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Books on the topic 'Emotional tension'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

author, Cushman Tom, ed. Riding the passionate edge: Converting tension into emotional intimacy. Langdon Street Press, 2014.

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2

Illeris, Knud. The three dimensions of learning: Contemporary learning theory in the tension field between the cognitive, the emotional and the social. Roskilde University Press, 2002.

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3

McBride, Kristina. Tension of Opposites. Farshore, 2010.

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McBride, Kristina. Tension of Opposites. Lerner Publishing Group, 2010.

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5

McBride, Kristina. Tension of Opposites. Lerner Publishing Group, 2010.

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McBride, Kristina. Tension of Opposites. Lerner Publishing Group, 2016.

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7

McBride, Kristina. Tension of Opposites. Lerner Publishing Group, 2015.

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8

Taylor, Livia. Mind massage: How to release emotional & physical tension. 2017.

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9

Cushman, Mary, and Tom Cushman. Riding the Passionate Edge: Converting Tension into Emotional Intimacy. Bennetts Cove Books, 2014.

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10

Peterson, Douglas Alvin. Sustained muscle-contraction and emotional imagery in the assessment of chronic headache. 1995.

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11

Sigma Theta Tau International Staff and Sylvia McKnight. De-Escalating Violence in Healthcare: Strategies to Reduce Emotional Tension and Aggression. Sigma Theta Tau International, 2019.

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12

Tillberry, Fred. Attract Your Love : the Comprehensive Dating Manual for Single Women Over 40: Positive Emotional Tension. Independently Published, 2021.

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13

Dr. Susan Lark's anxiety & stress self help book: Effective solutions for nervous tension, emotional distress, anxiety, and panic. Celestial Arts, 1996.

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14

Three Dimensions of Learning: Contemporary Learning Theory in the Tension Field Between the Cognitive, the Emotional and the Social. Krieger Publishing Company, 2004.

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15

Corrigan, John. Religion and Emotions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038051.003.0008.

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This chapter is an overview of emotions history in the context of religious studies. It remarks on several kinds of inquiry—including those having to do with popular and official religion; embodiment and objectification; words, knowledge, and feelings; religious meaning; and prospects. As intellectual history of a certain sort, the nearness of emotion to religion in the historical study of ethical thought models the ongoing influence of Christian language and the assumptions of emotional universality that are inscribed on that language. The ongoing resistance to claims for the constructedness

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16

Temperley, David. Emotion and Tension. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0007.

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Following much other research on musical emotion, this chapter assumes a two-dimensional representation, with one dimension representing valence (positive/negative) and the other representing energy/activity. It is argued that the valence dimension in rock is conveyed primarily by the location of a song’s scale (relative to the tonic) on the “line of fifths”; this captures the well-known major/minor contrast but also allows finer distinctions. The energy dimension is conveyed by a variety of musical parameters including loudness, register, tempo, rhythmic density, and timbral brightness. The c

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17

McCormick, Luis. Anxiety Panic Attacks Self Help: A Psychological Practical Guide to Overcoming Negativity and Managing Your Emotional Stress, Tension, Anger, and Depression As Children, Parents, and Pregnant Women. Independently Published, 2022.

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18

Denham Smith, Dina, and Alicia A. Grandey. Emotionally Charged. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197750155.001.0001.

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Abstract Leaders are confronted with more emotional demands than ever, due to changes in the way people work, who they work with, and why they work. Emotionally Charged provides a comprehensive guide to help leaders and those who support them appreciate and navigate these exceptional new emotional demands. Each chapter equips readers with evidence-based insights and tools for building and applying the advanced emotional skills for effective leadership today, from regulating emotions in yourself and others to navigating emotionally charged work events effectively. Throughout the book, the autho

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19

Hopkins, Jim. Understanding and Healing. Edited by K. W. M. Fulford, Martin Davies, Richard G. T. Gipps, et al. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199579563.013.0073.

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There is a tension in psychiatry between clinical and neurobiological approaches to mental disorder. The accounts provided by Freud and his successors, however, should not be taken as alternatives to a fuller neurobiological understanding, but rather as indicating paths we might take towards attaining one. The main mental disorders are rooted in emotional conflict, and these are conflicts to which the basic emotional regulatory systems that produce both behavior and consciousness are liable. These emotional conflicts, in turn, are rooted in evolution, together with the "moral" emotions that go

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20

Fluhrer, Sandra, and Alexander Waszynski, eds. Tangieren - Szenen des Berührens. Rombach Wissenschaft, 2020. http://dx.doi.org/10.5771/9783968210032.

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Scenic representations in the arts and cultural practices create countless forms of contact. Not only are film, theatre, opera, performance and exhibitions forms of expression that evoke tactile and emotional responses, that is, that allow us to touch or that touch us in some way, but so are cultural theory and philology. This is achieved just as much through closeness and detachment and illusions of immediacy, or of an infectious or spellbinding nature as through forms of imagery, conceptuality and corporeality. Based on the concept of touching someone emotionally and from both historical and

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21

Stress and Tension (Causes & Effects of Emotions). Mason Crest, 2014.

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22

Demertzis, Nicolas. Emotions in Politics: The Affect Dimension in Political Tension. Palgrave Macmillan, 2013.

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23

Emotions in Politics: The Affect Dimension in Political Tension. Palgrave Macmillan, 2013.

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24

Demertzis, Nicolas. Emotions in Politics: The Affect Dimension in Political Tension. Palgrave Macmillan, 2013.

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25

Demertzis, N. Emotions in Politics: The Affect Dimension in Political Tension. Palgrave Macmillan Limited, 2013.

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26

Toropova, Anna. Feeling Revolution. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198831099.001.0001.

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Stalin-era cinema was a technology of emotional and affective education. The filmmakers of the period were called on to help forge the emotions and affects that befitted the New Soviet Person—ranging from happiness and victorious laughter to hatred for enemies. Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin shows how the Soviet film industry’s efforts to find an emotionally resonant language that could speak to a mass audience came to centre on the development of a distinctively ‘Soviet’ genre system. Its case studies of specific film genres, including the productio

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27

Bronner, Simon J., ed. Jews at Home. Liverpool University Press, 2010. http://dx.doi.org/10.3828/liverpool/9781904113461.001.0001.

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The questions at the heart of this book are: what things make a home ‘Jewish’, and what is it that makes Jews feel ‘at home’ in their environment? The material dimensions are explored through a study of the symbolic and ritual objects that convey Jewishness and a consideration of other items that may be used to express Jewish identity in the home. The discussion is geographically and ethnically wide-ranging, and the transformation of meaning attached to different objects in different environments is contextualized. For diasporic Jewish culture, the question of feeling at home is an emotional i

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28

Jarrett, Michael, and Russ Vince. Psychoanalytic Theory, Emotion, and Organizational Paradox. Edited by Wendy K. Smith, Marianne W. Lewis, Paula Jarzabkowski, and Ann Langley. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198754428.013.2.

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This chapter discusses the psychoanalytic foundations of organizational paradox. It argues that psychoanalytic theories offer a framework for the study of emotions in organizations and for the paradoxical tensions arising from emotions. It develops an analytical framework to discuss three core constructs of psychoanalytic thinking: unconscious emotions; defense mechanisms; and “the analytic attitude,” which is used to gain awareness of unconscious emotions, and as the basis of interventions to balance the contradictions (or paradoxical nature) of defense mechanisms. These constructs manifest i

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29

50 Mandalas Adult Coloring Book for Relaxation and Stress Relief: Mindfulness and Anti-Stress Coloring Pages with Beautiful Fun Art Designs for Teens and Grown-ups Men and Women of All Ages to Reduce Emotional Tension, Increase Focus, and Soothe Anxiety. Independently Published, 2022.

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30

Jones, Garrett H. Catharsis: A Spiritual, Emotional, & Biblical Journey Out of the Tensions of Religion. Garrett H. Jones, 2018.

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31

Seltenreich, Yair. Secularism, Education, and Emotions: Cultural Tensions in Hebrew Palestine. Lang AG International Academic Publishers, Peter, 2015.

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32

Seltenreich, Yair. Secularism, Education, and Emotions: Cultural Tensions in Hebrew Palestine. Lang AG International Academic Publishers, Peter, 2015.

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33

Seltenreich, Yair. Secularism, Education, and Emotions: Cultural Tensions in Hebrew Palestine. Lang AG International Academic Publishers, Peter, 2015.

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34

Secularism, Education, and Emotions: Cultural Tensions in Hebrew Galilee. Lang Publishing, Incorporated, Peter, 2015.

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35

Price, Diane Hartingh, and Susan Ives McCollum. Write Your Stress Away: Tame the Tension in Your Life. Rowman & Littlefield Publishers, Incorporated, 2019.

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36

Godfrey, Shannon Aeneid. ABREACTION: (The Purging of Emotional Tensions) The Unspoken Words of Shannon Aeneid Godfrey. PublishAmerica, 2007.

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37

Temperley, David. The Musical Language of Rock. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.001.0001.

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A theory of the structure of rock music is presented, addressing aspects such as tonality/key, harmony, rhythm/meter, melody, phrase structure, timbre/instrumentation, form, and emotional expression. The book brings together ideas from the author’s previous articles but also contains substantial new material. Rock is defined broadly (as it often is) to include a wide range of late twentieth-century Anglo-American popular styles, including 1950s rock & roll, Motown, soul, “British invasion” rock, soft rock, heavy metal, disco, new wave, and alternative rock. The study largely employs the in

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38

Underman, Kelly. Feeling Medicine. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479897780.001.0001.

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Gynecological teaching associates (GTAs) are trained laypeople who teach medical students the communication and technical skills of the pelvic examination while simultaneously serving as live models on whose bodies these same students practice. These programs are widespread in the United States and present a fascinating case for understanding contemporary emotional socialization in medical education. Feeling Medicine traces the origins of these programs in the Women’s Health Movement and in the nascent field of medical education research in the 1970s. It explores how these programs work at thr

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39

Simon, Julia. Waiting. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190666552.003.0003.

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This chapter examines the phenomenon of waiting and, in particular, the extreme experience of prison time doing hard labor in the Jim Crow South. The forms of waiting that are created musically echo the tension experienced both by loved ones waiting for someone’s return and by the prisoner enduring the unbearable cruelty of time at Parchman Farm or as a leased convict. The discussion culminates in an analysis of the “extreme present” of enduring physical and emotional pain echoed in blues that depict the experience of addiction and withdrawal, tying together the temporality of waiting with att

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40

Tulloch, John, and Belinda Middleweek. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0001.

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This introduction traces the book’s origins across three significant dialogical moments. First is the mediated moment of television producer Middleweek interviewing the 7/7 survivor Tulloch, followed by their intertextual engagement with two texts of intimacy, Chéreau’s film and Giddens’s book. Second is an interdisciplinary dialogue employing feminist mapping theory to forge a “bridging” and “rainbow” scholarship between disciplinary fields that provide ways of seeing real sex films, including risk sociology, feminist psychoanalytical theory, and critical geopolitical theory, in combination w

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41

Brown, Frank Burch. Music. Edited by John Corrigan. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170214.003.0012.

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Music has often been regarded as the most directly emotional of the arts and the art most intimately involved with religious and spiritual life. In the endeavor to understand music's relation to emotion and religion, a variety of approaches and disciplines are relevant. There are, for example, scientific and psychological studies that can yield insight into the character of musical and emotional response, and of music's access to the affective life. Thus, multiple disciplines are pertinent, from musicology (including ethnomusicology) and history to philosophy, psychology, and various branches

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42

Nail Your Story: Add Tension, Build Emotion, and Keep Your Readers Addicted. Spaulding House Publishing, 2015.

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43

Language Teacher Identity Tensions: Nexus of Agency, Emotion, and Investment. Taylor & Francis Group, 2024.

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44

van Houts, Elisabeth. Married Life in the Middle Ages, 900-1300. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198798897.001.0001.

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This book contains an analysis of the experience of married life by men and women in Christian medieval Europe c. 900–1300. The focus will be on the social and emotional life of the married couple rather than on the institutional history of marriage. The book consists of three parts: the first part (Getting Married) is devoted to the process of getting married and wedding celebrations, the second part (Married Life) discusses the married life of lay couples and clergy, their sexuality, and any remarriage, while the third part (Alternative Living) explores concubinage and polygyny as well as th

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45

Brownstein, Michael. Perception, Emotion, Behavior, and Change. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633721.003.0002.

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This chapter describes the four components of unplanned spontaneous inclinations. These are (1) noticing a salient Feature in the ambient environment; (2) feeling an immediate, directed, and affective Tension; (3) reacting Behaviorally; and (4) moving toward Alleviation of that tension in such a way that one’s spontaneous reactions can improve over time. Noticing a salient feature (F), in other words, sets a relatively automatic process in motion, involving co-activating particular feelings (T) and behaviors (B) that either will or will not diminish over time (A), depending on the success of t

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46

Tulloch, John, and Belinda Middleweek. Intimacy and Romance in Film Theory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0004.

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Chapter 3 explores the critical frame of feminist Lacanian postmodernism, underpinning an understanding of real sex films like Romance as art-house cinema in mutual dialogue with pornography. It argues that this fusion and tension between genres misses significant disparities within art house, and neither offers a robust history nor acknowledges that the Romance narrative focuses on Marie’s negotiation of her own sexuality and embodiment via a picaresque series of female/male encounters in a changed modernity. In its detailed analysis of Romance, the chapter draws on Giddens’s concepts of plas

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47

Gendron, Maria, and Lisa Feldman Barrett. Facing the Past. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0002.

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In this chapter, we outline the progression of research on facial actions associated with emotion within the discipline of psychology. We outline two dominant perspectives, one emphasizing emotions as natural kinds, and the other emphasizing emotions as constructed events. We provide an overview of the critical assumptions of each theoretical approach and demonstrate the recurring themes and tensions in the repeated emergence of these two perspectives over time. We close by suggesting that the science of emotion is, yet again, at a critical precipice with the emergence of computationally power

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48

Writing With Emotion, Tension, and Conflict: Techniques for Crafting an Expressive and Compelling Novel. Writer's Digest Books, 2013.

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49

Hili, Razinsky. Ambivalence. Rowman & Littlefield Publishers, 2016. https://doi.org/10.5040/9798881809676.

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Ambivalence (as in practical conflicts, moral dilemmas, conflicting beliefs, and mixed feelings) is a central phenomenon of human life. Yet ambivalence is incompatible with entrenched philosophical conceptions of personhood, judgement, and action, and is denied or marginalised by thinkers of diverse concerns. This book takes a radical new stance, bringing the study of core philosophical issues together with that of ambivalence. The book proposes new accounts in several areas – including subjectivity, consciousness, rationality, and value – while elucidating a wide range of phenomena expressive

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50

Bonini Baraldi, Filippo. Roma Music and Emotion. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190096786.001.0001.

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By combining long-term field research with hypotheses from the cognitive sciences, this book proposes a groundbreaking anthropological theory on the emotional power of music. It hig hlights a human tendency to engage in empathic relations through and with the musical artifacts, veritable “sonic agents” for which we can feel pity, compassion, or sympathy. The theory originates from a detailed ethnography of the musical life of a small Roma community of Transylvania (Romania), where Filippo Bonini Baraldi lived several years, seeking an answer to intriguing questions such as: Why do the Roma cry

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