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Relevant bibliographies by topics / Endymion

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Academic literature on the topic 'Endymion'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Endymion"

1

Trevor, Douglas. "Endymion." Iowa Review 45, no. 2 (September 2015): 57–74. http://dx.doi.org/10.17077/0021-065x.7589.

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Bousseyroux, Isaure. "Endymion." L'en-je lacanien 31, no. 2 (2018): 187. http://dx.doi.org/10.3917/enje.031.0187.

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Byrne, Celine. "Endymion." Books Ireland, no. 204 (1997): 135. http://dx.doi.org/10.2307/20631718.

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King, Rosalind, David Bevington, Michael Pincombe, and John Lyly. "Endymion: John Lyly." Yearbook of English Studies 29 (1999): 294. http://dx.doi.org/10.2307/3508970.

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Spisak, April. "Endymion Spring (review)." Bulletin of the Center for Children's Books 60, no. 2 (2006): 94–95. http://dx.doi.org/10.1353/bcc.2006.0687.

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Townsend, Chris. "“The Very Music of the Name”." Nineteenth-Century Literature 75, no. 4 (March 1, 2021): 441–72. http://dx.doi.org/10.1525/ncl.2021.75.4.441.

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Chris Townsend, “‘The Very Music of the Name’: Uncertainty as Aesthetic Principle in Keats’s Endymion” (pp. 441–472) It is well known that John Keats thought that true poets were those who are capable of being in “uncertainties, Mysteries, doubts” without feeling the need to reach after solid facts. And “uncertainty” is a recurrent term in his 1818 poem Endymion and its preface. But what does it mean for the figure of Endymion to follow an “uncertain path,” and what role do experimental poetics play in that experience of not knowing? This essay reflects on three aspects of the rhythms of Endymion—the relation of line to sentence, the transformative quality of the poem’s rhymes, and the rhythmical malleability of the name “Endymion” itself—to argue that what Keats’s early critics were hostile to in his poem was precisely what he strove to produce: a poetics of uncertainty. By turning close attention to the local effects of Keats’s rhythms, and by mounting an argument about the structure of his thinking that concerns the shape of his verses, I also want to reopen a perennial question in both Formalist and New Historicist branches of Keats scholarship: whether it makes sense to think of Keats as a “political” or “ideological” poet, and of what that might mean in relation to his aesthetics.

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Keats, John. "Two Prefaces to Endymion." New England Review 37, no. 2 (2016): 188–92. http://dx.doi.org/10.1353/ner.2016.0051.

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Moctezuma, Victor, and Gonzalo Halffter. "Taxonomic revision of the Phanaeus endymion species group (Coleoptera: Scarabaeidae), with the descriptions of five new species." European Journal of Taxonomy 747 (April 28, 2021): 1–71. http://dx.doi.org/10.5852/ejt.2021.747.1333.

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The Phanaeus endymion species group is defined as a lineage of dung beetles distributed from Mexico to Ecuador. The current arrangement of the P. endymion species group includes 18 species (five newly described and three revalidated herein): P. arletteae Arnaud, 2018; P. bravoensis Moctezuma, Sánchez-Huerta & Halffter, 2017; P. chiapanecus sp. nov.; P. edmondsi Moctezuma, Deloya & Halffter, 2019; P. endymion Harold, 1863; P. funereus Balthasar, 1939 stat. rev.; P. halffterorum Edmonds, 1979; P. huichol Moctezuma, Sánchez-Huerta & Halffter, 2017; P. jackenioi sp. nov.; P. malyi Arnaud, 2002; P. olsoufieffi Balthasar, 1939 stat. rev.; P. pacificus sp. nov.; P. panamensis sp. nov.; P. porioni Arnaud, 2001 stat. rev.; P. pyrois Bates, 1887; P. rzedowskii sp. nov.; P. zapotecus Edmonds, 2006; and P. zoque Moctezuma & Halffter, 2017. Phanaeus dionysius Kohlmann, Arriaga-Jiménez & Rös, 2018 syn. nov. is considered as a new junior subjective synonymy of P. zapotecus Edmonds, 2006. Phanaeus blanchardi Olsoufieff, 1924 and P. bothrus Blackwelder, 1944 are junior objective synonyms of P. olsoufieffi Balthasar, 1939 stat. rev.

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EDMONDS, W. D. "A new species of Phanaeus Macleay (Coleoptera: Scarabaeidae: Scarabaeinae: Phanaeini) from Oaxaca, Mexico." Zootaxa 1171, no. 1 (April 10, 2006): 31. http://dx.doi.org/10.11646/zootaxa.1171.1.3.

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Phanaeus zapotecus Edmonds, new species, is described. This species occurs in the vicinity of Sola de Vega in the Sierra Madre del Sur of Oaxaca (Mexico), where it was collected from mushrooms in pine-oak forest. It is illustrated and compared with the closely related Mexican species Phanaeus endymion Harold and Phanaeus halffterorum Edmonds.Resumen: Se describe Phanaeus zapotecus Edmonds, especie nueva, especie micetófaga que habita en los bosques pino-encino de la Sierra Madre del Sur en los alrededores de Sola de Vega, Oaxaca (México). Se compara con sus parientes, las especies mexicanas Phanaeus endymion Harold y Phanaeus halffterorum Edmonds.

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SUNDHARARAJAN, Mr P., and Dr R. MAYILRAJ. "Critical inquiry of the Greek myths in Endymion Book II of John Keats." Think India 22, no. 3 (September 26, 2019): 647–60. http://dx.doi.org/10.26643/think-india.v22i3.8350.

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The purpose of this document is to read and analyze one of the major works of John Keats, the poem Endymion, carefully. Due to the use of classical [primarily Greek ] tales and mythology, this poem is regarded an outstanding work. The primary aim of this article is therefore to demonstrate how Greek stories, heroes and symbols of ancient Greek gods help form the plot, mood and significance of the poem's second novel ' The Underworld. 'Endymion is being likened as a lengthy narrative story portrayed in impressive passages and contrasted with the ancient myths it uses. It would also like to point out Keats ' attempt to authentically make these classical allusions and myths his by a re-creation authority. Perhaps it will be hard for modern readers to find out the valuable significance of Keats ' splendid verses complete of gods, thoughts and wisdom no longer common names, but this poem was a mandatory element of higher education for John Keats and his generation. Then let the beautiful shepherd Endymion look through the eyes into the imaginative world of the poet and find out if the main goal of this paper is being fulfilled.

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Dissertations / Theses on the topic "Endymion"

1

Boyd, Roger Jamie. "John Keats' Endymion : "disposed of but not resolved"? /." Title page, contents and introduction only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arb7899.pdf.

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Corradino, Anna Chiara <1994&gt. "Metamorphoses of Endymion and Selene: Dominance, Objectification, and Necrophilia." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10471/1/Corradino_Thesis_Complete.pdf.

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The aim of the research is to understand the transformations of the myth of Endymion and Selene from the Ancient World to the Contemporary Times with regard to the intersection of dominant femininity and objectified masculinity. The final goal is to show how these two macro-concepts have been represented according to a dialectical mechanism of cultural constants and variations of which the myth stands as a privileged plane of study. This connection will be explored in detail alongside with the eroticization of the sleeping and dead male body, to which its erotic agency is to be restored, by a woman who explicitly shows an erotic desire towards him. These two marginal desires are analysed from the point of view of the dialectic antagonistic to hegemony, and their expressive effects are examined in different media: literary, artistic, cinematographic. This relationship between the two lovers is marked by a significant presence of death that in the first part of the thesis is called female proto-necrophilia, while in the last part is named female necrophilia. The relationship that is in established between the two is a clear example of how anti-normative desires have undergone numerous attempts of neutralization and have increasingly become an expression of the medicalization of the uncanny. Female necrophilia is in fact the last step of a mythical romance that undermines the normative and hegemonic construction of ordinariness, but at the same time manifests its expressive and irrepressible power throughout the literature and arts of the Global North. To examine this in depth, the research is divided into five chapters.
Lo scopo della presente ricerca è la comprensione delle trasformazioni del mito di Endimione e Selene a partire dal mondo antico fino alla contemporaneità, con un focus sull’intersezione dei temi della femminilità dominante e della maschilità oggettivata. L’obiettivo finale è quello di mostrare come questi due macro-concetti siano stati rappresentati secondo un meccanismo dialettico di costanti e varianti culturali rispetto ai quali il mito costituisce un elemento trasversale di studio privilegiato. La connessione sarà indagata soprattutto in relazione con l’erotizzazione del corpo maschile addormentato e morto, a cui una donna con un desiderio erotico esplicito nei suoi confronti, intende restituire la sua agency erotica. Questi due desideri marginali sono analizzati in chiave di dialettica antagonistica all’egemonia, e ne sono esaminate le ricadute espressive all’interno di diversi media: letterari, artistici, cinematografici. La relazione tra i due amanti, in particolare, è connotata da una forte presenza di morte, che nella prima parte della tesi è chiamata protonecrofilia, nell’ultima parte necrofilia femminile. La relazione che si instaura tra i due è infatti un chiaro esempio di come i desideri anti-normativi siano stati sottoposti a tentativi di normalizzazione e siano al contempo diventati espressione della medicalizzazione del per- turbante. La necrofilia femminile è l’ultimo passaggio di una storia mitica che mette in crisi la costruzione normativa ed egemonica della realtà ordinaria, ma che al contempo manifesta la sua forza espressiva e insopprimibile nel corso di tutta la letteratura e arte del Global North. L'elaborato è diviso in cinque capitoli.

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Lovén, Svante. "Skuggornas rike mytiska mönster i Heidenstams Endymion och Hans Alienus /." Uppsala : Stockholm] : [Academiae Ubsaliensis ; Almqvist & Wiksell [distributor], 1993. http://catalog.hathitrust.org/api/volumes/oclc/28537080.html.

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Lovén, Svante. "Skuggornas rike : Mytiska mönster i Heidenstam "Endymion och Hans Alienus /." Stockholm : Almqvist & Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb355999531.

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小口, 一郎, and Ichiro KOGUCHI. "監禁と解放の力学－KeatsのEndymion－." 名古屋大学文学部, 1989. http://hdl.handle.net/2237/9724.

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Capo, Lissa. ""Throw Me Something, Mister": The History of Carnival Throws in New Orleans." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1294.

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Mardi Gras draws millions of tourists to New Orleans yearly, contributing to the economy of the city. Visitors soon discover the thrill of catching "throws" tossed to paradegoers by members of parade organizations' riding floats. For tourists and locals alike, throws become the cultural currency of New Orleans during Carnival. Beads, doubloons, coconuts, cups and other throws develop an inherent value, enticing crowds. People esteem throws enough to compete for them, with varying levels of intensity, along parade routes and on the streets of the French Quarter. The purchase of throws by Carnival krewes also brings revenue into New Orleans. Scholars have written many studies on Mardi Gras, including studies on individual organizations, tourism and economy. However, no study examines the history of Mardi Gras throws. This thesis seeks to fill that void, and establishes an earlier date for the first time beads were thrown from floats.

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7

ANSELMO, ANNA. "La "poetica dell'incontrollabilità": l'Endymion di Keats, la lingua e i periodici romantici." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/935.

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"Endymion" è il traît d'union tra i juvenilia di Keats ("Poems", 1817) e i suoi lavori più conosciuti ("Lamia, Isabella ... and other Poems"). Per sua natura, è un'opera di transizione e quindi concede allo studioso un punto di vista privilegiato sullo sviluppo della poetica e della lingua di Keats. Inoltre, l'"Endymion" è l'opera keatsiana più aspramente contestata dalla critica romantica. Gli studiosi moderni hanno analizzato il problema alla luce di considerazioni socio-politiche, il mio lavoro mira invece ad un'analisi più strettamente linguistica. Ricostruisco il contesto linguistico del diciottesimo e diciannovesimo secolo al fine di spiegare il disagio dei recensori nei confronti di "Endymion". Sostengo che il prescrittivismo del Settecento nasce da una profonda ansia relativa alla lingua, causata dalle teorie di Locke. L'atteggiamento prescrittivista influenza la critica romantica e i critici di Keats in particolare, più di quanto potessero fare considerazioni di natura politica. Analizzo le peculiarità linguistiche e strutturali di "Endymion" al fine di provare che Keats elabora una 'poetica dell'incontrollabilità', una serie di strategie stilistiche e testuali, che violano le convenzioni linguistiche e narrative e che vengono quindi percepite come destabilizzanti e stranianti.
"Endymion" is the traît d’union between Keats’s juvenilia ("Poems", 1817)and his better known, and, conventionally, ’mature’ works ("Lamia, Is- abella ... and other Poems", 1820). By its nature, it is a transitional work, and thus gives the scholar special insight into the development of Keats’s poetics and idiom. Moreover, "Endymion" is the Keatsian work which most irritated and provoked contemporary critics; the two pieces of venomous invective it received in the periodical press of the time have become the stuff of scholarly legend. Recent scholarly work has analysed the language of "Endymion" in socio-political terms; my work focuses on more strictly linguistic concerns. I reconstruct the linguistic context of the eighteenth and early nineteenth centuries in order to explain the reviewers’ unease with regard to "Endymion". I maintain that eighteenth-century prescriptivism arose from a deep-seated anxiety regarding language, Lockian in origin, and that the ensuing desire to stabilize and therefore control language informed Romantic criticism in general, and the criticism of Keats’s work in particular, more fundamentally than politics could or did. I analyse the imaginative and linguistic markers of "Endymion" in order to prove that Keats had elaborated a “poetics of uncontrollability”, a series of textual and stylistic strategies, which violated linguistic and narrative standards and were therefore perceived as unsettling.

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ANSELMO, ANNA. "La "poetica dell'incontrollabilità": l'Endymion di Keats, la lingua e i periodici romantici." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/935.

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"Endymion" è il traît d'union tra i juvenilia di Keats ("Poems", 1817) e i suoi lavori più conosciuti ("Lamia, Isabella ... and other Poems"). Per sua natura, è un'opera di transizione e quindi concede allo studioso un punto di vista privilegiato sullo sviluppo della poetica e della lingua di Keats. Inoltre, l'"Endymion" è l'opera keatsiana più aspramente contestata dalla critica romantica. Gli studiosi moderni hanno analizzato il problema alla luce di considerazioni socio-politiche, il mio lavoro mira invece ad un'analisi più strettamente linguistica. Ricostruisco il contesto linguistico del diciottesimo e diciannovesimo secolo al fine di spiegare il disagio dei recensori nei confronti di "Endymion". Sostengo che il prescrittivismo del Settecento nasce da una profonda ansia relativa alla lingua, causata dalle teorie di Locke. L'atteggiamento prescrittivista influenza la critica romantica e i critici di Keats in particolare, più di quanto potessero fare considerazioni di natura politica. Analizzo le peculiarità linguistiche e strutturali di "Endymion" al fine di provare che Keats elabora una 'poetica dell'incontrollabilità', una serie di strategie stilistiche e testuali, che violano le convenzioni linguistiche e narrative e che vengono quindi percepite come destabilizzanti e stranianti.
"Endymion" is the traît d’union between Keats’s juvenilia ("Poems", 1817)and his better known, and, conventionally, ’mature’ works ("Lamia, Is- abella ... and other Poems", 1820). By its nature, it is a transitional work, and thus gives the scholar special insight into the development of Keats’s poetics and idiom. Moreover, "Endymion" is the Keatsian work which most irritated and provoked contemporary critics; the two pieces of venomous invective it received in the periodical press of the time have become the stuff of scholarly legend. Recent scholarly work has analysed the language of "Endymion" in socio-political terms; my work focuses on more strictly linguistic concerns. I reconstruct the linguistic context of the eighteenth and early nineteenth centuries in order to explain the reviewers’ unease with regard to "Endymion". I maintain that eighteenth-century prescriptivism arose from a deep-seated anxiety regarding language, Lockian in origin, and that the ensuing desire to stabilize and therefore control language informed Romantic criticism in general, and the criticism of Keats’s work in particular, more fundamentally than politics could or did. I analyse the imaginative and linguistic markers of "Endymion" in order to prove that Keats had elaborated a “poetics of uncontrollability”, a series of textual and stylistic strategies, which violated linguistic and narrative standards and were therefore perceived as unsettling.

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Schmidt, Hendrik J. J. "Aspects of classicism in John Keats's poetry from "Endymion" to "The fall of Hyperion"." Thesis, 2014. http://hdl.handle.net/10210/11178.

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M.A. (English)
John Keats (31 October.1795 - 23 February 1821) is prominent among the younger generation of poets of the Romantic period. From the early admiration of his contemporaries to the present much attention has been paid to the nature of Romanticism in his work. A member of the "Keats circle," Joseph Ritchie, as early as November 1817 wrote to a friend that he thought Keats "might well prove to be the great poetical luminary of the age to come."l In an essay entitled "On the Development of Keats' (sic) Reputation," (1968), J. R. MacGillivray discusses this ongoing admiration of Keats as central to the embodiment of . Romanticism, and refers also to the veneration of the poet by members of the Pre-Raphaelite Brotherhood. 2 MacGillivray states that they had a natural affinity for the poet's work because of the "romantic medievalism" in some of his poems, and because of the sensuous richness of some of his description...

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Books on the topic "Endymion"

1

Simmons, Dan. Endymion. New York: Bantam Books, 1996.

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Keats, John. Endymion. Oxford [England]: Woodstock Books, 1991.

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Heidenstam, Verner von. Endymion. Höganäs, Sweden: Wiken, 1992.

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M, Bevington David, ed. Endymion. New York: Manchester University Press, 1996.

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Simmons, Dan. Endymion. New York: Bantam Books, 1995.

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-, Abadia Guy 19, ed. Endymion. Paris: Pocket, 2008.

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Tł, Szypuła Wojciech, and Konior, Irek (1972- ). Il, eds. Endymion. Warszawa: Wydawnictwo Mag, 2008.

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Skelton, Matthew. Endymion Spring. New York: Random House Children's Books, 2006.

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Woodcock, Patrick. Scarring Endymion. Oakville, ON: Mosaic Press, 1999.

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Skelton, Matthew. Endymion Spring. England: Puffin Books, 2006.

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Book chapters on the topic "Endymion"

1

Spain, Don. "Endymion." In The Six-Inch Lunar Atlas, 14–17. New York, NY: Springer New York, 2009. http://dx.doi.org/10.1007/978-0-387-87610-8_3.

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Wentink, A. M. "Endymion." In Who's Who in Gay and Lesbian History, 149. 2nd ed. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-150.

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Schmid, Susanne. "Keats, John: Endymion." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8870-1.

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Ulmer, William A. "The Idealism of Endymion." In John Keats, 75–109. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47084-9_3.

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Mizukoshi, Ayumi. "‘Wherein Lies Happiness?’: Endymion (1818)." In Keats, Hunt and the Aesthetics of Pleasure, 131–47. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230285903_6.

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Blades, John. "The ‘beautiful mythology of Greece’: Endymion and Lamia." In John Keats: The Poem, 37–71. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-11221-7_2.

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Pan, Yuqi, and Huachen Xiong. "If Žižek look awry at The Sleep of Endymion." In Advances in Social Science, Education and Humanities Research, 4–13. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-170-8_2.

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White, R. S. "‘That which is creative must create itself’: 1817 and Endymion." In John Keats, 73–95. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281448_5.

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Booth, Alison. "Helen A. Clarke and Charlotte Endymion Porter: Literary Criticism in Author Country a Century Ago." In Transatlantic Literature and Author Love in the Nineteenth Century, 203–36. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32820-1_9.

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Mason, Nicholas, John Strachan, Nicholas Mason, Tom Mole, and Charles Snodgrass. "George Croly and William Maginn (?) ‘Remarks on Shelley's Adonais, An Elegy on the Death of John Keats, Author of Endymion, &c.’1." In Blackwood's Magazine, 1817-25, Volume 6, 91–102. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003312567-9.

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Conference papers on the topic "Endymion"

1

YAO, YUAN, Dennis Dlugos, Mahnaz Asgharnejad, Pranab Mitra, and Venkatesha Murthy. "Long-Term Treatment Effects of Soticlestat in Patients with Dravet Syndrome or Lennox–Gastaut Syndrome: Interim Data from the ENDYMION 1 Trial (S44.004)." In 2023 Annual Meeting Abstracts. Lippincott Williams & Wilkins, 2023. http://dx.doi.org/10.1212/wnl.0000000000202980.

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