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1

de Boise, Sam. Men, Masculinity, Music and Emotions. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137436092.

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2

Madell, Geoffrey. Philosophy, music, and emotion. Edinburgh: Edinburgh University Press, 2002.

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3

Aramaki, Mitsuko, Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad, eds. From Sounds to Music and Emotions. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41248-6.

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4

Yang, Yi-Hsuan. Music emotion recognition. Boca Raton, Fla: CRC, 2011.

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5

Ridley, Aaron. Music, value, and the passions. Ithaca: Cornell University Press, 1995.

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6

curator, Pande Alka, ed. Musicscapes: The multiple emotions of Indian music. New Delhi, India: Showcase/Roli Books, 2016.

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7

H, Chen Homer, ed. Music emotion recognition. Boca Raton, Fla: CRC, 2011.

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8

Daele, Leland Van den. The music apperception test manual. [Las Vegas, Nev.?]: Psychodiagnostics Corp., 2007.

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9

Juslin, Patrik N. Handbook of music and emotion: Theory, research, and applications. Oxford: Oxford University Press, 2010.

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10

Universität Bielefeld. Zentrum für Interdisziplinäre Forschung, ed. Musik und Gefühl: Interdisziplinäre Annäherungen in musikpädagogischer Perspektive. Hildesheim: Olms, 2012.

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11

Paolillo, Ernesto. L'astuzia delle emozioni: Come la finzione artistica svela ciò che siamo. Milano: Skira, 2004.

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12

Kolinsky, Régine. Musique, langage, émotion: Approche neuro-cognitive : textes issus du XXXe symposium de l'Association de psychologie scientifique de langue française (APSLF). Rennes: Presses universitaires de Rennes, 2010.

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13

Hesse, Horst-Peter. Musik und Emotion: Wissenschaftliche Grundlagen des Musik-Erlebens. Wien: Springer, 2003.

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14

Marconi, Luca. Musica, espressione, emozione. Bologna: Clueb, 2001.

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15

Kigunda, Muriithi. Music and health in Kenya: Sound, spirituality, and altered consciousness juxtaposed with emotions. Saarbrücken: VDM, Verlag Dr. Müller, 2007.

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16

Musik, Emotionen und Ethik. Freiberg: Verlag Karl Alber, 2011.

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17

Darsel, Sandrine. De la musique aux émotions: Une exploration philosophique. Rennes: Presses universitaires de Rennes, 2009.

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18

Budd, Malcolm. Music and the Emotions. Routledge, 2002. http://dx.doi.org/10.4324/9780203420218.

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19

Music and the Emotions. 2002.

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20

Hunter, Patrick George. Music and mixed emotions. 2005.

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21

Hunter, Patrick George. Music and mixed emotions. 2005.

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22

Aiello, Rita. Music: Cognition and Emotions. Oxford University Press, USA, 2008.

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23

Music and the Emotions. Routledge, 2002.

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24

Winner, Ellen. Feeling From Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0004.

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This chapter addresses the emergence of feelings in the music listener. We hear a sad piece and feel sad, but we are not sad about the music, and nothing bad has happened to us. Some philosophers have therefore concluded that music cannot elicit emotion. Instead, perhaps we are confusing the emotion we hear expressed in the music with the emotion we feel. But research shows that people do feel emotions from music, and they distinguish the emotions they hear in the music from the emotions the music makes them feel. There is no empirical support for the philosophical position that we do not experience emotion from music. However, emotions from music are softened by aesthetic distance—we know these emotions are caused by the music and not by a life event. The chapter concludes with a consideration of some conflicting evidence about whether the emotional response to music is innate or influenced by one’s musical culture.
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25

Philosophy, music, and emotion. Edinburgh: Edinburgh University Press, 2002.

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26

Walker, David. Music: The Emotional Science - HOW MUSIC AFFECTS OUR BRAINS, ACTIONS and EMOTIONS. Independently Published, 2018.

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27

Boise, Sam de. Men, Masculinity, Music and Emotions. Palgrave Macmillan, 2016.

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28

Men, Masculinity, Music and Emotions. Palgrave Macmillan, 2015.

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29

Madell, Geoffrey. Philosophy, Music and Emotion. Edinburgh University Press, 2003.

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30

Indian classical music: Essence and emotions. New Delhi: Vikas Pub. House, 1990.

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31

Aiken, Rachel. Music and the Emotions: Music History, Genres and Benefits. Independently Published, 2022.

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32

Carey, Mariah. Mariah Carey - Emotions. Hal Leonard Corporation, 1992.

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33

Handbook of music and emotion: Theory, research, and applications. Oxford: Oxford University Press, 2010.

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34

Zbikowski, Lawrence M. Music and Emotion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653637.003.0003.

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This chapter explores the relationship between music and emotion, beginning with a review of research on emotion, followed by a review of research on music and emotion. It is proposed that the connection between music and the emotions reflects music’s capacity to provide sonic analogs for some of the most salient aspects of emotion processes. This proposal is illustrated through analyses of two movements from J. S. Bach’s cantata “Ich habe genug,” which make explicit two important features of musical grammar: syntactic processes and syntactic layers. The chapter concludes with observations about the ways music is used to shape emotional responses within liturgical settings of the kind that motivated and framed Bach’s cantata.
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35

Handbook of music and emotion: Theory, research, applications. Oxford: Oxford University Press, 2011.

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36

Yang, Yi-Hsuan, and Homer H. Chen. Music Emotion Recognition. Taylor & Francis Group, 2011.

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37

Ridley, Aaron. Music, Value and the Passions. Cornell University Press, 2019.

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38

Music and the Emotions: The Philosophical Theories. Routledge, 1985.

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39

Danielle, Bragg. Quantification and display of emotions in music. 2010.

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40

Budd, Malcolm. Music and the Emotions: The Philosophical Theories. Taylor & Francis Group, 2015.

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41

Budd, Malcolm. Music and the Emotions: The Philosophical Theories. Taylor & Francis Group, 2002.

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42

Budd, Malcolm. Music and the Emotions: The Philosophical Theories. Taylor & Francis Group, 2002.

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43

Budd, Malcolm. Music and the Emotions: The Philosophical Theories. Taylor & Francis Group, 2002.

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44

Music and the emotions: The philosophical theories. London: Routledge & Kegan Paul, 1985.

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45

Music Emotion Recognition. CRC Press LLC, 2011.

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46

Yang, Yi-Hsuan, and Homer H. Chen. Music Emotion Recognition. Taylor & Francis Group, 2011.

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47

Yang, Yi-Hsuan, and Homer H. Chen. Music Emotion Recognition. Taylor & Francis Group, 2011.

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48

Yang, Yi-Hsuan, and Homer H. Chen. Music Emotion Recognition. Taylor & Francis Group, 2011.

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49

Music, Dance, Affect, and Emotions in Latin America. Lexington Books/Fortress Academic, 2017.

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50

Imagination, Music, and the Emotions: A Philosophical Study. State University of New York Press, 2017.

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