Academic literature on the topic 'Emotive epithets'

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Journal articles on the topic "Emotive epithets"

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Gubanov, Sergey A. "ATTRIBUTION OF THE CONCEPT “MEMORY” IN M. TSVETAEVA’S TEXTS." Proceedings of Southern Federal University. Philology 28, no. 3 (2024): 44–51. https://doi.org/10.18522/1995-0640-2024-3-44-51.

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The study deals with the problems of attributive representation of the concept “memory” in M. Tsvetaeva’s texts. The article carries out the results of cognitive-semantic analysis of epithet word usages of memory in the poet’s texts and the Dictionary of Epithets of the Russian Literary Language. It has been established that M. Tsvetaeva’s individual style is characterized by the construction of occasional epithets, a violation of the lexical compatibility of customary definitions with the defined word “memory”. It shows that the specificity of the attribution of this concept is associated wit
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Filyasova, Yu. "Representation of English news headlines emotive connotations in Russian translations." Key Issues of Contemporary Linguistics, no. 4 (March 3, 2023): 87–101. https://doi.org/10.18384/2949-5075-2023-4-87-101.

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Aim. To study the thematic scope, emotiveness and techniques for translating connotational meanings of English news headlines into the Russian language.Methodology. The material was collected by means of random sampling of the news and the Russian translations, and analyzed with the help of the quantitative and semantic (contextual and componential) analysis.Results. Most frequent thematic areas of news coverage were identified, and the proportion of polar emotional meanings was calculated (negative 65% and positive 35%). The main strategies for translating emotive connotations of the English
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Shelestyuk, Elena. "Mutual Representations of Russia and the Middle East Made by Eastern and Russian Scientists, Politicians, Travelers and Men of Letters." Journal of Education College Wasit University 1, no. 40 (2020): 605–30. http://dx.doi.org/10.31185/eduj.vol1.iss40.1568.

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The present research features the method which we call linguohistoric and which is applied to such narratives as documentary prose – memoirs, biographies, pieces of journalese etc. It purports to collect background information and meaningful facts from real life narrations, observations, descriptions, judgements, opinions, which inescapably contain human-interest, emotive-evaluative tinges, epithets, metaphoric images. Facts accentuated by the observer can only be human-interest: if he were not interested, he would not have placed emphasis on these facts. We believe this background information
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Sinaga, Viola Sondea, and Romel Noverino. "The Analysis of Taboo Words in Euphoria Season 1 Episode: Shook Ones PT. II." JEdu: Journal of English Education 3, no. 1 (2023): 57–62. http://dx.doi.org/10.30998/jedu.v3i1.7547.

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In expressing emotive feelings, people tend to use bad language by uttering taboo words. Although taboo words are considered offensive and are prohibited in society, taboo words are still uttered by some people and are not even censored in movies. This research aims to identify the types of taboo words and to identify the function of taboo words uttered in Euphoria Season 1 Episode: Shook Ones Pt. II. The data of this research are in the form of sentence or dialogue containing taboo words which are found in the transcript of the series. This research applied descriptive qualitative method. The
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Levina, Ella Mikhailovna, Marina Vladimirovna Polovneva, and Ekaterina Mikhailovna Yakimova. "The functional and pragmatic aspect of the use of paraphonation tools in expressing the emotional state of a character in I. S. Turgenev’s novel “Fathers and Sons”." Philology. Issues of Theory and Practice 17, no. 2 (2024): 347–53. http://dx.doi.org/10.30853/phil20240048.

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The aim of the study is to identify the functional and semantic potential of paraphonation tools for representing the emotional state of characters. The paper examines the paraphonation tools that function in I. S. Turgenev’s novel “Fathers and Sons”: verbs of speech action that have a semantic potential for expressing emotional states; specifiers complementing verbs that do not have an emotive seme in the lexical meaning; figurative names such as epithets and metaphors. The authors emphasize that the functional and semantic potential of paraphonation tools is fully precisely in the context, w
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Artemova, Lyudmila. "INTENSIFICATORS AS PRAGMATIC POTENTIAL MARKERS OF SPANISH AUTHOR ARTICLES." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 40 (2021): 68–80. http://dx.doi.org/10.17721/2663-6530.2021.40.08.

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This article treats the investigation of language means of pragmatic component intensification of Spanish author column. We define these means as intensificators, which are used to carry out the author’s pragmatic aim, which is to underline the influence on the addressant, activating the expressive (evaluating and emotive) dominant of expression. Those can be lexical units that form ascendent and descendent gradations. Also, they can be “inner intensificators”, to be exact marked with expressiveness as for their semantic meaning lexical items. The particular attention is paid as well to the de
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Lelet, I. O. "EPITHETS AS A MEANS OF THE PERSONAGE’S EMOTIONAL STATE REPRESENTATION IN THE TEXTS OF ENGLISH FICTIONAL WORKS." Writings in Romance-Germanic Philology, no. 1(48) (July 5, 2022): 67–72. http://dx.doi.org/10.18524/2307-4604.2022.1(48).259811.

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The aim of the present research is to analyse in detail and describe functioning of such lexical stylistic means as epithet used to nominate the personage’s emotional state in the texts of English fictional works. The research has been done within the framework of functional linguistics, namely, text linguistics. The established aim implies finding solutions to a number of tasks: 1. to analyse the peculiarities of usage of metaphorical epithet; 2. to describe the means of intensification used to increase expressiveness of epithets; 3. to define the characteristic features of epithets formed wi
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Tislenkova, I. A. "Discursive characteristics of negative manipulative communicative demonstrativeness." Vestnik of Samara University. History, pedagogics, philology 30, no. 1 (2024): 167–74. http://dx.doi.org/10.18287/2542-0445-2024-30-1-167-174.

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The article is devoted to the concept definition of negative manipulative communicative demonstrativeness and the identification its implementation means in speech. In the course of the work, the interdisciplinary approach and the method of psycholinguistic analysis of the communicants’ speech output were used. The material for the analysis was the characters’ statements from Russian literature of the XIX century. It is established that the negative manipulative communicative demonstrativeness is a tonality of communication characterized by exaggerated negative self-presentation in the process
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Oynotkinova, Nadezhda R. "Genre features of Altai lullabies." Sibirskiy filologicheskiy zhurnal, no. 2 (2025): 9–22. https://doi.org/10.17223/18137083/91/1.

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This paper identifies the semantic and pragmatic features of Altai lullabies. Through linguostylistic and functional lenses, this work investigates folklore genres, connecting their linguistic features and content to their communicative roles and explaining these features based on their intended function. Analysis of the linguistic style and function of Altai lullabies has revealed the following genre characteristics. The structure of lullabies employs poetic text in the form of syntactic parallelism, characterized by isosyllabism, equisyllabicity, and initial rhyme. Lullabies primarily serve
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Dolgusheva, Olga. "Linguo-Stylistic Means Prevailing in the Presentation of the Horror Atmosphere in Short Stories by Edgar A. Poe and Mykola Hohol." Studia Philologica 2, no. 15 (2020): 60–69. http://dx.doi.org/10.28925/2311-2425.2021.158.

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The paper addresses the issue of stylistic devices and textual means of creating an atmosphere of horror in the emotive prose of Edgar Poe and Mykola Hohol. The annotated paper is acute as little scholarly attention has been paid to the linguistic matter of presenting the category of horror by both writers while the literary perspective of academic studies of Е.Poe’s and M.Hohol’s writings has evidenced a number of researches, comparative ones including. The category of horror acquires a number of poetic manifestations with both authors: within the set of characters, space and atmosphere desig
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Dissertations / Theses on the topic "Emotive epithets"

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Маркова, Ольга Іванівна, Ольга Ивановна Маркова та Olha Ivanivna Markova. "Засоби образної мовної експлікації концепту патріотизм у текстах газет "День", "Дзеркало тижня"". Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/64704.

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Стаття присвячена аналізу епітетних та метафоричних структур – експлікаторів концепту ПАТРІОТИЗМ. Загострюючи увагу читача на конкретній частині періодичного тексту газет «Дзеркало тижня», «День», вони максимально посилюють вплив на формування та зміну мовної картини світу читацької аудиторії.<br>The article contains analysis of epithet and metaphorical structures – the explicators of the PATRIOTISM concept. Aptly drawing attention of the readers to the particular part of the periodic text of the «Dzerkalo tyzhnya», «Den» newspapers, they increase the maximum impact on the formation and
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Book chapters on the topic "Emotive epithets"

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Carr, Annemarie Weyl. "Epithet and Emotion." In Managing Emotion in Byzantium. Routledge, 2022. http://dx.doi.org/10.4324/9780203710661-6.

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Nesbitt, Eleanor. "Deg Tegh Fateh: Metal as Material and Metaphor in Sikh Tradition." In Soulless Matter, Seats of Energy: Metals, Gems and Minerals in South Asian Traditions. Equinox Publishing, 2016. http://dx.doi.org/10.1558/equinox.29657.

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Today’s Khalsa (nucleus of Sikhs committed to a shared discipline) is a complex of several strands of tradition, each represented vigorously among globally connected Sikh youth. Iron holds a central place in two of these – the Akhand Kirtani Jatha and the Nihangs. Thus, the Akhand Kirtani Jatha’s code of discipline requires the maintenance of sarab loh (literally ‘all iron’), in other words the practice of only using utensils that are made of iron and of only eating from an iron thali (tray, platter). In the case of the Nihangs, their distinctiveness involves a prominent respect for weaponry:
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