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Journal articles on the topic 'Emma Watson'

Author: Grafiati
Published: 28 February 2023

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1

Indriyana, Bernadeta Siska, Maria Wisendy Sina, and Barli Bram. "Fillers and Their Functions in Emma Watson’s Speech." Ranah: Jurnal Kajian Bahasa 10, no. 1 (2021): 13. http://dx.doi.org/10.26499/rnh.v10i1.1350.

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Fillers are utterances or phrases that are used in speaking to fill in the moment of silence to connect thoughts or ideas. This paper investigated the types and functions of fillers used by Emma Watson in her speeches. The researchers formulated two questions to be resolved. First, what are the types of fillers used in Emma Watson’s speeches? Second, what are the functions of filler words in the speeches? Data, consisting of 93 occurrences of fillers, were collected from Emma Watson’s speech scripts in three videos. To solve the research questions, the researchers used the descriptive qualitat
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Izza Humaera Almisri, Nurul, and Farahdiba Rahma Bachtiar. "PERAN EMMA WATSON SEBAGAI UN WOMEN GOODWILL AMBASSADOR DALAM MENANGANI KESETARAAN GENDER DAN PEMBERDAYAAN PEREMPUAN." JURNAL SIPAKALEBBI 6, no. 2 (2022): 153–73. http://dx.doi.org/10.24252/sipakallebbi.v6i2.33741.

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The authors used liberal feminism theory and the concept of celebrity diplomacy to answer the research question in this study. This research is classified as library research by using data provided by UIN Women. The aims of this study are to: 1) find out the reasons why Emma Watson was appointed as UN Women Goodwill Ambassador, 2) describe and analyze the influence of Emma Watson as UN Women Goodwill ambassador in addressing issues of gender equality and women's empowerment. The result of this research is that the authors found the fact that Emma Watson was chosen as a UN Women Goodwill Ambass
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Valiantien, Nita Maya. "EMMA WATSON’S MAGIC SPELL IN GENDER EQUALITY: THE USE OF RHETORICAL DEVICES IN “HEFORSHE” CAMPAIGN." Journal of Culture, Arts, Literature, and Linguistics (CaLLs) 1, no. 2 (2017): 45. http://dx.doi.org/10.30872/calls.v1i2.691.

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A movement to raise awareness towards gender equality issue has been promoted by the UN through the campaign called “HeforShe”. To influence people toward the issue, Emma Watson, who is famous with her character as Hermione Granger in Harry Potter series, is appointed as the ambassador of this campaign. Emma Watson capability to convey messages about gender equality cannot be underrated. It can be seen from the strategies that she used in presenting her speech, which is in particular called as rhetorical devices. In that case, this paper aims to explore the use of rhetorical devices in Emma Wa
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Ascalonicawati, Adinda Prasty. "Fitur-Fitur Tuturan Emma Watson dalam Wawancara (The Features of Speech of Emma Watson in Interview[s])." JALABAHASA 16, no. 1 (2020): 1. http://dx.doi.org/10.36567/jalabahasa.v16i1.401.

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Perempuan memiliki karakteristik tersendiri saat berbicara. Fitur-fitur tuturan perempuan memungkinkan mereka menggunakan bahasa dengan fungsi yang berbeda, yaitu melemahkan maupun menguatkan tuturan. Penelitian ini bertujuan mengidentifikasi fitur-fitur tuturan perempuan yang digunakan dalam wawancara oleh Emma Watson dengan menerapkan teori Lakoff (1975). Metode yang digunakan dalam penelitian ini adalah kualitatif-kuantitatif. Metode kualitatif untuk menjabarkan fitur-fitur tuturan perempuan yang ditemukan dalam penelitian ini. Sementara itu, metode kuantitatif untuk mengidentifikasi frekue
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Ammang Latifa. "Language Varieties of Woman's Conversation in Yutube Channel of Emma Watson in HeForShe Program: A Conversation Analysis Study." International Journal of Linguistics, Literature and Translation 4, no. 1 (2021): 221–27. http://dx.doi.org/10.32996/ijllt.2021.4.1.22.

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Language and gender are always being exciting topics to be discussed because gender is not only about the difference between men and women based on sex, but this is about the roles and status that determine the position between men and women (Maciuszek et al., 2019). This research aims to find out some language varieties used by Emma Watson on her conversation in International women's day 2015 in HeForShe video YouTube. This research is descriptive qualitative, and to obtain the data, the researcher took the video about the conversation of Emma Watson in International women's day 2015 on YouTu
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Hunter, Siân. "Coppola's postfeminism: Emma Watson and The Bling Ring." Film, Fashion & Consumption 9, no. 1 (2020): 81–98. http://dx.doi.org/10.1386/ffc_00013_1.

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Abstract Sofia Coppola's The Bling Ring explores the contemporary obsession with commodities and celebrity culture which leads a group of Californian teenagers to break into the homes of celebrities, in order to steal their clothes and accessories. This article examines Coppola's critique of celebrity culture and consumerism through the movie itself, and through her casting of British actor Emma Watson and the ways in which she mobilizes the celebrity persona of Watson in order to further her critique. The Bling Ring will be compared to Coppola's work to understand how it contributes to her po
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Sutedjo, Ika Setyowati. "SPEECH ACT STRATEGY UTTERED BY EMMA WATSON AND MALALA YOUSAFZAI AS THE INSTRUMENT OF EMPOWERMENT." Lire Journal (Journal of Linguistics and Literature) 5, no. 1 (2021): 54–68. http://dx.doi.org/10.33019/lire.v5i1.103.

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Women’s voice has been heard by the society for the past few years. There are a lot of movements created by women to support each other, for example, Women’s March, Time’s Up, #MeToo, and HeForShe. This movement will lead to more recognition of women in various expertise. Consequently, those amazing women are able to meet in one situation. The certain situation leads women to do a conversation. The conversation between women also includes different kinds of speech acts. This study aims to find the speech act uttered by Emma Watson and Malala Yousafzai as the instrument of empowerment. The resu
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Aprilia, Lulu’ Ulfiyah, and Misnadin Misnadin. "AN ANALYSIS OF MODALITY IN EMMA WATSON AND MICHAEL KIMMEL’S SPEECH TEXTS." Prosodi 15, no. 1 (2021): 23–34. http://dx.doi.org/10.21107/prosodi.v15i1.10484.

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This study used Palmer’s (1986) theory to analyzed Modality and Halliday (2008) to analyze the meaning of modality. Relating to the statements above, this study was proposed to answer two articulated research problems, namely; (1) what are the types of modality found in Emma Watson and Michael Kimmel’s Speech Texts? And (2) To what extent do Emma Watson and Michael Kimmel’s Speech Texts show similarities and differences, if any, in their use of types of modality? This study employs a descriptive qualitative design. The data were all of the speech by Emma Watson and Michael Kimmel’s Speech Text
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Ponton, D. M. "Corporate Feminism? Emma Watson and the UN’s #HeForShe Movement." Язык и текст 9, no. 2 (2022): 76–90. http://dx.doi.org/10.17759/langt.2022090209.

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This study regards actress Emma Watson’s key speech launching HeForShe at the United Nations in 2014, with a special focus on the way she refers to men. The #HeForShe initiative ostensibly differs from traditional feminist approaches in its recognition of the importance of reaching out to men. This study aims to explore tensions in her argumentation and within the movement itself. It uses a mixed method analysis that consists in the application of some traditional tools in the analysis of political rhetoric, evaluative language, framing, problem-solution, naturalisation, erasure. Results are t
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Haastrup, Helle Kannik. "Hermione’s feminist book club: celebrity activism and cultural critique." MedieKultur: Journal of media and communication research 34, no. 65 (2018): 98–116. http://dx.doi.org/10.7146/mediekultur.v34i65.104842.

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In this article, I analyse how a celebrity can perform cultural critique and feminist activism using her Instagram account and online book club. The celebrity in question is British film star Emma Watson, famous for playing Hermione Granger in the Harry Potter franchise. Watson is performing her activism on gender equality and cultural critique by recommending feminist literature. This study undertakes an analysis of Watson’s presentations of self on Instagram and in her letters in the Our Shared Shelf book club. The analysis takes its point of departure from theories of social media and celeb
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Ambarita, Rio Saputra. "Pesan Kesetaraan Gender Dalam Pidato Emma Watson di PBB Tahun 2014." Jurnal Interaksi : Jurnal Ilmu Komunikasi 4, no. 1 (2020): 1–11. http://dx.doi.org/10.30596/interaksi.v4i1.3698.

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Grindal, Gracia. "The Canterbury Dictionary of Hymnology ed. by J.R. Watson and Emma Hornby." Lutheran Quarterly 30, no. 1 (2016): 92–94. http://dx.doi.org/10.1353/lut.2016.0009.

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Batterson, Courtney. ""Feminism" and Feminism: A Rhetorical Criticism of Emma Watson's Address to the U.N." Quest: A Journal of Undergraduate Research 5 (February 19, 2016): 1. http://dx.doi.org/10.17062/qjur.v5.i1.p1.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>This analysis uses metaphor criticism to decipher how metaphors function in Emma Watson’s address to the UN. Metaphor criticism proves useful in this critique because it can be used to determine the rhetor’s motive, to evaluate the effectiveness of the message, and to decipher the rhetor’s perspective on a particular subject. This critique uncovers two types of metaphors: those that describe “gender stereotypes” and those that describe “feminism.” The first subgroup of metaphors
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Hopkins, Susan. "UN celebrity ‘It’ girls as public relations-ised humanitarianism." International Communication Gazette 80, no. 3 (2017): 273–92. http://dx.doi.org/10.1177/1748048517727223.

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This article combines framing analysis and critical textual analysis in a qualitative investigation of the ways in which popular culture texts, in particular articles in Australian women's magazines, frame transnational celebrity activism. Using three recent case studies of commercial representations of popular female celebrities – Nicole Kidman in Marie Claire (Australia), Angelina Jolie in Vogue (Australia) and Emma Watson in Cleo (Australia) – this study dissects framing devices to reveal the discursive tensions which lie beneath textual constructions of celebrity humanitarianism. Through a
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Santos, Ana Luisa, Filipa Barros, and António Azevedo. "Matching-up celebrities’ brands with products and social causes." Journal of Product & Brand Management 28, no. 2 (2019): 242–55. http://dx.doi.org/10.1108/jpbm-03-2017-1439.

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PurposeBeyond traditional brand endorsement, many celebrities have in recent years decided to launch their own product lines, which may be used to promote their own celebrity brand. Which product categories or social causes match a celebrity’s brand personality? This study aims to investigate the antecedents of celebrity–product degree of fit and willingness to pay (WTP)/make a donation in different scenarios. The manipulation of the scenarios aims to capture the role of celebrity attributes, perceived personality profiles, product involvement and acceptance of social causes.Design/methodology
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Sousa, Aída Carla Rangel de. "A Bela e a Fera -." Belas Infiéis 5, no. 3 (2016): 253–62. http://dx.doi.org/10.26512/belasinfieis.v5.n3.2016.11411.

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Após o sucesso do primeiro filme de animação em 1991, adaptação premiada que deu alcance mundial ao tema de A Bela e a Fera, os estúdios Disney lançam um segundo filme em março de 2017, agora em versão live-action, protagonizado pela jovem atriz britânica Emma Watson no papel de Bela, e aguardado com entusiasmo pelo público brasileiro. Acompanhando esse movimento, a editora Zahar acaba de publicar no Brasil uma edição dedicada exclusivamente ao célebre conto de fadas literário francês de título homônimo, em formato de bolso e acabamento de luxo, além do formato e-book. Não é a primeira vez que
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Cheng, Shannon, Linnea Ng, Rachel C. E. Trump-Steele, Abby Corrington, and Mikki Hebl. "Calling on Male Allies to Promote Gender Equity in I-O Psychology." Industrial and Organizational Psychology 11, no. 3 (2018): 389–98. http://dx.doi.org/10.1017/iop.2018.88.

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As Gardner, Ryan, and Snoeyink (2018) state, their findings on gender representation in industrial and organizational (I-O) psychology indicate that “the profession as a whole falls into the category of ‘not walking the talk’” (p. 385). We agree that it is imperative to understand the current state of gender inequity in our field while also actively working toward achieving gender equity. This article attempts to inspire each and every individual in I-O psychology to feel a personal responsibility to engage in behaviors that reduce gender disparities in our field. Although women are normativel
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GARCIA, ELIANE DOLENS ALMEIDA GARCIA. "SER FEMINISTA NÃO É UMA ESCOLHA:." Revista AlembrA 3, no. 7 (2022): 47–67. http://dx.doi.org/10.47270/ra.2596-2671.2021.v3.n7.id1306.

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Este artigo reflete a discussão sobre o feminismo ao longo tempo. A luta das mulheres por participação, voz, equidade e respeito na sociedade existente há séculos, desde as “bruxas” perseguidas na idade média até as lutas travadas nas ruas para conquistar o direito ao voto. Concordamos com a filósofa francesa existencialista Simone de Beauvoir (1949), “ninguém nasce mulher, torna-se mulher”. Logo, condicionar o ser mulher ao simples fato de ter nascido do gênero feminino resume sua imagem a uma condição de sexo frágil ou segundo sexo, fadada a executar tarefas enfadonhas, reprodutivas e sem re
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Gyogi, Eiko. "Critical Literacy in Beginner-Level Japanese Language Classrooms." JALT2018—Diversity and Inclusion 2018, no. 1 (2019): 229. http://dx.doi.org/10.37546/jaltpcp2018-31.

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This paper describes a critical literacy session held with 19 beginner-level learners of Japanese at a Japanese university. The students observed and analyzed the use (or nonuse) of gendered speech styles (especially feminine language [onna kotoba]) in different media. They also translated a short passage from a video interview with Emma Watson from English to Japanese and discussed whether they would use feminine language in their translations. The learning journals that students submitted after class demonstrate students’ reflection on this topic, including students’ evaluation and questions
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 73, no. 1-2 (1999): 121–81. http://dx.doi.org/10.1163/13822373-90002590.

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-Charles V. Carnegie, W. Jeffrey Bolster, Black Jacks: African American Seamen in the age of sail. Cambridge MA: Harvard University Press, 1997. xiv + 310 pp.-Stanley L. Engerman, Wim Klooster, Illicit Riches: Dutch trade in the Caribbean, 1648-1795. Leiden: KITLV Press, 1998. xiv + 283 pp.-Luis Martínez-Fernández, Emma Aurora Dávila Cox, Este inmenso comercio: Las relaciones mercantiles entre Puerto Rico y Gran Bretaña 1844-1898. San Juan: Editorial de la Universidad de Puerto Rico, 1996. xxi + 364 pp.-Félix V. Matos Rodríguez, Arturo Morales Carrión, Puerto Rico y la lucha por la hegomonía e
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Rahayu, Yulia, Dewi Kustanti, and Erfan Muhammad Fauzi. "FLOUTING MAXIM IN EMMA WATSON’S “BEING 30 AND HAPPILY SINGLE” BRITISH VOGUE INTERVIEW." CALL 4, no. 2 (2022). http://dx.doi.org/10.15575/call.v4i2.16998.

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This study was done to find out more about how a person talks. Conversations between two or more people are usually inseparable from mistakes, uncooperative actions and often exceed expectations. Therefore, an observation in an interview between Paris Lee and Emma Watson is intended to examine the flouting maxim in the speeches made. This research uses qualitative methods with Grice’s supporting theories cooperative principle and flouting maxim. Several data are included in the flouting maxim, namely four data flouting maxim of quantity, three data flouting maxim of quality, four data flouting
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Bittencourt, Amanda, Paula Tavares, and Rakel De Castro. "Estudos Culturais e feminismo: a transposição do personagem Hermione Granger para a vida real de Emma Watson sob a perspectiva dos movimentos feministas." Temática 13, no. 9 (2017). http://dx.doi.org/10.22478/ufpb.1807-8931.2017v13n9.36159.

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O movimento feminista consolidou-se nos anos 80 com os Estudos Culturais (ZINANI, 2012). A partir desta época, a imagem das mulheres veio ganhando cada vez mais espaço na busca pela igualdade de gêneros, especialmente na cultura cinematográfica e na literatura. O objetivo deste trabalho é, portanto, analisar os significados e sentidos produzidos no imaginário feminista, a partir das relações de gênero que se cruza com a personagem Hermione Granger (Emma Watson), da saga Harry Potter. Qualitativamente, procederemos à aplicação de uma entrevista em profundidade como coleta de dados e análise de
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Cabas-Mijares, Ayleen, and Joy Jenkins. "Beauty and the breasts: constructions of feminist sexual politics in vanity fair’s 2017 Emma Watson photoshoot." Feminist Media Studies, November 30, 2022, 1–18. http://dx.doi.org/10.1080/14680777.2022.2149597.

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Felton, Emma. "The City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1958.

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In the television series Sex and the City, there is a scene which illustrates a familiar contempt for suburban life as dull and boring. Implicit is the oppositional view that urban life by comparison, is the more exciting one. Charlotte (one of four women whose sexual and romantic relationships are the focus of the series), has spent time with her in-laws in an upper middle class suburban enclave, and is confessing to her three girl friends her fantasies and ultimate sexual encounter with her in-law's hunk of a gardener. She's racked with guilt over the incident, not least because she is marri
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Kennedy, Ümit, and Emma Maguire. "The Texts and Subjects of Automediality." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1395.

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Being is an empty fiction. The “apparent” world is the only world: the “true world” is just a lie added on to it… —Nietzsche. Anna Poletti: I’m attracted to autobiography in a non-narrative context because I’m very interested in texts that people create that demonstrate their thinking or their fantasies or their processing, generally.Lauren Berlant: Right, in that sense it’s autobiography in your larger sense of what autobiography is: a record of […] processing. —Anna Poletti and Julie Rak with Lauren Berlant. The medium is the message. —Marshall McLuhanWelcome to the M/C Journal issue on auto
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Broderick, Mick, Stuart Marshall Bender, and Tony McHugh. "Virtual Trauma: Prospects for Automediality." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1390.

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Unlike some current discourse on automediality, this essay eschews most of the analysis concerning the adoption or modification of avatars to deliberately enhance, extend or distort the self. Rather than the automedial enabling of alternative, virtual selves modified by playful, confronting or disarming avatars we concentrate instead on emerging efforts to present the self in hyper-realist, interactive modes. In doing so we ask, what is the relationship between traumatic forms of automediation and the affective impact on and response of the audience? We argue that, while on the one hand there
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Hair, Margaret. "Invisible Country." M/C Journal 8, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2460.

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 The following article is in response to a research project that took the form of a road trip from Perth to Lombadina re-enacting the journey undertaken by the characters in the play Bran Nue Dae by playwright Jimmy Chi and Broome band Kuckles. This project was facilitated by the assistance of a Creative and Research Publication Grant from the Faculty of Communications and Creative Industries, Edith Cowan University, Western Australia. The project was carried out by researchers Kara Jacob and Margaret Hair.
 
 One thing is plainly clear. Aboriginal art expresses t
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Brennan-Horley, Chris. "Reappraising the Role of Suburban Workplaces in Darwin’s Creative Economy." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.356.

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IntroductionTraditionally, suburbs have been conceived as dormitory – in binary opposition to the inner-city (Powell). Supporting this stereotypical view have been gendered binaries between inner and outer city areas; densely populated vs. sprawl; gentrified terraces and apartment culture vs. new estates and first home buyers; zones of (male) production and creativity against (female) sedate, consumer territory. These binaries have for over a decade been thoroughly criticised by urban researchers, who have traced such representations and demonstrated how they are discriminatory and incorrect (
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Van der Nagel, Emily. "Alts and Automediality: Compartmentalising the Self through Multiple Social Media Profiles." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1379.

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IntroductionAlt, or alternative, accounts are secondary profiles people use in addition to a main account on a social media platform. They are a kind of automediation, a way of representing the self, that deliberately displays a different identity facet, and addresses a different audience, to what someone considers to be their main account. The term “alt” seems to have originated from videogame culture and been incorporated into understandings of social media accounts. A wiki page about alternate accounts on virtual world Second Life calls an alt “an account used by a resident for something ot
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Pedersen, Isabel, and Kristen Aspevig. "Being Jacob: Young Children, Automedial Subjectivity, and Child Social Media Influencers." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1352.

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Introduction Children are not only born digital, they are fashioned toward a lifestyle that needs them to be digital all the time (Palfrey and Gasser). They click, tap, save, circulate, download, and upload the texts of their lives, their friends’ lives, and the anonymous lives of the people that surround them. They are socialised as Internet consumers ready to participate in digital services targeted to them as they age such as Snapchat, Instagram, and YouTube. But they are also fashioned as producers, whereby their lives are sold as content on these same markets. As commodities, the minutiae
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Lawson, Jenny. "Food Confessions: Disclosing the Self through the Performance of Food." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.199.

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At the end of the episode “Crowd Pleasers,” from her television series Nigella Feasts, we see British food writer and television cook Nigella Lawson in her nightgown opening her fridge in the dark. The fridge light reveals the remnant dishes of chili con carne that she prepared earlier on in the programme. She scoops up a dollop of soured cream and chili onto a spoon and shovels it into her mouth, nods approvingly and then picks up the entire chili dish. She eats another mouthful, utters a satisfied “umm” sound, closes the fridge door and walks away, taking the dish of chili with her. This rec
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Harju, Anu A. "A Relational Approach to the Digital Self: Plus-Sized Bloggers and the Double-Edged Sword of Market-Compromised Identity." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1385.

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Digital Articulations of the Relational Self Identity continues to be one of the enduring topics in digital media research. This interdisciplinary take on the digital self extends the discussion in my dissertation (Harju) of contemporary articulations of the relational self in the digital context by focusing on potentiality of the evolving self. I adopt a relational approach to being (Gergen Relational) where the self is seen as always already a product of relations, borne out of them as well as dependent on them (Gergen Realities). The self as fluid and processual is reflective of our liquid
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Kennedy, Ümit. "Exploring YouTube as a Transformative Tool in the “The Power of MAKEUP!” Movement." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1127.

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IntroductionSince its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one of the largest sources of user generated content, and one of the most frequently visited sites globally (Burgess and Green). As YouTube’s popularity has increased, more and more people have taken up the site’s invitation to “Broadcast Yourself.” Vlogging (video blogging) on YouTube has increased in popularity, creating new genres and communities. Vlogging not only allows individuals to create their own mediated content for mass consumption—making it a site for participatory culture (B
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Fuller, Glen. "Punch-Drunk Love." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2660.

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 For once I want to be the car crash, Not always just the traffic jam. Hit me hard enough to wake me, And lead me wild to your dark roads. (Snow Patrol: “Headlights on Dark Roads”, Eyes Open, 2006) I didn’t know about the online dating site rsvp.com.au until a woman who I was dating at the time showed me her online profile. Apparently ‘everyone does rsvp’. Well, ‘everyone’ except me. (Before things ended I never did ask her why she listed herself as ‘single’ on her profile…) Forming relationships in our era of post-institutional modes of sociality is problematic. Some proba
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