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Dissertations / Theses on the topic 'Emperors in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Cobby, Rebecca. "'Emperors of masculinity' : representing African American men in black visual art." Thesis, University of Nottingham, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555795.

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This thesis examines the ways in which black visual artists Roy DeCarava, Gordon Parks, Jean-Michel Basquiat and David Hammons visually represent African American men. By looking at their various representations of workers, enslaved men, sportsmen, musicians and politicians in relation to a legacy of negative and positive stereotypes of black masculinity in the United States, I argue that these artists resist limited, polarised notions of African American male identity in order to create new visions that are defined by complexity, ambiguity and creativity. Spanning a time period from the early

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2

Churchill, Neil. "Depictions of power in the imperial art of the early Macedonian Emperors : Basil I, Leo VI and Alexander." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/60892/.

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The last comprehensive study of Byzantine imperial art was published in 1936 and there have been surprisingly few investigations of the art of the Macedonian Dynasty, despite their reputation as active propagandists. Most studies of imperial art have taken a centuries-long perspective, identifying major patterns but overlooking choices made by or on behalf of individual emperors. This thesis considers imperial in the reigns of the first three Macedonain Emperors: Basil (867 - 886) and his sons Leo (886 - 912) and Alexander (912 - 913). It seeks to understand how they constructed images of thei

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3

Wetzel, Julia L. "The Making of a Princeps: Imperial Virtues in Monumental Propaganda." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707382/.

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This thesis demonstrates key imperial virtues communicated on Roman Imperial triumphal monuments. A closer examination of monuments located in Rome reveals the presentation of personality traits such as military valor, piety, and mercy through symbolism, nature scenes, and personifications of abstract qualities. Each monument is dedicated to an emperor and exemplifies his virtues. The representation of imperial virtues conveys an emperor's worth to the public by communicating his better qualities. Architecture and coin evidence served as media to convey an emperor's qualities to the public and

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4

Hobbold, Susanne. "Das Bild des Mars Untersuchung zum römischen Kriegsgott /." Bonn : Rheinischen-Friedrich-Wilhelms Universität, 1995. http://catalog.hathitrust.org/api/volumes/oclc/36578518.html.

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5

Nassif, Charbel. "L'œuvre du peintre alépin Youssef Al-Musawwer. Contribution à l'essor de la peinture religieuse melkite au XVIIe siècle." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040051.

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Le prêtre Youssef Al-Musawwer est un peintre melkite alépin du XVIIe siècle qui aurait été initié à la peinture postbyzantine à l’étranger dans une région grecque qui demeure difficile à identifier. Il est le chef d’une descendance de peintres qui s’est poursuivie sans discontinuité jusqu’à la fin du XVIIIe siècle. Son œuvre s’inscrit dans le cadre de la renaissance littéraire du patriarcat melkite d’Antioche. Il était à la fois traducteur, copiste, miniaturiste et peintre d’icônes. Nous comptons dix-sept icônes et cinq manuscrits enluminés de Youssef Al-Musawwer. Notre étude a démontré l’atta

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6

Franses, Henri. "Portraits of patrons in Byzantine religious manuscripts." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22359.

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Byzantine religious manuscripts were commissioned by people from many levels of society. Several contain portraits of their commissioners, represented together with a holy figure. An analysis of these scenes, examining features such as the holy figures represented and their specific iconographic meaning, and the relation of mortal to divine, reveals many facets of Byzantine art, religion and society. This analysis indicates a major distinction between portraits representing the emperor, and those depicting all other patrons. Non-imperial portraits show deep personal devotion and piety. The man

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7

Adams, Alissa Rachel. "The emperor is dead, long live the emperor: Paul Delaroche's portraits of Napoleon and popular print culture." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2431.

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This master's thesis seeks to dispel the myth that nineteenth century painter Paul Delaroche's art was either apolitical or politically conservative. Through an examination of Delaroche's portraits of the late Napoleon I in conjunction with contemporary napoleonic prints, one finds that Delaroche was, indeed, deeply involved with contemporary politics. A close examination of his portraits shows that this involvement manifested itself in support for both the Cult of Napoleon and for the Bonapartist party.

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8

Burrell, Barbara. "Neokoroi : Greek cities and Roman emperors /." Leiden ; Boston (Mass.) : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb39078101m.

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9

Darwall-Smith, Robin Haydon. "Emperors and architecture : a study of Flavian Rome /." Bruxelles : Latomus, revue d'études latines, 1996. http://catalogue.bnf.fr/ark:/12148/cb37672055k.

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10

Wehmeier, Jennifer ML. "Constructing a pantheon of allies princely portraits and all'antica palace decorations in Renaissance Italy during the reign of Holy Roman Emperor Charles V /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610113721&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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11

Lilly, Marshall. "Companion to the Gods, Friend to the Empire: the Experiences and Education of the Emperor Julian and How It Influenced His Reign 361-363 AD." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699909/.

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This thesis explores the life and reign of Julian the Apostate the man who ruled over the Roman Empire from A.D. 361-363. The study of Julian the Apostate’s reign has historically been eclipsed due to his clash with Christianity. After the murder of his family in 337 by his Christian cousin Constantius, Julian was sent into exile. These emotional experiences would impact his view of the Christian religion for the remainder of his life. Julian did have conflict with the Christians but his main goal in the end was the revival of ancient paganism and the restoration of the Empire back to her glor

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12

Bushnell, Taissa. "Thronis meis binis : validation through history in the court art of Charles IV." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31093.

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Bohemian art of the second half of the fourteenth century is closely associated with the personality of Charles IV, Emperor of the Romans and King of Bohemia (1316--1378). In an effort to legitimize his reign as ruler of the Holy Roman Empire and to raise the profile of his ancestral Bohemian lands, he leaned on the power of history to reveal his heritage as stemming, on one side, from an illustrious line of emperors including Charlemagne, and on the other, from the dynasty of Bohemian sovereigns. He recognized that art could display this legitimization and so implemented a programme of histor

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13

Hauken, Tor. "Petition and response : an epigraphic study of petitions to Roman emperors /." Bergen : Norwegian institute at Athens, 1998. http://catalogue.bnf.fr/ark:/12148/cb38890902w.

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14

Antonopoulou, Theodora. "The homilies of the emperor Leo VI /." Leiden ; New York ; Köln : Brill, 1997. http://catalogue.bnf.fr/ark:/12148/cb369660055.

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15

Rupley, Zachary Scott. "Augustus, Justinian, and the Artistic Transformation of the Roman Emperor." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1863.

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The purpose of this thesis project is to discuss and describe the transformation of the image of Roman Emperor through artistic representation and cultural demonstration. The ultimate goal is to determine why the presentation of the office changed so greatly. I have selected certain works of art depicting the first Roman Emperor, Gaius Octavian Caesar, best known as Augustus, and Justinianus, the greatest Roman Emperor. More than 500 years separates these two men, whose only connection, at first sight, is that both served as Roman Emperor. I will analyze each piece of art, discuss its history,

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16

Barnwell, Paul S. "Emperor, prefects & kings : the Roman West, 395-565 /." London : Duckworth, 1992. http://catalogue.bnf.fr/ark:/12148/cb35572173b.

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17

Remmelink, Willem Gerrit Jan. "Emperor Pakubuwana II, Priyayi & company and the Chinese War /." Leiden : W.G.J. Remmelink, 1990. http://catalogue.bnf.fr/ark:/12148/cb354862639.

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18

Smit, Conradus. "Dissertationem inauguralem de cognominibus Augustalibus sive honorum nominibus provinciisque quae sacro imperatoris Francisci I pii felicis et perpetuo augusti nomini adjiciuntur ac titulos vocant /." Leiden : IDC, 1985. http://catalogue.bnf.fr/ark:/12148/cb37258650v.

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19

Wallinger, Elisabeth. "Die Frauen in der Historia Augusta /." Wien : im Selbstverlag der Österreichischen Gesellschaft für Archäologie, 1990. http://catalogue.bnf.fr/ark:/12148/cb41124001h.

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20

Prostko-Prostyński, Jan Znaniecki Przemysław. "Utraeque res publicae : the emperor Anastasius I's gothic policy, 491-518 /." Poznań : Instytut historii UAM, 1996. http://catalogue.bnf.fr/ark:/12148/cb36179068m.

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21

Grubbs, Judith Evans. "Law and family in late Antiquity : the emperor Constantine's marriage legislation /." Oxford (GB) : Oxford university press, 2003. http://catalogue.bnf.fr/ark:/12148/cb40041584s.

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22

Niavís, Pávlos E. "The reign of the Byzantine Emperor Nicephorus I : (AD 802-811) /." Athens = Athī́na : St. D. Basilopoulos = St. D. Vasilópoulos, 1987. http://catalogue.bnf.fr/ark:/12148/cb389454036.

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Texte remanié de: Ph. D. thesis--University of Edinburgh, 1985.<br>Mention parallèle de titre ou de responsabilité : Ī vasileía tou vyzantinoú autokrátora Nikīfórou A' : 802-811 m. Ch. / Paúlos E. Niavī́s. Résumé en grec. Bibliogr. p. 283-304. Index. Notice partiellement translittérée du grec (monotonique) selon la norme ISO 843 (1997).

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23

Wen, Meredith. "The mountains are high, and the Emperor is far away spaces for dissent in China's environmental movement /." Diss., Connect to the thesis, 2006. http://hdl.handle.net/10066/727.

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24

Blamberg, Jan Eric. "The Public image projected by the Roman emperors A.D. 69-117, as reflected in contemporary imperial coinage /." Ann Arbor : University Microfilms International, 1985. http://catalogue.bnf.fr/ark:/12148/cb348332664.

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25

Cogitore, Isabelle. "La légitimité dynastique d'Auguste à Néron à l'épreuve des conspirations /." Rome : [Paris] : École française de Rome ; [diff. de Boccard], 2002. http://catalogue.bnf.fr/ark:/12148/cb389937894.

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26

Kantiréa, Maria. "Les dieux et les dieux augustes : le culte impérial en Grèce sous les Julio-claudiens et les Flaviens : études épigraphiques et archéologiques /." Athènes : Paris : Kéntron ellīnikī́s kai rōmaïkī́s archaiótītos, Ethnikón ídryma ereunṓn ; diff. de Boccard, 2007. http://catalogue.bnf.fr/ark:/12148/cb41224463b.

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27

Cullhed, Mats. "Conservator urbis suae : studies in the politics and propaganda of the emperor Maxentius /." Stockholm : P. Åströms, 1994. http://catalogue.bnf.fr/ark:/12148/cb35723741x.

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28

McLeay, Lucy Katrina. "An examination of the relationship between philosophy and society in Rome between AD 161 and 181 : a case study of the public and private roles of the Emperor Marcus Aurelius." Thesis, Open University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310224.

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29

Martin, Alain. "La titulature épigraphique de Domitien /." Frankfurt am Main : Athenäum, 1987. http://catalogue.bnf.fr/ark:/12148/cb34949078d.

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30

Stepper, Ruth. "Augustus et sacerdos : Untersuchungen zum römischen Kaiser als Priester /." Stuttgart : F. Steiner, 2003. http://catalogue.bnf.fr/ark:/12148/cb400508419.

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31

Kobler, Sheila F. (Sheila Frazier). "The Emperor of Ice Cream Visits Eudora Welty: The Uses of the Creative Imagination." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501182/.

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Eudora Welty and Wallace Stevens share important aesthetic beliefs, especially regarding uses of the creative imagination by artists in acts of creation and characters in acts of living. A close reading of seventeen of Welty's stories, accompanied by references to related ideas in many of Stevens' poems, reveals how the imagination functions as epistemology and eucharist, while governing the shape of individual human views of the quotidian. The more abstract patterns of thought in their later works seem to move Welty closer to belief in a world beyond the quotidian than they do Stevens.

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32

Mause, Michael. "Die Darstellung des Kaisers in der lateinischen Panegyrik /." Stuttgart : F. Steiner, 1994. http://catalogue.bnf.fr/ark:/12148/cb35814530x.

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33

Winterling, Aloys. "Aula Caesaris : Studien zur Institutionalisierung des römischen Kaiserhofes in der Zeit von Augustus bis Commodus (31 v. Chr.-192 n. Chr.) /." München : R. Oldenbourg, 1999. http://catalogue.bnf.fr/ark:/12148/cb399153023.

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34

Dallies, Marie. "La formation intellectuelle de l'élite à Rome et en Occident (Ier-IIIe siècles apr. J.-C.) : représentations et réalités." Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30058.

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Les bouleversements politiques et intellectuels provoqués par l’avènement du principat augustéen entraînent sous le Haut Empire une redéfinition des buts et des fonctions assignés à la formation intellectuelle de l’élite romaine et occidentale. Le développement de l’éloquence judiciaire et épidictique au détriment de l’éloquence politique modifie l’enseignement traditionnel de la rhétorique, tandis que la pratique philosophique prend de plus en plus de place au sein de la société et favorise le développement de son enseignement. Ces changements suscitent chez plusieurs auteurs des Ier et IIe s

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35

Ratti, Stéphane. "Les empereurs romains d'Auguste à Dioclétien dans le "Bréviaire" d'Eutrope : les livres 7 à 9 [i. e. 10] du "Bréviaire" d'Eutrope : introduction, traduction et commentaire /." Paris : les Belles lettres, 1996. http://catalogue.bnf.fr/ark:/12148/cb35860595k.

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36

Huttner, Ulrich. "Recusatio Imperii : ein politisches Ritual zwischen Ethik und Taktik /." Hildesheim : G. Olms, 2004. http://catalogue.bnf.fr/ark:/12148/cb39206845k.

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37

Vigourt, Annie. "Les présages impériaux d'Auguste à Domitien /." Paris : De Boccard, 2001. http://catalogue.bnf.fr/ark:/12148/cb38867761x.

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38

Martin, Régis F. "Problèmes pathologiques et psychologiques chez les empereurs des dynasties julio-claudienne et flavienne." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37615976h.

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39

au, karinmac@iinet net, and Karin Mac Arthur. "The 'Emperor's New Clothes': The Role of the Western Australian Press and State Government in Selling the Story of the Northbridge Curfew." Murdoch University, 2007. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070830.213559.

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The Northbridge curfew is one of the stand-out success stories of Western Australias Labor Government. Introduced in June 2003 in an alleged bid to make the streets safer, the Northbridge curfew has enjoyed overwhelming popular support and consistently high recognition in public opinion polls. This is despite the fact that the curfew bypasses those known to be responsible for most of the crime in the precinct (white males aged 18 to 35 years), targeting instead young people aged under 18 and affecting indigenous girls in particular. The curfew did not introduce any legislative changes (the

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40

Grant, Mark David. "Dieting for an emperor : a translation of Books 1 and 4 of Oribasius' Medical compilations with an introduction and commentary /." Leiden : Brill, 1997. http://catalogue.bnf.fr/ark:/12148/cb37320794c.

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41

Soustre, de Condat Bérangère. "Entre memoria et conscience aristocratique : femmes, art et religion dans le Royaume de Sicile (XIe-1ère moitié XIIIe siècle)." Université catholique de Louvain, 2009. http://edoc.bib.ucl.ac.be:81/ETD-db/collection/available/BelnUcetd-03152009-123913/.

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Dans le Royaume de Sicile, le patronage religieux entrepris par les femmes des dynasties normande et Hohenstaufen sous-tend la question de l'affirmation de l'individu dans la société médiévale. Comme dans les représentations iconographiques des reines et des princesses, ces actions mettent l'accent plus sur le pouvoir de la dame aristocratique que sur son appartenance au genre féminin. Mais le patronage féminin est aussi lié à la question de la mémoire du lignage; l'individu se définissant par rapport à un groupe formé de morts et de vivants, la commémoration des ancêtres disparus participe au

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42

Schlange-Schöningen, Heinrich. "Kaisertum und Bildungswesen im spätantiken Konstantinopel." Stuttgart : F. Steiner, 1995. http://catalogue.bnf.fr/ark:/12148/cb36684675d.

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43

Schmid, Karl Mertens Dieter Zotz Thomas L. "Geblüt, Herrschaft, Geschlechterbewußtsein : Grundfragen zum Verständnis des Adels im Mittelalter /." Sigmaringen : J. Thorbecke, 1998. http://catalogue.bnf.fr/ark:/12148/cb37104135d.

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44

Stäcker, Jan. "Princeps und miles : Studien zum Bindungs- und Nahverhältnis von Kaiser und Soldat im 1. und 2. Jahrhundert n. Chr. /." Hildesheim ; New York : G. Olms, 2003. http://catalogue.bnf.fr/ark:/12148/cb410876776.

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45

Körntgen, Ludger. "Königsherrschaft und Gottes Gnade : zu Kontext und Funktion sakraler Vorstellungen in Historiographie und Bildzeugnissen der ottonisch-frühsalischen Zeit /." Berlin : Akademie Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb39905674k.

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46

Spranger, Silja Karin Maria. "Honorific statuary in the third century AD." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:e7053eac-951f-49ab-b241-002bb5e3bb60.

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The habit of honouring outstanding individuals with statues was common throughout the Roman Empire. Yet after the end of the Severan reign at the beginning of the third century AD, a decrease in honorific statues is generally assumed to have taken place. This thesis aims to evaluate this hypothesis, focusing specifically on the years AD 222-285. The thesis is assessing the contemporaneous imperial remains for the Roman Empire as a whole and the evidence from four exemplary cities that are particularly conspicuous in their statuary production and display, both before and after the time frame un

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47

Scheid, John. "Romulus et ses frères : le collège des frères arvales, modèle du culte public dans la Rome des empereurs /." Rome : Paris : École française de Rome ; diff. de Boccard, 1990. http://catalogue.bnf.fr/ark:/12148/cb35153092g.

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48

Doyen, Jean-Marc Hackens Tony. "L'atelier de Milan, 258-268 : recherches sur la chronologie et la politique monétaire des empereurs Valerien et Gallien /." Louvain-la-Neuve : Université catholique de Louvain, 1989. http://catalogue.bnf.fr/ark:/12148/cb354603809.

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49

Forman, Mark, and n/a. "The politics of inheritance? : the language of inheritance in Romans within its first-century Greco-Roman Imperial context." University of Otago. Department of Theology and Religious Studies, 2007. http://adt.otago.ac.nz./public/adt-NZDU20080128.161919.

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This thesis is an exploration of the extent to which Paul�s terminology of Inheritance [(...)] in Romans, and its associated imagery, logic and arguments, functioned to evoke socio-political expectations that were alternative to those which prevailed in contemporary Roman imperial discourse. There are two parts to this study. The first is to take seriously the context of Empire and the claims being made by the Roman Empire in the first century. In particular, what were some of the messages conveyed by the Roman Empire with regard to the structure and purpose, the hopes and expectations, of f

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50

Garfinkle, Elisa Shari. "The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30168.

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This study traces the genesis and development of the History of Constantine tapestries designed by Pietro da Cortona and woven on the looms established by Francesco Barberini shortly after his return from France in December 1625. The circumstances surrounding the creation of the series provide a foundation and a framework for exploring its meaning and purpose. Though inspired by an earlier Constantine suite of tapestries designed by Rubens, the "Cortona" panels should be read as an independent entity, the significance of which can only be fully appreciated within the context of the gran salone

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