Relevant bibliographies by topics / Emperors in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Emperors in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Emperors in art"

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Snežana, Filipova. "Notes About the Commemoration of the Powerful Menin the Medieval Art in Macedonia." European Journal of Interdisciplinary Studies 2, no. 1 (2016): 68. http://dx.doi.org/10.26417/ejis.v2i1.p68-73.

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Rulers’ portraits as symbols of the institution of monarchy were used on coins, legal acts and seals, as a guarantee of authenticity and legal effectiveness. They are usually the highest category of propaganda images. Each civilization has the praxis of representing to a certain extent real or “beatified” image or portrait of the emperor. By adding various symbols of power, like crowns, caps, beard, throne, supendium, chariot, and number of the animals driving it, we are directly observing the image of the most powerful representatives of people, nations, states, empires, era, usually blessed
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Snežana, Filipova. "Notes About the Commemoration of the Powerful Menin the Medieval Art in Macedonia." European Journal of Interdisciplinary Studies 4, no. 1 (2016): 68. http://dx.doi.org/10.26417/ejis.v4i1.p68-73.

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Rulers’ portraits as symbols of the institution of monarchy were used on coins, legal acts and seals, as a guarantee of authenticity and legal effectiveness. They are usually the highest category of propaganda images. Each civilization has the praxis of representing to a certain extent real or “beatified” image or portrait of the emperor. By adding various symbols of power, like crowns, caps, beard, throne, supendium, chariot, and number of the animals driving it, we are directly observing the image of the most powerful representatives of people, nations, states, empires, era, usually blessed
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Wang, Cheng-hua. "One Painting, Two Emperors, and Their Cultural Agendas." Archives of Asian Art 70, no. 1 (2020): 85–117. http://dx.doi.org/10.1215/00666637-8124988.

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Abstract This research focuses on one of the most famous paintings made at the court of the Qing dynasty (1644–1911)—Qingming shanghe (Up the River during Qingming). Commissioned by the Yongzheng emperor (r. 1723–1735) and completed in the second year of the Qianlong emperor's reign (1736–1795), the painting is a rare example of Qing court art that reveals how Qianlong furthered his father's artistic vision while formulating his own in the first fifteen years of his long tenure as ruler. This vision involved how to reinterpret and reinvent the Chinese painting tradition through time-honored th
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Konopatkin, Vladislav A. "The Image of Victory and Representation of the Power of Roman Emperors in the 5th Century." Herald of Omsk University Series Historical Studies 11, no. 4 (44) (2024): 7. https://doi.org/10.24147/2312-1300.2024.11(4).7-12.

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The Roman emperor was traditionally presented as the victor. In this regard, he was always accompanied by the image of Victoria. However, in the fifth century, the role of the emperors underwent a transformation, acquiring a more secular and ecclesiastical character. Augustus, for instance, no longer resided at the location of the army, with the command being assumed by the magistri militum. Instead, the emperor only appeared in the capital as a pious monarch, devoting his time to prayer. Nevertheless, in popular art produced outside the capital cities, Augustus was depicted as the eternal vic
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Anagnostou Laoutides, Eva. "Miracles of Technology and Art: Ancient Religious Aesthetics and Byzantine Iconoclasm." De Medio Aevo 13, no. 2 (2024): 365–93. http://dx.doi.org/10.5209/dmae.97637.

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This article explores the role of technology in arousing religious awe from classical antiquity to the time of Emperor Theophilos. People’s fascination with technology ensured that this trend, increasingly popular in Greco-Roman religious festivals from the Hellenistic period onwards, gained pace among Christians after an initial period of rejecting pagan religious aesthetics. Technology was highly prised by both pagan and Christian rulers who typically sought to impress their subjects by displaying the technology available at their disposal. However, while the emperors’ reliance on technology
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Mishra, Om Prakash, and Neha Tyagi. "An Analytic Study of Mughal Emperors and Their Achievements." Journal Global Values XV, no. 1 (2024): 84–91. https://doi.org/10.31995/jgv.2024.v15i01.011.

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The Mughal Empire, spanning from the early 16th to the mid-19th century, stands as one of the most influential and culturally rich periods in the history of South Asia. At its Zenith, the Mughal Empire encompassed vast territories, from present-day Afghanistan to Bangladesh, and its emperors presided over a flourishing civilization marked by remarkable achievements in art, architecture, literature, and governance. Central to this cultural renaissance was the patronage of the arts by Mughal emperors, whose enlightened rule fostered an environment conducive to artistic creativity and innovation.
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Smirnova, Ekaterina. "Roman Emperors in Dostoevsky’s Calligraphic Notes to The Idiot." Неизвестный Достоевский 7, no. 4 (2020): 177–207. http://dx.doi.org/10.15393/j10.art.2020.4994.

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The article focuses on clarifying the role of names of Roman emperors in Dostoevsky’s calligraphic records in his notebooks of the late 1860s (Russian State Archive of Literature and Art. Funds 212.1.6 and 212.1.7). One of the reasons for Fedor Dostoevsky’s invocation of images and themes from Roman history was the idea characteristic of the educated class of the mid-19th century, namely, that the history of Rome is a model of virtues and example of vices and atrocities, and is therefore essential to everyone who is not indifferent to the fate of humankind. Since the writer’s creative reflecti
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Karev, Andrey А. "Archival notes on fine art." Rossijskaâ istoriâ, no. 5 (December 29, 2024): 201–5. https://doi.org/10.31857/s2949124x24050145.

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The book was written by M.V. Sidorova, an experienced archival curator, researcher and curator of exhibitions of exhibits from the funds of the State Archive of the Russian Federation. Based on these materials on a thematic basis, the monograph includes chapters on the life and work of emperors and members of the royal family, on gendarmes, as well as on fine art at the imperial court of the 19th century. The review focuses on the assessment of the pictorial materials presented in the third chapter and their role in the activities and lives of representatives of the imperial family.
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ZAKHAROVA, Oksana. "Art in the diplomacy of the XIX century. Emperors – diplomats." Humanities science current issues 1, no. 44 (2021): 79–83. http://dx.doi.org/10.24919/2308-4863/44-1-11.

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Surayeva, N. G. "FROM THE HISTORY OF THE FORMATION OF THE IMPERIAL ACADEMY OF PAINTING IN CHINA." Arts education and science 1, no. 3 (2021): 83–93. http://dx.doi.org/10.36871/hon.202103011.

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Court painting in China has evolved over the millennia. With the advent of each new dynasty, the artistic institution at the emperor's court changed its location and name, and so did the status of artists. Fine art and its genre content depended entirely on the emperors' preferences. This article attempts to present a holistic picture of the reformation of the artistic structure at the imperial court at different historical stages, from the Shang dynasty (1600–1046 BC) to the reign of the Qing dynasty (1616–1911). The work presents the artistic structure of China and identifies its leading rep
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Dissertations / Theses on the topic "Emperors in art"

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Cobby, Rebecca. "'Emperors of masculinity' : representing African American men in black visual art." Thesis, University of Nottingham, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555795.

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This thesis examines the ways in which black visual artists Roy DeCarava, Gordon Parks, Jean-Michel Basquiat and David Hammons visually represent African American men. By looking at their various representations of workers, enslaved men, sportsmen, musicians and politicians in relation to a legacy of negative and positive stereotypes of black masculinity in the United States, I argue that these artists resist limited, polarised notions of African American male identity in order to create new visions that are defined by complexity, ambiguity and creativity. Spanning a time period from the early
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Churchill, Neil. "Depictions of power in the imperial art of the early Macedonian Emperors : Basil I, Leo VI and Alexander." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/60892/.

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The last comprehensive study of Byzantine imperial art was published in 1936 and there have been surprisingly few investigations of the art of the Macedonian Dynasty, despite their reputation as active propagandists. Most studies of imperial art have taken a centuries-long perspective, identifying major patterns but overlooking choices made by or on behalf of individual emperors. This thesis considers imperial in the reigns of the first three Macedonain Emperors: Basil (867 - 886) and his sons Leo (886 - 912) and Alexander (912 - 913). It seeks to understand how they constructed images of thei
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Wetzel, Julia L. "The Making of a Princeps: Imperial Virtues in Monumental Propaganda." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707382/.

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This thesis demonstrates key imperial virtues communicated on Roman Imperial triumphal monuments. A closer examination of monuments located in Rome reveals the presentation of personality traits such as military valor, piety, and mercy through symbolism, nature scenes, and personifications of abstract qualities. Each monument is dedicated to an emperor and exemplifies his virtues. The representation of imperial virtues conveys an emperor's worth to the public by communicating his better qualities. Architecture and coin evidence served as media to convey an emperor's qualities to the public and
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Hobbold, Susanne. "Das Bild des Mars Untersuchung zum römischen Kriegsgott /." Bonn : Rheinischen-Friedrich-Wilhelms Universität, 1995. http://catalog.hathitrust.org/api/volumes/oclc/36578518.html.

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Nassif, Charbel. "L'œuvre du peintre alépin Youssef Al-Musawwer. Contribution à l'essor de la peinture religieuse melkite au XVIIe siècle." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040051.

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Le prêtre Youssef Al-Musawwer est un peintre melkite alépin du XVIIe siècle qui aurait été initié à la peinture postbyzantine à l’étranger dans une région grecque qui demeure difficile à identifier. Il est le chef d’une descendance de peintres qui s’est poursuivie sans discontinuité jusqu’à la fin du XVIIIe siècle. Son œuvre s’inscrit dans le cadre de la renaissance littéraire du patriarcat melkite d’Antioche. Il était à la fois traducteur, copiste, miniaturiste et peintre d’icônes. Nous comptons dix-sept icônes et cinq manuscrits enluminés de Youssef Al-Musawwer. Notre étude a démontré l’atta
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Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man
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Adams, Alissa Rachel. "The emperor is dead, long live the emperor: Paul Delaroche's portraits of Napoleon and popular print culture." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2431.

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This master's thesis seeks to dispel the myth that nineteenth century painter Paul Delaroche's art was either apolitical or politically conservative. Through an examination of Delaroche's portraits of the late Napoleon I in conjunction with contemporary napoleonic prints, one finds that Delaroche was, indeed, deeply involved with contemporary politics. A close examination of his portraits shows that this involvement manifested itself in support for both the Cult of Napoleon and for the Bonapartist party.
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Burrell, Barbara. "Neokoroi : Greek cities and Roman emperors /." Leiden ; Boston (Mass.) : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb39078101m.

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Darwall-Smith, Robin Haydon. "Emperors and architecture : a study of Flavian Rome /." Bruxelles : Latomus, revue d'études latines, 1996. http://catalogue.bnf.fr/ark:/12148/cb37672055k.

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Wehmeier, Jennifer ML. "Constructing a pantheon of allies princely portraits and all'antica palace decorations in Renaissance Italy during the reign of Holy Roman Emperor Charles V /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610113721&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Books on the topic "Emperors in art"

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Rydberg, Viktor. Romerske kejsare i marmor. Minerva, 1988.

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Vidya, Dehejia, Pierpont Morgan Library, and Los Angeles County Museum of Art., eds. From merchants to emperors: British artists and India, 1757-1930. Cornell University Press, 1986.

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Till, Barry. Chinese jade: Stone for the emperors. Art Gallery of Greater Victoria, 1986.

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de, Blaauw Sible, ed. Rome, de droom van keizer Constantijn: Kunstschatten uit de eeuwige stad. WBOOKS, 2015.

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Kikakukyoku, Asahi Shinbunsha Bunka, and Hakuhōdō, eds. Tō kōtei kara no okurimono: Gifts of the Tang emperors : hidden treasures from the Famen Temple. Niigata Kenritsu Kindai Bijutsukan, 1999.

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Iijima, Yōichi. Ō no shintai toshi: Shōwa Tennō no jidai to kenchiku. Seidosha, 1996.

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Angela, Donati, and Gentili Giovanni, eds. Costantino il grande: La civiltà antica al bivio tra Occidente e Oriente. Silvana, 2005.

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Angela, Donati, and Gentili Giovanni, eds. Costantino il grande: La civiltà antica al bivio tra Occidente e Oriente. Silvana, 2005.

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Museum, British, ed. Hadrian: Empire and conflict. British Museum Press, 2008.

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Opper, Thorsten. Hadrian: Empire and conflict. British Museum Press, 2008.

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Book chapters on the topic "Emperors in art"

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Jang, Scarlett. "Emperors, Palace Eunuchs, and the Imperial Art Collection." In Art, Politics, and Palace Eunuchs in Ming China, 1368–1644. Routledge, 2025. https://doi.org/10.4324/9781003294757-6.

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Masaaki, Itakura. "The Imperial Treasures of the Shōsōin and the Collections of the Tang Emperors." In East Asian Art History in a Transnational Context. Routledge, 2019. http://dx.doi.org/10.4324/9781351061902-3.

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Hecker, Sharon. "Medardo Rosso's The Emperor Vitellius." In Posthumous Art, Law and the Art Market. Routledge, 2022. http://dx.doi.org/10.4324/9781003185697-17.

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Blofeld, John. "The Emperor Hui Tsung's Treatise on Tea." In The Chinese Art of Tea. Routledge, 2022. http://dx.doi.org/10.4324/9781003130871-2.

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Kwon, Heangga. "Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography." In Interpreting Modernism in Korean Art. Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-8.

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Mirra, Carl. "The Emperor’s New Clothes are Accounting Straitjackets." In High-Need Schools. SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-705-4_1.

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Johnson, Dawn, and Richard Bennett. "Isn't ACT just another case of ‘the emperor's new clothes’?" In Acceptance and Commitment Therapy. Routledge, 2023. http://dx.doi.org/10.4324/9781003364993-50.

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"List Of Roman Emperors." In Art in the Roman Empire. Routledge, 2013. http://dx.doi.org/10.4324/9780203714119-31.

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"I. The Naked Emperors' Club." In The Art of the Possible: Diplomatic Alternatives in the Middle East. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868384-003.

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"Appendix 1: Emperors and Reigning Empresses." In Art and Palace Politics in Early Modern Japan, 1580s-1680s. BRILL, 2011. http://dx.doi.org/10.1163/9789004211261_013.

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Conference papers on the topic "Emperors in art"

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liu, xixi, wenting li, and jie he. "Research on the application of digital image restoration technology in art appreciation teaching: taking the reconstruction of missing figures in Yan Liben's Emperor Taizong Receiving the Tibetan Envoy as an example." In Third Asia Conference on Computer Vision, Image Processing and Pattern Recognition (CVIPPR 2025), edited by Lei Chen. SPIE, 2025. https://doi.org/10.1117/12.3076616.

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Xu, Xinghua. "Religious policy of the Song dynasty emperors." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.289.

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Han, Sherman. "Emperor Kangxi’s Poetry on Taiwan." In – The Kyoto Conference on Arts, Media & Culture 2020. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2436-0503.2021.9.

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Ding, Shuyue. "The Music Complex of Emperor Yang of Sui Dynasty." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.119.

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., Pragati. "Emperor Jahangir’s Methods of Observation and Approaches to Investigating Natural History: Insights from the Tuzuk-i-Jahangir." In 6th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. https://doi.org/10.62422/978-81-970328-4-4-024.

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The “Tuzuk-i-Jahangir,” also known as the “Memoirs of Jahangir,” is a remarkable autobiography of Emperor Jahangir, the fourth Mughal emperor of India. His fascination with the natural world was evident throughout his memoirs. This memoir serves as a valuable historical document, offering insights into a wide range of topics, including information on plants and animals, natural phenomena such as the appearance of meteors, description of medical interests, and more. What distinguishes Jahangir’s memoirs is their exceptional accuracy, meticulous observations, and originality. Jahangir followed a
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Xiaotian, Bai. "Emperor Wu of the Han Dynasty and the Jiao Di Opera." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.148.

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Xie, Mei. "Ethical Identities and Ethical Teaching Implication in “Emperor Jones”." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.004.

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Juan, Wang. "A Review of the Current Research on the Translation of Emperor Internal Chinese Medicine." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.111.

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Shu, Yunchao, Sune Nielsen, Jerzy Blusztajn, Maureen Auro, and Gerhard Wörner. "Thallium Isotopes as Tracers of Subducted Hawaii-Emperor Ridge in Kamchatka Arc Lavas." In Goldschmidt2020. Geochemical Society, 2020. http://dx.doi.org/10.46427/gold2020.2375.

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Allegranti, Ivan. "THE IMPERIAL DISTRESS: THE VAIN LEGAL ATTEMPTS MADE BY ROMAN EMPERORS TO LIMIT LUXURY IN ROMAN SOCIETY." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s01.017.

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Reports on the topic "Emperors in art"

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Kenes, Bulent. Rupert Murdoch: A Populist Emperor of the Fourth Estate. European Center for Populism Studies (ECPS), 2020. http://dx.doi.org/10.55271/lp0004.

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Rupert Murdoch is probably the most controversial media figure in the world. His career, journalism, and political involvements have been a frequent source of controversy. There are a number of book-length biographies about Murdoch and his role as the world’s most influential and populist media mogul.
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