Academic literature on the topic 'En attendant Godot (Beckett)'

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Journal articles on the topic "En attendant Godot (Beckett)"

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Hamdan, Sahira. "Le temps dans “En Attendant Godot" de Samuel Beckett." Al-Adab Journal, no. 129 (June 15, 2019): 1–28. http://dx.doi.org/10.31973/aj.v0i129.583.

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Chez Beckett, l'attente n'est pas un vide mais une efficacité consécutive. Elle pourrait être un acte instinctif ou stérile. Tout cela dépend, peut-être, de la perception de l'attente. Pour Beckett, c'est aussi un monde de vie, une attente de l'inspiration, de la connaissance, de la cognition ou éventuellement de la mort.
 Le temps tel que l'être humain le conçoit est une création de l'esprit alors que le temps est une entité propre et inchangeable auquel nous ne pouvons échapper. Selon Beckett, nous ne pouvons pas échapper aux conséquences du temps. Pourtant, nous le subissons sans grand
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Cohn, Ruby. "THE "F—" STORY." Samuel Beckett Today / Aujourd'hui 7, no. 1 (1998): 41–46. http://dx.doi.org/10.1163/18757405-90000083.

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A short story entitled "F–" was published in the January 15, 1949 issue of the Anglophone, Paris-based review transition. The author is listed as Suzanne Dumesnil (later Mme. Samuel Beckett), but no translator is named. Beckett told his bibliographers Federman and Fletcher that he was "certain" of having translated it. The University of Texas Beckettiana catalogue describes it as: "A short story by Beckett's wife, written at the time Beckett was writing En attendant Godot. The translation is unsigned." (74). Several Beckett scholars suspect that Beckett wrote the story, since it resembles his
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Clément, Bruno. "Des harmoniques." Samuel Beckett Today / Aujourd’hui 30, no. 2 (2018): 320–33. http://dx.doi.org/10.1163/18757405-03002011.

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Résumé A partir de deux exemples canoniques (extraits de En attendant Godot et Fin de partie), cet article revient sur les fameux “fundamental sounds” dont parle Samuel Beckett à propos de Fin de partie, et tente de jeter un peu de jour sur la notion d’ harmoniques avec laquelle Beckett entretient un rapport manifestement ambigu.
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Rothenberg, John, and Hubert de Phalese. "Beckett a la lettre: 'En attendant godot', 'Fin de partie'." Modern Language Review 95, no. 3 (2000): 849. http://dx.doi.org/10.2307/3735559.

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Zaiser, Rainer. "En Attendant Godot: Reflections on some Parallels Between Beckett and Pirandello." Journal of European Studies 18, no. 4 (1988): 253–66. http://dx.doi.org/10.1177/004724418801800402.

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Doshi, Neil. "Written in Sand." Samuel Beckett Today / Aujourd’hui 31, no. 2 (2019): 234–49. http://dx.doi.org/10.1163/18757405-03102004.

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Abstract This article reinterprets the Algerian writer Mohammed Dib’s 1992 novel Le désert sans détour through the analysis of its reference to Samuel Beckett’s En attendant Godot. I argue that for Dib, Beckett offers an important model for a post-revolutionary politics that expresses extreme skepticism over clichéd notions of historical progress and universal humanism. Recuperating this ignored Beckettian strand in Dib’s novel, I revise the critical reception that has read the text as apolitical and focused on spirituality. I offer a better understanding of Dib’s aesthetic as one emerging out
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KNOWLSON, J. "Review. 'En attendant Godot' and 'Fin de partie'. Little, J. P., Samuel Beckett." French Studies 39, no. 2 (1985): 233. http://dx.doi.org/10.1093/fs/39.2.233.

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Furlani, Andre. "The making of Samuel Beckett’s En attendant Godot/Waiting for Godot." Irish Studies Review 27, no. 1 (2019): 153–56. http://dx.doi.org/10.1080/09670882.2018.1555396.

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Germoni, Karine. "PONCTUATION ET RYTHME DANS EN ATTENDANT GODOT ET FIN DE PARTIE DE SAMUEL BECKETT." Samuel Beckett Today / Aujourd'hui 14, no. 1 (2004): 547–62. http://dx.doi.org/10.1163/18757405-90000211.

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Rannoux, Catherine. "« Dis, Didi », variations sur dire dans En attendant Godot de Samuel Beckett." L'Information Grammaticale 124, no. 1 (2010): 42–46. http://dx.doi.org/10.3406/igram.2010.4080.

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Dissertations / Theses on the topic "En attendant Godot (Beckett)"

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Rigby, George T. (George Thomas) Carleton University Dissertation French. "L'intertextualite biblique dans En attendant Godot et Fin de partie de Samuel Beckett." Ottawa, 1993.

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Arvidson, Paula. "En attendant Godot : une étude sur les conditions humaines dans le théâtre de l’absurde." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18245.

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Samuel Beckett (1906-1989), irlandais d’expression française et anglaise, peut être considéré comme un des écrivains modernistes du XXe siècle les plus influents. Son nom est surtout associé au théâtre de l’absurde, un style de théâtre des années 50 inspiré des surréalistes et des dadaïstes, dont l’origine était le traumatisme de la Seconde Guerre mondiale. Parmi les pièces absurdes les plus importantes se trouve En attendant Godot de Beckett, une pièce connue et jouée dans le monde entier. Ce que Samuel Beckett nous montre dans En attendant Godot est évidemment l’absurdité de la vie, et l’abs
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Muller, Carla. "Mémoires d'une attente inachevée : le temps dans Malone Meurt, L'innommable et En Attendant Godot de Samuel Beckett." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2001. http://hdl.handle.net/10183/1655.

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Minha dissertação consiste em desenvolver a relação estabelecida entre o texto e o leitor no processo de leitura literária como produtividade, considerada como um conjunto, compreendendo o produtor do texto e seu leitor. A leitura vista como ‘‘jogo", em que o retorno do diferente não desdenha a tradição da leitura, conduz o leitor à produzir um texto múltiplo, plural. O texto é o mesmo e um outro ao mesmo tempo. Este estudo compreende três textos singulares da obra de Samuel Beckett: Malone meurt, L’Innommable e En attendant Godot. Tudo o que é assimilado, assim como refutado por Beckett, é co
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Looft, Helena. ""Vi är trollkarlar" : den konstnärliga kampen i Samuel Becketts I väntan på Godot." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-126649.

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When the Irish writer Samuel Beckett (1906-1989) wrote Waiting for Godot in 1948-1949 he was in a state of artistic depression and confusion. He had already turned to French instead of English and with a manuscript for the stage he made an effort to get away from what he called ”the awful prose” he was working on at that time. Waiting for Godot had its first opening night in Paris in 1953, and during the years since then many different interpretations have been made of this challenging work of art. In this essay, with the meta textual elements in Waiting for Godot as a foundation, I’m reading
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Cochrane, John. "Memoria et promissio : über die anamnetische Verfasstheit des christlichen Glaubens nach J. B. Metz und die kulturelle Amnesie in Samuel Becketts "Warten auf Godot" und "Endspiel" /." Berlin [u.a.] : Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2985475&prov=M&dok_var=1&dok_ext=htm.

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Yang, Gi Chan. "Etude littéraire de Beckett et d'O'Neill." Paris 3, 1999. http://www.theses.fr/1999PA030086.

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Cette etude est basee sur l'esthetique moderne, dont la decontextualisation et la recontextualisation d'une oeuvre a travers la reception d'une oeuvre par le spectateur/lecteur. En posant la question de l'objectivite dans l'oeuvre, elle permet de definir les diverses tendances litteraires d'aujourd'hui et specifiquement dans le domaine du theatre contemporain. Cette etude concerne aussi la question sur la litterarite d'une oeuvre dans le vingtieme siecle, pour arriver au jugement clair sur categorisation d'une oeuvre comme litteraire et non-litteraire. Elle met en question le theatre moderne q
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Jesus, Leila Vieira de. "A study of fools : Lear's fool in Shakespeare's King Lear and Vladimir and Estragon in Beckett's Waiting for Godot." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/54076.

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O foco dessa dissertação é analisar o papel, as características, e a presença dos bobos ao longo da história, focando em sua constante aparição no teatro. Os personagens principais da minha análise serão o Bobo, na peça Rei Lear de William Shakespeare, e Vladimir e Estragon, na peça Esperando Godot de Samuel Beckett. Na análise desses personagens, discuto semelhanças entre os autores, que já foram notadas por críticos como Martin Esslin, Jan Kott, e Northrop Frye, e mostro como os personagens de Beckett são similares aos bobos de Shakespeare. Bobos, no teatro, frequentemente agem como mediador
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Protin, Matthieu. "Pratique et poétique du drame : Beckett auteur-metteur en scène de son premier théâtre." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030171.

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En mettant en scène Warten auf Godot en 1975 au Schiller Theater, Beckett déclare : « Je ne connaissais rien au théâtre quand j’ai écrit cette pièce. » Constat précieux : l’auteur parle au passé. Entre l’écriture et la mise en scène, un savoir a été acquis. Le défaut de savoir constaté concerne la dimension pratique du théâtre. C’est le théâtre tel qu’il se fait auquel Beckett s’est peu à peu confronté, jusqu’à assumer la mise en scène de ses propres pièces. Devenu praticien, l’auteur s’empare de se première œuvres, les reprend : dans cette reprise lui apparaissent les failles et les manques i
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Melin, Thomas. "Sista brevet till Godot : Utvandrarserien som absurd teaterpjäs." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122294.

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Tucker, Amanda. "Godot in Earnest: Beckettian Readings of Wilde." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4248/.

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Critics and audiences alike have neglected the idea of Wilde as a precursor to Beckett. But I contend that a closer look at each writer's aesthetic and philosophic tendencies-for instance, their interest in the fluid nature of self, their understanding of identity as a performance, and their belief in language as both a way in and a way out of stagnancy -will connect them in surprising and highly significant ways. This thesis will focus on the ways in which Wilde prefigures Beckett as a dramatist. Indeed, many of the themes that Beckett, free from the constraints of a censor and from the socie
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Books on the topic "En attendant Godot (Beckett)"

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Zard, Philippe. Beckett, En Attendant Godot. Bordas, 1991.

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Ryngaert, Jean-Pierre. En attendant Godot. Dunod, 1993.

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Ryngaert, Jean-Pierre. Lire en attendant Godot. Dunod, 1993.

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Dizier, Anna. En attendant Godot: Samuel Beckett. Bertrand-Lacoste, 1993.

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Beckett, Samuel. En attendant Godot. D.-P. Bourquin, 1985.

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Journée d'études d'agrégation (1998 Lyon, France). Lire Beckett: "En attendant Godot", "Fin de partie". Presses universitaires de Lyon, 1998.

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Hervé, Bismuth, and Ross Ciaran, eds. "En attendant Godot", "Fin de partie" de Samuel Beckett. Editions du temps, 1998.

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Phalèse, Hubert de. Beckett à la lettre: En attendant Godot, Fin de partie. Nizet, 1998.

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En attendant Godot =: Waiting for Godot : tragicomedy in 2 acts. Grove Press, 2006.

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Beckett, Samuel. En attendant Godot =: Waiting for Godot : tragicomedy in 2 acts. Grove Press, 2006.

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Book chapters on the topic "En attendant Godot (Beckett)"

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Hesse, Gisela. "Beckett, Samuel: En attendant Godot." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2672-1.

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Koehn, Elisabeth Johanna. "Waiting for … Becketts En attendant Godot / Waiting for Godot in Cartoon und Comicstrip." In Klassik als kulturelle Praxis, edited by Paula Wojcik, Stefan Matuschek, Sophie Picard, and Monika Wolting. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110615760-015.

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Topsfield, Valerie. "Waiting for Godot." In The Humour of Samuel Beckett. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19364-6_8.

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Gidal, Peter. "Quote: Didi and Gogo (Godot) Dialogue." In Understanding Beckett. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18113-1_14.

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Boxall, Peter, and Nicolas Tredell. "First Responses to Waiting for Godot and Endgame." In Samuel Beckett. Macmillan Education UK, 2003. http://dx.doi.org/10.1057/978-1-137-13093-8_2.

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Gidal, Peter. "Quote: Endgame, Hamm and Clov; Godot, Didi and Gogo." In Understanding Beckett. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18113-1_11.

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Simpson, Hannah. "Waiting for Godot and the Fascist Aesthetics of the Body." In Beckett and Politics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47110-1_10.

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Birkett, Jennifer. "The Life and Work of Samuel Beckett." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_1.

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Birkett, Jennifer. "Summary and Critical Commentary." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_2.

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Birkett, Jennifer. "Themes and Issues." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_3.

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