Relevant bibliographies by topics / Emotive architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Emotive architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Emotive architecture"

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Jain, Shikha, and Krishna Asawa. "Modeling of emotion elicitation conditions for a cognitive-emotive architecture." Cognitive Systems Research 55 (June 2019): 60–76. http://dx.doi.org/10.1016/j.cogsys.2018.12.012.

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Starkey, Stephen. "Cinematic Architecture: Harnessing the Emotive Power of Film through Physical Space." International Journal of the Constructed Environment 2, no. 1 (2012): 67–80. http://dx.doi.org/10.18848/2154-8587/cgp/v02i01/37515.

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Lawson, Bryan. "Research in UK architecture schools: clarification and case studies. Expert clarification." Architectural Research Quarterly 6, no. 2 (June 2002): 101–6. http://dx.doi.org/10.1017/s1359135502211550.

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Your leader (arq 6/1, p3) correctly concluded that the latest round of the UK Government's Research Assessment Exercise (RAE) results are the best yet overall for those departments in universities that include the subject of architecture. But we are in danger of misinterpreting this complex set of results as a result of some other more emotive and unclear arguments. Let me take the process apart slightly in order to clarify.
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Breazeal, Cynthia. "Emotive qualities in lip-synchronized robot speech." Advanced Robotics 17, no. 2 (January 2003): 97–113. http://dx.doi.org/10.1163/156855303321165079.

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Aitchison, Ross. "A time for troublemakers." Architectural Research Quarterly 16, no. 4 (December 2012): 380–82. http://dx.doi.org/10.1017/s1359135513000274.

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It is not often that a generation of people are offered the opportunity to decide the future course of a nation. In a little over a year around four million people living across Scotland will be afforded the monumental chance to decide whether the place they call home should be an independent country. As both ‘Yes’ and ‘No’ campaigns debate with claim and counterclaim over a wide range of emotive issues neither side can definitively answer, the grassroots campaigns of the pro-independence side are offering imaginative visions of a different Scotland building upon the cultural gains of devolution.
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Britton, Karla Cavarra, and Daniel Ledford. "Paul Rudolph and the Psychology of Space:." Journal of the Society of Architectural Historians 78, no. 3 (September 1, 2019): 327–46. http://dx.doi.org/10.1525/jsah.2019.78.3.327.

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The chapels at Tuskegee University and Emory University are among the most inventive—and least known—works of the American modernist architect Paul Rudolph (1918–97). In Paul Rudolph and the Psychology of Space: The Tuskegee and Emory University Chapels, Karla Cavarra Britton and Daniel Ledford analyze these buildings as significant exemplars of the postwar American university chapel, finding them subject to three seminal influences in Rudolph's life: his childhood experience of Southern Methodism, his encounters with the architecture of Frank Lloyd Wright, and his admiration for Le Corbusier's religious works. The chapels evoke powerful aesthetic and emotive experiences in their audiences, reflecting Rudolph's ambition that architecture should be grounded in a “psychology of space.” The Tuskegee Chapel, designed at the apex of Rudolph's career (1960–69), engages the university's African American musical and educational legacy. The Cannon Chapel at Emory, meanwhile, built late in Rudolph's professional life (1975–81) as a multiuse space for the university's school of theology, exhibits a contrasting pattern of complexity and intransigence.
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Singh, Jaiteg, Gaurav Goyal, and Sahil Gupta. "FADU-EV an automated framework for pre-release emotive analysis of theatrical trailers." Multimedia Tools and Applications 78, no. 6 (August 7, 2018): 7207–24. http://dx.doi.org/10.1007/s11042-018-6412-8.

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Kuletin-Ćulafić, Irena. "Architectural work of Aleksandar Deroko: Beauty of emotional creativity." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 1–42. http://dx.doi.org/10.5937/saj1901001k.

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This paper studies significant and forgotten, but not less important, built and unrealised designs by Serbian architect Aleksandar Deroko. It seeks to achieve a continuous view in dealing with Deroko`s architectural work versus the historical discontinuity of political, territorial-geographic and social circumstances. It is impossible to separate Deroko as an architect from Deroko as a scholar, researcher, historian of architecture and art, an academic professor, painter, artist, writer, chronicler of his time, protector, conservator and historiographer of Serbian cultural heritage. The main aim of this paper is to apply comprehensive research approach within which his work in the field of architectural design will be considered in a complementary and pluralistic way. Deroko's architectural projects examined in their details and altogether represent distillate of Deroko's erudite personality, which casts shadow on relevant questions of Serbian history of architecture placement: How to understand it, observe and examine it, from Yugoslav or Serbian perspective, from the position of continuity or discontinuity, through characteristics of general or particular?
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Silverman, Barry G., Michael Johns, Jason Cornwell, and Kevin O'Brien. "Human Behavior Models for Agents in Simulators and Games: Part I: Enabling Science with PMFserv." Presence: Teleoperators and Virtual Environments 15, no. 2 (April 2006): 139–62. http://dx.doi.org/10.1162/pres.2006.15.2.139.

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This paper focuses on challenges to improving the realism of socially intelligent agents and attempts to reflect the state of the art in human behavior modeling with particular attention to the impact of personality/cultural values and affect as well as biology/stress upon individual coping and group decision making. The first section offers an assessment of the state of the practice and of the need to integrate valid human performance moderator functions (PMFs) from traditionally separated subfields of the behavioral literature. The second section pursues this goal by postulating a unifying architecture and principles for integrating existing PMF theories and models. It also illustrates a PMF testbed called PMFserv created for implementating and studying how PMFs may contribute to such an architecture. To date it interconnects versions of PMFs on physiology and stress; personality, cultural and emotive processes (Cognitive Appraisal-OCC, value systems); perception (Gibsonian affordance); social processes (relations, identity, trust, nested intentionality); and cognition (affect- and stress-augmented decision theory, bounded rationality). The third section summarizes several usage case studies (asymmetric warfare, civil unrest, and political leaders) and concludes with lessons learned. Implementing and interoperating this broad collection of PMFs helps to open the agenda for research on syntheses that can help the field reach a greater level of maturity. The companion paper, Part II, presents a case study in using PMFserv for rapid scenario composability and realistic agent behavior.
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Pérez Marco, Joaquín, Francisco José Serón Arbeloa, and Eva Cerezo Bagdasari. "Combining cognition and emotion in virtual agents." Kybernetes 46, no. 06 (June 5, 2017): 933–46. http://dx.doi.org/10.1108/k-11-2016-0340.

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Purpose The paper aims to explain the limitations of existing cognitive architectures and affective models, and propose a new cognitive-affective architecture that can be integrated in real intelligent agents to make them more realistic and believable. Design/methodology/approach The paper evaluates the state of the art, and describes the design and implementation of the cognitive-affective architecture in an agent. A brief evaluation of the agent is provided. Findings The paper clearly states that it is possible to use cognitive architectures to help, but there is a lack of architectures that address the problem of combining cognition and emotion in agents in a unified, simplified way. A cognitive-affective architecture is useful to make believable intelligent agents in an easier way. Research limitations/implications The paper does not explore a lot of possible future work that can be done to extend the emotional expressions of the agent, as well as including direct emotional-sensing capabilities in real time. Practical implications The paper argues about the need to include cognitive-affective architectures in modern intelligent agents. The architecture allows to influence and modify the behavior of the agent in real time, to achieve a more realistic and believable interaction with the user. Social implications The paper remarks the importance of a cognitive-affective architecture that makes intelligent agents able to help the users in different tasks and environments. Originality/value The paper describes a new cognitive-affective architecture and its utility for modern intelligent agents. This is proven by including it in a previous agent, which boosts its behavior and emotional expression possibilities and thus improves user experience.
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Dissertations / Theses on the topic "Emotive architecture"

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Mothersill, Philippa (Philippa Jane). "The form of emotive design." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/95611.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2014.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 141-144).
We have an unconscious understanding of the meaning of different physical objects through our extensive interactions with them. Designers can extend and adapt pre-existing symbolic meanings through the design of these objects, adding a layer of emotive expression by manipulating their forms. Novice designers can express the 'character' of the objects they want to design using familiar vocabulary, but may not be able to draw on expert design skills to transform this meaning into the medium of form. This thesis explores the physical design language encoded into objects and asks: can a CAD tool that uses descriptive adjectives as an input aid designers in creating objects that can communicate emotive character? In this thesis I explore the underlying emotive design 'grammar' of the form of objects, and through this present an emotive semantically-driven a Computer-Aided Design (CAD) tool that uses expressive words to design forms with emotive character. A quantitative framework for emotive form design is proposed and integrated into the EmotiveModeler CAD tool. Using this CAD tool, I investigated the variables of this emotive form design framework and tested the resulting designs and the software itself with both novice and experienced designers to evaluate if the tool can help these users more easily create inspirational and emotive forms using the expressive vocabulary we are all familiar with.
by Philippa Mothersill.
S.M.
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Muralidharan, Dilip. "Architecture for The Senses: A more-than visual approach to Museum Architecture." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554211453833306.

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Blake, Benjamin R. "Sublime, Contemplation and Repose: Reawakening Nuttallburg from West Virginia’s Industrial Descent." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554210934038553.

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Damm, Lisa Marie. "The architecture of emotion experience." Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3352255.

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Thesis (Ph. D.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed May 8, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
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Fortkamp, Sarah. "Body. Emotion. Architecture. a phenomenological reinterpretation /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1112128327.

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Thesis (Master of Architecture)--University of Cincinnati, 2005.
Title from electronic thesis title page (viewed Jul. 10, 2006). Includes abstract. Keywords: Body, Emotion, Experience, Phenomenology. Includes bibliographical references.
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FORTKAMP, SARAH A. "BODY. EMOTION. ARCHITECTURE. A PHENOMENOLOGICAL REINTERPRETATION." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1112128327.

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Svetlicic, Ivan. "EMOTION BASED SUBSUMPTION ARCHITECTURE FOR AUTONOMOUS MOBILE ROBOTICS." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1090173118.

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Vinyu, Alfred. "kINetic eMOTION: Beyond the object." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28140.

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Challenging the idea of buildings being identified as objects that merely house human experience and inhabitation, this dissertation argues for a "building machine" that adopts the notion of "performative architecture". Programmed as a Film School, kinetic architecture allows the building to be indeterminate whereby the flexibility to reconfigure itself enables a vast potential of spatial narratives. With the use of cinematic techniques the building machine in partnership with people creates multisensory spatial dimensions in what is seen as a continuous architectural carnival.
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Parker, Darnell E. II. "Expressed Emotions Architecture." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/33443.

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Two primary ideas contribute to the design of this Community Art Center in the city of Milwaukee, Wisconsin, particularly, in the neighborhoods of Avenue west and Midtown. The quality of light expressed through the movement of shadows in time is casted in the interior by openings in the roof and on the exterior walls by columns surrounding the building. These exterior and interior walls of the building are the result of rigorous experimentation to maximize space for interaction. The walls and quality of light is expressed both in the interior and exterior of the building. The second main idea is center around creating a place for interaction to generate communication and collaboration within the community. The primary design is of the delicate undulating walls as it continues to define interaction space in the Community Art Center. It is the form of the walls and quality of light that express movement. As a secondary concern, these neighborhoods are on the edge of Milwaukeeâ s near west side that includes the Milwaukee High School of the Arts (MHSA). The community expresses art in the form of dance, music and creative writing. The building express art in the form of a decision. Each decision that is made expresses a quality about design. Each space is transformed into a place by the nature of its design. The building achieves a sense of community through the primary ideas expressed through the notion of emotions.
Master of Architecture
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Lambert, Yaminah Nzinga Lashanta. "Emotional Resonance and Transference in Architecture." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/74953.

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This thesis examines the notion of unseen factors that a user leaves behind once departing from a space. When properly engaged, an inhabitant forms an emotional attachment to a space. This attachment can be felt by later occupants as an experiential, phenomenological quality that cannot be removed from the space. This thesis asks questions such as: Which spaces lend themselves to what emotions? How does the architect compel a user to feel positive emotional attachment to a space? How does a building react to user changes over time? Can a building give off a "vibe" as an inanimate object? This thesis aims to investigate the following thesis statement: "What happens to the emotions in a building after its users leave?"
Master of Architecture
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Books on the topic "Emotive architecture"

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Architektur: Form und Emotion = Architecture : form and emotion. Stuttgart: Karl Krämer Verlag, 2014.

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Adalbert, Locher, ed. Nomadic architecture: Human practicality serves human emotion : exhibition design. Baden, Switzerland: Lars Müller, 1998.

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Portela, César. La emoción en la arquitectura =: The emotion in architecture. Madrid: Círculo de Bellas Artes, 2006.

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Farruco, ed. César Portela: La emoción en la arquitectura = the emotion in architecture. Madrid: Círculo de Bellas Artes, 2006.

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Manuel Vicente: Trama e emoção = plot and emotion. Lisboa: Atalho, Laboratório de Urbanismo e Arquitectura, 2011.

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On-A Emotion Architecture 2005-2015. Artpower International Publish Company, Limited, 2016.

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Atlas of Emotion: Journeys in Art, Architecture and Film. Verso, 2002.

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Atlas of Emotion: Journeys in Art, Architecture, and Film. Verso, 2007.

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1969-, Munder Heike, Budak Adam, Migros Museum für Gegenwartskunst, and Centrum Sztuki Współczesnej Łaźnia (Gdansk, Poland), eds. Bewitched, bothered and bewildered: Spatial emotion in contemporary art & architecture. Geneva: JRP Editions, 2003.

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Quadt, Lisa, Hugo D. Critchley, and Sarah N. Garfinkel. Interoception and emotion: Shared mechanisms and clinical implications. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198811930.003.0007.

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Internal states of bodily arousal contribute to emotional feeling states and behaviors. This chapter details the influence of interoceptive processing on emotion and describes how deficits in interoceptive ability may underpin aberrant emotional processes characteristic of clinical conditions. The representation and control of bodily physiology (e.g. heart rate and blood pressure) and the encoding of emotional experience and behavior share neural substrates within forebrain regions coupled to ascending neuromodulatory systems. This functional architecture provides a basis for dynamic embodiment of emotion. This chapter will approach the relationship between interoception and emotion within the interoceptive predictive processing framework and describe how emotional states could be the product of interoceptive prediction error minimization.
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Book chapters on the topic "Emotive architecture"

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Zucco, Chiara, Barbara Calabrese, and Mario Cannataro. "Emotion Mining: from Unimodal to Multimodal Approaches." In Lecture Notes in Computer Science, 143–58. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82427-3_11.

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AbstractIn the last decade, Sentiment Analysis and Affective Computing have found applications in different domains. In particular, the interest of extracting emotions in healthcare is demonstrated by the various applications which encompass patient monitoring and adverse events prediction. Thanks to the availability of large datasets, most of which are extracted from social media platforms, several techniques for extracting emotion and opinion from different modalities have been proposed, using both unimodal and multimodal approaches. After introducing the basic concepts related to emotion theories, mainly borrowed from social sciences, the present work reviews three basic modalities used in emotion recognition, i.e. textual, audio and video, presenting for each of these i) some basic methodologies, ii) some among the widely used datasets for the training of supervised algorithms and iii) briefly discussing some deep Learning architectures. Furthermore, the paper outlines the challenges and existing resources to perform a multimodal emotion recognition which may improve performances by combining at least two unimodal approaches. architecture to perform multimodal emotion recognition.
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Davis, Felecia. "Data, emotion, space." In Data, Architecture and the Experience of Place, 45–69. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781351139328-4.

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Dias, João, Samuel Mascarenhas, and Ana Paiva. "FAtiMA Modular: Towards an Agent Architecture with a Generic Appraisal Framework." In Emotion Modeling, 44–56. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-12973-0_3.

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de Silva, Padmasiri. "The Buddhist Architecture of the Mind." In Mindfulness-based Emotion Focused Counselling, 37–46. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-64388-1_4.

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Lin, Jerry. "Emotion Generation Integration into Cognitive Architecture." In Affective Computing and Intelligent Interaction, 232–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24571-8_25.

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Schweiger, Roland, Pierre Bayerl, and Heiko Neumann. "Neural Architecture for Temporal Emotion Classification." In Lecture Notes in Computer Science, 49–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24842-2_5.

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Hudlicka, Eva. "From Habits to Standards: Towards Systematic Design of Emotion Models and Affective Architectures." In Emotion Modeling, 3–23. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-12973-0_1.

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Sokolova, Marina V., Antonio Fernández-Caballero, María T. López, Arturo Martínez-Rodrigo, Roberto Zangróniz, and José Manuel Pastor. "A Distributed Architecture for Multimodal Emotion Identification." In Advances in Intelligent Systems and Computing, 125–32. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19629-9_14.

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McCauley, Lee, Stan Franklin, and Myles Bogner. "An Emotion-Based “Conscious” Software Agent Architecture." In Affective Interactions, 107–20. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/10720296_8.

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Mondal, Prakash. "Toward an Architecture of the Language–Emotion Interface." In Language and Cognitive Structures of Emotion, 111–49. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33690-9_4.

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Conference papers on the topic "Emotive architecture"

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Wendrich, Robert E., and Ruben Kruiper. "Robust Unconventional Interaction Design and Hybrid Tool Environments for Design and Engineering Processes." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67240.

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This paper investigates how and whether existing or current design tools, assist and support designers and engineers in the early-phases of ideation and conceptualization stages of design and engineering processes. The research explores how fluidly and/or congruously technology affords cognitive, emotive, gesture-based shape-and-form transformation and stimulates externalization within a hybrid design tool environment (HDTE). Meta-cognitive, emotive, gestural, sensorial, multi-dimensional interaction through exploration, translation and manifestation within a contextual blended environment is studied to enhance representation, stimulate choice-architecture and foster decision-making. Current and novel hybrid design tool developments and experiments illustrate the promise of hybridization for natural computing and unobtrusive design-tools (HDT) and cyber-physical systems (CPS). Put into perspective; a proposed framework of robust interaction design (IxD), gamification and affective computing (e.g. emotion) to improve and intensify user-experience (UX) and user-engagement (UE) is presented. The paper concludes by considering the allowance for possible novel routes to increase the scope and forging of links on prevailing frames of human-computer interaction (HCI).
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Clay, Alexis, Nadine Couture, and Laurence Nigay. "Towards an Architecture Model for Emotion Recognition in Interactive Systems: Application to a Ballet Dance Show." In ASME-AFM 2009 World Conference on Innovative Virtual Reality. ASMEDC, 2009. http://dx.doi.org/10.1115/winvr2009-704.

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In the context of the very dynamic and challenging domain of affective computing, we adopt a software engineering point of view on emotion recognition in interactive systems. Our goal is threefold: first, developing an architecture model for emotion recognition. This architecture model emphasizes multimodality and reusability. Second, developing a prototype based on this architecture model. For this prototype we focus on gesture-based emotion recognition. And third, using this prototype for augmenting a ballet dance show. We hence describe an overview of our work so far, from the design of a flexible and multimodal emotion recognition architecture model, to a presentation of a gesture-based emotion recognition prototype based on this model, to a prototype that augments a ballet stage, taking emotions as inputs.
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Sukthanker, Rhea Sanjay, Zhiwu Huang, Suryansh Kumar, Erik Goron Endsjo, Yan Wu, and Luc Van Gool. "Neural Architecture Search of SPD Manifold Networks." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. California: International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/413.

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In this paper, we propose a new neural architecture search (NAS) problem of Symmetric Positive Definite (SPD) manifold networks, aiming to automate the design of SPD neural architectures. To address this problem, we first introduce a geometrically rich and diverse SPD neural architecture search space for an efficient SPD cell design. Further, we model our new NAS problem with a one-shot training process of a single supernet. Based on the supernet modeling, we exploit a differentiable NAS algorithm on our relaxed continuous search space for SPD neural architecture search. Statistical evaluation of our method on drone, action, and emotion recognition tasks mostly provides better results than the state-of-the-art SPD networks and traditional NAS algorithms. Empirical results show that our algorithm excels in discovering better performing SPD network design and provides models that are more than three times lighter than searched by the state-of-the-art NAS algorithms.
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Frances Dias, Sarah, and Maria João Durão. "Architecture and Art: La Ronchamp’s symbiosis as a ‘total work of art’." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.612.

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Abstract: Le Corbusier developed his own unique poetics of architecture, perceived and understood as an art. In La Ronchamp, due to his complete creative freedom, he found a space to express his most poetic and artistic views. The research paper thus analysis the Chapel as a case study, in order to clarify Corbusier’s artistic and architectural vision, ideals and driving principles: drawing firstly from the architectural characteristics that define the space, secondly defining an integrated set of principles that conceptualize the architecture as an art, and lastly, an analysis of the particularities that compose the chapel as a ‘total work of art’, analyzing the union of the arts, both in concept, form and meaning, and in the overall context of Corbusier’s unqiue theory. Thus, the research paper aims to understand and uncover how the poetics and emotional condition lives through Ronchamp: the meaning it encases, the artistic values is sustains and the timeless ways it recreates. The overall study has both practical and theoretical applications and implications for architects and artists with an interest in the integration of art and architecture, as well as the conceptual connections between the arts; a vital issue in the contemporary world for the definition of a more meaningful and sustainable environment. Keywords: Art, Architecture, Le Corbusier, Principles, Poetry, Emotion. DOI: http://dx.doi.org/10.4995/LC2015.2015.612
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Itham Mahajan, Rajini. "THE INEVITABLE ORDER: Revisiting the Calibrated Biomimetics of Le Corbusier’s Modulor." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.895.

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Abstract: Biomimetics is a philosophy in Architecture that addresses issues not through mimicry but by understanding the rules governing natural forms. Biomimetics has gained popularity in the past few decades but it would be more apposite to state that this philosophy may have had its origins many years previously in the conceptualization of the Modulor, as Le Corbusier strived to unite Mathematics, Physiology & Design. Common knowledge shows that disturbed by application of generic Imperial and Standard systems of measurements, the Modulor was ideated to help perceive the built environment as a physical extension of the human body. Le Corbusier’s attempt to develop a harmonious scale towards the measurement of the absolute has been criticized for adopting industrial efficiency; though alienating human emotion was farthest from Corbusier’s thought. What then is the architectural paradox in comprehending The Modulor as the universal proportioning system- racial differences in anthropometry, mechanizing architectural built forms within and without or simply an apprehension of losing mannerisms in architecture? Trying to unravel the mysteries of nature through analytics of the numbering system, Corbusier was consumed by the all-pervasive need to find answers to eternal questions in scientific spirituality. This paper explores the inevitable order of Le Corbusier’s universe, revisiting the conceptualization of the Modulor, its relevance to architectural philosophies in general and Biomimetics in particular and the universal application of the same as a governing factor in Design methodologies. Keywords: Le Corbusier, Biomimetic, Modulor, Universal Application, Design. DOI: http://dx.doi.org/10.4995/LC2015.2015.895
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Labbé, Mickaël. "« L’espace indicible »: conceptions et textualités." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.470.

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Résumé: La notion d’« espace indicible » occupe sans conteste une position centrale dans la théorie architecturale de Le Corbusier après 1945. Loin d’être un simple mot-valise ou un signifiant vide de sens, le concept d’espace indicible vise à penser le sommet de l’expérience esthétique et spirituelle dont est passible l’architecture, cela tant pour rendre compte de l’émotion plastique ressentie face aux chefs-d’œuvre du passé que pour décrire la qualité de l’expérience que l’architecte cherche à produire par ses propres œuvres. Ainsi, dans l’œuvre de Le Corbusier, l’expression « l’espace indicible » désigne non seulement un concept, mais également un ensemble textuel dans lequel la notion est thématisée et au travers duquel elle se constitue progressivement. L’objectif de cet article est double : d’une part, proposer une description des déterminations principales du contenu donné par Le Corbusier à la notion d’« espace indicible » ; d’autre part, à partir de l’examen des archives, faire le point sur les textes dans lesquels ce concept se formule. Abstract: The concept of “ineffable space” unquestionably occupies a central place in Le Corbusier's architectural theory after 1945. Far from being a portmanteau or a signifier devoid of meaning, the concept of ineffable space is aimed at conceiving the height of aesthetic and spiritual experience rendered possible by architecture. This is as much to realise plastic emotion felt in front of masterpiece from the past as to describe the experiential quality that the architect seeks to produce in his/her own work. Thus, in Le Corbusier’s oeuvre, the expression “ineffable space” not only denotes a concept but also a textual whole in which the concept is thematised and through which it is progressively constituted. The aim of this article is two-fold. On the one hand, I propose a description of the principle determinants of the content that Le Corbusier assigns to the concept of “ineffable space”, and on the other hand, analysing the archives, I wish to take stock of the texts in which this concept is formulated. Mots-clés: Le Corbusier; espace indicible; théorie architecturale. Keywords: Le Corbusier; ineffable space; architectural theory. DOI: http://dx.doi.org/10.4995/LC2015.2015.470
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Esau, Natascha, Lisa Kleinjohann, and Bernd Kleinjohann. "Emotional Competence in Human-Robot Communication." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49409.

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Since emotional competence is an important factor in human communication, it will certainly also improve communication between humans and robots or other machines. Emotional competence is defined by the aspects emotion recognition, emotion representation, emotion regulation and emotional behavior. In this paper we present how these aspects are intergrated into the architecture of the robot head MEXI. MEXI is able to recognize emotions from facial expressions and prosody of natural speech and represents its internal state made up of emotions and drives by according facial expressions, head movements and speech utterances. For its emotions and drives internal and external regulation mechanisms are realized. Furthermore, this internal state and its perceptions, including the emotions recognized at its human counterpart, are used by MEXI to control its actions. Thereby MEXI can react adequately in an emotional communication.
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Ghandi, Mona. "Cyber-Physical Emotive Spaces: Human Cyborg, Data, and Biofeedback Emotive Interaction with Compassionate Spaces." In 37 Education and Research in Computer Aided Architectural Design in Europe and XXIII Iberoamerican Society of Digital Graphics, Joint Conference (N. 1). São Paulo: Editora Blucher, 2019. http://dx.doi.org/10.5151/proceedings-ecaadesigradi2019_200.

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von Haugwitz, Rickard, and Gordana Dodig-Crnkovic. "Probabilistic Computation and Emotion as Self-regulation." In ECSAW '15: 2015 European Conference on Software Architecture Workshops. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2797433.2797442.

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Allen, Joseph, and Ron Sun. "Emotion contagion in a cognitive architecture." In 2016 IEEE Symposium Series on Computational Intelligence (SSCI). IEEE, 2016. http://dx.doi.org/10.1109/ssci.2016.7850034.

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