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1

Kelly, Gary. English fiction of the romantic period, 1789-1830. London: Longman, 1989.

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2

Illusions. New York, N.Y: Warner Books, 1988.

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3

March, Jessica. Illusions. Sevenoaks: Hodder and Stoughton, 1989.

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4

Recognizing the romantic novel: New histories of British fiction, 1780-1830. Liverpool: Liverpool University Press, 2010.

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5

Romantic correspondence: Women, politics, and the fiction of letters. Cambridge: Cambridge University Press, 1993.

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6

Favret, Mary A. Romantic correspondence: Women, politics, and the fiction of letters. Cambridge: Cambridge University Press, 2004.

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7

Romanticism and improvisation, 1750-1850. Cambridge: Cambridge University Press, 2008.

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8

The romance fiction of Mills & Boon, 1909-1990s. London: Philadelphia, 1999.

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9

Representing the troubles in Irish short fiction. Washington, D.C: Catholic University of America Press, 2004.

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10

Defoe, Gideon. The pirates! in an adventure with the Romantics, or Prometheus versus a terrible fungus. New York: Vintage Books, 2012.

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11

Defoe, Gideon. The pirates! in an adventure with the Romantics, or Prometheus versus a terrible fungus. New York: Vintage Books, 2012.

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12

Odoevsky's four pathways into modern fiction: A comparative study. Manchester: Manchester University Press, 2010.

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13

Contesting the Gothic: Fiction, genre, and cultural conflict, 1764-1832. Cambridge: Cambridge University Press, 1999.

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14

British fiction and the production of social order, 1740-1830. Cambridge: Cambridge University Press, 2000.

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15

Gothic bodies: The politics of pain in romantic fiction. Philadelphia: University of Pennsylvania Press, 1994.

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16

Clayton, Jay. Romantic vision and the novel. Cambridge [England]: Cambridge University Press, 1987.

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17

The Victorian novel. Malden, MA: Blackwell Pub., 2006.

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18

Women writing about money: Women's fiction in England, 1790-1820. Cambridge: Cambridge University Press, 1995.

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19

Copeland, Edward M. Women writing about money: Women's fiction in England, 1790-1820. New York: Cambridge University Press, 1995.

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20

Copeland, Edward M. Women writing about money: Women's fiction in England, 1790-1820. Cambridge, UK: Cambridge University Press, 2004.

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21

Peacock, Thomas Love. Nightmare Abbey [and] Crotchet Castle. London: Penguin, 1986.

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22

Buescu, Helena Carvalhão. Incidências do olhar: Percepção e representação : natureza e registo descritivo na evolução do romance romântico (Portugal, França, Inglaterra). Lisboa: Caminho, 1990.

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23

Clayton, Jay. Romantic vision and the novel. Cambridge: Cambridge University Press, 1987.

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24

University of California, Los Angeles. Center for 17th- & 18th- Century Studies and William Andrews Clark Memorial Library, eds. Godwinian moments: From the Enlightenment to Romanticism. Toronto: University of Toronto Press, 2011.

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25

Forssmann, Juliane. Intimations of ambiguity: The narrative treatment of the uncanny in selected texts of romantic English and German prose fiction. Stuttgart: H.-D. Heinz, 1998.

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26

Gorp, Hendrik van. De romantische griezelroman: Gothic novel : een merkwaardig rand-verschijnsel in de literatuur. Leuven: Garant, 1998.

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27

Varma, Devendra Prasad. The Gothic flame: Being a history of the Gothic novel in England : its origins, efflorescence, disintegration, and residuary influences. Metuchen, N.J: Scarecrow Press, 1987.

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28

Revolutions in taste, 1773-1818: Women writers and the aesthetics of Romanticism. Burlington, VT: Ashgate, 2009.

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29

Reading daughters' fictions, 1709-1834: Novels and society from Manley to Edgeworth. Cambridge [England]: Cambridge University Press, 1996.

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30

Gothic romanticism: Architecture, politics, and literary form. New York: Palgrave Macmillan, 2010.

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31

Langbauer, Laurie. Women and romance: The consolations of gender in the English novel. Ithaca, N.Y: Cornell University Press, 1990.

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32

Leeuwen, Evert Jan van. Alchemical construction of genders in Anglo-American fiction, 1799-1852: Visions of utopia as androgynous. Lewiston, N.Y: Edwin Mellen Press, 2011.

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33

Klein, Jürgen. Schwarze Romantik: Studien zur englischen Literatur im europäischen Kontext. Frankfurt am Main: Peter Lang, 2005.

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34

Märchen und Romanzen in der zeitgenössischen englischen Literatur: Fallstudien zu intertextuellen Relationen zwischen Prämoderne und Postmoderne. Münster: Lit, 2000.

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35

Imperfect histories: The elusive past and the legacy of romantic historicism. Ithaca: Cornell University Press, 2001.

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36

Schofield, Mary Anne. Masking and unmasking the female mind: Disguising romances in feminine fiction, 1713-1799. Newark: University of Delaware Press, 1990.

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37

Rosen, Eva-Sabine. Erkenntnistheorie im romantischen Roman: Epistemologische Verbildlichungen, Einsichten und Sinnanliegen des erzählerischen Bewusstseins. München: W. Fink, 1991.

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38

The fictions of romantic tourism: Radcliffe, Scott, and Mary Shelley. Stanford, Calif: Stanford University Press, 2005.

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39

Inchbald, Hawthorne and the Romantic moral romance: Little histories and neutral territories. London: Pickering & Chatto, 2010.

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40

The economy of character: Novels, market culture, and the business of inner meaning. Chicago: University of Chicago Press, 1998.

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41

The gothic sublime. Albany: State University of New York Press, 1994.

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42

The anti-Jacobin novel: British conservatism and the French Revolution. Cambridge: Cambridge University Press, 2001.

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43

Cultural politics in the 1790's: Literature, radicalism and the public sphere. Houndmills, Basingstoke, Hampshire: Macmillan Press, 1998.

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44

McCann, Andrew. Cultural politics in the 1790's: Literature, radicalism, and the public sphere. New York: St. Martin's Press, 1999.

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45

Achilles, Jochen. Sheridan Le Fanu und die schauerromantische Tradition: Zur psychologischen Funktion der Motivik von Sensationsroman und Geistergeschichte. Tübingen: G. Narr, 1991.

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46

The Godwinian novel: The rational fictions of Godwin, Brockden Brown, Mary Shelley. Oxford, United Kingdom: Clarendon Press, 1993.

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47

The descent of the imagination: Postromantic culture in the later novels of Thomas Hardy. New York: New York University Press, 1990.

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48

T, Selezneva, ed. Goticheskiĭ roman v Rossii. Moskva: Novoe literaturnoe obozrenie, 2002.

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49

Alan, Chavkin, ed. English romanticism and modern fiction: Collection of critical essays. New York: AMS Press, 1992.

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50

Framing Strategies in English Fiction from Romanticism to the Present. Universitätsverlag Winter, 2014.

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