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Dissertations / Theses on the topic 'Emily Dickinson'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

York, Regina. "Feminism, Selfhood & Emily Dickinson." TopSCHOLAR®, 1991. https://digitalcommons.wku.edu/theses/3019.

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This paper will draw on the work of leading feminist critics and the works of Dickinson, her biographers, and her critics. No effort is being made to trace the history of feminist criticism; that has been done numerous times by critic after critic. Nor does this paper attempt to provide a concordance to critical thought on Dickinson. That, too, is unnecessary. Rather, this paper looks at the relationship between self-identity in Dickinson's poetry and the fundamental need for such a pronounced sense of identity to serve as the cornerstone of feminist criticism. Dickinson's courage to be female

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2

Amaral, Ana Luísa. "Emily Dickinson : uma poética de excesso." Doctoral thesis, Porto : [Edição do Autor], 1995. http://hdl.handle.net/10216/16155.

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3

Amaral, Ana Luísa. "Emily Dickinson : uma poética de excesso." Tese, Porto : [Edição do Autor], 1995. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000045812.

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4

Finnerty, Páraic. "Emily Dickinson's Shakespeare /." Amherst : University of Massachusetts press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40144864w.

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5

Ernst, Katharina. "Death in the poetry of Emily Dickinson /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35744533d.

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6

Lebow, Lori Karen. "Autobiographic self-construction in the letters of Emily Dickinson." Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010831.155604/index.html.

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7

Jun, Kyong-Sook Katherine. "A musical and poetic investigation of John Duke's Six poems by Emily Dickinson and Four poems by Emily Dickinson /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11429.

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8

Heisler, Eva. "Reading as sculpture Roni Horn and Emily Dickinson /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1109756723.

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9

Marques, Mariana da Silva. "Fluidez de papéis na poética de Emily Dickinson." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55484.

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A presente dissertação visa o estudo da poética de Emily Dickinson sob o ponto de vista da construção e desconstrução de papéis e identidades sexuais. Serão abordadas questões relacionadas com a diferença sexual: sendo a sexualidade feminina negada numa cultura falocrática, bem como o papel de poeta negado à mulher, defender-se-à a correlação entre sexualidade e textualidade, por outras palavras, a afirmação do feminino na ordem do simbólico através da construção de uma sexualidade fluida (não convencional). Por outro lado, defender-se-à a possibilidade de a escrita transcender binarismos, pos

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10

Heisler, Eva. "Reading as sculpture: Roni Horn and Emily Dickinson." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1109756723.

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11

Medhkour, Yousra. "Redefining Domesticity: Emily Dickinson and the Wife Persona." University of Toledo Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1418939861.

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12

Vasconcelos, José Odilon Barboza de Lira de. "Biografemas da estrangeirização na poesia de Emily Dickinson." Universidade Federal de Pernambuco, 2004. https://repositorio.ufpe.br/handle/123456789/7960.

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Made available in DSpace on 2014-06-12T18:37:35Z (GMT). No. of bitstreams: 2 arquivo8283_1.pdf: 1199432 bytes, checksum: b3226ecbf790b659bcae6df5a32710fb (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2004<br>Esta dissertação aborda a leitura e interpretação da obra poética de Emily Dickinson, focalizando certos aspectos ligados à sua auto-reclusão e subseqüente exclusão dos círculos literários da época, as quais tiveram decisiva influência em sua escrita. No embasamento teórico deste trabalho, valho-me da noção de biografema , ide

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13

Marques, Mariana da Silva. "Fluidez de papéis na poética de Emily Dickinson." Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000206360.

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A presente dissertação visa o estudo da poética de Emily Dickinson sob o ponto de vista da construção e desconstrução de papéis e identidades sexuais. Serão abordadas questões relacionadas com a diferença sexual: sendo a sexualidade feminina negada numa cultura falocrática, bem como o papel de poeta negado à mulher, defender-se-à a correlação entre sexualidade e textualidade, por outras palavras, a afirmação do feminino na ordem do simbólico através da construção de uma sexualidade fluida (não convencional). Por outro lado, defender-se-à a possibilidade de a escrita transcender binarismos, pos

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14

Mukhopadhyay, Anjali. "The Poet as an outsider: a critical study of Emily Dickinson." Thesis, University of North Bengal, 2002. http://hdl.handle.net/123456789/1142.

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15

Sparks, Amy M. "The white witch : Emily Dickinson and colonial American witchcraft /." View online, 1990. http://repository.eiu.edu/theses/docs/32211998880715.pdf.

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16

Kulma, David. "Emily: A Song Cycle For Soprano and Chamber Ensemble on Poems of Emily Dickinson." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1291039230.

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17

Stuart, Maria Perpetua. "Contesting the Word : Emily Dickinson and the higher critics." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/251651.

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18

Bassett, Kenneth J. "Out of the East, Emily Dickinson and Lafcadio Hearn." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/MQ32357.pdf.

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19

Sit, Wai-yee Agnes. "The poetic quests of Emily Dickinson and Sylvia Plath." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38429640.

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Sit, Wai-yee Agnes, and 薛慧宜. "The poetic quests of Emily Dickinson and Sylvia Plath." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38429640.

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21

Vachliotis, Vasiliki D. "Perspectives on love in the work of Emily Dickinson." Thesis, University of Essex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247011.

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22

Pouffary, Yaël. "Emily Dickinson : le courant ophélien, poésie et représentations picturales." Thesis, Université Côte d'Azur (ComUE), 2019. http://www.theses.fr/2019AZUR2008.

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Cette recherche a pour objectif de faire émerger l’essence d’Ophélie, au sein de la poésie et de la vie d’Emily Dickinson. Fondés sur une étude comparative d’Emily Dickinson et des représentations d’Ophélie, ces travaux mettent en exergue l’influence indéniable qu’a eue ce personnage dit ‘mineur’ sur la poésie et l’imaginaire du poète, ainsi que son rôle ‘majeur’ sur elle et sur son art. Jean-Luc Nancy explique qu’il existe un point où l’image non-figurative peut elle aussi exister. Il s’agit du point où image et texte fusionnent, où les frontières se brouillent : On parle alors d’un sens à l’

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23

Franklin, William Neal. "Wild Nights! Wild Nights! The Dickinsons and the Todds: A Screenplay." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500316/.

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Emily Dickinson's seclusion is explored in light of her family's strange entanglement with the Todds. Austin Dickinson's affair with Mabel Loomis Todd, and the effect on the lives of Susan Dickinson, Lavinia Dickinson, Martha Dickinson Bianchi, David Todd, and Millicent Todd Bingham, provide a steamy context for the posthumous publication of Emily Dickinson's poetry. The screenplay includes original music (inspired by the dashes and an old hymn) for two poems: "Wild Nightsl Wild Nights!" and "Better - than Music!" Also included are visualizations of many of Dickinson's images, including "circu

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24

Sarikaya, Merve. "A Julia Kristevan Analysis Of Emily Dickinson And John Milton." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608453/index.pdf.

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This thesis aims to analyze poems by Emily Dickinson and John Milton according to Julia Kristeva&rsquo<br>s theories of poetic language and abjection, and to see the extent to which these concepts are applicable to two such different poets and also to see how the poets compare within such analytic framework. Kristeva adapts a psychoanalytic approach to poststructuralist theory. Psychoanalytic criticism with its two leading figures, Sigmund Freud and Jacques Lacan, has been analyzed to see its reflections on Kristeva&rsquo<br>s theory. As regards, the semiotic, the symbolic, the abject and the

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Wiechmann, Natalia Helena [UNESP]. "A questão da autoria feminina na poesia de Emily Dickinson." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94145.

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Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-05-18Bitstream added on 2014-06-13T20:35:08Z : No. of bitstreams: 1 wiechmann_nh_me_arafcl.pdf: 656875 bytes, checksum: d6ea00bec81ccc40296221293f13a10f (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Esta dissertação tem por objetivo apresentar os resultados da pesquisa de mestrado intitulada primeiramente Aspectos da autoria feminina na poesia de Emily Dickinson, modificada posteriormente pelo

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26

Wallace, K. B. "A reception theory approach to the poetry of Emily Dickinson." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269143.

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Wiechmann, Natalia Helena. "A questão da autoria feminina na poesia de Emily Dickinson /." Araraquara : [s.n.], 2012. http://hdl.handle.net/11449/94145.

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Orientador: Alcides Cardoso dos Santos<br>Banca: Ana Maria Domingues de Oliveira<br>Banca: Maria Dolores Aybar Ramires<br>Resumo: Esta dissertação tem por objetivo apresentar os resultados da pesquisa de mestrado intitulada primeiramente Aspectos da autoria feminina na poesia de Emily Dickinson, modificada posteriormente pelo título A questão da autoria feminina na poesia de Emily Dickinson. Emily Dickinson (1830-1886) foi uma poeta norte-americana cuja obra é bastante conhecida por suas características particulares, tanto na forma quanto no conteúdo: o uso excessivo do travessão, das incorreç

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28

Fogels, Audrey. "Emily Dickinson : un regard comique à l'affût de son siècle." Paris 4, 1997. http://www.theses.fr/1997PA040256.

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Depuis plus de cent ans, la critique perçoit l'œuvre de Dickinson comme atemporelle et tragique. Des choix éditoriaux parfois arbitraires, la puissance des "horizons d'attente" et la nature du genre poétique lui-même servent à expliquer cette vision partielle et partiale du poète et de son œuvre. Au rebours de cette vision canonique, nous tenterons de mettre en lumière et l'ancrage de Dickinson dans son siècle et le caractère profondément comique de ses écrits. De fait, ces deux aspects sont étroitement liés, le comique n'existant que par rapport à une norme. Il s'agira donc pour nous de montr

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29

Hurst, Daniel Jay. "Alienation and domestication in the bereavement poetry of Emily Dickinson /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444259503.

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30

Santos, Wilson Taveira de Los. "A adversidade como elemento catalisador dos processos criativos Emily Dickinson." Florianópolis, SC, 2000. http://repositorio.ufsc.br/xmlui/handle/123456789/78286.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico.<br>Made available in DSpace on 2012-10-17T12:20:35Z (GMT). No. of bitstreams: 0Bitstream added on 2013-07-16T17:46:26Z : No. of bitstreams: 1 171045.pdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Esta mulher tímida de New England, com um temperamento totalmente oposto ao de Walt Whitman, compartilha com ele a distinção de lapidar a moderna poesia norte-americana. Mas, ao contrário de Walt Whitman que se regozijava em soar seu brado bárbaro, Emily Dickinson é o primeiro exemplo da poetisa da

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31

Chevrier-Bosseau, Adeline. "Emily Dickinson du côté de Shakespeare : modalités théâtrales du lyrisme." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030128.

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La poésie d’Emily Dickinson dévoile un lyrisme théâtralisé : chaque poème devient une scène où évolue une voix qui se travestit, s’altère, se diffracte en divers échos. Très influencée par l’œuvre de Shakespeare, mais également par la théâtralité ambiante de l’Amérique victorienne, Dickinson met en scène le sujet lyrique dans ce qu’il a de plus théâtral. La théâtralité de référence étant celle du dramaturge et poète élisabéthain, cette "contamination" du théâtre nous incite à élargir notre conception du lyrisme. Si l’on observe des résurgences ironiques d’une conception traditionnelle du lyris

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32

Buckner, Elisabeth. "Superior Instants: Religious Concerns in the Poetry of Emily Dickinson." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2195.

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When I decided to write a thesis on Emily Dickinson's poetry, my intention was to show that she did, indeed, implement a concrete philosophy into her poetry. However, after several months of research, I realized that this poet's philosophy was ongoing and sometimes inconsistent. Emily Dickinson never discovered the answers to all of her religious and spiritual questions although she devoted her entire life to that pursuit. What Dickinson did discover was that orthodox religion had no place in her heart or mind and she must make her own choices where God was concerned. Immortality was an intens

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33

Slough, Marlene M. "A contextual study of hair imagery in the poetry of Emily Dickinson /." View online, 1996. http://repository.eiu.edu/theses/docs/32211998837431.pdf.

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34

Fyffe, Megan. ""I dwell in possibility" : Emily Dickinson and the concept of home /." Title page and introduction only, 1998. http://web4.library.adelaide.edu.au/theses/09AR/09arf997.pdf.

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35

Ohki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.

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When singers perform art songs, how many of them, especially students, learn about the poem and poet behind the lyrics? It might be that a number of singers focus on composers, however not poets. Even in concert programs, it is common to only write the composer’s name. I am one of the singers that has learned lyrics in the last minute before a concert or an examination. I will experiment with changing my learning process and see if that makes any difference when performing the art song. The purpose of this study is also to focus on the poet Emily Dickinson. Furthermore, to find out about the

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36

Silva, Fernanda Angelica Parreiras Mourao. "117 e outros poemas: à procura da palavra de Emily Dickinson." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/ECAP-7H2Q44.

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Este trabalho procura, a partir da experiência de leitura e tradução de poemas e cartas de Emily Dickinson, chegar a um pensamento sobre a tradução e um modo - um método - de traduzir, uma poética extraída da própria escrita da poeta. Para compor o que seria esse pensamento sobre a tradução e a escrita, convocou-se escritores como Walter Benjamin, Jacques Derrida, Maurice Blanchot, Roland Barthes, Maria Gabriela Llansol e João Barrento, entre outros teóricos e tradutores.

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37

Weill, Catherine. "La poésie ou le souffle dicksonnien." Montpellier 3, 1992. http://www.theses.fr/1992MON30019.

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Emily disckinson ne s'etant pas identigiee dans sa difference avec l'autre, a ete obligee de se positionner hors du monde, ou mieux, dans son monde, celui de la poesie, tres tot, elle ressentit un manque et alla sans cesse, au moyen d'un corps demembre, rechercher ce qui etait en mesure de la reconstituter. C'est par l'intermediaire de la poesie qu'elle s'est approchee des figures de l'absence qui pouvaient alors l'identifier et lui conceder une vie. Dans la recherche de son etre, elle a evolue dans un espace qui ne prenait corps que dans le temps; le temps qui scandait son avancee poetique ne

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38

Crawford, Mary E. "Dickinson Sings: A Study of a Selection of Lori Laitman's Settings for High Voice." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367944705.

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39

Guarnieri, John. ""Religion--'a fine invention' : an exploration of faith and doubt in Emily Dickinson's letters and poems" /." Connect to resource online, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1220024010.

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40

Kronsbein, Kari Denise. ""Had we our senses": Emily Dickinson's Envelope Poems and Materiality." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1611.

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This essay stresses the importance of the visual and material aspects of these manuscripts. By examining her work in relation to collage practices, it highlights Dickinson's role as an avant-garde figure in both American poetry and material culture. Rather than write interlocking theses that connect each reading, I aim to demonstrate the ways in which an art historical consideration of Dickinson's envelope manuscripts complicates the already open-ended nature of her poetry through associating the texts with the cultural phenomena of the scrapbook. Additionally, I will foreground the importance

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Pett, Scott A. "Dismantling the Spatiality of Heaven in the Prayer Poems of Emily Dickinson." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/126.

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I identify three significant components of Heaven’s spatiality that determine the boundaries of and conditions for “legitimate” spiritual experience, all of which are embodied in what Dickinson calls “the apparatus” of prayer (Fr 632). First, the locations of Heaven and Earth are determinable, absolute, and inflexible, thus marking the distance that separates human from God as static and constant; second, in order to engage God, the supplicant must turn towards Heaven (and away from Earth); and third, specific spatial and emotional protocol are established by assigning God socially constructed

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42

Nuckels, Rosa Turner. "Visions of Light In the Poetry of William Blake and Emily Dickinson." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279349/.

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In this study the author compares the broad outlines of Blake's and Dickinson's thought, pointing out evidence of decisive Biblical influence not only on the content of their thought but on their attitude toward language as well. the author argues that both poets assumed the philosophical position of Job as they interpreted the Bible independently and as they explored many dimensions of experience in the fallen world. The author represents their thought not as a fixed system but as a faith-based pattern of Christian/Platonic questing for truth.

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Ballard, Kjerstin Evans. "“I take--No less than Skies”: Emily Dickinson and Nineteenth-Century Meteorology." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5858.

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Emily Dickinson's poetry functions where scientific attention to the physical world and abstract theorizing about the ineffable intersect. Critics who emphasize the poet's dedication to the scientific often take for granted how deeply the uncertainty that underlies all of Dickinson's poetry opposes scientific discussion of the day. Meteorology is an exceptional nineteenth-century science because it takes as its subject complex systems which are inexplicable in Newtonian terms. As such, meteorology can articulate the ways that Dickinson bridges the divide between the unknown and the known, part

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44

Makela, Steven L. "Reconstructions: Nine Movements for Solo Soprano, Chorus, and Wind Ensemble." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2435/.

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Reconstructions is a nine-movement composition for solo soprano, chorus, and wind ensemble using texts from several of Emily Dickinson's poems. The soloist represents the main character in this dramatic work, and the narrative structure portrays abstract moments in this character's life. While the narrative structure of the reconstructed fragments is important to the form of the composition, other elements are also significant. Pitch structures generated from set theoretical systems, in addition to cyclic and palindromic structures are utilized throughout. Timbre also delineates the form, as v

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45

Dean, Gabrielle N. O. "Seeing things and marking time : visual presence and the self in Emily Dickinson and Gertrude Stein /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9450.

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46

Murphy, Peggy Henderson. "Isolated but not oblivious a re-evaluation of Emily Dickinson's relationship to the Civil War /." Huntington, WV : [Marshall University Libraries], 2006. http://www.marshall.edu/etd/descript.asp?ref=684.

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47

Guarnieri, John P. "Religion – A Fine Invention: An Exploration of Faith and Doubt in Emily Dickinson's Letters and Poetry." Youngstown State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1220024010.

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48

Leonard, Gay Lynne. "Poetic ingress a study of opening lines in Whitman, Dickinson, and Lanier /." Access abstract and link to full text, 1987. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8711962.

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49

Lee, Hannah. "Why Floods be served to us in Bowls: Emily Dickinson's Souvenirs." Oberlin College Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1246389301.

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50

Cazé, Antoine. "Passages du divin dans l'oeuvre d'Emily Dickinson." Paris 7, 1992. http://www.theses.fr/1992PA070022.

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On tente de définir chez Emily Dickinson la nature du rapport entre la religion et la poésie, le religieux et le poétique. L'œuvre de Dickinson s'approprie de façon évidente des thèmes religieux et, à travers leur mise en forme poétique, propose une réflexion sur le langage, son origine et son pouvoir symbolique et herméneutique, qui recoupe les préoccupations théologiques et métaphysiques de son temps, l'accent est mis sur le double aspect de ce rapport poésie religion : par son travail critique de la langue dans ses poèmes, Dickinson est amenée à remettre en question la valeur de modèle symb

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