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1

Foster, Donald W. Author unknown: On the trail of anonymous. Henry Holt, 2000.

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2

Jack, Prelutsky, and Drescher Henrik ill, eds. Poems of A. Nonny Mouse. Knopf, 1991.

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3

Mullan, John. Anonymity: A secret history of English literature. Princeton University Press, 2007.

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4

Jack, Prelutsky, and Priceman Marjorie ill, eds. A. Nonny Mouse writes again!: Poems. Knopf, 1993.

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5

Jack, Prelutsky, and Drescher Henrik ill, eds. Poems of A. Nonny Mouse. Knopf, 1989.

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6

Erin, Henriksen, Polydourou Desma, Du Verger S, et al., eds. Fiction of unknown or questionable attribution. Ashgate, 2004.

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7

Michael, Perkins, ed. An anthology of classic anonymous erotic writing. Rhinoceros, 1993.

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8

(Organization), Tribe of Scribes, ed. Tribe of scribes: New writing from Scibblers Anonymous. 2nd ed. Tribe of Scribes], 2004.

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9

1920-, Holloway John, ed. The Oxford book of local verses. New York, 1987.

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10

Koenig, Teresa Catherine. The anonymity and pseudonymity of five eighteenth century English poets. 1993.

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11

Foster, Don. Author Unknown: On the Trail of Anonymous. Holt & Company, Henry, 2014.

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12

Anonymity: A Secret history of English literature. Princeton Univiversity Press, 2008.

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13

Anonymity: A Secret History of English Literature. Faber & Faber, Limited, 2008.

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14

The anonymous text: The 500-year history of The assembly of ladies. Peter Lang, 2010.

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15

Palmer, Thomas. Translation into English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816652.003.0004.

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This chapter discusses a series of anonymous translations produced during the late 1650s and Restoration period which made the Jansenist critique accessible to an anglophone audience. The chapter investigates the responsible parties and their motives and intentions. Translations commissioned by the Earl of Clarendon from John Evelyn had a bearing on early Restoration religious politics, specifically on relations between English Catholics and the state. One group of English Catholics, the Blackloists, had a particular interest in discrediting the Jesuits, and another anonymous translation proba
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16

North, Marcy L. The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England. University of Chicago Press, 2004.

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17

First person anonymous: Women writers and Victorian print media, 1830-70. Ashgate, 2004.

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18

Prelutsky, Jack. A. Nonny Mouse Writes Again. Random House Value Publishing, 1998.

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19

A. Nonny Mouse Writes Again! Dragonfly Books, 1996.

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20

Van Hyning, Victoria. Convent Autobiography. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266571.001.0001.

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Convent Autobiography explores the ways in which cloistered women articulated their senses of self through genres such as letters, chronicles, accounts, guidance and devotional manuals, and conversion narratives. The book explores writings by early modern English women who elected a double self-exile from home and ‘from the world’, undertakings that shaped and informed so much of their self-writing. These nuns sometimes composed under their own names, but many composed anonymously. Using a combination of close reading, palaeography, manuscript evidence and other data, this book reveals the ide
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21

Everywhere and Nowhere: Anonymity and Mediation in Eighteenth-Century Britain. University of Minnesota Press, 2018.

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22

Everywhere and Nowhere: Anonymity and Mediation in Eighteenth-Century Britain. University of Minnesota Press, 2018.

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23

Vareschi, Mark. Everywhere and Nowhere: Anonymity and Mediation in Eighteenth-Century Britain. University of Minnesota Press, 2018.

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24

Everywhere and Nowhere: Anonymity and Mediation in Eighteenth-Century Britain. University of Minnesota Press, 2019.

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25

(Editor), Erin Henriksen, Desma Polydorou (Editor Introduction), and Woman of Quality (Editor), eds. Fiction Of Unknown Or Questionable Attribution II: Printed Writings 1641-1700 (Early Modern Englishwoman: a Facsimile Library of Essential Works) (Early ... a Facsimile Library of Essential Works). Ashgate Publishing, 2006.

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26

(Editor), Erin Henriksen, Desma Polydorou (Editor Introduction), and Woman of Quality (Editor), eds. Fiction of Unknown or Questionalble Attribution, 1: bPrinted Writings 1641-1700 (Early Modern Englishwoman: a Facsimile Library of Essential Works) (Early ... a Facsimile Library of Essential Works). Ashgate Publishing, 2006.

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27

Anonymity in early modern England: "what's in a name?". Ashgate, 2011.

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28

Traister, Barbara Howard, and Janet Wright Starner. Anonymity in Early Modern England: 'What's in a Name?'. Taylor & Francis Group, 2016.

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29

Traister, Barbara Howard, and Janet Wright Starner. Anonymity in Early Modern England: 'What's in a Name?'. Taylor & Francis Group, 2016.

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30

Traister, Barbara Howard, and Janet Wright Starner. Anonymity in Early Modern England: 'What's in a Name?'. Taylor & Francis Group, 2016.

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31

Traister, Barbara Howard, and Janet Wright Starner. Anonymity in Early Modern England: 'What's in a Name?'. Taylor & Francis Group, 2016.

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32

Traister, Barbara Howard, and Janet Wright Starner. Anonymity in Early Modern England: 'What's in a Name?'. Taylor & Francis Group, 2016.

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33

Prelutsky, Jack. Poems of A.Nonny Mouse (Orchard Readalones). Orchard Books, 1993.

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34

Prelutsky, Jack. Poems of A. Nonny Mouse. Dragonfly Books, 1991.

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35

Prelutsky, Jack. The Poems of A.Nonny Mouse (Poetry & Folk Tales). Orchard Books, 1992.

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36

Studies in authorship recognition: A corpus-based approach. P. Lang, 1999.

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37

Victorian Jesus: J. R. Seeley, Religion, and the Cultural Significance of Anonymity. University of Toronto Press, 2017.

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38

Hesketh, Ian. Victorian Jesus: J. R. Seeley, Religion, and the Cultural Significance of Anonymity. University of Toronto Press, 2018.

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39

Stafford, Pauline. After Alfred. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859642.001.0001.

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This book traces the development of a group of anonymous, vernacular, annalistic chronicles—‘the Anglo-Saxon chronicles’—from their genesis at the court of King Alfred to their end at the Fenland monastery of Peterborough. It reconsiders them in the light of wider European scholarship on the politics of history-writing. It covers all surviving manuscript chronicles, with detailed attention being paid to palaeography, layout, and content, and identifies key lost texts. It is concerned with production, scribe-authors, patrons, and audiences. The centuries these chronicles cover were critical to
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40

Thoene, Marijim, and Guy Mermier. End of Time in the Middle Ages: The Vineyard of Our Saviour - Bodleian MS. Douce 134. Maize Books, 2022. http://dx.doi.org/10.3998/mpub.11767532.

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The first publication of an English translation of The Vineyard of Our Saviour, a 15th-century French/Latin sermon on the end of time comes at an auspicious time. The anonymous author of The Vineyard speaks of events at the end of the world, which ravage our world today-- raging forest fires, earthquakes, floods, draughts, and wars. The Vineyard also describes the appearance of the Antichrist, the Last Judgment, the tortures of hell and the joys of paradise. The drama of the text is heightened by over 70 illuminations that make this medieval manuscript one of the most treasured in the Bodleian
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