Relevant bibliographies by topics / Emotional architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Emotional architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Emotional architecture"

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Guo, Hong Liang. "Integrated Analysis of Emotional Factors in the Planning and Design of Architecture." Applied Mechanics and Materials 651-653 (September 2014): 1177–81. http://dx.doi.org/10.4028/www.scientific.net/amm.651-653.1177.

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In order to achieve the good integration of emotional factors into the links of design in the planning and design of architecture, obtain the enjoyment and pleasure of space and realize the communication between human and architecture through the revery, this paper analyses the emotional factors in the process of architecture planning and emotional interchange, which are mainly comprised of expression for the emotion of architecture design through the factors like architectural shape, shadow, color, material and lighting and enable the architecture to show more value in terms of culture and emotion.
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Shiller, Alexandra V., and Oleg E. Petrunya. "Architectural Approach to Design of Emotional Intelligent Systems." Russian Journal of Philosophical Sciences 64, no. 1 (2021): 102–15. http://dx.doi.org/10.30727/0235-1188-2021-64-1-102-115.

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Over the past decades, due to the course towards digitalization of all areas of life, interest in modeling and creating intelligent systems has increased significantly. However, there are now a stagnation in the industry, a lack of attention to analog and bionic approaches as alternatives to digital, numerous speculations on “neuro” issues for commercial and other purposes, and an increase in social and environmental risks. The article provides an overview of the development of artificial intelligence (AI) conceptions toward increasing the human likeness of machines: from the key ideas of A. Turing and J. von Neumann, who initiated the digitalization of society, to discussions about the definition of AI and the emergence of conceptions of strong and weak AI. Special attention is paid to the approach of A. Sloman, to ideas about the architecture and design of complex artificial systems are considered, which make it possible to “emotionally” expand the idea of weak/strong AI. In the article's section on the necessity and possibility of incorporating emotions into the architecture of AI, the authors reveal the goals and methodological limitations for creating an emotional artificial agent. In addition, the article briefly presents the main principles of the authors' architectural approach to the creation of emotional intellectual systems on the example of the cognitive-affective model of architecture, which allow modeling the impact of emotions on the cognitive processes involved in decision-making processes. The described architectural approach to modeling intelligent systems can be used as a conceptual basis for discussing and formulating a strategy for the development of neurocomputing, philosophy of artificial intelligence, and experimental philosophy, for developing innovative research programs, formulating and solving theoretical and methodological problems.
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Pérez Marco, Joaquín, Francisco José Serón Arbeloa, and Eva Cerezo Bagdasari. "Combining cognition and emotion in virtual agents." Kybernetes 46, no. 06 (2017): 933–46. http://dx.doi.org/10.1108/k-11-2016-0340.

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Purpose The paper aims to explain the limitations of existing cognitive architectures and affective models, and propose a new cognitive-affective architecture that can be integrated in real intelligent agents to make them more realistic and believable. Design/methodology/approach The paper evaluates the state of the art, and describes the design and implementation of the cognitive-affective architecture in an agent. A brief evaluation of the agent is provided. Findings The paper clearly states that it is possible to use cognitive architectures to help, but there is a lack of architectures that address the problem of combining cognition and emotion in agents in a unified, simplified way. A cognitive-affective architecture is useful to make believable intelligent agents in an easier way. Research limitations/implications The paper does not explore a lot of possible future work that can be done to extend the emotional expressions of the agent, as well as including direct emotional-sensing capabilities in real time. Practical implications The paper argues about the need to include cognitive-affective architectures in modern intelligent agents. The architecture allows to influence and modify the behavior of the agent in real time, to achieve a more realistic and believable interaction with the user. Social implications The paper remarks the importance of a cognitive-affective architecture that makes intelligent agents able to help the users in different tasks and environments. Originality/value The paper describes a new cognitive-affective architecture and its utility for modern intelligent agents. This is proven by including it in a previous agent, which boosts its behavior and emotional expression possibilities and thus improves user experience.
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Martins, Priscila Silva, Gedson Faria, and Jés de Jesus Fiais Cerqueira. "I2E: A Cognitive Architecture Based on Emotions for Assistive Robotics Applications." Electronics 9, no. 10 (2020): 1590. http://dx.doi.org/10.3390/electronics9101590.

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Emotions and personality play an essential role in human behavior, their considerations, and decision-making. Humans infer emotions from several modals, merging them all. They are an interface between a subject’s internal and external means. This paper presents the design, implementation, and tests of the Inference of an Emotional State (I2E): a cognitive architecture based on emotions for assistive robotics applications, which uses, as inputs, emotions recognized previously by four affective modals who inferred the emotional state to an assistive robot. Unlike solutions that classify emotions, with a single sign, the architecture proposed in this article will merge four sources of information about emotions into one. For this inference to be closer to a human being, a Fuzzy System Mamdani was used to infer the user’s personalities, and a MultiLayer Perceptron (MLP) was used to infer the robot’s personality. The hypothesis tested in this work was based on the Mehrabian studies and in addition to three experts in psychologists. The I2E architecture proved to be quite efficient for identifying an emotion with various types of input.
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Talanov, Max, and Alexander Toschev. "Computational Emotional Thinking and Virtual Neurotransmitters." International Journal of Synthetic Emotions 5, no. 1 (2014): 1–8. http://dx.doi.org/10.4018/ijse.2014010101.

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Turing genius anticipated current research in AI field for 65 years and stated that idea of intelligent machines “cannot be wholly ignored, because the idea of 'intelligence' is itself emotional rather than mathematical” (Turing, 1948). The authors' work is dedicated to construction or synthesis of computational emotional thinking. The authors used 3 bases for their work: AI - six thinking levels model described in book “The emotion machine” (Minsky, 2007). Evolutionary psychology model of emotions that is called “Wheel of emotions” (Plutchik, 2001), the authors used as subjective perception model. Neuroscience (neurotransmission) theory of emotions by Lovheim “Cube of emotions” (Lovheim, 2012) was used as objective brain emotional response model. Based on neurotransmitters impact the authors propose to model emotional computing systems. Overall presented work is synthesis of several emotional/affective theories to produce a model of emotions and affective mechanisms that fit model of six thinking levels architecture.
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Samsonovich, Alexei V. "Emotional biologically inspired cognitive architecture." Biologically Inspired Cognitive Architectures 6 (October 2013): 109–25. http://dx.doi.org/10.1016/j.bica.2013.07.009.

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Camurri, A., and A. Coglio. "An architecture for emotional agents." IEEE Multimedia 5, no. 4 (1998): 24–33. http://dx.doi.org/10.1109/93.735866.

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Cartwright, William. "Emotion maps." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-38-2019.

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<p><strong>Abstract.</strong> My perspective of Emotion Maps is not maps of emotions or the emotions evoked by spaces mapped or by mapping emotions evoked through the process of moving through a space. But – it is what we experience as ‘emotional uplifting’, when we view a cartographic artefact, whereby we elevate that artefact from a tool to communicate about geography to a piece of art. This is based on the premise of ‘Emotional Architecture’ proposed by by Mathias Goéritz in 1953 to describe an architecture elevated to art for the purpose of inspiring emotion (Loiseau, 2017). This led me to thinking about whether there are any maps that also inspire emotion.</p><p> As rightly noted by a reviewer of this contribution (and thank you to reviewers for considering this paper and your welcomed reviews), what I am probably addressing is ‘aesthetic pleasure’. However, in order to ‘fit’ with Goéritz’s Emotional Architecture concept, I have stayed with my original title. </p><p>As my research background is not in the area of Art and Cartography, I acknowledge that here I tread on dangerous ground. The reason for undertaking this research was to ascertain whether certain cartographic products may, when viewed, inspire viewers and uplift their emotions. This proposition needed to be tested by assessing a selection of cartographic artefacts against one Art theory. The theory papers from the era that was applied is Warehouse Theory.</p>
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Petruseva, Silvana. "Emotion Learning: Solving a Shortest Path Problem in an Arbitrary Deterministic Environment in Linear Time with an Emotional Agent." International Journal of Applied Mathematics and Computer Science 18, no. 3 (2008): 409–21. http://dx.doi.org/10.2478/v10006-008-0037-4.

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Emotion Learning: Solving a Shortest Path Problem in an Arbitrary Deterministic Environment in Linear Time with an Emotional AgentThe paper presents an algorithm which solves the shortest path problem in an arbitrary deterministic environment withnstates with an emotional agent in linear time. The algorithm originates from an algorithm which in exponential time solves the same problem, and the agent architecture used for solving the problem is an NN-CAA architecture (neural network crossbar adaptive array). By implementing emotion learning, the linear time algorithm is obtained and the agent architecture is modified. The complexity of the algorithm without operations for initiation in general does not depend on the number of statesn, but only on the length of the shortest path. Depending on the position of the goal state, the complexity can be at mostO (n).It can be concluded that the choice of the function which evaluates the emotional state of the agent plays a decisive role in solving the problem efficiently. That function should give as detailed information as possible about the consequences of the agent's actions, starting even from the initial state. In this way the function implements properties of human emotions.
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Scherer, Klaus R. "Emotions are emergent processes: they require a dynamic computational architecture." Philosophical Transactions of the Royal Society B: Biological Sciences 364, no. 1535 (2009): 3459–74. http://dx.doi.org/10.1098/rstb.2009.0141.

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Emotion is a cultural and psychobiological adaptation mechanism which allows each individual to react flexibly and dynamically to environmental contingencies. From this claim flows a description of the elements theoretically needed to construct a virtual agent with the ability to display human-like emotions and to respond appropriately to human emotional expression. This article offers a brief survey of the desirable features of emotion theories that make them ideal blueprints for agent models. In particular, the component process model of emotion is described, a theory which postulates emotion-antecedent appraisal on different levels of processing that drive response system patterning predictions. In conclusion, investing seriously in emergent computational modelling of emotion using a nonlinear dynamic systems approach is suggested.
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Dissertations / Theses on the topic "Emotional architecture"

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Lambert, Yaminah Nzinga Lashanta. "Emotional Resonance and Transference in Architecture." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/74953.

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This thesis examines the notion of unseen factors that a user leaves behind once departing from a space. When properly engaged, an inhabitant forms an emotional attachment to a space. This attachment can be felt by later occupants as an experiential, phenomenological quality that cannot be removed from the space. This thesis asks questions such as: Which spaces lend themselves to what emotions? How does the architect compel a user to feel positive emotional attachment to a space? How does a building react to user changes over time? Can a building give off a "vibe" as an inanimate object? This thesis aims to investigate the following thesis statement: "What happens to the emotions in a building after its users leave?"
Master of Architecture
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Yau, Chi-Yung. "A biologically inspired neural architecture for emotional robots." Thesis, University of Sunderland, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529272.

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Crespo, Uribe Carolina. "Sculpting the emotional (magic) space." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5861.

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I create spaces, that are presented as sets (scenographies), by working with storytelling, colour, geometry and transitions. By exploring tangible and abstract elements, I compose different atmospheres. Atmosphere is the central aesthetic category in my work, and creating an emotional experience through space is my intention. The spaces are inspired by a magic realist novel. I transpose the text into images, to then sculpt spaces with geometry, colour and light. I write new stories and descriptions about these spaces as I imagine the atmospheres to be experienced. Transitions are fundamental to my project: the transition of Latin-American references within magic realism and emotional architecture, to my own context at this moment in Sweden; the transition from text to space (and vice versa); and the transitions between spaces in my composition. These are my apparatuses in sculpting the emotional and magic space.

The full thesis contains copyrighted material which has been removed in the published version.

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Lin, Yi-hsuan. "Human Emotional Responses to Visual Aspects of Water Features." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1396351739.

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Madani, Nejad Kayvan. "Curvilinearity in architecture: emotional effect of curvilinear forms in interior design." Texas A&M University, 2003. http://hdl.handle.net/1969.1/5750.

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People are becoming more aware of the relationships between the built environment and their physical and psychological well-being. This has encouraged numerous studies in the field of environment and behavior, and effects of architecture, urban design and architectural form on human response. In the realm of architectural form, some professionals, from "signature" architects to environmental and organic designers, are strong advocates of free-flowing curvilinear forms. They assume that the use of curvilinear forms is sympathetic to the body, mind and spirit, although there is little empirical research to confirm this claim. There is also little research on the topic of signature / star architects and their design methods. The purpose of this multi-method study was to investigate the emotional effects of curvilinear forms in interior architectural settings. The research involved qualitative and quantitative methodologies. In the qualitative phase, twelve signature architects, known for their use of curvilinear forms, were interviewed to examine the reasons and processes by which they applied curvature in their work. They were also asked to talk about their design process. In the quantitative phase, two modified interior residential views were ranked on their emotional load by 230 non-architect and 75 architect students in card-sorting tasks. In each view, architectural forms gradually changed from fully rectilinear to fully curvilinear. The data from both phases of the research was analyzed. The dissertation concludes by discussing (a) factors that separate signature architects from others (b) how signature architects design (c) how and why designers utilize curvature in the built environment, and (d) different emotional responses of designers and non-designers in response to curvature in architectural settings. In general, quantitative data indicates that non-architects show significant positive response to curvilinear architectural forms. Nonarchitects found curvilinear forms to be pleasant, elevating and reducing stress. The strongest relationship was recorded between curvature and feminine qualities of architectural space, which was shared by both architects and non-architects.
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Morris, Robert (Robert Randall). "Crowdsourcing mental health and emotional well-being." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/97972.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2015.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 158-170).
More than 30 million adults in the United States suffer from depression. Many more meet the diagnostic criteria for an anxiety disorder. Psychotherapies like cognitive-behavioral therapy can be effective for conditions such as anxiety and depression, but the demand for these treatments exceeds the resources available. To reach the widest possible audience, mental health interventions need to be inexpensive, anonymous, always available, and, ideally, delivered in a way that delights and engages the user. Towards this end, I present Panoply, an online intervention that administers emotion- regulatory support anytime, anywhere. In lieu of direct clinician oversight, Panoply coordinates support from crowd workers and unpaid volunteers, all of whom are trained on demand, as needed. Panoply incorporates recent advances in crowdsourcing and human computation to ensure that feedback is timely and vetted for quality. The therapeutic approach behind this system is inspired by research from the fields of emotion regulation, cognitive neuroscience, and clinical psychology, and hinges primarily on the concept of cognitive reappraisal. Crowds are recruited to help users think more flexibly and objectively about stressful events. A three-week randomized controlled trial with 166 participants compared Panoply to an active control task (online expressive writing). Panoply conferred greater or equal benefits for nearly every therapeutic outcome measure. Statistically significant differences between the treatment and control groups were strongest when baseline depression and reappraisal scores were factored into the analyses. Panoply also significantly outperformed the control task on all measures of engagement (with large effect sizes observed for both behavioral and self-report measures). This dissertation offers a novel approach to computer-based psychotherapy, one that is optimized for accessibility, engagement and therapeutic efficacy.
by Robert R. Morris.
Ph. D.
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Mathews, Vinay A. "The Correlative Relationship Between Music and Architecture." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337289151.

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Wang, Qin. "Emotional Architecture for Everyday Life. Architectural Design for Senior Living Oriented by the Psychological Pattern of Elderly People." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398150.

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Facing the challenges to address complex issues associated with global environmental change and population ageing in the 21th century, architecture design in the developed or developing regions and countries all needs to play a role as a cost-effective tool for sustainable development of our human society rather than a creation only for the sake of art or consumption. This means a substantive ideological change to assess the essential value of architecture according to its long-term impact on people’s health and well-being instead of its metaphysical beauty, and more urgently, calls for some effective and efficient approach for architectural research and practice to integrate all the ethical, aesthetic, environmental, technological and economic considerations into an appropriate architectural model. Beyond an intuitive assumption that the design of built environment affects people’s Health and well-being, and can have long-term implications for the quality of life, this research tends to provide an evidence-based theoretical and methodological orientation to entail architecture with such positive effects, and hence started from a hypothesis that positive emotional effect is the key linkage to correlate aesthetic experience in and of architecture to human subjective well-being (SWB), which is a predominant indicator for measuring general well-being. Accordingly, emotional architecture for everyday life was coined as a special term in this research to represent such an architectural model that functions as a motivation generator for increasing positive human-environment interactions as well as an affective environment for enriching and regulating human emotional state on a basis of daily life. An interdisciplinary framework involving the research fields of environmental aesthetics, positive psychology and emotional design was formulated as theoretical foundation to direct this research. This qualitative research has combined two research strategies of bibliographical review and field study in order to capture the pluralistic qualities of this research in relation to the multiple disciplines of psychology and neuroscience, social science, gerontology, and the professional areas of elderly care and care facility development. Seven research methods including close and extensive reading, access to official documents and statistics, field study notes and photography, semi-structured interviews, participant and non-participant observations have been used for data collection; and narrative, descriptive and interpretative analysis have been respectively employed regarding each research objective. Such a mixed method approach was considered to accumulate diversified research materials and perspectives as much as possible. The theoretical research to identify the general concept and methodological model of emotional architecture for everyday life and the applied research to test its applicability in the specific domain of architecture design for senior living have been conducted and sequentially presented as Part I (Chapter 1 & 2) and Part II (Chapter 3, 4 & 5) in this thesis. In Chapter 1, the related philosophical and psychological theories about the role and functioning mechanism of emotions in influencing people’s perception, motivation and behavior for formulating ethical ideology, aesthetic appreciation, environmental interaction and subjective well-being have been reviewed and taken as evidence to study why and how emotional design approach is possible to comply user experience of a product or environment with user’s long-term well-being. Chapter 2 shows a filtering process to discern the exemplary qualities and design mechanism of emotional architecture for everyday life from the previous architectural design theories and practices by synthesizing the multidisciplinary knowledgereviewed in Chapter 1. Chapter 3 interprets the main influential factors that affirm or oppress design quality and efficacy of senior living architecture in a global context. Chapter 4 explores the essential spatial implications responsive to elderly’s psychological needs for everyday life through a series of field studies in a selected public care facility in Barcelona. Chapter 5 presents case studies on four selected architectural projects for senior living in order to generalize the applicable design methods for positive emotional effects. An inherent difference in aspect of the cognitive process for aesthetic appreciation has been found among artists, design professionals and non-professional users/appreciators, which implies an empathetic thinking with the users and/or occupants of architecture is necessary for architectural designers to filter the effective emotional stimuli and design approach for positive emotional effects in the design process. A general distance between the actual efficacy of senior living architecture and its socio-political target of promoting social and individual well-being has been detected to emerge because that (1) an inherited mind-set of relying on social manifestation and engineering measures has resulted in a bureaucratic formula of architecture design to apply the standardized configurations and technologies; and /or, (2) aesthetic design associated with traditional formal and stylistic aesthetics of architecture does not respond to a user-centered design thinking and evidence-based design methodology at psychological level. With regard to achieving the substantive quality of senior living architecture in an aged society as being perceived as safe, healthy, appealing and healing environment for all ages, technical design measures for compensating physical/mental frailty and disabilities need be fused into a humane backdrop rather than being highlighted as indifferent devices. Hence, a methodological model for designing emotional architecture for everyday life and a working model of emotional architecture design for senior living have been established and associated as a practical approach to enhance reciprocal improvement of architectural research and practice with an inclusive vision of human health and well-being. The overarching conclusion of this research has been that strong potential of architecture design to comply with the socio-political paradigm for general welfare goal lies in an integration of reality-based and future-oriented aesthetic philosophy of everyday life, scientific understanding of multidisciplinary knowledge on human factors, and the application of emotional design approach to adapt various targeted users, and existing cultural/natural context and economic/technical conditions.
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Baillie, Penny. "The synthesis of emotions in artificial intelligences: an affective agent architecture for intuitive reasoning in artificial intelligences." University of Southern Queensland, Faculty of Business, 2002. http://eprints.usq.edu.au/archive/00001408/.

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[Abstract]: This dissertation addresses several highly-critical issues in affective computing and agent architecture design including knowledge representation, motivation, emotion appraisal and affective decision making. The approach presented integrates motivational drives, goals and associated behaviours via a multi-dimensional Affective Space. The research focuses on an emotionally motivated artificial intelligence (EMAI) architecture. This architecture dispenses with the ideas implemented in contemporary affective agent architectures where individual emotional states are modelled as individual variables, integrated and processed using complex algorithms. Contemporary approaches required significant programming effort to modify them for domains outside their realm, integration of new emotional states and high-level complex affective decision making. Unlike contemporary affective agent architectures, the EMAI architecture reasons using a multi-dimensional decision making process where emotional states are modelled as coexisting locations in a six-dimensional affective continuum called the Affective Space. Through use of the Affective Space, an EMAI agent can predict the effect that certain behaviours will have on its emotional state and in turn decide how to behave. Furthermore, the agent can use the emotions produced from its behaviour to update its beliefs about particular events and entities. The nature of the Affective Space also allows an EMAI agent to deal with processes related to emotion synthesis in a more effective manner than contemporary architectures. These processes include the natural diminishing of an emotional state's strength over time, the way in which emotions can influence an agent's perspective of a situation and the way in which an agent can migrate from one emotional state to another. This dissertation contributes crucial and unique concepts and formalisations of emotion based intelligence for agent construction to the domain of Artificial Intelligence (in particular Affective Computing). It introduces a unique process for emotionally motivated decision making based on holistic and atomic appraisals made with respect to events. The thesis contained within has been supported through experimentation that has confirmed the effectiveness of the emotion synthesis technique in the EMAI architecture and how this is used to produce intelligent agents capable of emotional reasoning and decision making.
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Chen, Ting. "Contemporary elderly housing in China and Europe : architecture refurbishing and emotional design." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667812.

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This thesis is written under the background of Chinese society. Architecture always develops with adaption to the desires of society. Design is a way to satisfy these social desires. Currently, China is suffering from the aging problems, both of growing aging population and living space quality. Aging problems are calling for more life supports and cares in living space, ensuring the elderly to have a better and healthier life. In addition, China is experiencing big revolutions of architecture. Architecture design is changing the focus from economic factors to humanistic-concerns. Contemporary space is not only a physical object to use, but also a place to experience. In contemporary elderly housing, apart from physical care, emotional care is expected to provide places where the elderly could live safely and happily. Based on series studies of Chinese social situations and problems, this thesis tries to put forward refurbishing and emotional design as new development directions for Chinese contemporary elderly housing adapted to Chinese society. Comparative methodology is applied between Europe and China. European experiences of emotional design in elderly housing refurbishing are studied in both theoretical and practical fields. In the study process, phenomenology are applied as a philosophical way to analyze the relations among human’s perception, emotion and space and to find the nature and meanings of architecture spaces, providing evidence to show the importance of emotional design for the Chinese elderly as well as the society. Emotional design theories of Norman are analyzed to find how to make effective involvements from different levels between objects and human’s emotions, providing basic methodology for emotional design in elderly housing. Apart from these basic studies, specific researches on methodology of emotional design in Chinese contemporary elderly housing refurbishing are realized. Heidegger’s thoughts are analyzed to find the core emotional requirements of living space. Living space originates from human’s desire of dwelling. It is a place that presents the own identities of a community, a place where the elderly could feel safe and free. Based on this concept, Norman’s emotional design approach is applied in architecture field as a guiding methodology to investigate all the possible ways to create effective interactions between the elderly’s emotion and architecture. Corresponding to three emotional involvement levels of visceral, behavior and reflective, architecture could make emotional affect from appearance, functions, and reflections of culture, art and personal value. Related European cases are studied from these three aspects to find the possible ways to realize emotional design in elderly housing, which could provide suggestions to Chinese contemporary elderly housing refurbishing. For Chinese cases, inheriting Chinese cultural identities is particularly discussed. Chinese culture affects a lot Chinese life styles, their perceptions and understanding of the reality. Inheritage of culture generates great and positive emotional resonance for the Chinese elderly. Emotional design and refurbishment in Chinese contemporary elderly housing should be realized with respect to the culture identities. By analyzing the essence of Chinese culture and contemporary architecture cases of Wang Shu, this thesis is trying to find architectural ways to inherit, develop and integrate the essence of Chinese culture in our present time.
La tesis está escrita bajo la sociedad china. La arquitectura siempre se desarrolla adaptada a los deseos de la sociedad. El diseño es una forma de expresar y satisfacer los deseos sociales. Hoy en día, China está sufriendo problemas de envejecimiento, tanto por la población como por las cualidades del espacio. Los problemas de envejecimiento exigen más apoyo y cuidados en el espacio vital, lo que garantiza que los ancianos tengan una vida mejor y más saludable. Además, China está pasando grandes revoluciones en su arquitectura. El enfoque arquitectónico ha cambiado pasando de los factores económicos a las preocupaciones humanísticas. El espacio contemporáneo no es solo un objeto físico para usar, sino también un lugar para sentir. Además de los cuidados físicos, la gente mayor está esperando un espacio con más cuidados emocionales donde puedan vivir segura y feliz. Basada en los estudios de problemas y situaciones sociales de China, esta tesis intenta presentar el diseño emocional y rehabilitación como nuevas direcciones de desarrollar las viviendas contemporáneas para gente mayor adaptadas a la sociedad china. Se aplica una metodología comparativa entre Europa y China. Las experiencias europeas de diseño emocional en la rehabilitación de viviendas para gente mayor se estudian tanto en teórica como prácticamente. En este proceso, se aplica la fenomenología como forma de filosofía para analizar las relaciones entre la percepción humana, la emoción y el espacio, así como también para descubrir la naturaleza y el significado de ese espacio, ofreciendo evidencia para mostrar la importancia del diseño emocional para la gente mayor, así como para la sociedad china. Con objeto de investigar la interacción entre los objetos y las emociones humanas, se analice principalmente a las teorías sobre diseño emocional de Donald Norman; se implementa así una metodología básica aplicable al diseño emocional de las viviendas para gente mayor. A partir de estos estudios básicos, se realiza unas investigaciones específicas sobre la metodología del diseño emocional en la rehabilitación de viviendas contemporáneas para gente mayor en China. A partir de los análisis del pensamiento de Heidegger, encontramos cuáles son los requisitos emocionales básicos del espacio vital. El espacio vital se origina en el deseo humano de alojar. Es un lugar que presenta las identidades propias de una comunidad, donde los ancianos pueden sentirse seguros y libres. Basada en este concepto, la idea de Norman se aplica al campo arquitectónico como una metodología de guía para investigar todas las maneras posibles de crear interacciones efectivas entre la arquitectura y la emoción de la gente mayor. Correspondiendo a tres niveles de visceral, conductivo y reflexivo, la arquitectura generará efectos emocionales desde su apariencia, funciones y sus reflejos de la cultura, el arte y los propios valores personales. Los ejemplos europeos relacionados se estudian a partir de estos tres aspectos para encontrar posibles métodos de realización de diseños emocionales en viviendas para gente mayor, lo que podría ofrecer sugerencias para China. En el estudio de los casos chinos, se considerará especialmente la incidencia de la tradición cultural de China. La cultura china afecta los estilos de vida y su forma especifica de percepción y comprensión de la realidad. La correcta utilización e integración de las alusiones a la cultura tradicional en el diseño contemporáneo generará grandes y positivas respuestas emocionales en los ancianos chinos. El diseño emocional y la rehabilitación en viviendas contemporáneas para gente mayor deben realizarse con respecto a las identidades culturales. Con los análisis de la esencia de la cultura china y la arquitectura de WangShu, intenta encontrar formas y metodologías arquitectónicas capaces de integra y desarrollar la esencia de la cultura tradicional china en la época contemporánea.
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Books on the topic "Emotional architecture"

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Push me, pull you: Imaginative and emotional interaction in late medieval and Renaissance art. Brill, 2011.

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Großmann, Till, and Philipp Nielsen, eds. Architecture, Democracy, and Emotions. Routledge, 2018. http://dx.doi.org/10.4324/9781351124607.

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Architektur: Form und Emotion = Architecture : form and emotion. Karl Krämer Verlag, 2014.

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Fukuda, Shuichi. Emotional Engineering vol. 2. Springer London, 2013.

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Adalbert, Locher, ed. Nomadic architecture: Human practicality serves human emotion : exhibition design. Lars Müller, 1998.

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Portela, César. La emoción en la arquitectura =: The emotion in architecture. Círculo de Bellas Artes, 2006.

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Farruco, ed. César Portela: La emoción en la arquitectura = the emotion in architecture. Círculo de Bellas Artes, 2006.

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Robinson, Sarah, Juhani Pallasmaa, and Matteo Zambelli, eds. La mente in architettura. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-286-7.

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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other.
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Manuel Vicente: Trama e emoção = plot and emotion. Atalho, Laboratório de Urbanismo e Arquitectura, 2011.

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Harwood, Barbara Bannon. The healing house: How living in the right house can heal you spiritually, emotionally, and physically. Hay House, 1997.

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Book chapters on the topic "Emotional architecture"

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Ramos, Félix F., Luis Razo, Alma V. Martinez, Fabiel Zúñiga, and Hugo I. Piza. "3D Emotional Agent Architecture." In Innovative Internet Community Systems. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11749776_16.

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Imbert, Ricardo, and Angélica de Antonio. "An Emotional Architecture for Virtual Characters." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11590361_7.

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Wahl-Jorgensen, Karin. "The Emotional Architecture of Social Media." In A Networked Self and Platforms, Stories, Connections. Routledge, 2018. http://dx.doi.org/10.4324/9781315193434-6.

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Larue, Othalia, Pierre Poirier, and Roger Nkambou. "Emotional Emergence in a Symbolic Dynamical Architecture." In Biologically Inspired Cognitive Architectures 2012. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-34274-5_36.

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Farahi, Behnaz. "Emotional Intelligence: Affective Computing in Architecture and Design." In Architectural Intelligence. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6568-7_15.

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Gönlügür, Emre. "Consumer democracy and the emotional investment in modern architecture in postwar Turkey." In Architecture, Democracy, and Emotions. Routledge, 2018. http://dx.doi.org/10.4324/9781351124607-4.

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Sales, Rainier, Esteban Clua, Daniel de Oliveira, and Aline Paes. "An Artificial Emotional Agent-Based Architecture for Games Simulation." In Entertainment Computing – ICEC 2013. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41106-9_20.

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Heudin, Jean-Claude. "An Emotional Multi-personality Architecture for Intelligent Conversational Agents." In Transactions on Computational Collective Intelligence XXVIII. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78301-7_7.

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Fix, Julia, and Daniel Moldt. "A Reference Architecture for Modelling of Emotional Agent Systems." In Multiagent System Technologies. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-04143-3_18.

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G., John, N. Fragopanagos, Roddy Cowie, E. Douglas-Cowie, Stavroula-Evita Fotinea, and Stefanos Kollias. "An Emotional Recognition Architecture Based on Human Brain Structure." In Artificial Neural Networks and Neural Information Processing — ICANN/ICONIP 2003. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/3-540-44989-2_135.

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Conference papers on the topic "Emotional architecture"

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Esau, Natascha, Lisa Kleinjohann, and Bernd Kleinjohann. "Emotional Competence in Human-Robot Communication." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49409.

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Since emotional competence is an important factor in human communication, it will certainly also improve communication between humans and robots or other machines. Emotional competence is defined by the aspects emotion recognition, emotion representation, emotion regulation and emotional behavior. In this paper we present how these aspects are intergrated into the architecture of the robot head MEXI. MEXI is able to recognize emotions from facial expressions and prosody of natural speech and represents its internal state made up of emotions and drives by according facial expressions, head movements and speech utterances. For its emotions and drives internal and external regulation mechanisms are realized. Furthermore, this internal state and its perceptions, including the emotions recognized at its human counterpart, are used by MEXI to control its actions. Thereby MEXI can react adequately in an emotional communication.
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Higuera Trujillo, Juan Luis, Javier Marín Morales, Juan Carlos Rojas, and Juan López Tarruella Maldonado. "Emotional maps: neuro architecture and design applications." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3170.

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Neurophysiological measurements have increased in Design and Architecture to emotionally assess products. Objective understanding of emotion states brings an enormous opportunity to explain how environments aspects affects persons. New methodology must be developed for a successfully approach between Neuroscience and design areas, in order to build this recent synergy. This paper contribute to profound concept of Emotional Maps (EM), which is a challenge for two reasons: the characterization of emotional states and the uncertain relation with maps illustrations. In order to create an EM, Heart Rate Variability (HRV) was used to detect certain emotional states and Virtual Reality (VR) to generate an environment condition. The study was conducted by VR environment displayed in Head-mounted Display Oculus DK2. Twelve persons participated in data acquisition by two tools: during environment exploration, a portable physiological device (Empatica E4) recorded HRV signal; and at the end of study, a Likert scale questionnaire collected emotional impressions. HRV signal was analyze in time-frequency to detect activation or relax levels. The statistics results prove that design guidelines used in environments evoked the stressful state sought, and that the physiological measure used are appropriate to be represented. The final result shows the possibility to mapping emotional states. This novel technique allows to quantify objectively a subjective experience and locate in specific place when occurs. Our technique supposes a contribution toward emotional states measurements applied to design and architecture.DOI: http://dx.doi.org/10.4995/IFDP.2016.3170
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Hu, Jun, and Chun Guan. "An Architecture for Emotional Agent." In 2006 International Conference on Computational Intelligence and Security. IEEE, 2006. http://dx.doi.org/10.1109/iccias.2006.294181.

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Blanchi, Yann, Corinne Touati, and Elizabeth Mortamais. "Adaptive architecture, an implementation with game theory. Emotional input and pneumatically driven actuator." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0034.

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In the active context of adaptive architecture, this proposal tackles the field of Human Building Interaction. Indeed, material would no longer be inert but activated by the users, programmable and equipped with memory. The information chain penetrating each component of the house forms a field of globalities. On the one hand, in line with the under development of smart materials, giving intelligence to previously passive materials, we consider the pneumatically driven actuator material as soft robot and programmable and on the other hand, we implement swarm communications with means of innovative IT elements. Since the elements of the smart material are interdependent, we consider a novel approach of modeling their interactions, using tools from the vast field of game theory. The digital information travels gradually through the physical material. In a technical point of view, first, we expect that a pneumatic cells network could be considered as a Human Building Interaction. HBI could operate using both remote and haptic information, one constituted by emotional records, the other reacting to the physical contact. We focus on the emotional implementation and the haptic inputs, within a pneumatic cells network actuator. We considered both, inhabitant emotion and kinesthetic communication as inputs and we implemented pneumatically driven actuators. The pneumatic cells network is used as a soft changing interface, a dynamic architecture that links the building with the inhabitants, an architectural apparatus that supports an active process in a changing way. A program that can be described as a multi-player game addresses the pneumatic cells network.
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Kang, Sangseung, Jaehong Kim, and Joochan Sohn. "Actuation architecture for emotional robotic applications." In the 2009 International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1644993.1645014.

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Zhang, Ruimin, Jaclyn Barnes, Joseph Ryan, Myounghoon Jeon, Chung Hyuk Park, and Ayanna M. Howard. "Musical Robots For Children With ASD Using A Client-Server Architecture." In The 22nd International Conference on Auditory Display. The International Community for Auditory Display, 2016. http://dx.doi.org/10.21785/icad2016.007.

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People with Autistic Spectrum Disorders (ASD) are known to have difficulty recognizing and expressing emotions, which affects their social integration. Leveraging the recent advances in interactive robot and music therapy approaches, and integrating both, we have designed musical robots that can facilitate social and emotional interactions of children with ASD. Robots communicate with children with ASD while detecting their emotional states and physical activities and then, make real-time sonification based on the interaction data. Given that we envision the use of multiple robots with children, we have adopted a client-server architecture. Each robot and sensing device plays a role as a terminal, while the sonification server processes all the data and generates harmonized sonification. After describing our goals for the use of sonification, we detail the system architecture and on-going research scenarios. We believe that the present paper offers a new perspective on the sonification application for assistive technologies.
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Talanov, Max, Jordi Vallverdu, Salvatore Distefano, Manuel Mazzara, and Radhakrishnan Delhibabu. "Neuromodulating Cognitive Architecture: Towards Biomimetic Emotional AI." In 2015 IEEE 29th International Conference on Advanced Information Networking and Applications (AINA). IEEE, 2015. http://dx.doi.org/10.1109/aina.2015.240.

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Pereira, David, Eugnio Oliveira, Nelma Moreira, and Lus Sarmento. "Towards an Architecture for Emotional BDI Agents." In 2005 Purtuguese Conference on Artificial Intelligence. IEEE, 2005. http://dx.doi.org/10.1109/epia.2005.341262.

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Chown, Eric, Randolph M. Jones, and Amy E. Henninger. "An architecture for emotional decision-making agents." In the first international joint conference. ACM Press, 2002. http://dx.doi.org/10.1145/544741.544824.

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Frances Dias, Sarah, and Maria João Durão. "Architecture and Art: La Ronchamp’s symbiosis as a ‘total work of art’." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.612.

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Abstract: Le Corbusier developed his own unique poetics of architecture, perceived and understood as an art. In La Ronchamp, due to his complete creative freedom, he found a space to express his most poetic and artistic views. The research paper thus analysis the Chapel as a case study, in order to clarify Corbusier’s artistic and architectural vision, ideals and driving principles: drawing firstly from the architectural characteristics that define the space, secondly defining an integrated set of principles that conceptualize the architecture as an art, and lastly, an analysis of the particularities that compose the chapel as a ‘total work of art’, analyzing the union of the arts, both in concept, form and meaning, and in the overall context of Corbusier’s unqiue theory. Thus, the research paper aims to understand and uncover how the poetics and emotional condition lives through Ronchamp: the meaning it encases, the artistic values is sustains and the timeless ways it recreates. The overall study has both practical and theoretical applications and implications for architects and artists with an interest in the integration of art and architecture, as well as the conceptual connections between the arts; a vital issue in the contemporary world for the definition of a more meaningful and sustainable environment. Keywords: Art, Architecture, Le Corbusier, Principles, Poetry, Emotion. DOI: http://dx.doi.org/10.4995/LC2015.2015.612
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