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Books on the topic 'English fiction Dialogue'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

How to write realistic dialogue. London: Allison & Busby, 1994.

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2

Summers, Rowena. How to write realistic dialogue. London: Allison & Busby, 1994.

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3

Matched pairs: Gender and intertextual dialogue in eighteenth-century fiction. Newark: University of Delaware Press, 2002.

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4

Forms of speech in Victorian fiction. London: Longman, 1994.

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5

Fictional dialogue: Speech and conversation in the modern and postmodern novel. Lincoln: University of Nebraska Press, 2012.

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6

Thomas, Bronwen. Fictional dialogue: Speech and conversation in the modern and postmodern novel. Lincoln: University of Nebraska Press, 2012.

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7

Kimball, Jean. Joyce and the early Freudians: A synchronic dialogue of texts. Gainesville: University Press of Florida, 2003.

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8

Incomplete fictions: The formation of English Renaissance dialogue. Washington, D.C: Catholic University of America Press, 1985.

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9

Morace, Robert A. The dialogic novels of Malcolm Bradbury and David Lodge. Carbondale: Southern Illinois University Press, 1989.

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10

Prince, Michael. Philosophical dialogue in the British Enlightenment: Theology, aesthetics, and the novel. Cambridge: Cambridge University Press, 1996.

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11

Keil, Angelika E. C. Dialog im zeitgenössischen englischen Roman: Zur Analyse des Rollenverhaltens fiktiver Figuren. Trier: Wissenschaftlicher Verlag Trier, 1999.

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12

Page, Norman. Speech in the English novel. 2nd ed. Atlantic Highlands, NJ: Humanities Press International, 1988.

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13

Speech in the English novel. 2nd ed. Houndmills, Basingstoke, Hampshire: Macmillan, 1988.

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14

Appleton, Margit. Animated conversations: Die Darstellung der Gesellschaftskonversation im englischen Roman des 19. und 20. Jahrhunderts. Pfaffenweiler: Centaurus-Verlagsgesellschaft, 1992.

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15

Reformation fictions: Polemical Protestant dialogues in Elizabethan England. Oxford: Oxford University Press, 2011.

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16

Tradition und Transformation: Der fiktionale Dialog mit dem viktorianischen Zeitalter im (post)modernen historischen Roman in Grossbritannien. Frankfurt am Main: P. Lang, 1999.

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17

Scruton, Roger. Xanthippic dialogues. South Bend, Ind: St. Augustine's Press, 1998.

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18

Dialogues in paradise. Evanston, Ill: Northwestern University Press, 1989.

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19

Annaeus, Seneca Lucius. Dialogues and letters. London: Penguin Books, 1997.

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20

Dalton, Russell W. Faith journey through fantasy lands: A Christian dialogue with Harry Potter, Star wars, and the Lord of the rings. Minneapolis: Augsburg Fortress, 2003.

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21

Little, Judy. The experimental self: Dialogic subjectivity in Woolf, Pym, and Brooke-Rose. Carbondale: Southern Illinois University Press, 1996.

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22

Petrarca, Francesco. Mi secreto =: Secretum meum (1342). México: Frente de Afirmación Hispanista, 1998.

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23

Petrarca, Francesco. Secretum. Roma: Archivio Guido Izzi, 1993.

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24

D, Macleod M., ed. Lucian, a selection. Warminster: Aris & Phillips, 1991.

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25

The dialogic self: Reconstructing subjectivity in Woolf, Lessing, and Atwood. Selinsgrove: Susquehanna University Press, 1999.

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26

Scruton, Roger. Xanthippic dialogues: Comprising Xanthippe's Republic, Perictione's Parmenides, and Xanthippe's Laws, together with a version, probably, spurious, of Phryne's Symposium. London: Sinclair-Stevenson, 1993.

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27

Kucala, Bozena. Intertextual Dialogue with the Victorian Past in the Contemporary Novel. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2012.

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28

Kucala, Bozena. Intertextual Dialogue with the Victorian Past in the Contemporary Novel. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2012.

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29

Kucala, Bozena. Intertextual Dialogue with the Victorian Past in the Contemporary Novel. Lang Publishing, Incorporated, Peter, 2012.

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30

Fogel, Aaron. Coercion to Speak: Conrad's Poetics of Dialogue. Harvard University Press, 1985.

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31

Wilson, Kenneth J. Incomplete Fictions: The Formation of English Renaissance Dialogue. Catholic Univ of Amer Pr, 1986.

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32

Philosophical Dialogue in the British Enlightenment: Theology, Aesthetics and the Novel (Cambridge Studies in Eighteenth-Century English Literature and Thought). Cambridge University Press, 1997.

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33

Prince, Michael. Philosophical Dialogue in the British Enlightenment: Theology, Aesthetics and the Novel (Cambridge Studies in Eighteenth-Century English Literature and Thought). Cambridge University Press, 2005.

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34

(Editor), John Jones, and John Macklin (Editor), eds. Miguel De Cervantes Saavedra the Exemplary Novels IV: Lady Cornelia, the Deceitful Marriage, the Dialogue of Dogs (Hispanic Classics). Aris & Phillips, 1992.

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35

Bruce, Stovel, Gregg Lynn Weinlos 1947-, and Jane Austen Society of North America., eds. The Talk in Jane Austen. Edmonton: University of Alberta Press, 2002.

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36

Knickerbocker, Dale, ed. Lingua Cosmica. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041754.001.0001.

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Lingua Cosmica: Science Fiction from around the World consists of eleven scholarly essays on contemporary authors (born 1950 or later) of science fiction who publish in languages other than English, or who publish from the English-speaking “periphery”: i.e., outside the United States, the United Kingdom, and Anglophone Canada. Each essay examines one author, making a case for their importance internationally and contextualizing their work within the science-fictional traditions of their own culture and those of the genre globally (themes, tropes, tendencies, subgenres, etc.). Each also offers an in-depth analysis of a major work or works. The book thus identifies major contemporary authors of science fiction outside the “center” of the English-speaking world and presents them to students and scholars in the Anglophone world. The scholars respond to questions such as: Who are these authors, and why are they important? What innovative thematic material or formal elements do they offer? What unique elements from their culture do they bring to the genre? How do they dialogue with the history of the genre, and how do they fit into the contemporary SF scene? The authors studied are Angélica Gorodischer from Argentina, Yves Meynard and Jean-Louis Trudel writing collaboratively as Laurent McAllister (Francophone Canada), Liu Cixin (China), Daína Chaviano (Cuba), Johanna Sinisalo (Finland), Jean-Claude Dunyach (France), Andreas Eschbach (Germany), Sakyo Komatsu (Japan), Olatunde Osunsanmi (Nigerian American), Jacek Dukaj (Poland), and Arkady Strugatsky and Boris Strugatsky (Russia/USSR).

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37

Dialogues of Devils. Kessinger Publishing, LLC, 2003.

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38

Scruton, Roger. Xanthippic Dialogues. Sinclair-Stevenson Ltd, 1994.

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39

Scruton, Roger. Xanthippic Dialogues. Sinclair-Stevenson Ltd, 1993.

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40

Gardner, John. The Sunlight Dialogues. New Directions, 2006.

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41

Giles, Paul. The Planetary Clock. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857723.001.0001.

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The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework. By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into dialogue with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall) and cinema (Rohmer, Haneke, Tarantino), The Planetary Clock enlarges our understanding of global postmodernism for the twenty-first century.

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42

Doyle, Roddy. Two Pints. Penguin Random House, 2012.

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43

Doyle, Roddy. Two More Pints. Penguin Random House, 2014.

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44

1956-, Bauer Dale M., and McKinstry S. Jaret 1953-, eds. Feminism, Bakhtin, and the dialogic. Albany: State University of New York Press, 1991.

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45

McNaughton, James. “Prophetic Relish”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822547.003.0007.

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Chapter 6 demonstrates how Endgame reckons with man-made genocide through famine to broaden debates about what counts as genocide postwar, to source recent starvation policies in European imperialism, and to extend Joyce’s indictment of English literary complicity, from Shakespeare to Kipling. The drama replays into dwindled dialogue political tactics from the 1930s centered on food politics: both catastrophic threats of starvation used to subordinate, and saving prophecies of plenitude used as advocacy for barbarity. Endgame performs the aftermath of Hitler’s central biopolitical concept, Lebensraum: the promise of living room comforts through the acquisition of colonial territory in the east. The play arguably alludes to Ukrainian terrain, but geographic place remains filtered through the no-place of political imagination, reflecting how colonial spaces targeted for their granaried bounty themselves are largely linguistic constructions. Finally, the play asks whether fictional depictions of nineteenth-century imperialist history naturalize and help decriminalize modern murder by starvation.

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46

The Experimental Self: Dialogic Subjectivity in Woolf, Pym, and Brooke-Rose (Ad Feminam). Southern Illinois University, 1997.

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