Relevant bibliographies by topics / Emperor of the French Napoleon I

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  1. Dissertations / Theses

Academic literature on the topic 'Emperor of the French Napoleon I'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Dissertations / Theses on the topic "Emperor of the French Napoleon I"

1

Smith, Eric C. "A Pre-professional Institution: Napoleon’s Marshalate and the Defeat of 1813." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699890/.

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Napoleon’s defeat in 1813 generates a number of explanations from historians regarding why he lost this epic campaign which ultimately resulted in France losing control over the German states. Scholars discussing the French marshalate of the Napoleonic era frequently assert that these generals could not win battles without the emperor present. Accustomed to assuming a subordinate role under Bonaparte’s direct supervision, these commanders faltered when deprived of the strong hand of the master. This thesis contributes to this historiographical argument by positing that the pre-professional
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2

Marí, Company Francesc. "Napoleón Bonaparte y el cine: una interpretación histórica." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397671.

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Cada vez más todas las ciencias se están viendo sujetas a una evolución técnica, inevitable en los tiempos que corren, entre estos avances se incluyen las fuentes audiovisuales. Desde hace ya algún tiempo las ciencias humanas que habían permanecido bajo la protección de las fuentes escritas, sean registros y documentación históricos, o bien trabajos de investigación y divulgación de autores contemporáneos, parecía que estas ciencias seguirían un camino tradicional, pero se han visto complementadas e, incluso, fundamentadas en las fuentes audiovisuales, entre ellas el cine. El conocido como
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3

Knels, Eva Maria. "Le Salon et la scène artistique à Paris sous Napoléon I. Politique artistique – Stratégies d’artistes – Échos internationaux." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040065.

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Cette thèse de doctorat se propose d’étudier les Salons sous l’ère napoléonienne, connus surtout pour le rôle important qu’ils jouèrent dans le cadre de l’instrumentalisation politique de l’art contemporain. Ainsi, après 1799, le Salon devint rapidement un important outil de la vaste politique culturelle du Consulat et de l’Empire, qui servit à représenter de manière symbolique le système politique. Face à ce changement radical du Salon et de sa politique artistique, les artistes, eux aussi, ont dû se positionner et s’adapter aux nouvelles structures politiques et administratives, tout en réag
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4

Adams, Alissa Rachel. "The emperor is dead, long live the emperor: Paul Delaroche's portraits of Napoleon and popular print culture." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2431.

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This master's thesis seeks to dispel the myth that nineteenth century painter Paul Delaroche's art was either apolitical or politically conservative. Through an examination of Delaroche's portraits of the late Napoleon I in conjunction with contemporary napoleonic prints, one finds that Delaroche was, indeed, deeply involved with contemporary politics. A close examination of his portraits shows that this involvement manifested itself in support for both the Cult of Napoleon and for the Bonapartist party.
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Adams, Alissa R. "French depictions of Napoleon I's resurrection (1821-1848)." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/3236.

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Despite the inherently multivalent nature of images of Napoleon Bonaparte created during the middle of the nineteenth century, scholars often employ only one lens to interpret them: the political context of the age in which they were created. In doing so, they effectively separate these images from the wider art historical narrative. A second—and equally fraught—effect of this tendency is the perpetuation of dominant assumptions that the popularity of his image was due to his status as a “Great Man.” This dissertation examines a subset of mid-century Napoleonic imagery that demonstrates the fl
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6

Shaw, Matthew John. "Time and the French Revolution 1789 - year XIV." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.313766.

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7

McCain, Stewart N. "The langauge question under Napoleon." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:610a14d5-a7fc-4842-996a-ab3bc7e6b334.

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From the campaign waged by Revolutionaries like Barère and the Abbé Grégoire against those regional languages they referred to pejoratively as 'patois', to the educational policies of Jules Ferry a century later, successive governments of France engaged in a broadly successful struggle to force the French to speak French. Inverting the logic of cultural nationalists like Herder, who claimed a shared language as the legitimate basis of national polities, French legislators sought to impose French as a common language on a linguistically diverse population that had already b
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8

Hanley, Wayne. "The genesis of Napoleonic propaganda, 1796 to 1799 /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924886.

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9

Varlan, Olivier. "Armand-Louis de Caulaincourt, duc de Vicenze (1773-1827). Étude d’une carrière diplomatique sous le Premier Empire, de la cour de Napoléon au ministère des Relations extérieures." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040252.

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Officier de cavalerie originaire de la noblesse picarde, Armand de Caulaincourt (1773-1827) gravit rapidement tous les échelons de la cour consulaire puis impériale, devenant en 1804 grand-écuyer de l’Empire. Mais, malgré l’importance de ses fonctions curiales, Napoléon le destine à une carrière de diplomate. Après différentes missions, il le nomme ambassadeur de France en Russie, à la fin de l’année 1807. Fervent partisan de l’alliance de Tilsit, Caulaincourt participe à toutes les grandes négociations franco-russes mais doit assister à la lente dégradation des relations entre les deux empire
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10

Ross, Monique Deidre. "The development and evolution of Parisian fashion supremacy from François I to Napoleon III." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1999. http://digitalcommons.auctr.edu/dissertations/2139.

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This thesis charts the development of Parisian fashion supremacy, dating from the 16th century reign of François I to the eventual establishment of haute couture in the 19th century. Via a century-by-century analysis, key individuals who contributed to the development of fashion dominance and haute couture are highlighted. This analysis is composed of three chapters and a conclusion. The first chapter concentrates on the sixteenth and seventeenth centuries, identifying François I and Louis XIV as central personalities who influenced French fashion supremacy during their respective eras. This c
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