Academic literature on the topic 'En attendant Godot (Beckett, Samuel)'

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Journal articles on the topic "En attendant Godot (Beckett, Samuel)"

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Hamdan, Sahira. "Le temps dans “En Attendant Godot" de Samuel Beckett." Al-Adab Journal, no. 129 (June 15, 2019): 1–28. http://dx.doi.org/10.31973/aj.v0i129.583.

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Chez Beckett, l'attente n'est pas un vide mais une efficacité consécutive. Elle pourrait être un acte instinctif ou stérile. Tout cela dépend, peut-être, de la perception de l'attente. Pour Beckett, c'est aussi un monde de vie, une attente de l'inspiration, de la connaissance, de la cognition ou éventuellement de la mort.
 Le temps tel que l'être humain le conçoit est une création de l'esprit alors que le temps est une entité propre et inchangeable auquel nous ne pouvons échapper. Selon Beckett, nous ne pouvons pas échapper aux conséquences du temps. Pourtant, nous le subissons sans grand
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Brown, Llewellyn. "Samuel Beckett et Fyodor Dostoïevski." Samuel Beckett Today / Aujourd'hui 35, no. 2 (2023): 177–91. http://dx.doi.org/10.1163/18757405-03502002.

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Résumé Les liens entre Beckett et Dostoïevski, plus nombreux que supposé précédemment, se manifestent par une série de motifs en commun qui permettent de relire le tournant conduisant de L’Innommable à En attendant Godot. Estragon fait allusion à l’œuvre Carnets du sous-sol, dont le motif éponyme provient du roman de Tchernychevsky Que faire ? Représentant des qualités négatives, il s’agit du lieu de prédilection du personnage de Dostoïevski. C’est aussi le domaine de la voix monologique de L’Innommable, et qu’Estragon désigne rétrospectivement à partir du lieu de stabilité que représente la s
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Cohn, Ruby. "THE "F—" STORY." Samuel Beckett Today / Aujourd'hui 7, no. 1 (1998): 41–46. http://dx.doi.org/10.1163/18757405-90000083.

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A short story entitled "F–" was published in the January 15, 1949 issue of the Anglophone, Paris-based review transition. The author is listed as Suzanne Dumesnil (later Mme. Samuel Beckett), but no translator is named. Beckett told his bibliographers Federman and Fletcher that he was "certain" of having translated it. The University of Texas Beckettiana catalogue describes it as: "A short story by Beckett's wife, written at the time Beckett was writing En attendant Godot. The translation is unsigned." (74). Several Beckett scholars suspect that Beckett wrote the story, since it resembles his
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Clément, Bruno. "Des harmoniques." Samuel Beckett Today / Aujourd’hui 30, no. 2 (2018): 320–33. http://dx.doi.org/10.1163/18757405-03002011.

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Résumé A partir de deux exemples canoniques (extraits de En attendant Godot et Fin de partie), cet article revient sur les fameux “fundamental sounds” dont parle Samuel Beckett à propos de Fin de partie, et tente de jeter un peu de jour sur la notion d’ harmoniques avec laquelle Beckett entretient un rapport manifestement ambigu.
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Saïet, Mathilde. "En attendant…" Cliniques méditerranéennes 109, no. 1 (2024): 235–47. http://dx.doi.org/10.3917/cm.109.0231.

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Ce texte se propose d’interroger les processus psychiques mobilisés chez des sujets placés dans une situation d’attente (d’un hébergement, d’un titre de séjour, d’une solution administrative, etc.). Quels sont les enjeux d’une telle attente pour des individus immobilisés dans un temps suspendu, plongés malgré eux dans l’inaction et le désœuvrement ? Prenant notamment appui sur le texte En attendant Godot de Samuel Beckett, ainsi que sur les développements freudiens concernant la temporalité de l’attente, le texte s’attachera à montrer la détresse qu’engendre une telle attente, qui semble débou
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Ben-Zvi, Linda. "Maria Irene Fornes and Samuel Beckett: ‘Different and the Same’." Journal of Beckett Studies 32, no. 1 (2023): 83–100. http://dx.doi.org/10.3366/jobs.2023.0390.

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Maria Irene Fornes is one of the most revered American playwrights. Dramatists she influenced, actors she directed in her plays, students she mentored in her playwriting workshops, as well as academics who taught and published essays and books on her diverse output – over 40 plays in her 40-year career – share Tony Kushner’s assessment that ‘‘America has produced no dramatist of greater importance’. Born in Havana, Cuba in 1930, Fornes came to New York in 1945, and by the early 1960s, she was a central force in the establishment of the Off-Off Broadway avant-garde movement in Greenwich Village
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Doshi, Neil. "Written in Sand." Samuel Beckett Today / Aujourd’hui 31, no. 2 (2019): 234–49. http://dx.doi.org/10.1163/18757405-03102004.

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Abstract This article reinterprets the Algerian writer Mohammed Dib’s 1992 novel Le désert sans détour through the analysis of its reference to Samuel Beckett’s En attendant Godot. I argue that for Dib, Beckett offers an important model for a post-revolutionary politics that expresses extreme skepticism over clichéd notions of historical progress and universal humanism. Recuperating this ignored Beckettian strand in Dib’s novel, I revise the critical reception that has read the text as apolitical and focused on spirituality. I offer a better understanding of Dib’s aesthetic as one emerging out
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KNOWLSON, J. "Review. 'En attendant Godot' and 'Fin de partie'. Little, J. P., Samuel Beckett." French Studies 39, no. 2 (1985): 233. http://dx.doi.org/10.1093/fs/39.2.233.

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Andrade, Fábio de Souza. "Em busca da "despalavra": tradução e apresentação do <i>Triângulo Medieval</i>, de Samuel Beckett." Literatura e Sociedade 30, no. 39 (2024): 187–92. http://dx.doi.org/10.11606/issn.2237-1184.v0i39p185-192.

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Antes de firmar-se como um dos maiores autores de teatro no século XX, o jovem Beckett ensaiou, em língua alemã, nos anos 1930, uma adaptação cênica do canto inicial de Orlando Furioso, de Ariosto. Incompleta, a obra carrega as marcas da “literatura da despalavra” beckettiana em seus estágios iniciais de formulação e antecipa os impasses e procedimentos que, amadurecidos em peças como En Attendant Godot e Fin de Partie, o tornaram uma referência incontornável do modernismo tardio europeu.
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Nunes, Paula Ávila. "O tradutor como função enunciativa." Domínios de Lingu@gem 5, no. 3 (2012): 52–73. http://dx.doi.org/10.14393/dl11-v5n3a2011-5.

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Este trabalho realiza a análise de um estudo de caso de autotradução. Dado que, nesse tipo de processo tradutório, a figura do autor e do tradutor parecem se fundir em uma só, o objetivo é evidenciar como essa sobreposição pode ser analisada enunciativamente, através das marcas textuais contidas tanto no texto original quanto no texto traduzido. Para tanto, toma-se um dos trabalhos de um conhecido autotradutor - Samuel Beckett - como corpus, a saber, En attendant Godot (1949), e sua autotradução, Waiting for Godot (1953). O cotejo entre ambas deve permitir tecer algumas considerações sobre com
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Dissertations / Theses on the topic "En attendant Godot (Beckett, Samuel)"

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Rigby, George T. (George Thomas) Carleton University Dissertation French. "L'intertextualite biblique dans En attendant Godot et Fin de partie de Samuel Beckett." Ottawa, 1993.

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Arvidson, Paula. "En attendant Godot : une étude sur les conditions humaines dans le théâtre de l’absurde." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18245.

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Samuel Beckett (1906-1989), irlandais d’expression française et anglaise, peut être considéré comme un des écrivains modernistes du XXe siècle les plus influents. Son nom est surtout associé au théâtre de l’absurde, un style de théâtre des années 50 inspiré des surréalistes et des dadaïstes, dont l’origine était le traumatisme de la Seconde Guerre mondiale. Parmi les pièces absurdes les plus importantes se trouve En attendant Godot de Beckett, une pièce connue et jouée dans le monde entier. Ce que Samuel Beckett nous montre dans En attendant Godot est évidemment l’absurdité de la vie, et l’abs
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Muller, Carla. "Mémoires d'une attente inachevée : le temps dans Malone Meurt, L'innommable et En Attendant Godot de Samuel Beckett." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2001. http://hdl.handle.net/10183/1655.

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Minha dissertação consiste em desenvolver a relação estabelecida entre o texto e o leitor no processo de leitura literária como produtividade, considerada como um conjunto, compreendendo o produtor do texto e seu leitor. A leitura vista como ‘‘jogo", em que o retorno do diferente não desdenha a tradição da leitura, conduz o leitor à produzir um texto múltiplo, plural. O texto é o mesmo e um outro ao mesmo tempo. Este estudo compreende três textos singulares da obra de Samuel Beckett: Malone meurt, L’Innommable e En attendant Godot. Tudo o que é assimilado, assim como refutado por Beckett, é co
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Looft, Helena. ""Vi är trollkarlar" : den konstnärliga kampen i Samuel Becketts I väntan på Godot." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-126649.

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When the Irish writer Samuel Beckett (1906-1989) wrote Waiting for Godot in 1948-1949 he was in a state of artistic depression and confusion. He had already turned to French instead of English and with a manuscript for the stage he made an effort to get away from what he called ”the awful prose” he was working on at that time. Waiting for Godot had its first opening night in Paris in 1953, and during the years since then many different interpretations have been made of this challenging work of art. In this essay, with the meta textual elements in Waiting for Godot as a foundation, I’m reading
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Cochrane, John. "Memoria et promissio : über die anamnetische Verfasstheit des christlichen Glaubens nach J. B. Metz und die kulturelle Amnesie in Samuel Becketts "Warten auf Godot" und "Endspiel" /." Berlin [u.a.] : Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2985475&prov=M&dok_var=1&dok_ext=htm.

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Yang, Gi Chan. "Etude littéraire de Beckett et d'O'Neill." Paris 3, 1999. http://www.theses.fr/1999PA030086.

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Cette etude est basee sur l'esthetique moderne, dont la decontextualisation et la recontextualisation d'une oeuvre a travers la reception d'une oeuvre par le spectateur/lecteur. En posant la question de l'objectivite dans l'oeuvre, elle permet de definir les diverses tendances litteraires d'aujourd'hui et specifiquement dans le domaine du theatre contemporain. Cette etude concerne aussi la question sur la litterarite d'une oeuvre dans le vingtieme siecle, pour arriver au jugement clair sur categorisation d'une oeuvre comme litteraire et non-litteraire. Elle met en question le theatre moderne q
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Jesus, Leila Vieira de. "A study of fools : Lear's fool in Shakespeare's King Lear and Vladimir and Estragon in Beckett's Waiting for Godot." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/54076.

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O foco dessa dissertação é analisar o papel, as características, e a presença dos bobos ao longo da história, focando em sua constante aparição no teatro. Os personagens principais da minha análise serão o Bobo, na peça Rei Lear de William Shakespeare, e Vladimir e Estragon, na peça Esperando Godot de Samuel Beckett. Na análise desses personagens, discuto semelhanças entre os autores, que já foram notadas por críticos como Martin Esslin, Jan Kott, e Northrop Frye, e mostro como os personagens de Beckett são similares aos bobos de Shakespeare. Bobos, no teatro, frequentemente agem como mediador
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Protin, Matthieu. "Pratique et poétique du drame : Beckett auteur-metteur en scène de son premier théâtre." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030171.

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En mettant en scène Warten auf Godot en 1975 au Schiller Theater, Beckett déclare : « Je ne connaissais rien au théâtre quand j’ai écrit cette pièce. » Constat précieux : l’auteur parle au passé. Entre l’écriture et la mise en scène, un savoir a été acquis. Le défaut de savoir constaté concerne la dimension pratique du théâtre. C’est le théâtre tel qu’il se fait auquel Beckett s’est peu à peu confronté, jusqu’à assumer la mise en scène de ses propres pièces. Devenu praticien, l’auteur s’empare de se première œuvres, les reprend : dans cette reprise lui apparaissent les failles et les manques i
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Weiss, Katherine. "Samuel Beckett’s Waiting for Godot." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/2279.

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Dia, Fatimetou. "An Existential reading of Samuel Beckett's Waiting for Godot." Thesis, Södertörns högskola, Engelska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-41765.

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The play Waiting for Godot by Samuel Beckett has for a long time been considered one of his best works. Grasping the significance of key factors such as modernity, modernism and historical background is of great importance to situate and contextualise the play. As Beckett´s play belongs to the “Theatre of the Absurd”, the complicated aspects of where the play belongs has given opportunities for questioning. The intricate layers of the play have opened several doors for interpretation which has allowed diverse conclusions from various researchers. For that reason, further investigation on that
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Books on the topic "En attendant Godot (Beckett, Samuel)"

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Ryngaert, Jean-Pierre. En attendant Godot. Dunod, 1993.

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Dizier, Anna. En attendant Godot: Samuel Beckett. Bertrand-Lacoste, 1993.

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Ryngaert, Jean-Pierre. Lire en attendant Godot. Dunod, 1993.

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André, Derval, ed. En attendant Godot de Samuel Beckett: 1952-1961. 10-18, 2007.

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1955-, Connor Steven, ed. Waiting for Godot and Endgame--Samuel Beckett. St. Martin's Press, 1992.

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Hervé, Bismuth, and Ross Ciaran, eds. "En attendant Godot", "Fin de partie" de Samuel Beckett. Editions du temps, 1998.

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Beckett, Samuel. En attendant Godot. D.-P. Bourquin, 1985.

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Beckett, Samuel. En attendant Godot =: Waiting for Godot : tragicomedy in 2 acts. Grove Press, 2006.

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Thibault, Rémy. En attendant Godot, Fin de partie, Samuel Beckett : résumé analytique, commentaire critique, documents complémentaires. Nathan, 1993.

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Beckett, Samuel. En attendant Godot: Pièce en deux actes. Nelson, 1985.

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Book chapters on the topic "En attendant Godot (Beckett, Samuel)"

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Hesse, Gisela. "Beckett, Samuel: En attendant Godot." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2672-1.

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Boxall, Peter, and Nicolas Tredell. "First Responses to Waiting for Godot and Endgame." In Samuel Beckett. Macmillan Education UK, 2003. http://dx.doi.org/10.1057/978-1-137-13093-8_2.

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Topsfield, Valerie. "Waiting for Godot." In The Humour of Samuel Beckett. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19364-6_8.

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Little, James. "Waiting for Godot (1953) by Samuel Beckett." In Fifty Key Irish Plays. Routledge, 2022. http://dx.doi.org/10.4324/9781003203216-21.

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Birkett, Jennifer. "The Life and Work of Samuel Beckett." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_1.

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Birkett, Jennifer. "Summary and Critical Commentary." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_2.

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Birkett, Jennifer. "Themes and Issues." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_3.

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Birkett, Jennifer. "Technical Features." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_4.

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Birkett, Jennifer. "Specimen Passage and Commentary: Idle Discourse." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_5.

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Birkett, Jennifer. "The Critics’ Reception of Beckett’s Play." In Waiting for Godot by Samuel Beckett. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08565-1_6.

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