Relevant bibliographies by topics / Empress of Northern Wei dynasty

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Empress of Northern Wei dynasty'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Empress of Northern Wei dynasty"

1

He, Liqun. "On the development of Buddhist sculpture in Ye City and the “Ye City Style” reflected by the Bei Wuzhuang hoard." Chinese Archaeology 16, no. 1 (2016): 189–200. http://dx.doi.org/10.1515/char-2016-0018.

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Abstract The Ye City was the important Buddhist cultural center of the Central Plains and North China since the 6th century CE. Since the 1950s, rather large amounts of Buddhist sculptures have been unearthed within the scope of the Ye City Site, of which the hoard at Bei Wuzhuang found in January 2012 was the most noticeable. Through the analyses to the materials, motifs, assemblages and sculpturing characteristics of some typical samples from this hoard, the Buddhist sculptures during the Northern Dynasties in the Ye City area could be divided into four phases, which are the mid through late
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2

Bian, Xiang Yang, and Aijuan Cao. "A Study on the Origin and Evolution of Shape and Structure of ‘Gui-Yi’ in Ancient China." Asian Social Science 14, no. 8 (2018): 145. http://dx.doi.org/10.5539/ass.v14n8p145.

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Most of the existing studies on Gui-Yi, which is a kind of ancient women’s dress of China, are barely about the interpretation of Xian (ie. a long ribbon made of silk) and Shao (ie. a hanging fabric of cloth, shaped like a swallow tail, tied to the waist) of Gui-Yi, on whose origin, development and evolution of the shape and structure there are few discussions. Based upon summarizing the literature, this paper points out that Gui-Yi in Han Dynasty was originated from a relic of San-di (ie. three kinds of ceremonial dress worn by queens in The Rites of Zhou Dynasty-a classical book in ancient C
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Huo, Wei. "On the early lokapāla statues in the Buddhist sculptures unearthed in Chengdu." Chinese Archaeology 20, no. 1 (2020): 171–78. http://dx.doi.org/10.1515/char-2020-0016.

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AbstractIn recent years, some lokapāla statues which might be carved in the Liang dynasty of the Southern Dynasties are unearthed in Chengdu area, the features of which have some differences from that of the lokapāla statues of the northern system found in Khotan, Dunhuang and other areas; they have some similarities with the early lokapāla statues of the Northern Wei dynasty, but also have some differences. The early lokapālas in the Buddhist scriptures have only names and titles with little concrete descriptions; the archaeologically discovered lokapāla statues enriched our understandings of
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Xue, Zhe Yi, and Jing Gao. "Research on Architecture Materials in the Lu Garden of the Northern Wei Dynasty." Advanced Materials Research 1014 (July 2014): 267–70. http://dx.doi.org/10.4028/www.scientific.net/amr.1014.267.

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Located in Shanxi, Datong Province, the Lu Garden is the earliest Royal Garden of grassland type for the purpose of hunting. From beginning to end with the Northern Wei Dynasty, the Lu Garden has been developing for more than 100 years and currently it is damaged after being through so many sufferings. In this paper, on the basis of investigating literatures of the Lu Garden massively, the start and the end, as well as the function of the Lu Garden are introduced. In addition, the historical status of the Lu Garden and its architecture materials are concluded.
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Li, Wen, Wei Duan, and Qu Shi. "Song Dynasty Garden Art and its Inspiration on the Modern Urban Landscape." Applied Mechanics and Materials 744-746 (March 2015): 2206–11. http://dx.doi.org/10.4028/www.scientific.net/amm.744-746.2206.

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Chinese garden art originates from Shang and Zhou Dynasties,drives to maturity in Song Dynasty nurtured by the renovation and development of Wei, Jin, Sui, Tang, Northern and Southern Dynasties. Affected by the situation of valuing literary talent above martial arts, Song Dynasty garden art made a great progress in the aspect of thinking, architecture, plants, rockery and layout of waters, the interests and artistic of paintings and poems became the most notable characteristic of gardens built in Song dynasty. Its space principle and aesthetics taste are totally different from the western gard
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Kou, Lu. "The Epistolary Self and Psychological Warfare: Tuoba Tao's 拓跋燾 (408–452, r. 423–452) Letters and His Southern Audience". Journal of Chinese Literature and Culture 7, № 1 (2020): 34–59. http://dx.doi.org/10.1215/23290048-8313507.

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Abstract The Northern Wei dynasty (386–534) unified north China in the fifth century CE and stood as a powerful rival to the Liu Song dynasty (420–479) in the south. As military campaigns and diplomatic exchange between the two dynasties became more frequent, both courts strove to deploy a variety of strategies to prevail in the competitions of political authority and legitimacy. This article examines the northern emperor Tuoba Tao's (408–452, r. 423–452) self-representation in his letters delivered to the southern audience at the height of the two states' military struggle. Scholars have ascr
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Chun, Hea-Sook, and Eun-Hee Kim. "Hand and Nail Beautification Culture in the Wei, Jin, Northern and Southern Dynasties and Tang Dynasty." Journal of Korean Traditional Costume 21, no. 4 (2018): 43–57. http://dx.doi.org/10.16885/jktc.2018.12.21.4.43.

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Liu Puning 劉璞寧. "Becoming the Ruler of the Central Realm: How the Northern Wei Dynasty Established its Political Legitimacy." Journal of Asian History 52, no. 1 (2018): 83. http://dx.doi.org/10.13173/jasiahist.52.1.0083.

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Zou, Yi, Huijie Zhou, Jianxian Chen, and Yaoqiu Kuang. "The decline of Pingcheng: climate change impact, vulnerability and adaptation in the Northern Wei dynasty, China." Journal of Historical Geography 58 (October 2017): 12–22. http://dx.doi.org/10.1016/j.jhg.2017.08.002.

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Deng Xiaonan. "From the Reign of Tiansheng to Mingdao: Further Discussion on Dowager Empress Liu in the Northern Song Dynasty." Women and History ll, no. 15 (2011): 63–76. http://dx.doi.org/10.22511/women..15.201112.63.

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Dissertations / Theses on the topic "Empress of Northern Wei dynasty"

1

Feng, Wei Yao. "War and peace :the relations between Liu Song and Northern Wei." Thesis, University of Macau, 2016. http://umaclib3.umac.mo/record=b3537073.

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Zhu, Xiao Ling. "Northern Wei and Xiao Qi during the period of Emperor Xiaowen's four Southern expeditions." Thesis, University of Macau, 2016. http://umaclib3.umac.mo/record=b3537083.

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li, Chin hsiao, and 金筱麗. "Gao Huan in Division of Northern Wei Dynasty." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/12601957737403512462.

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Chang, Chi-Hao, and 張繼昊. "The Pastroal Nomads of the Northern Wei Dynasty." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/83188398678859004455.

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Zhang, Jia-Hao, and 張嘉豪. "Comparative Research on the Political Involvements of Northern Wei Empress Dowagers Feng and Hu." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/54755069767270680134.

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Lee, Jong-Chi, and 李仲頎. "A Study of Huan-Wei-Guan in Northern Sung Dynasty." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/63533666033835537434.

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碩士<br>淡江大學<br>歷史學系碩士在職專班<br>98<br>Huan-Wei-Guan in Northern Sung Dynasty, which can be traced back to the sixteen-guards in Southern Government Office of the Fu-Bing System in early Tang Dynasty, was so significant that it had once been known as “the ruler’s assistant, the country’s mainstay”. However, along with the development of political and military condition in Tang Dynasty, the sixteen-guards in Southern Government Office gradually lose its original function and became nominal. Till late Tang Dynasty, it even exited in name only. Because Huan-Wei-Guan in Northern Sung Dynasty, which ado
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CHIN, HSIAO JUNG, and 秦孝榮. "The Studies on statues of Longmen Grottoes in Northern Wei Dynasty." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/13467151669772980163.

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碩士<br>國立臺南藝術大學<br>藝術史與藝術評論研究所<br>97<br>This essay is based on the inscriptions with carved time, and matching the corresponding niches with the subjects of studies. Then we analysis the style and form of the statues and niches. Finally, we classify the statues of Longmen grottoes into three periods. At the first period, we mainly focuse on the statues carved in 495~504 AD. The Guyangdong cave is the representative of the large-scale cave. At the second period, we focuse on the statues carved in 505~517 AD. The Binyangzhongdong cave is the representative of the large-scale cave. At the third pe
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Duk, Yang Seoung, and 梁承德. "A Study on The theory of Ci Fu in Wei Jin Southern Northern Dynasty." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/18280292973029020302.

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Su, Wen Chuan, and 蘇文娟. "Research on Single Stone Statues in Shensi, and Honan Areas in the Phase of Northern Wei Dynasty." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/91088977711008981341.

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碩士<br>國立臺南藝術大學<br>藝術史與藝術評論研究所<br>96<br>This thesis aims to conduct a research on the single stone statues in Shensi, and Honan areas in the phase of Northern Wei Dynasty. It is, in the meanwhile, to reveal the statue patterns as well as the relations between the two areas. The thesis undertakes the geographical specification of stone statues in Shensi, and Honan. By dint of inspecting on the archaeological excavation locations or from the archaeological studies cited, this thesis thus further assures the affiliated prefecture. Geographically speaking, nowadays in Shensi, the acquainted locatio
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Chang, Chih-Wei, and 張秩瑋. "A Study of Style & Iconography of Small Bronze Buddhist Sculptures in the Northern Wei Dynasty of China." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/18241277322652417000.

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碩士<br>國立臺灣大學<br>藝術史研究所<br>99<br>During the Northern Wei dynasty (A.D. 386-534), Chinese bronze Buddhist sculpture is extremely prevalent. Both city people and country people may preserve or pay obeisance in the bronze Buddhist sculptures at their home. Its distribution and production are affected by the political situations, economic conditions, and social organizations. As a background for the following study it is necessary to remember some events, especially of the unification of northern China in 439, deporting craftsmen from Hebei(河北) to Datong(大同), Emperor Tai-Wu’s (太武帝, 424-452) destroy
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Books on the topic "Empress of Northern Wei dynasty"

1

Yun'gang shi ku yu bei Wei shi dai: Yungang grottoes and the northern Wei dynasty. Shanxi ke xue ji shu chu ban she, 2005.

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2

Yungang Grottoes and Northern Wei: A dynasty carved its name on rock. China Intercontinental Press, 2013.

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3

Bei chao Hu xing kao. 2nd ed. Zhonghua shu ju, 2007.

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4

Bei Zhou fo jiao mei shu yan jiu: Yi Chang'an zao xiang wei zhong xin = A study on buddhist art in the Northern Zhou dynasty : based on Chang'an statue. She hui ke xue wen xian chu ban she, 2013.

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Bian zhen liang xiang: Ming dai zhong hou qi de bian fang jing fei yu guo jia cai zheng wei ji, 1531-1602 = Northern border defense and state financial crisis in min-Ming dynasty : military pays and provisions in 13 frontier bases, 1531-1602. Zhejiang da xue chu ban she, 2010.

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6

China's Northern Wei Dynasty, 386-535: The Struggle for Legitimacy. Taylor & Francis Group, 2020.

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7

Liu, Puning. China's Northern Wei Dynasty, 386-535: The Struggle for Legitimacy. Taylor & Francis Group, 2020.

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Liu, Puning. China's Northern Wei Dynasty, 386-535: The Struggle for Legitimacy. Taylor & Francis Group, 2020.

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Liu, Puning. China's Northern Wei Dynasty, 386-535: The Struggle for Legitimacy. Taylor & Francis Group, 2020.

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Bei Wei Xiao chang san nian Qingzhou Gaomi jun tai shou Tian A-sha shi chuang =: Northern Wei dynasty magistrate Tien A-sha's funerary couch : Shiao chang third year of Emperor Shiao Ming Di (527 A.D.). Li Yin Oriental Art Co., 2000.

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Book chapters on the topic "Empress of Northern Wei dynasty"

1

Zhang, Jinfan. "The Legal Systems of Wei, Jin, Southern and Northern Dynasty: The Legislative Progress and Cultural Amalgamation." In The History of Chinese Legal Civilization. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-10-1029-3_6.

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"Empress Wei, wife of Emperor Zhongzong, Tang dynasty." In Notable Women of China. Routledge, 2016. http://dx.doi.org/10.4324/9781315702063-65.

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Liu, Puning. "Introduction." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-1.

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Liu, Puning. "History of the Northern Wei and the Southern dynasties." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-2.

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Liu, Puning. "Establishing legitimacy." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-3.

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Liu, Puning. "Preserving legitimacy." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-4.

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Liu, Puning. "Tang scholars’ views on the Northern Wei’s legitimacy." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-5.

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Liu, Puning. "Song scholars’ views on the Northern Wei’s legitimacy." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-6.

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Liu, Puning. "Ming and Qing scholars’ views on the Northern Wei’s legitimacy." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-7.

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Liu, Puning. "Traditional Chinese views of legitimacy and its evolution." In China’s Northern Wei Dynasty, 386–535. Routledge, 2020. http://dx.doi.org/10.4324/9781003124337-8.

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Conference papers on the topic "Empress of Northern Wei dynasty"

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Gao, Chenchen. "The Taihe Literary Style of the Northern Wei Dynasty under the Influence of Confucianism." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.184.

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