slovakia, 2019. http://dx.doi.org/10.36007/3310.2019.125-132.

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Peng, Dongxiao. "Modernistic Characteristics in the Poetry of Emily Dickinson." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.26.

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Черепанова, Елена Михайловна, and Андрей Гаврилович Бакиев. "CONTROVERSY WITH THE TRANSCENDENTALIST DOCTRINE OF HARMONY OF NATURE AND MAN IN EMILY DICKINSON'S POETRY." In Современные научные подходы в фундаментальных и прикладных исследованиях: сборник статей международной научной конференции (Санкт­Петербург, Декабрь 2022). Crossref, 2023. http://dx.doi.org/10.37539/221216.2022.44.95.005.

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В статье рассматривается творчество Эмили Дикинсон в аспекте ее критики трансценденталистской концепции гармонии природы и человека. Анализ некоторых произведений поэтессы показывает, что ее понимание природы выходит за рамки эмерсоновской доктрины природы и ее благотворного влиянии на человека. The article studies the works of Emily Dickinson in the aspect of her criticism of the transcendentalist concept of harmony of nature and man. The analysis of some of the poet’s works shows that her understanding of nature goes beyond Emerson’s doctrine of nature and its beneficial effect on man.
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Zhang, Yinyan. "Rigorous and Appropriate: On Zhou Jianxin’s Translation of Selected Poems of Emily Dickinson（Poems 301-600）." In Proceedings of the 4th International Conference on Humanities Science, Management and Education Technology (HSMET 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/hsmet-19.2019.129.

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Bandalo, Visnja. "ECO-SCIENCE RELATED TOPICS IN THE LITERARY OPUS OF CRISTINA CAMPO." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.18.

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This paper innovatively analyzes cultural intersections between the literary oeuvres of modern Italian writer Cristina Campo and the topics pertaining to ecocriticism, together with concomitant digital aspects thereof. The paper explores transversally across her work the elements of eco-literature, as well as interdisciplinary convergences in the light of environmental science with a particular focus on the envisionment of diachronic examples and other external intertextual elements in the contemporary era. The interest of this paper is in theoretical exegesis and correlated eco-poetical descriptions of Campo's writings, but also in analogous articulation concerning the global sphere of comparative literature. Likewise, the paper thematizes such compositional and expressive literary characteristics of Campo's opus highlighting idoneous ecopoiesis in the same epoch present in the philosophical domain, as well as in social disciplines and natural sciences, thereby creating a multicultural plurality of perspectives. Furthermore, it induces conceptual and compositional branching regarding literary genres by focusing from an ecopoietic standpoint on Campo's environmentally themed essayism and all other narratives, including the protoliterary nature of eco-related epistolary notes. The lyricism is envisaged too, by taking into consideration literary implications of ecopoetry, also in relation to actual and potential cultural models (Emily Dickinson, William Carlos Williams, Thomas Stearns Eliot, Marianne Moore etc).
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Yao, Kunming. "Feminine Voices in Emily Dickinson's Poetry." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.100.

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Zhang, Guifang. "An Interpretation of Emily Dickinsonrs Nature Poems from the Ecocritical View." In 2018 2nd International Conference on Management, Education and Social Science (ICMESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icmess-18.2018.285.

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Plaisant, Catherine, James Rose, Bei Yu, Loretta Auvil, Matthew G. Kirschenbaum, Martha Nell Smith, Tanya Clement, and Greg Lord. "Exploring erotics in Emily Dickinson's correspondence with text mining and visual interfaces." In the 6th ACM/IEEE-CS joint conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1141753.1141781.

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