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Journal articles on the topic 'Emperor Huizong'

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1

Dunstan, Helen. "Emperor Huizong." Asian Studies Review 39, no. 4 (2014): 686–87. http://dx.doi.org/10.1080/10357823.2014.979752.

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2

Levine, Ari Daniel. "Patricia Buckley Ebrey. Emperor Huizong." American Historical Review 120, no. 2 (2015): 592–93. http://dx.doi.org/10.1093/ahr/120.2.592.

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3

Hu, Yongguang. "Emperor Huizong by Patricia Buckley Ebrey." Journal of Song-Yuan Studies 45, no. 1 (2015): 397–402. http://dx.doi.org/10.1353/sys.2015.0013.

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4

Murck, Alfreda. "Emperor Huizong by Patricia Buckley Ebrey." Harvard Journal of Asiatic Studies 75, no. 1 (2015): 169–78. http://dx.doi.org/10.1353/jas.2015.0001.

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5

Bickford, Maggie. "Emperor Huizong and the Aesthetic of Agency." Archives of Asian Art 53, no. 1 (2003): 71–104. http://dx.doi.org/10.1484/aaa.2003.0005.

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6

Ping, Foong. "Accumulating Culture: The Collections of Emperor Huizong." Harvard Journal of Asiatic Studies 71, no. 2 (2011): 409–21. http://dx.doi.org/10.1353/jas.2011.0023.

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7

Gyss, Caroline. "Accumulating Culture. The Collections of Emperor Huizong." T'oung Pao 97, no. 4-5 (2011): 397–403. http://dx.doi.org/10.1163/156853211x613972.

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8

Roslyn Lee Hammers. "Accumulating Culture: The Collections of Emperor Huizong (review)." China Review International 16, no. 1 (2009): 98–100. http://dx.doi.org/10.1353/cri.2009.0014.

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9

Kozhukhov, A. lexander Yu. "Periodization of the Northern Song Emperor Huizong’s Reign (1100–1126)." China: society and culture 1, no. 1 (2022): 103–14. http://dx.doi.org/10.17816/ch81806.

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This article is devoted to the reign of the de facto last Emperor of the Northern Song, Huizong. In particular, it deals with the question of how the periodization of the reign, based on mottos that were declared during the reign of the Emperor coincides with the theoretical periodization, based on the model of political struggle, as well as the question of whether the mottos of the reign can be considered as political institutions that include an official announcement of a change of political course. The dynamics of internal political processes, based on the analysis of the corresponding chap
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10

Pang, Huiping. "Strange Weather: Art, Politics, and Climate Change at the Court of Northern Song Emperor Huizong." Journal of Song-Yuan Studies 39, no. 1 (2009): 1–41. http://dx.doi.org/10.1353/sys.0.0001.

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11

Hu, Zihan. "Allying with the Jin to Subjugate the Liao: Decision-Making and Demise of the Northern Song State, 1120-1127." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 2278–86. http://dx.doi.org/10.54097/ehss.v8i.4705.

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From 1005 AD to 1120 AD, the Chinese Song Empire (960 AD —1179 AD) and its northern neighbor, the Khitan Liao Empire (907 AD —1125 AD), maintained an unprecedented friendship due to the Treaty of Chanyuan signed in 1004 AD. However, in 1120 AD, the Song decided to ally with the Jurchen Jin, a newly rising power in Northeast China, in an attempt to subjugate the Liao and recover the Sixteen Prefectures (modern-day Beijing, Hebei, Shanxi, and Tianjin), a Liao territory inhabited by Han Chinese. This decision, later known as Allying with the Jin, was seen as not only a betrayal of the friendship
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12

Clunas, Craig. "Emperor Huizong. By Patricia Buckley Ebrey. (Cambridge, MA: Harvard University Press, 2014. Pp. xxix, 661. $45.00.)." Historian 78, no. 2 (2016): 364–65. http://dx.doi.org/10.1111/hisn.12203.

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13

Lau, Nap-Yin. "Emperor Huizong. By Patricia Buckley Ebrey. Cambridge, Mass.: Harvard University Press, 2014. xxx, 661 pp. $45.00 (cloth)." Journal of Asian Studies 74, no. 1 (2015): 188–89. http://dx.doi.org/10.1017/s0021911814001806.

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14

Christian de Pee. "Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics (review)." China Review International 14, no. 2 (2008): 417–23. http://dx.doi.org/10.1353/cri.0.0100.

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Murck, Alfreda. "Accumulating Culture: The Collections of Emperor Huizong. By Patricia Buckley Ebrey. Seattle: University of Washington Press, 2009. xxii, 495 pp. $65.00 (cloth)." Journal of Asian Studies 69, no. 1 (2010): 210–12. http://dx.doi.org/10.1017/s0021911809991938.

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16

Weerdt, Hilde De. "Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics, edited by Patricia Buckley Ebrey and Maggie Bickford." Chinese Historical Review 14, no. 2 (2007): 310–13. http://dx.doi.org/10.1179/tcr.2007.14.2.310.

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17

Kirkland, Russell. "Emperor Huizong and Late Northern Song China: the Politics of Culture and the Culture of Politics ? Edited by Patricia Buckley Ebrey and Maggie Bickford." Religious Studies Review 33, no. 1 (2007): 85. http://dx.doi.org/10.1111/j.1748-0922.2007.00157_2.x.

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18

Gerritsen, Anne. "Patricia Buckley Ebrey, Emperor Huizong. Cambridge, Mass.: Harvard University Press, 2014. xxix, 661 pp. Bibliography, Index, Plates. US$ 47.50 (HB). ISBN 978-0-674-72525-6." Monumenta Serica 65, no. 1 (2017): 236–39. http://dx.doi.org/10.1080/02549948.2017.1309150.

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19

Yu, Ding-ching. "도성육신의 신격비교A Comparison of the Incarnations of Two Godheads: Gucheon Sangje (Kang Jeungsan) of Daesoon Jinrihoe and Chengsheng Dadi (Emperor Huizong) of Daoism During the Northern Song". Journal of Daesoon Academy of Sciences 36 (грудень 2020): 299–331. http://dx.doi.org/10.25050/jdaos.2020.36.0.299.

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20

Levine, Ari Daniel. "Stages of Decline." Medieval History Journal 17, no. 2 (2014): 337–78. http://dx.doi.org/10.1177/0971945814545007.

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After the fall of the Northern Song [Formula: see text] (960–1127) capital of Kaifeng [Formula: see text] to Jurchen invaders in 1127, diasporic literati of the Southern Song dynasty [Formula: see text] (1127–1279) recreated and revisited its lost sites through textual commemoration, especially in memorabilia literature (biji [Formula: see text], lit. ‘brush notes’). As knowledge of the city passed from communicative memory into cultural memory, its decline and destruction became the focus of nostalgia and indignation for Yue Ke [Formula: see text] (1183–1234), the author of the Pillar Histori
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21

ZHANG, Qiaoxia. "醫學倫理思想在《聖濟經》中的體現". International Journal of Chinese & Comparative Philosophy of Medicine 12, № 1 (2014): 55–66. http://dx.doi.org/10.24112/ijccpm.121556.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English.宋代政治、經濟、科技、哲學、風尚等諸多因素促進了醫藥學的發達與繁榮。《聖濟經》猶如宋代醫藥學百花園中一朵瑰麗的奇葩,為後人從醫理到實踐提供了寶貴的資料。《聖濟經》(10卷,分42 篇,注重理論)同《政和聖濟總錄》(亦稱《聖濟總錄》,醫學百科,200 卷,分66 門,闡述病因、病理及醫治藥方)都是由宋徽宗趙佶(1082-1135) 親自主持編纂的醫學大作。《聖濟經》除了確立儒家的綱常倫理之外,更在本體宇宙論的氣論框架下構建了道家身心平和的基本醫學原理。《聖濟經》所體現的醫學倫理思想,如“陰陽合而夫婦正”、“五行有殊相”、 “氣者生之元也”、“子之在母”、 “去邪輔正,以平為期”等,突出表現了儒道相容的陰陽觀、五行觀、整體觀和辯證觀,同時展現了宋代獨特的政治生態和文化特徵。According to Chinese medical history, the Shengjijing (Canon of Sagely Benefaction) was commissioned by Emperor Huizong (1100-1125) of the Song Dynasty. It is usually compared with another great
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22

Meissner, Daniel J. "Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics. Edited by Patricia Buckley Ebrey and Maggie Bickford. (Cambridge, Mass.: Harvard University Press, 2006. Pp. v, 625. $59.95.)." Historian 70, no. 2 (2008): 358–59. http://dx.doi.org/10.1111/j.1540-6563.2008.00213_38.x.

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23

Halperin, Mark. "Patricia Buckley Ebrey and Maggie Bickford (eds): Emperor Huizong and Late Northern Song China: The Politics of Culture and the Culture of Politics. (Harvard East Asian Monographs.) xx, 625 pp. Cambridge, MA and London: Harvard University East Asia Center, 2006. £38.95. ISBN 978 0 674 02127 3." Bulletin of the School of Oriental and African Studies 71, no. 1 (2008): 151–53. http://dx.doi.org/10.1017/s0041977x08000335.

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24

"Emperor Huizong." Choice Reviews Online 51, no. 09 (2014): 51–5172. http://dx.doi.org/10.5860/choice.51-5172.

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25

蕭, 振豪. "緑萼承趺玉蘂輕:姜夔《疏影》詞旨新論". 人文中國學報, 1 травня 2021, 231–59. http://dx.doi.org/10.24112/sinohumanitas.321997.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English.
 《疏影》的詞旨向無定解,較爲主流的政治説仍有缺陷。本文指出《疏影》所詠的梅花品種,並非前人研究所舉引的古梅而是緑萼梅,故詞中著重渲染和緑色相關的事物。修建於宣和四年(1122)的艮嶽是北宋最大型的皇家園林,其萼緑華堂種植了數以萬計的緑萼梅,象徵了北宋的記憶和命脈,以姜夔《疏影》爲首的詠緑萼梅之作,無不以緑萼梅塑造宋室偏安的孤寂情態。本文從緑萼梅出發,重新討論《疏影》與徽欽二帝的關係,並指出緑袖佳人與王昭君的典故,又見於姜夔和范成大圈子的詩人;姜夔藉緑萼梅象徵宋室命脈,並呼籲時人努力維護南宋。《疏影》所用的典故成爲了後人詠緑萼梅的固定意象,然而緑萼梅與宋皇朝的關係卻逐漸被人遺忘。
 The theme of “Dappled Shadows” (“Shuying”), a ci-poem by Jiang Kui (1155-1221), has long been the subject of dispute in relevant scholarship. This paper contends that the relatively mainstream political readings have not satisf
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