Dissertations / Theses on the topic 'Emily Dickinson'
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York, Regina. "Feminism, Selfhood & Emily Dickinson." TopSCHOLAR®, 1991. https://digitalcommons.wku.edu/theses/3019.
Full textAmaral, Ana Luísa. "Emily Dickinson : uma poética de excesso." Doctoral thesis, Porto : [Edição do Autor], 1995. http://hdl.handle.net/10216/16155.
Full textAmaral, Ana Luísa. "Emily Dickinson : uma poética de excesso." Tese, Porto : [Edição do Autor], 1995. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000045812.
Full textFinnerty, Páraic. "Emily Dickinson's Shakespeare /." Amherst : University of Massachusetts press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40144864w.
Full textErnst, Katharina. "Death in the poetry of Emily Dickinson /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35744533d.
Full textLebow, Lori Karen. "Autobiographic self-construction in the letters of Emily Dickinson." Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010831.155604/index.html.
Full textJun, Kyong-Sook Katherine. "A musical and poetic investigation of John Duke's Six poems by Emily Dickinson and Four poems by Emily Dickinson /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11429.
Full textHeisler, Eva. "Reading as sculpture Roni Horn and Emily Dickinson /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1109756723.
Full textMarques, Mariana da Silva. "Fluidez de papéis na poética de Emily Dickinson." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55484.
Full textHeisler, Eva. "Reading as sculpture: Roni Horn and Emily Dickinson." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1109756723.
Full textMedhkour, Yousra. "Redefining Domesticity: Emily Dickinson and the Wife Persona." University of Toledo Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1418939861.
Full textVasconcelos, José Odilon Barboza de Lira de. "Biografemas da estrangeirização na poesia de Emily Dickinson." Universidade Federal de Pernambuco, 2004. https://repositorio.ufpe.br/handle/123456789/7960.
Full textEsta dissertação aborda a leitura e interpretação da obra poética de Emily Dickinson, focalizando certos aspectos ligados à sua auto-reclusão e subseqüente exclusão dos círculos literários da época, as quais tiveram decisiva influência em sua escrita. No embasamento teórico deste trabalho, valho-me da noção de biografema , idealizada por Roland Barthes, além de recorrer a outros conceitos literários mais atuais. Concentro-me sobretudo no aspecto poético que denomino estrangeirização , o qual permeia, a meu ver, toda a obra de Emily Dickinson, e não foi, ao que parece, estudado até agora, seja nos Estados Unidos, seu país natal, seja no Brasil, onde os seus poemas sempre mereceram atenção, tanto do público quanto da crítica literária
Marques, Mariana da Silva. "Fluidez de papéis na poética de Emily Dickinson." Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000206360.
Full textMukhopadhyay, Anjali. "The Poet as an outsider: a critical study of Emily Dickinson." Thesis, University of North Bengal, 2002. http://hdl.handle.net/123456789/1142.
Full textSparks, Amy M. "The white witch : Emily Dickinson and colonial American witchcraft /." View online, 1990. http://repository.eiu.edu/theses/docs/32211998880715.pdf.
Full textKulma, David. "Emily: A Song Cycle For Soprano and Chamber Ensemble on Poems of Emily Dickinson." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1291039230.
Full textStuart, Maria Perpetua. "Contesting the Word : Emily Dickinson and the higher critics." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/251651.
Full textBassett, Kenneth J. "Out of the East, Emily Dickinson and Lafcadio Hearn." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/MQ32357.pdf.
Full textSit, Wai-yee Agnes. "The poetic quests of Emily Dickinson and Sylvia Plath." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38429640.
Full textSit, Wai-yee Agnes, and 薛慧宜. "The poetic quests of Emily Dickinson and Sylvia Plath." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38429640.
Full textVachliotis, Vasiliki D. "Perspectives on love in the work of Emily Dickinson." Thesis, University of Essex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247011.
Full textPouffary, Yaël. "Emily Dickinson : le courant ophélien, poésie et représentations picturales." Thesis, Université Côte d'Azur (ComUE), 2019. http://www.theses.fr/2019AZUR2008.
Full textThe Essence of Ophelia within the poetry and life of the poet is unveiled, based on a comparative study of Emily Dickinson and the diverse uses of Ophelia throughout time. This allows to put into evidence the undeniable influence of this so-called ‘minor’ character on Emily Dickinson’s imagination, and her ‘major’ role on the poet and her art. Jean-Luc Nancy explains that there is a point where text and image fuse, where their borders blur and it results in a creation of a non-figurative image – which thus relies solely on individuals’ senses. Ophelia’s symbolism has an abundant amount of layers which allows innumerable interpretations, embellished by The Poet (as defined by Emerson). By leaning faithfully on Horace’s doctrine “Ut Pictura Poesis erit”, Ophelia comes to life in the poetry of Dickinson. Horace’s goals was to place the art of language on the same level as visual arts, thus the idea that a mute poetry (painting) is such as a vocal painting (poetry). This doctrine modifies the status of image and widens the painter’s palette. Consequently, Ophelia will be such as a silent foundation to Emily Dickinson’s poetry, where there is no imitation but solely an artistic influence with the notion of Differentiation, lines of flight, mapping and becoming-Minor which leads to the creation of the unique. According to Keats, it can equivocate to a sovereign truth, central quest of Dickinson’s circumferential journey. This dissertation leans on cardinal points to follow Emily Dickinson along her circumferential journey and her quest of the Ophelian North. Based on the definition of Concept by Hume, Hegel and Deleuze, the Ophelian Concept of Emily Dickinson will be brought forward. In order for that to be possible, the poet will match four criteria: have a mimesis base with Ophelia – which is found in the East, be able to create from that – located in the South, then have it lead to an innovative artistic response – positioned in the West, and finally, that immortality be attained – established in the North. This will allow a definition of Emily Dickinson’s Ophelian Becoming-map and her use of the Ophelian Concept
Franklin, William Neal. "Wild Nights! Wild Nights! The Dickinsons and the Todds: A Screenplay." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500316/.
Full textSarikaya, Merve. "A Julia Kristevan Analysis Of Emily Dickinson And John Milton." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608453/index.pdf.
Full texts theories of poetic language and abjection, and to see the extent to which these concepts are applicable to two such different poets and also to see how the poets compare within such analytic framework. Kristeva adapts a psychoanalytic approach to poststructuralist theory. Psychoanalytic criticism with its two leading figures, Sigmund Freud and Jacques Lacan, has been analyzed to see its reflections on Kristeva&rsquo
s theory. As regards, the semiotic, the symbolic, the abject and the paragrammatic structure of poetic language are four main concepts which have been found to be critical tools to be used in the analyses of Dickinson and Milton&rsquo
s poems. What has been concluded from the analyses in this thesis is that in both Dickinson and Milton&rsquo
s poems, according to Kristeva&rsquo
s theory of poetic language, there is the intrusion of the semiotic into the symbolic which is further supported with the concept of the abject. Also, the difference between a seventeenth century and a modern poet in terms of a Kristevan approach has been deduced in this thesis. That is, Kristeva&rsquo
s theory of paragrammatic structure has proved that in v Dickinson&rsquo
s poems, each and every word helps to sustain an image. Contrary to this, in Milton&rsquo
s Comus, which is a work of the seventeenth century, it has been somewhat difficult to apply Kristeva&rsquo
s theory of paragrammatic structure.
Wiechmann, Natalia Helena [UNESP]. "A questão da autoria feminina na poesia de Emily Dickinson." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94145.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Esta dissertação tem por objetivo apresentar os resultados da pesquisa de mestrado intitulada primeiramente Aspectos da autoria feminina na poesia de Emily Dickinson, modificada posteriormente pelo título A questão da autoria feminina na poesia de Emily Dickinson. Emily Dickinson (1830-1886) foi uma poeta norte-americana cuja obra é bastante conhecida por suas características particulares, tanto na forma quanto no conteúdo: o uso excessivo do travessão, das incorreções gramaticais, das metáforas constantes, dos paradoxos e da ironia, além das imagens que ela desenha da morte, de Deus, do ambiente doméstico feminino e das relações amorosas, entre outros tantos traços que fazem sua poesia destacar-se no panorama da literatura ocidental. Partindo do contexto em que a poeta se insere, este trabalho buscou investigar as relações entre a poesia de Emily Dickinson e a autoria feminina na tentativa de identificar possíveis manifestações poéticas de uma consciência das relações de gênero. Para isso, adotamos a crítica literária feminista de vertente norte-americana como base teórica e metodológica. Num primeiro momento, traçamos o percurso desenvolvido pela critica literária em geral desde as primeiras publicações dos poemas dickinsonianos até o surgimento e fortalecimento da crítica literária feminista. Em seguida, discutimos as principais questões trabalhadas por essa postura crítica e como ela tem visto a poesia de Emily Dickinson. Dedicamo-nos, então, à sua obra refletindo sobre como seus traços mais marcantes podem se relacionar à autoria feminina e propomos a análise de três poemas - “The Soul selects her own Society – ”, “I’m “wife” – I’ve finished that – ” e “My Life had stood – a Loaded Gun – ” – em que pudemos verificar...
This thesis aims to present the results of the Master’s research firstly entitled Aspects of the female authorship in Emily Dickinson’s poetry, but whose title later became The issue of the female authorship in the poetry of Emily Dickinson. Emily Dickinson (1830-1886) was an American poet whose work is widely known for its particular characteristics, both in its form and content: the excessive use of dashes, the grammar incorrections, the constant metaphors, paradoxes and irony, besides the images she makes of death, of God, of the womanly domestic environment and of the love relationships, among many other features that give her poetry a prominent place in the Western literature. Starting from the context in which her poetry is inserted, this researched aimed to investigate the relations between Emily Dickinson’s poetry and the female authorship in an attempt to identify possible poetic manifestations of a gender relations awareness. In order to do that, we have taken the American literary feminist criticism as our theoretical and methodological basis. In a first moment, we have traced the trajectory developed by literary criticism in general since the first Dickinson’s poems were published until the emergence and strengthening of the literary feminist criticism. After that, we have discussed the main questions of this critical view and also how they have worked with Emily Dickinson’s poetry. Then we focus on her work to discuss how its most remarkable features may be related to the female authorship and we propose the analysis of three poems – “The Soul selects her own Society – ”, “I’m “wife” – I’ve finished that – ” and “My Life had stood – a Loaded Gun – ” – in which we could see how the female authorship does... (Complete abstract click electronic access below)
Wallace, K. B. "A reception theory approach to the poetry of Emily Dickinson." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269143.
Full textWiechmann, Natalia Helena. "A questão da autoria feminina na poesia de Emily Dickinson /." Araraquara : [s.n.], 2012. http://hdl.handle.net/11449/94145.
Full textBanca: Ana Maria Domingues de Oliveira
Banca: Maria Dolores Aybar Ramires
Resumo: Esta dissertação tem por objetivo apresentar os resultados da pesquisa de mestrado intitulada primeiramente Aspectos da autoria feminina na poesia de Emily Dickinson, modificada posteriormente pelo título A questão da autoria feminina na poesia de Emily Dickinson. Emily Dickinson (1830-1886) foi uma poeta norte-americana cuja obra é bastante conhecida por suas características particulares, tanto na forma quanto no conteúdo: o uso excessivo do travessão, das incorreções gramaticais, das metáforas constantes, dos paradoxos e da ironia, além das imagens que ela desenha da morte, de Deus, do ambiente doméstico feminino e das relações amorosas, entre outros tantos traços que fazem sua poesia destacar-se no panorama da literatura ocidental. Partindo do contexto em que a poeta se insere, este trabalho buscou investigar as relações entre a poesia de Emily Dickinson e a autoria feminina na tentativa de identificar possíveis manifestações poéticas de uma consciência das relações de gênero. Para isso, adotamos a crítica literária feminista de vertente norte-americana como base teórica e metodológica. Num primeiro momento, traçamos o percurso desenvolvido pela critica literária em geral desde as primeiras publicações dos poemas dickinsonianos até o surgimento e fortalecimento da crítica literária feminista. Em seguida, discutimos as principais questões trabalhadas por essa postura crítica e como ela tem visto a poesia de Emily Dickinson. Dedicamo-nos, então, à sua obra refletindo sobre como seus traços mais marcantes podem se relacionar à autoria feminina e propomos a análise de três poemas - "The Soul selects her own Society - ", "I'm "wife" - I've finished that - " e "My Life had stood - a Loaded Gun - " - em que pudemos verificar... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis aims to present the results of the Master's research firstly entitled Aspects of the female authorship in Emily Dickinson's poetry, but whose title later became The issue of the female authorship in the poetry of Emily Dickinson. Emily Dickinson (1830-1886) was an American poet whose work is widely known for its particular characteristics, both in its form and content: the excessive use of dashes, the grammar incorrections, the constant metaphors, paradoxes and irony, besides the images she makes of death, of God, of the womanly domestic environment and of the love relationships, among many other features that give her poetry a prominent place in the Western literature. Starting from the context in which her poetry is inserted, this researched aimed to investigate the relations between Emily Dickinson's poetry and the female authorship in an attempt to identify possible poetic manifestations of a gender relations awareness. In order to do that, we have taken the American literary feminist criticism as our theoretical and methodological basis. In a first moment, we have traced the trajectory developed by literary criticism in general since the first Dickinson's poems were published until the emergence and strengthening of the literary feminist criticism. After that, we have discussed the main questions of this critical view and also how they have worked with Emily Dickinson's poetry. Then we focus on her work to discuss how its most remarkable features may be related to the female authorship and we propose the analysis of three poems - "The Soul selects her own Society - ", "I'm "wife" - I've finished that - " and "My Life had stood - a Loaded Gun - " - in which we could see how the female authorship does... (Complete abstract click electronic access below)
Mestre
Fogels, Audrey. "Emily Dickinson : un regard comique à l'affût de son siècle." Paris 4, 1997. http://www.theses.fr/1997PA040256.
Full textFor over a hundred years, because of arbitrary editorial choices, the overwhelming power of what Jauss has called the "horizons d'attente" and the dignified standing of poetry itself, Dickinson has been canonized as a poet who expresses the profoundly tragic. Over and against this canonical vision, i will try to show how, on the contrary, the nature of Dickinson’s poetry is not only fundamentally perverse and comic, but also deeply anchored in its time - these two aspects being in fact intimately linked since the stuff of humor is indissociable from specific times and places. Hence, notwithstanding her reclusive lifestyle, Dickinson actually mocked many facets of nineteenth century America. The Victorian representation of death and paradise, the values of work and progress so central to the time, the civil war, thanksgiving, the Pilgrim Fathers, the conventional nineteenth century hierarchy between poet and reader represent only some of the typical aspects of the contemporary culture Dickinson’s poems and letters ridiculed. Finally, if Dickinson’s destabilizing wit was in the spirit of a specifically American comic tradition, I will show how it also embodied the revolutionary fervor, feminist above all, that characterized America during the nineteenth century
Hurst, Daniel Jay. "Alienation and domestication in the bereavement poetry of Emily Dickinson /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444259503.
Full textSantos, Wilson Taveira de Los. "A adversidade como elemento catalisador dos processos criativos Emily Dickinson." Florianópolis, SC, 2000. http://repositorio.ufsc.br/xmlui/handle/123456789/78286.
Full textMade available in DSpace on 2012-10-17T12:20:35Z (GMT). No. of bitstreams: 0Bitstream added on 2013-07-16T17:46:26Z : No. of bitstreams: 1 171045.pdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Esta mulher tímida de New England, com um temperamento totalmente oposto ao de Walt Whitman, compartilha com ele a distinção de lapidar a moderna poesia norte-americana. Mas, ao contrário de Walt Whitman que se regozijava em soar seu brado bárbaro, Emily Dickinson é o primeiro exemplo da poetisa da privacidade, da solidão e do pranto da alma. Para exemplificar, emprestamos algumas de suas próprias palavras, ela é a alma que... "Seleciona sua própria sociedade. E depois fecha a porta ..."Seus poemas não foram escritos para cortejar a fama. Nem no sentido comum tiveram seus poemas a intenção de compartilhar seu ser com outrem. " Que tétrico é ser alguém! Que vulgar como um sapo. Pronunciar teu nome o dia inteiro. A um lamaçal encantador. " Os poemas são a expressão direta de sua mente e de seu coração, comunicados a si mesma em uma profunda solidão e reflexão. O resultado é um trabalho extremamente pessoal, de pelo menos 1775 poemas conhecidos que, com a exceção de seus quatro primeiros poemas, foram publicados somente após sua morte. A proposta deste trabalho visa a apontar que a produção cognitiva da autora se fundamenta em três hipóteses, a saber: seu provável bloqueio na fase edipiana - entre seus 3 e 5 anos - ; a falha de resolução na retomada do Édipo na puberdade e sua entrega à reclusão, desde sua juventude, e por último, porém também digno de ser mencionado, ao isolamento que foi o elemento norteador do seu processo criativo e o catalisador de sua vasta produção literária. Esta dissertação resgata o trabalho do artista, ainda que este trabalho não seja considerado como tal por um sistema que se orienta para a produção. A despeito disso, sem a música, sem a poesia, sem a arte, enfim, de que valeriam as riquezas que se extraem das fábricas...
Chevrier-Bosseau, Adeline. "Emily Dickinson du côté de Shakespeare : modalités théâtrales du lyrisme." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030128.
Full textEmily Dickinson’s poetry showcases a dramatic kind of lyricism: each poem becomes a scene where the lyric voice changes shape, tone, and even gender. Strongly influenced by Shakespeare’s work and by the extremely theatrical culture of Victorian America, Dickinson stages the lyrical self at its most theatrical. The fact that the Elizabethan playwright and poet’s idiosyncratic theater was the main reference for Dickinson’s conception of drama and theatricality invites us to broaden our conception of lyricism. Although some recurrences of a more traditional approach to lyricism as an outpouring of intimate feelings appear at times – mostly tainted with a great deal of irony – lyricism will mainly be considered as the energy fueling life into the poem. The theater is for Emily Dickinson the spring of this lyrical energy, the transformative force and the crucial structure at the heart of her poetic writing
Buckner, Elisabeth. "Superior Instants: Religious Concerns in the Poetry of Emily Dickinson." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2195.
Full textSlough, Marlene M. "A contextual study of hair imagery in the poetry of Emily Dickinson /." View online, 1996. http://repository.eiu.edu/theses/docs/32211998837431.pdf.
Full textFyffe, Megan. ""I dwell in possibility" : Emily Dickinson and the concept of home /." Title page and introduction only, 1998. http://web4.library.adelaide.edu.au/theses/09AR/09arf997.pdf.
Full textOhki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.
Full textSoprano: Hitomi Ohki
Piano: Anders Kilström
Aaron Copland (1900-1990)
Twelve Poems of Emily Dickonson
1, Nature, the gentlest mother
2, There came a wind like a bugle
3, Why do they shut me out of Heaven?
4, The world feels dusty
5, Heart, we will forget him!
6, Dear March, come in!
7, Sleep is supposed to be
8, When they come back
9, I felt a funeral in my brain
10, I've heard an organ talk sometimes
11, Going to Heaven!
12, The Chariot
Silva, Fernanda Angelica Parreiras Mourao. "117 e outros poemas: à procura da palavra de Emily Dickinson." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/ECAP-7H2Q44.
Full textWeill, Catherine. "La poésie ou le souffle dicksonnien." Montpellier 3, 1992. http://www.theses.fr/1992MON30019.
Full textSince emily dickinson did not identify herself in her difference as a woman, she had to live apart from the world, she had to isolate herself in her own world of poetry. Very soon she felt a lack in her being and with a dismembered body image, was searching for what could reconstitute her "self". Through poetry, she could approach the figures of absence, which were then able to identify her, and offer herself another life. During the quest for her being, she was evolving in a space which only existed in terms of time; the time which scanned her poetical movement had only spacial connotations and emily always ended up at a crossroads, a between-space in a between-time, space-time of the schize, space-time of her creation. There, this words could act to testify to her existence as a whole being, there, she was recognized and was able to communicate with nature in order to express this understanding in her poetry; there, she was consecrated as a poet and could, like orpheus did experiment with death and at the same time with life in her meaning of the term. We can conclude that poetry continually coming to her and leaving her, living, breathing and expiring for her, did allow her to exist and did allow her to die
Crawford, Mary E. "Dickinson Sings: A Study of a Selection of Lori Laitman's Settings for High Voice." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367944705.
Full textGuarnieri, John. ""Religion--'a fine invention' : an exploration of faith and doubt in Emily Dickinson's letters and poems" /." Connect to resource online, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1220024010.
Full textKronsbein, Kari Denise. ""Had we our senses": Emily Dickinson's Envelope Poems and Materiality." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1611.
Full textPett, Scott A. "Dismantling the Spatiality of Heaven in the Prayer Poems of Emily Dickinson." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/126.
Full textNuckels, Rosa Turner. "Visions of Light In the Poetry of William Blake and Emily Dickinson." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279349/.
Full textBallard, Kjerstin Evans. "“I take--No less than Skies”: Emily Dickinson and Nineteenth-Century Meteorology." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5858.
Full textMakela, Steven L. "Reconstructions: Nine Movements for Solo Soprano, Chorus, and Wind Ensemble." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2435/.
Full textLeonard, Gay Lynne. "Poetic ingress a study of opening lines in Whitman, Dickinson, and Lanier /." Access abstract and link to full text, 1987. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8711962.
Full textDean, Gabrielle N. O. "Seeing things and marking time : visual presence and the self in Emily Dickinson and Gertrude Stein /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9450.
Full textMurphy, Peggy Henderson. "Isolated but not oblivious a re-evaluation of Emily Dickinson's relationship to the Civil War /." Huntington, WV : [Marshall University Libraries], 2006. http://www.marshall.edu/etd/descript.asp?ref=684.
Full textGuarnieri, John P. "Religion – A Fine Invention: An Exploration of Faith and Doubt in Emily Dickinson's Letters and Poetry." Youngstown State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1220024010.
Full textLee, Hannah. "Why Floods be served to us in Bowls: Emily Dickinson's Souvenirs." Oberlin College Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1246389301.
Full textCazé, Antoine. "Passages du divin dans l'oeuvre d'Emily Dickinson." Paris 7, 1992. http://www.theses.fr/1992PA070022.
Full textWe attempted to define the nature of the relation there is in emily dickinson's works between religion and poetry. Dickinson's poems obviously deal with religious themes. Through the poetic reshaping of such themes, dickinson moves towards theorizing language-related issues - where does language come from? What is the precise nature of its symbolic and hermeneutic powers? Such questions are examined in the light of the theological and metaphysical preoccupations of Dickinson's time. We stressed the double side of the poetry religion relation. In her critical way of handling language in her poems, dickinson was led to call into question the role of religious codes as providing a valid symbolic model. She thus redefined a renewed - literary - space that could offer room for the presence of the divine - a sense of the divine which would be freed from its former rhetorical and theoretical prison. We were led to reconsider the aesthetic import of Dickinson's poetry, which we identified as "the sublime". The sense of the sublime, as the ultimate mark left by a vanishing divinity, shows the shifting limit. .