Academic literature on the topic 'English English Detective and mystery stories'

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Journal articles on the topic "English English Detective and mystery stories"

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Filippaki, Iro, and Lakshmi Krishnan. "The Case of the Peculiar Story: Medical Investigation and the Detective in Edgar Allan Poe and Marguerite Duras." Literature and Medicine 41, no. 1 (2023): 249–72. http://dx.doi.org/10.1353/lm.2023.a911453.

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Abstract: In "The Murders in the Rue Morgue" (1841), Poe invents the detective story in English, introducing his gentleman sleuth Auguste Dupin as he solves the locked-room mystery of two women found brutally murdered in a Paris apartment. In L'Amante Anglaise (1967), Duras revisits the detective form, fictionalizing the true 1949 crime of a woman murdering and dismembering her cousin in Viorne, France. These literary detective stories highlight the powerful but unspoken role of affective experience in driving what appears, on the surface, to be a forensic medical or psychological investigatio
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Poluektova, Tatiana A. "The English photoekphrastic detective novel of the second half of the 20th century (A. Christie, T. Findlеy): Tradition and innovation". Izvestiya of Saratov University. Philology. Journalism 24, № 3 (2024): 309–18. http://dx.doi.org/10.18500/1817-7115-2024-24-3-309-318.

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The article examines the development of such a genre variety as the photoeкphrastic detective, embracing the period of the 1950s to the 1980s of the 20th century. The paper reveals the genre-forming potential of photographic eкphrasis, presented in the texts in the form of photograph descriptions found in classical detective literature (analyzed on the bases of A. Christie’s novel Mrs McGinty’s Dead, 1952) and its postmodernist version – in T. Findlay’s novel The Telling of Lies: A Mystery, 1986. Photography in the novels by A. Christie and T. Findlay helps the detectives (H. Poirot and Vaness
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Lázaro, Alberto. "The Popularity of Wilkie Collins’s Sensation Fiction in Spain: The Case of The Woman in White." Complutense Journal of English Studies 30 (December 16, 2022): 81–90. http://dx.doi.org/10.5209/cjes.81787.

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Wilkie Collins, one of the most popular Victorian novelists, has been widely acclaimed as the early master of the sensation novel and a pioneer of English detective fiction. Novels such as The Woman in White (1860) and The Moonstone (1868) became best sellers and captivated Victorian readers with their convoluted plots full of mystery, crime and sexuality, usually within the respectable middle-class home. His popularity crossed national and linguistic borders, and his novels, novellas and short stories were soon translated into different languages. In Spain, we find over a dozen of different e
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Oraibi ABDULLAH, İbtisam, and Alaa Falah Hasan AL-HAMADANI. "COMPARISON OF NAME CASE SUFFIXES IN TURKISH AND ENGLISH IN THE STORY OF THE MYSTERY OF THE ISLAND." International Journal of Humanities and Educational Research 05, no. 04 (2023): 51–63. http://dx.doi.org/10.47832/2757-5403.21.4.

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In this study, titled Comparison of Noun Case Suffixes in Turkish and English in the Stories of the Mystery of the Island translated into Turkish, all the noun case suffixes used in the Turkish translated texts of the aforementioned stories were determined and analyzed one by one in Turkish and English in a comparative way. Among the stories written, simplified stories with Turkish translation titled "The mystery of the island" were emphasized and examined. Each of the aforementioned stories is divided into several chapters. There is a Turkish translation of the book next to each English page.
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Frolov, I. "ORIGINS, ELEMENTS, AND REAL PROTOTYPES IN THE DETECTIVE GENRE IN ENGLISH LITERATURE." POLISH JOURNAL OF SCIENCE, no. 62 (May 15, 2023): 83–84. https://doi.org/10.5281/zenodo.7935982.

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This article discusses the origins of the detective genre in English literature, as well as its main characteristics. It examines the common elements shared by many detective heroes, the influence of real-life stories and crimes in the creation of fictional works, and the reasons for the genre's popularity today.
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Steere, Elizabeth. "“The mystery of the Myrtle Room”: Reading Wilkie Collins’ The Dead Secret as an Early Female Detective Novel." Victorian Popular Fictions Journal 5, no. 1 (2023): 58–72. http://dx.doi.org/10.46911/yrrl8350.

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While Wilkie Collins’ novels The Moonstone (1868) and The Woman in White (1859-60) have long been accepted as part of the early mystery canon, Collins’ earlier novel The Dead Secret (1857) is rarely included. The Dead Secret is here reconsidered as one of the earliest English female detective novels, revealing its heretofore unrecognised significance to the genre of detective fiction and the evolution of the literary female detective. The Dead Secret’s protagonist, Rosamond, is almost Holmesian in her methodical collection of evidence and tactical lines of questioning to arrive at the solution
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Veldhuizen, Vera Nelleke. "The Curious Case of Children's Detective Fiction: Analysing the Adaptation of the Classic Detective Formula for a Child Audience." Crime Fiction Studies 4, no. 2 (2023): 162–78. http://dx.doi.org/10.3366/cfs.2023.0096.

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The popularity of the children's detective genre defies an apparent clash between the nature of the genre, specifically its reliance on readerly ability and capital crime, and children's literature's specific group of readers, and thus invites investigation. It is therefore peculiar that children's detective fiction has not enjoyed much scholarship, particularly in the English language. While the detective genre is usually discussed under the umbrella term of ‘crime literature’ when it enjoys an adult readership, in children's literature scholarship it is usually tucked into the categories of
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Rochelson, Meri-Jane. "The Big Bow Mystery: Jewish Identity and the English Detective Novel." Victorian Review 17, no. 2 (1991): 11–20. http://dx.doi.org/10.1353/vcr.1991.0006.

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Devara, Gina Hanifa. "Reader and Text Interaction." Linguistika Kultura: Jurnal Linguistik Sastra Berdimensi Cultural Studies 13, no. 1 (2024): 34–42. https://doi.org/10.25077/jlk.13.1.34-42.2024.

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This research discusses how the readers’ responses to plot twists in several Sherlock Holmes stories influence their reading interest and curiosity in other Sherlock Holmes stories and other mystery works. The aim is to find the relationship between knowledge of the plot and interest in reading Sherlock Holmes books among English Department students at Andalas University, 2022 generation. The results show that most respondents were familiar with plot twists and mystery stories. It proves that the students think plot twists in stories are trendy and can increase their interest in reading other
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Tsapenko, Liliia. "Self-organization mechanisms of compositional levels of English detective stories." Nova fìlologìâ, no. 79 (2020): 112–17. http://dx.doi.org/10.26661/2414-1135/2020-79-19.

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Dissertations / Theses on the topic "English English Detective and mystery stories"

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Smillie, Rachel Jane. "The lady vanishes : women writers and the development of detective fiction." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=225765.

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The history of detective fiction has frequently centred on three key figures: Edgar Allan Poe, Wilkie Collins and Arthur Conan Doyle. These writers hold a privileged place in the canon of detective fiction and represent key sites in a linear narrative of development which has often overlooked the complexity and variability of the detective genre. This dissertation explores the disappearance of female writers from the critical history of detective fiction. Focusing on the mystery and detective narratives of Mary Elizabeth Braddon, LT Meade, Baroness Emmuska Orczy and CL Pirkis, this project aim
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Dzirkalis, Anna M. "Investigating the female detective : gender paradoxes in popular British mystery fiction, 1864-1930 /." View abstract, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3287860.

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Wouters, Els. "Roman policier et inférence : une étude philosophique, sémiotique et rhétorique de l'inférence logique dans le roman policer classique francophone et anglophone entre 1841 et 1945 /." Online version, 2001. http://bibpurl.oclc.org/web/28328.

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Pallo, Vicki. "Quarantining the criminal isolation in early British literature of crime and detection /." Diss., Online access via UMI:, 2009.

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Kindler, Jessica Claire. "Tokuya Higashigawa's After-Dinner Mysteries: Unusual Detectives in Contemporary Japanese Mystery Fiction." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1011.

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The detective fiction (tantei shōsetsu) genre is one that came into Japan from the West around the time of the Meiji Restoration (1868), and soon became wildly popular. Again in recent years, detective fiction has experienced a popularity boom in Japan, and there has been an outpouring of new detective fiction books as well as various television and movie adaptations. It is not a revelation that the Japanese detective fiction genre, while rife with imitation and homage to Western works, took a dramatic turn somewhere along the line, away from celebrated models like Poe, Doyle, and Christie, an
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Griswold, Amy Herring Simpkins Scott. "Detecting masculinity the positive masculine qualities of fictional detectives /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3971.

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Johansson, Cecilia. "Bibliotekarien som detektiv : Representationer av bibliotekarier i detektivromaner." Thesis, Uppsala universitet, Institutionen för ABM, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200921.

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This master's thesis is a study of how librarians are depicted in crime fiction. 12 American and English mysterynovels featuring librarians in a central role were studied and analysed using character theory. Recurring traitswere identified and organised into themes. A number of prominent traits and themes emerged that show librariansas orderly and organised bibliophiles, but with a taste for adventure and excitement. They are keen problem solverswho enjoy a challenge, at work, or in the form of crime detection. These traits show fairly different sides ofthe characters, and hint of librarians h
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Trainin, Sarah Jean. "The rise of mass culture theory and its effect on golden age detective fiction." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2255.

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Griswold, Amy Herring. "Detecting Masculinity: The Positive Masculine Qualities of Fictional Detectives." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3971/.

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Detective fiction highlights those qualities of masculinity that are most valuable to a contemporary culture. In mysteries a cultural context is more thoroughly revealed than in any other genre of literature. Through the crimes, an audience can understand not only the fears of a particular society but also the level of calumny that society assigns to a crime. As each generation has needed a particular set of qualities in its defense, so the detective has provided them. Through the detective's response to particular crimes, the reader can learn the delineation of forgivable and unforgivable act
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Singh, Anirood. "Road to redemption." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013035.

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Lurching from day-today in the months before South Africa becomes a republic, booze-befuddled Indian private investigator Rohit Biswas does not ponder how he can secure his daughter's future after he became a widower and lost his job as police detective when he killed a man who fatally stabbed his wife. Salvation appears when a rich client hires the PI to find evidence proving his son did not rape and murder a white socialite. Fighting against seeming impossible odds in colonial-apartheid Durban and a sanctions-busting conspiracy, Biswas secures his client's acquittal. In the process he defies
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Books on the topic "English English Detective and mystery stories"

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1948-, Cox Michael, ed. 12 English detective stories. Oxford University Press, 1998.

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G, Greene Douglas, ed. Detection by Gaslight: 14 Victorian Detective Stories. Dover Publications, 1997.

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1945-, Adrian Jack, ed. 12 Mystery Stories. Oxford University Press, 1998.

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Adrian, Jack. 12 Mystery stories. Oxford University Press, 1998.

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Davies, David Stuart. Vintage Mystery and Detective Stories. Edited by David Stuart Davies. Wordsworth Editions, 2006.

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Helen, Cresswell, and Reynolds Adrian ill, eds. Mystery Stories. Kingfisher, 1996.

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Reynolds, Adrian. Mystery Stories. Kingfisher, 1998.

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Peter, Haining, ed. Great Irish detective stories. Souvenir Press, 1993.

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Patricia, Craig, ed. The Oxford Book of English Detective Stories. Oxford University Press, 1990.

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Zilinsky, Ursula. A happy English child. Published for the Crime Club by Doubleday, 1988.

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Book chapters on the topic "English English Detective and mystery stories"

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Hesse, Beatrix. "Stage Adaptations of Agatha Christie’s Detective Stories." In The English Crime Play in the Twentieth Century. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137463043_12.

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Mills, Rebecca, and Andrew McInnes. "“An Elaborate Cover”." In Containing Childhood. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841179.003.0009.

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The chapter examines Robin Stevens’s Murder Most Unladylike Mystery series, arguing that subtextual concerns of the English interwar detective fiction and boarding school stories, namely those of national, racial, and sexual Others intruding into traditional English places, are foregrounded, offering a lens on the exclusionary and containing structures and spaces of English society. The novels inscribe the reassuring geographies and interior spaces of the boarding school novel with the anxieties of detective fiction, allowing the protagonists an escape from identities of class, ethnicity and c
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Grimstad, Paul. "The Detective Novel and Film." In The Oxford History of the Novel in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192844729.003.0043.

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Abstract Noting the affinity between modernist aesthetics and the vernacular “entertainment” of genre fiction—in particular, the detective story—this chapter charts the ways in which the style and tone of US detective fiction was intimately bound up with the growth of a Hollywood studio system organized around genres like westerns, adventure stories, musicals, screwball comedy, gangster dramas, and crime stories. The chapter charts the influence of the idea of film noir—conceived as a fusion of US hard-boiled crime fiction and German expressionist cinematography—on detective fiction in both te
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Haltrin-Khalturina, Elena V. "Dickens and the Variations/Nominations Game-2: The Mystery of Edwin Drood and the Wanders of the Genre." In English Classical Literature in World Culture: Receptions, Transformations, Interpretations. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/978-5-9208-0777-9-314-340.

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Dickens's unfinished novel The Mystery of Edwin Drood is often referred to in Russia as a detective novel, the repu- tation it earned during The Golden Age of Detective Fiction, that is a few decades after the book's first publication. The Dickens schol- ars keep track of the history of the novel’s reception, of the shifting ideas concerning the work’s genre and the nature of the “mystery” of the title. It is known that, starting from 1870, Dickens's followers have been attempting to think up a continuation for the novel in various, and not just detective, modes. Among the employed forms and g
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Rowson, Martin. "Is Franklin Blake a thief and a rapist?" In The Literary Detective. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780192100368.003.0092.

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Abstract The Moonstone has an honoured place in literary history as, to quote no less an authority than T. S. Eliot, ‘the first, longest and best of English detective novels’. Many detective novels have been written since Eliot’s accolade (offered, it is pleasing to note, in the first World’s Classics edition of The Moonstone). But Collins’s novel still retains the power to delight and to surprise. The story, a version of the ‘locked room mystery’, hinges on a jewel theft. A fabulous Indian gem, the Moonstone, is left to Rachel Verinder. So nervous is she on getting possession of it that she k
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Danson, Lawrence. "The Genres in Theory." In Shakespeare’s Dramatic Genres. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198711735.003.0001.

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Abstract IN James Thurber’s story ‘The Macbeth Murder Mystery’, a tourist finds herself in an English Lake District hotel with nothing to read but a paperback copy of The Tragedy if Macbeth. She is a great fan of detective fiction; Macbeth had mistakenly been shelved with the mystery novels: ‘“You can imagine”‘, she tells the narrator, ‘“how mad I was when I found it was Shakespeare.”‘
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Ochs, Elinor, Ruth C. Smith, and Carolyn E. Taylor. "Detective Stories at Dinnertime Problem Solving Through Co-Narration." In Disorderly Discourse. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195087765.003.0005.

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Abstract In this essay, we focus on storytelling as a problem-solving discourse activity. Our concern is the interface of cognitive and social activity, as outlined in Vygotskian theory (Vygotsky 1978, 1981; Wertsch 1985; Rogoff and Lave 1984) and displayed in the context of everyday family dinnertime talk. Our research base consists of 20 white, English-speaking, American families, varying in social class, whom we visited on two evenings for several hours, video- and audio-recording them as they ate dinner, relaxed, and put their children to bed.
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Vasileva, Elmira V. "“Gothic” in the Graphic Novels and Comics." In English Classical Literature in World Culture: Receptions, Transformations, Interpretations. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/978-5-9208-0777-9-184-208.

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The article highlights three principal aspects of the reception of Gothic novel poetics in comics and graphic novels. In the first section, the author discusses the visualization of Gothic aesthetics as depicted in DC Comics' Batman stories. It concludes that these comics “assimilate” the Gothic chronotope, incorporating themes of mystery, insanity, and duality, while also utilizing the complex characterization of the hero that is characteristic of the late Gothic tradition. The second part analyzes the reception of plots from three of the most famous texts in the Gothic canon: M. Shelley’s Fr
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Stavans, Ilan. "Epilogue: Borgesian." In Jorge Luis Borges. Oxford University PressNew York, 2025. https://doi.org/10.1093/actrade/9780197761380.003.0010.

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Abstract This chapter includes a meditation on the global reach of the term Borgesian as it solidified with publication of Borges’ essays, stories, and poems in English, French, Italian, and other languages. It continues with a discussion of Borges’ influence on the Latin American Boom writers, including Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa, his similarities with Vladimir Nabokov, and his impact on John Barth, Italo Calvino, Umberto Eco, and Salman Rushdie, among other authors. And it contemplates the ways his writing resonates with such disparate cult
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O'Brien, James. "How Sherlock Holmes Got His Start." In The Scientific Sherlock Holmes. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199794966.003.0008.

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One can achieve somewhat of an understanding of how Sherlock Holmes came to exist by looking at the contributions of three people: Conan Doyle himself, Edgar Allan Poe, and Conan Doyle’s mentor in medical school, Dr. Joseph Bell. First we shall look at Conan Doyle, focusing on those aspects of his life that led to his writing of the Sherlock Holmes stories. Arthur Conan Doyle was born on May 22, 1859, in Edinburgh. His father, Charles Altamont Doyle, was English and his mother, Mary Foley, was Irish. His father had a drinking problem and was consequently less a factor in Conan Doyle’s upbringi
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