Relevant bibliographies by topics / Emmy Awards

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Emmy Awards'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Emmy Awards"

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Verbeten, Sharon. "Editor's Note: Awards Always Get Me." Children and Libraries 16, no. 2 (2018): 2. http://dx.doi.org/10.5860/cal.16.2.2.

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I’m an awards show junkie. I’m just going to put that out there.I love watching the Emmy Awards. I have Academy Awards parties. I’ll even watch the ESPYs, though I have little interest in sports. I love the suspense . . . the pomp . . . the circumstance. It’s little wonder then that I’m just as enthralled when I attend the Youth Media Awards announcements.
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Wood, Gerald C. "Orphans' Home: The Voice and Vision of Horton Foote. By Laurin Porter. Baton Rouge: Louisiana State University Press, 2003; pp. 233. $49.95 cloth, $22.95 paper." Theatre Survey 45, no. 2 (2004): 286–88. http://dx.doi.org/10.1017/s0040557404240261.

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Horton Foote has won many distinguished awards, including two Academy Awards for screenwriting, the Pulitzer Prize for drama, the Lucille Lortel Award, an Emmy, the William Inge Award, lifetime awards from the Academy of Arts and Letters and the Writer's Guild of America, an Outer Critics Circle Award, the Master American Dramatist Award of the PEN American Center, and the National Medal of the Arts. Yet there has been relatively little written about this important American—and southern—writer. Partly that is because he has written in various media, including theatre, film, and television, gaining substantial but limited fame in each, and much of his work is either produced regionally or staged for a small circle of aficionados in New York, where seemingly simple, understated dramas about coastal southeast Texas are never the rage. This tendency is exacerbated by the production history of the nine plays in The Orphans' Home, the subject of Laurin Porter's book. Staged over twenty years, from readings of the first plays in 1977 to the premiere of the final one, The Death of Papa, at Chapel Hill, North Carolina, in February of 1997, the plays have never been staged together.
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Kudryavtsev, Vasily. "Corporation Bell Labs is a factory of scientific innovations." Science Management: Theory And Practice 3, no. 1 (2021): 136–68. http://dx.doi.org/10.19181/smtp.2021.3.1.8.

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The results of scientific research and development have become the basis for the development of the economy, the most important factor in increasing its competitiveness, the foundation of modern technologies. Therefore, the problem of effective organization of scientific research and the effectiveness of their financing is extremely urgent. The study of the evolution of organizational forms of science allows us to conclude that in firms that do not have government funding, scientific research at the Nobel level is often carried out. The story of the creation of one of these organizations, the world famous Bell Labs corporation, which is a real incubator of progressive scientific and technical ideas, is told. Over the years, Bell Labs employees have made a number of grandiose discoveries: the detection of cosmic radio emission, the invention of a point-contact transistor, quartz clocks, charge-coupled devices, the creation of information theory, the UNIX operating system, programming languages C, C ++, etc.Considerable attention is paid to describing the scientific and technical results of Bell Labs employees who have become Nobel, Turing, Emmy and Grammy laureates, as well as holders of the US National Medal of Technology and Innovation and the IEEE Medal of Honor. In conclusion, some other scientific achievements of Bell Labs employees that have not received the above awards are discussed. The experience of studying the history of the creation and functioning of this company can be useful when organizing innovative research centers in our country.
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Fadhillah, Nuurul Fajari, and Vishnu Juwono. "APPLICATION OF FIVE-STREAM FRAMEWORK CONCEPT IN E-PROCUREMENT IMPLEMENTATION IN DEPOK: A REVIEW OF LITERATURE." DIA Jurnal Ilmiah Administrasi Publik 18, no. 1 (2020): 121–41. http://dx.doi.org/10.30996/dia.v18i1.3343.

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In the current digital era, technology distribution in all sectors is crucial, no exception in the procurement of goods and services sector. Knowing this situation, the government then makes a policy that requires the process of procurement done electronically through the e-procurement application. By implementing this policy, the government expects an improvement of transparency, accountability, and efficiency in the process of procurement. To support this effort, in the year 2018 government also issued the Peraturan Presiden No. 16 Tahun 2018 on Public Procurement of Goods and Services, which provides an expansion of the role for stakeholders to engage in the process of procurement.One of the cities that implement e-procurement is Depok through its Working Unit for Procurement of Goods and Services (UKPBJ). This city even received numerous awards while implementing this policy. Nevertheless, there are many high fraud potential and corruption cases in this sector in the last few years. Through this research, the author seeks to provide recommendations of e-procurement implementation in Depok based on the public policy implementation concept from Howlett (2018), which does emphasize the importance of stakeholder role. The data on this research is gathered through the literature review methods while still paying attention to the credibility of data sources. The results of the analysis using this concept preceded by stakeholder mapping based on Emmy (2015) explanation show that the stakeholder role is crucial and must be maintained. Besides, efforts to increase transparency are also needed to facilitate stakeholders doing their role.
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Williams, Roy. "Roy Williams, in conversation with Aleks Sierz What Kind of England Do We Want?" New Theatre Quarterly 22, no. 2 (2006): 113–21. http://dx.doi.org/10.1017/s0266464x06000352.

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Roy Williams is one of the outstanding new voices in contemporary British theatre. Born in Fulham, south-west London, in 1968, he has already, by his mid-thirties, won a shelf-full of awards, with plays staged at the National Theatre and Royal Court. His debut, The No Boys Cricket Club, won the Writers' Guild New Writer of the Year award in 1996. Two years later, his follow-up, Starstruck, won three major awards: the John Whiting Award for Best New Play, an EMMA (Ethnic Multicultural Media Awards) for Best Play, and the first Alfred Fagon Award, for theatre in English by writers with Caribbean connections. In 2000, Lift Off was joint winner of the George Devine Award, and in 2001 Clubland received the Evening Standard Award for Most Promising Playwright. In 2002, Williams received a best school drama BAFTA (British Academy of Film and Television Arts) for Offside (BBC), and in 2004 he won the first Arts Council Decibel Award, given to black or Asian artists in recognition of their contribution to the arts. His most recent play, Little Sweet Thing, was a 2005 co-production between Ipswich’s New Wolsey Theatre, Nottingham Playhouse, and Birmingham Rep. What follows is an edited transcript of Aleks Sierz’s ‘In Conversation with Roy Williams’, part of the ‘Other Voices’ symposium at Rose Bruford College, Sidcup, Kent, in May 2004, organized by Nesta Jones. Williams is a graduate and now a Fellow of the college.
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Fimprong, Vivian, and Emma Anastasi. "Africa calling." Dental Nursing 16, no. 5 (2020): 244–45. http://dx.doi.org/10.12968/denn.2020.16.5.244.

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Lee-Potter, Emma. "A huge impact on reading." SecEd 2019, no. 14 (2019): 36–37. http://dx.doi.org/10.12968/sece.2019.14.36.

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From reading challenges to awards and visits, Ros Harding – the School Librarian of the Year 2019 – has been recognised for the wide range of literacy initiatives she undertakes with students. Emma Lee-Potter finds out more
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Gilberg, Michael, and Terence Hines. "Male Entertainment Award Winners are Older than Female Winners." Psychological Reports 86, no. 1 (2000): 175–78. http://dx.doi.org/10.2466/pr0.2000.86.1.175.

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It has been said that in the entertainment industry after a certain age women have a harder time being as successful as men. Four analyses of the ages of male and female Oscar winners, Oscar nominees, Emmy winners, and Grammy winners over the past 25 years showed that in all four groups women were, on the average, younger than the men. Two interpretations of these differences are delineated.
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Saini, Angela. "Angela Saini: dispelling the myths of science past." Biochemist 42, no. 2 (2020): 46–48. http://dx.doi.org/10.1042/bio04202008.

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Angela Saini is a British science journalist and author. She presents radio and television programmes on the BBC, and her writing has appeared in The Guardian, The Sunday Times, Prospect, New Scientist, New Humanist and Wired among others. She has won a number of national and international journalism awards. She spoke to Emma Pettengale, Managing Editor of The Biochemist.
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Clithero, Emma. "My second family." Dental Nursing 15, no. 12 (2019): 612–13. http://dx.doi.org/10.12968/denn.2019.15.12.612.

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Dissertations / Theses on the topic "Emmy Awards"

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Silva, Bernardo José Gervásio Canelas da. "Emma colchão: how to grow in the Portuguese market?" Master's thesis, 2018. http://hdl.handle.net/10362/52271.

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Emma is a German mattress startup that is already present in 13 European countries, including Portugal since November 2017. This thesis is the result of a Directed Research Internship at Emma for five months. Currently, Emma Colchão sells online and the Emma mattress is a winning-award product in Portugal. The main purpose of this internship was to understand the profile of the Portuguese customer regarding the online purchase of a mattress and identify some strategic actions to boost Emma’s growth in Portugal. Analysis of secondary data helped to identify CONFIO as the best trust logo for the Portuguese ecommerce page and to conclude that Emma should not make a partnership with magazine X. Finally, primary data collected through a survey to the Portuguese community, with 116 valid responses, helped to derive useful insights about the Portuguese customer behavior in ecommerce. The general findings show that Emma should also “go offline” by partnering with reputable retailers to increase the customer’s reach. Moreover, it should take advantage of the winning-award to overcome the competition, increase sales and grow in Portugal.
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Books on the topic "Emmy Awards"

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The Emmys: The ultimate, unofficial guide to the battle of TV's best shows and greatest stars. Berkley Pub., 1998.

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The Emmys: Star wars, showdowns, and the supreme test of TV's best. Penguin Books, 1992.

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Tony, Grammy, Emmy, Country: A Broadway, television, and records awards reference. McFarland, 1986.

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Emmy Award winning nighttime television shows, 1948-2004. McFarland, 2006.

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Gelman, Morrie. The best in television: 50 years of Emmys. General Publ., 1998.

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Etten, David Van. Likely story! Alfred A. Knopf, 2010.

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Etten, David Van. Likely story. Alfred A. Knopf, 2008.

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Etten, David Van. Likely story: All that glitters. Alfred A. Knopf, 2008.

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Etten, David Van. Likely Story. Random House Children's Books, 2008.

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Etten, David Van. All That Glitters. Random House Children's Books, 2008.

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Book chapters on the topic "Emmy Awards"

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Dominy, Jordan J. "American Canons, Southern Fiction, and the Institution of Literary Prizes." In Southern Literature, Cold War Culture, and the Making of Modern America. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826404.003.0003.

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This chapter examines Robert Penn Warren’s All the King’s Men and Ralph Ellison’s Invisible Man in the context of their winning of the Pulitzer Prize and the National Book Award, respectively. While considering the authors’ resistance to reading overt political commentary in their work, favoring a moral reading instead, the chapter argues that their insistence dovetails with the purpose of such large, national literary prizes: to reward works that best demonstrate the values important to the nation. Therefore, literary prizes such as the Pulitzer and National Book Award, as well as other cultural prizes (such as the Grammys, Academy Awards, Tonys, and Emmys) reveal themselves in the context of the Cold War to be awards that reinforce and reward correct ideological perspectives in the guise of good, democratic art.
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Hollis, Catherine W. "“The World is My Country”: Emma Goldman among the Avant-Garde." In Virginia Woolf and Her Female Contemporaries. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781942954088.003.0003.

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This essay argues that Emma Goldman’s deportation from America in 1919, and subsequent loss of citizenship, illustrates by example the truth of Virginia Woolf’s feminist statement from Three Guineas: “as a woman, I have no country.” While Woolf’s Outsider is aware of her provisional citizenship, based on patriarchal institutions like marriage, Emma Goldman experiences the consequences of citizenship via marriage in her own life. This essay contextualizes Woolf’s statement against its source in Thomas Paine’s The Rights of Man, and Goldman’s own use of Paine. The difference between “the world is my country” and “my country is the world” represents the difference between an anarchist anti-state philosophy (Goldman) and a liberal nationalism (Woolf). Nevertheless, Woolf’s vision of an Outsider’s Society is lived out in the experiences of Goldman and of other modernist women who form communities outside patriarchial institutions and relationships.
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MacDonald, Scott. "Laura Poitras." In The Sublimity of Document. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190052126.003.0004.

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This is the first career interview with Academy Award–winner, Pulitzer Prize–winner, MacArthur Fellow Laura Poitras, whose shift from cooking to filmmaking brought her first into contact with the avant-garde filmmaking community in the Bay Area, and in particular, with Ernie Gehr; then into contact with Linda Goode Bryant, with whom she made Flag Wars (2003), an Emmy-winning documentary about ethnic collisions in a Columbus, Ohio, neighborhood. Her reaction to the American response to 9/11 instigated her celebrated post-9/11 trilogy of films: My Country, My Country (2006), which explores events during the election in Iraq after the fall of Saddam Hussein; The Oath (2010), a portrait of Abu Jandal, Osama bin Laden’s one-time bodyguard; and CITIZENFOUR (2014), where Poitras worked with Ed Snowden to reveal unconstitutional surveillance practices. Her feature about Julian Assange, Risk (2016), followed. In 2015, with Charlotte Cook and A. J. Schnack, she founded Field of Vision to provide independent documentary filmmakers with a platform for their work.
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"Stephen Gaghan’s writing career started quite promisingly, publishing a short story in The Iowa Review before he was even 26. He also impressed the writing staff of The Simpsons with a spec episode entitled “Family Wheel of Jeopardy,” as well as producer and talent agent Bernie Brillstein with a collection of Saturday Night Live sketches he’d written. But a career in television writing in the 1990s— including stints at New York Undercover, The Practice, American Gothic, and NYPD Blue (where he shared an Emmy for Outstanding Writing for a Drama Series)—soon gave way to screenwriting. His first produced film credit was Rules of Engagement (2000), which starred Samuel L. Jackson and Tommy Lee Jones, but he received much acclaim for his next film, Trafc (2000), which was based on the 1989 British miniseries Trafk. Trafc went on to win four Academy Awards, including a Best Adapted Screenplay Oscar for Gaghan. Around the same time as Trafc’s release, Gaghan revealed that he had himself been a longtime drug addict, finally getting clean in 1997. Subsequently, he made his feature directing debut with Abandon (2002) and was one of three credited writers on the historical drama The Alamo (2004). His next great triumph occurred in 2005 with the release of Syriana, a multi-character drama he wrote and directed that examined the danger of the world’s addiction to oil. The film earned Gaghan his second Academy Award nomination, this time for Best Original Screenplay, and George Clooney won the Oscar for Best Supporting Actor. More recently, he’s one of the writers (uncredited) on the 2013 big-budget sci-fi film After Earth, which stars Will Smith and his son Jaden. “I’m in the adult-serious ghetto,” Gaghan says about his niche in Hollywood. “That’s my pigeonhole. I made it, I dug it out, I climbed in the hole—it’s dark and airless. But I dug it, you know? And no other hole exists.”." In FilmCraft: Screenwriting. Routledge, 2013. http://dx.doi.org/10.4324/9780240824857-28.

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Conference papers on the topic "Emmy Awards"

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Peacock, David E., and Gongzhu Hu. "Analyzing Grammy, Emmy, and Academy Awards Data Using Regression and Maximum Information Coefficient." In 2013 IIAI International Conference on Advanced Applied Informatics (IIAIAAI). IEEE, 2013. http://dx.doi.org/10.1109/iiai-aai.2013.14.

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Ghandeharioun, Asma, Daniel McDuff, Mary Czerwinski, and Kael Rowan. "EMMA: An Emotion-Aware Wellbeing Chatbot." In 2019 8th International Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2019. http://dx.doi.org/10.1109/acii.2019.8925455.

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Rausch, Thomas, Stefan Nastic, and Schahram Dustdar. "EMMA: Distributed QoS-Aware MQTT Middleware for Edge Computing Applications." In 2018 IEEE International Conference on Cloud Engineering (IC2E). IEEE, 2018. http://dx.doi.org/10.1109/ic2e.2018.00043.

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