Books on the topic 'English English literature Performance in literature'

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1

Harstad, James R. The read-along handbook: Performance English. Honolulu: Curriculum Research & Development Group, University of Hawaii, 1996.

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2

Zeami, performance notes. New York: Columbia University Press, 2008.

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3

The performance of pleasure in English Renaissance drama. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003.

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4

Conference on Literature in Northern Nigeria (3rd 2005 Kano, Nigeria). Writing, performance and literature in Northern Nigeria: Proceedings of the 3rd conference on literature in Northern Nigeria. Edited by Ahmad Saʼidu B, Bhadmus Muhammed O, and Conference on literature in Northern Nigeria (3rd : 2005 : Kano, Nigeria). Kano, Nigeria: Dept. of English and French, Bayero University, 2006.

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5

Conference on Literature in Northern Nigeria (3rd 2005 Kano, Nigeria). Writing, performance and literature in Northern Nigeria: Proceedings of the 3rd conference on literature in Northern Nigeria. Edited by Ahmad Saʼidu B, Bhadmus Muhammed O, and Conference on literature in Northern Nigeria (3rd : 2005 : Kano, Nigeria). Kano, Nigeria: Dept. of English and French, Bayero University, 2006.

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6

Graham, Kenneth J. E. The performance of conviction: Plainness and rhetoric in the early English Renaissance. Ithaca: Cornell University Press, 1994.

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7

Bigliazzi, Silvia. Sull'esecuzione testuale: Dal testo letterario alla performance. Pisa: ETS, 2002.

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8

This action of our death: The performance of death in English Renaissance drama. Newark, Del: University of Delaware Press, 1989.

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9

Staging masculinities: History, gender, performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003.

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10

Alan Moore: Comics as performance, fiction as scalpel. Jackson: University Press of Mississippi, 2009.

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11

Il testo e la sua "performance," ovvero, Per una critica imperfetta. Roma: Editori riuniti, 1986.

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12

Theatre and ghosts: Materiality, performance and modernity. Houndmills, Basingstoke, Hampshire, [England]: Palgrave Macmillan, 2014.

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13

The medieval poetics of the reliquary: Enshrinement, inscription, performance. New York, NY: Palgrave Macmillan, 2008.

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14

Enacting Englishness in the Victorian period: Colonialism and the politics of performance. Aldershot, Hants, England: Ashgate, 2007.

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15

Andrés, Paulino García de. Famous tales and stories for performance. Madrid: Ediciones de la Universidad Autónoma de Madrid, 2001.

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16

Henderson, Diana E. Passion made public: Elizabethan lyric, gender, and performance. Urbana: University of Illinois Press, 1995.

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17

Johnson, Odai. Rehearsing the revolution: Radical performance, radical politics in the English Restoration. Newark, [Del.]: University of Delaware Press, 2000.

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18

Wolfreys, Julian. Being English: Narratives, idioms, and performances of national identity from Coleridge to Trollope. Albany: State University of New York Press, 1994.

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19

Speaking pictures: The visual/verbal nexus of dramatic performance. Madison [N.J.]: Fairleigh Dickinson University Press, 2010.

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20

Becoming criminal: Transversal performance and cultural dissidence in early modern England. Baltimore: Johns Hopkins University Press, 2002.

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21

Reynolds, Bryan. Becoming criminal: Transversal performance and cultural dissidence in early modern England. Baltimore: Johns Hopkins University Press, 2002.

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22

Documents of performance in early modern England. Cambridge, UK: Cambridge University Press, 2009.

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23

Herrmann, Anne. Queering the moderns: Poses/portraits/performances. New York: Palgrave, 2000.

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24

Queering the Moderns: Poses, Portraits & Performances. S. l: Saint Martin's Press, LLC, 2000.

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25

Marriage, performance, and politics at the Jacobean court. Burlington, VT: Ashgate, 2009.

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26

Ganeri, Anita. The young person's guide to Shakespeare: With performances on CD by the Royal Shakespeare Company. San Diego: Harcourt Brace, 1999.

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27

Performing pedagogy in early modern England: Gender, instruction and performance. Farnham, Surrey: Ashgate, 2011.

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28

Shakespearean educations: Power, citizenship, and performance. Newark: University of Delaware Press, 2010.

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29

Dube, Pamela. Contemporary English performance poetry in Canada and South Africa: A comparative study of the main motifs and poetic techniques. Heidelberg: Universitätsverlag C. Winter, 1997.

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30

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan performance of history. Cambridge, UK: Cambridge University Press, 2009.

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31

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan performance of history. New York: Cambridge University Press, 2009.

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32

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan performance of history. New York: Cambridge University Press, 2009.

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33

Solga, Kim. Violence against women in early modern performance: Invisible acts. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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34

Solga, Kim. Violence against women in early modern performance: Invisible acts. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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35

Solga, Kim. Violence against women in early modern performance: Invisible acts. New York: Palgrave Macmillan, 2009.

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36

Sterrett, Joseph, ed. Prayer and Performance in Early Modern English Literature. Cambridge University Press, 2018. http://dx.doi.org/10.1017/9781108555135.

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37

Literature of the Americas: Performance English (High School Series). Curriculum Research & Development Group, 2001.

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38

Early Performance: Courts and Audiences. Taylor & Francis Group, 2020.

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39

Shakespeare's Accents: Voicing Identity in Performance. University of Cambridge ESOL Examinations, 2020.

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40

Prayer and Performance in Early Modern English Literature: Gesture, Word, and Devotion. Cambridge University Press, 2018.

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41

Aebischer, Pascale. Shakespeare, Spectatorship and the Technologies of Performance. University of Cambridge ESOL Examinations, 2020.

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42

Still Shakespeare and the Photography Of Performance. Cambridge University Press, 2020.

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43

Paun, De García Susan, and Larson Donald R. 1935-, eds. The Comedia in English: Translation and performance. Woodbridge, UK: Tamesis, 2008.

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44

March of the Lemmings: Brexit in Print and Performance 2016–2019. Faber & Faber, 2019.

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45

March of the Lemmings: Brexit in Print and Performance 2016-2019. Faber & Faber, Limited, 2020.

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46

Theatres of Feeling: Performance and Emotion on the Eighteenth-Century Stage. Cambridge University Press, 2019.

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47

Modern Political Aesthetics from Romantic to Modernist Literature: Choreographies of Social Performance. Taylor & Francis Group, 2018.

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48

Performance And The Middle English Romance. Boydell & Brewer, 2012.

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49

Male-To-Female Crossdressing in Early Modern English Literature - Gender, Performance, and Queer Relations. Taylor & Francis Group, 2016.

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50

Literature In Performance: Grade 6: Video Resource Book. McDougal Littell, 2005.

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