Relevant bibliographies by topics / English fiction Riots in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'English fiction Riots in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "English fiction Riots in literature"

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M, Athira. "Torn between Cultures: Reading Shashi Tharoor’s Riot." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 60–66. http://dx.doi.org/10.24113/ijellh.v9i1.10878.

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Shashi Tharoor is a distinctivevoice in the Postcolonial Indian literature in English with his remarkable contribution of more than 16 works of fiction and non-fiction. Postcolonialism refers to a set of theoretical concepts, approaches and interventions which deals with the diverse effects of the interaction between the colonizer and the colonized. History, politics and culture have always been a dominant preoccupation of the Indian English novelists. The compulsive obsession was perhaps inevitable since the genre originated and developed concurrently with the climatic phase of colonial rule.
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Hynes, Joseph, Michael North, and Patrick Swinden. "Contemporary English Fiction." Contemporary Literature 27, no. 1 (1986): 90. http://dx.doi.org/10.2307/1208601.

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Mattisson, Jane. "Race Riots. Comedy and Ethnicity in Modern British Fiction." English Studies 90, no. 2 (2009): 249–50. http://dx.doi.org/10.1080/00138380802583154.

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Williams, Robert. "Teaching English literature / Shorties: Flash fiction in English language teaching (Review)." Training Language and Culture 1, no. 1 (2017): 107–10. http://dx.doi.org/10.29366/2017tlc.1.1.7.

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King, Bruce, and G. S. Balarama Gupta. "Studies in Indian Fiction in English." World Literature Today 62, no. 3 (1988): 514. http://dx.doi.org/10.2307/40144489.

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Abitha, J. "English Literature on Social Discrimination, Fiction, Democracy and Feminism." DJ Journal of English Language and Literature 1, no. 1 (2016): 15–19. http://dx.doi.org/10.18831/djeng.org/2016011004.

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Scheuermann, M. "Gender Studies of English Fiction." Eighteenth-Century Life 24, no. 3 (2000): 73–102. http://dx.doi.org/10.1215/00982601-24-3-73.

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Adcock, Juana. "Springfield, Mexico. A Fan Fiction." English: Journal of the English Association 69, no. 265 (2020): 172–77. http://dx.doi.org/10.1093/english/efaa019.

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Amanuddin, Syed, and A. N. Dwivedi. "Studies in Contemporary Indian Fiction in English." World Literature Today 62, no. 4 (1988): 728. http://dx.doi.org/10.2307/40144778.

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Walker, Pierre A. "Book review: The Supernatural and English Fiction." Henry James Review 18, no. 2 (1997): 204–6. http://dx.doi.org/10.1353/hjr.1997.0014.

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Dissertations / Theses on the topic "English fiction Riots in literature"

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Knox-Shaw, Peter. "The explorer in English fiction." Doctoral thesis, University of Cape Town, 1985. http://hdl.handle.net/11427/22436.

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Although there have been a number of critical works on the novel given over to topics such as adventure, colonization or the politics of the frontier, a comparative study of novels in which an encounter with unknown territory holds central importance has till now been lacking. My aim in this thesis is to analyse and relate a variety of texts which show representatives of a home culture in confrontation with terra incognita or unfamiliar peoples. There is, as it turns out, a strong family resemblance between the novels that fall into this category whether they belong, like Robinson Crusoe, Cora
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Ambrosini, Richard. "Conrad's fiction as critical discourse." Thesis, University of Ottawa (Canada), 1989. http://hdl.handle.net/10393/20971.

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Jones, Margaret Anne. "The Blackshaw Chord ; Crime fiction, literary fiction : why the demarcation?" Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366620/.

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My thesis is in two parts: Part 1 a novel, Part 2 a critical rationale. The novel examines abuse in a range of manifestations – parental power; alcohol; the press; corporate power – all of which combine to perpetrate a catalogue of abuse against my protagonist. But it is the completely innocent protagonist who is perceived as the abuser. The novel quite deliberately has the feel of a crime story although the only serious crime is off-the-page and not connected with any of the characters or locations. This is intentional. The critical rationale seeks to investigate the classification of crime f
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Dalley, Lana Lee. "Writing the economic woman : gender, political economy, and nineteenth-century women's literature /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9430.

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Morgan, David Ellis. "Pulp literature a re-evalutation [sic] /." Connect to this title online, 2002. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040820.122551.

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Dunwell, Lara Dalene. "We make fiction because we are fiction : authorities displaced in the novels of Russell Hoban." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/21400.

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Russell Hoban, born in Pennsylvania in 1925, is the author of fifty children's books and eight novels. This thesis provides a critical reading of his novels Kleinzeit (1974), The Medusa Frequency (1987), Riddley Walker (1980) and Pilgermann (1983). The thesis argues that the alienation of the protagonist from his society -- a theme common to the novels above -- is the result of the operation of the Derridean process of displacement. Hoban's novels work deconstructively to undermine binary oppositions (such as "reality" versus "fantasy"). I argue that the novels aim to recuperate the marginal b
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Barker, Anna. "Green fiction : ecocriticism of the contemporary novel." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/32673/.

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Holmgren, Lindsay. "Knowing children: telepathy in Anglo-American fiction, 1846-1946." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121144.

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"Knowing Children" describes the means by which telepathic devices present the mind of the child in novels by Charles Dickens, Henry James, William Faulkner, and Carson McCullers. An intellectual interest in the child and childhood flourished not only during the same period as the formal study of telepathy, but also within the same circles. "Telepathy" can be understood for my purposes as a mode of narrative representation of consciousness and knowledge. Because social, linguistic, and cognitive limitations generally prevent child characters from articulating the contours of their surprisingly
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Erhart, Erin Michelle. "England's Dreaming| The Rise and Fall of Science Fiction, 1871-1874." Thesis, Brandeis University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10103436.

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<p> This dissertation grows out of a conversation between two fields&mdash;those of Victorian Literature and Science Fiction (SF). I began this project with a realization that there was a productive overlap between SF and Victorian Studies. In my initial engagement with SF, I was frustrated by the limitations of the field, and by the way that scholars were misreading the 19<sup>th </sup> century, utilizing broad generalizations about the function of Empire, the subject, technology, and the social, where close readings would have been more productive. Victorian studies supplied a critical and t
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Hensley, Martin. "The Green World of Dystopian Fiction." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/276.

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Northrop Frye was the first theorist to develop the green world archetype; Frye used the term to refer to a recurring motif in Shakespearean comedy. In several of Shakespeare's comedies, the protagonists leave the civilized world and venture into the green world, or nature, to escape from the irrational law of society, which is the case in such comedies as As You Like It and A Midsummer Night's Dream. Elements of the green world can also be found in Shakespearean tragedy, where the natural retreat serves as a temporary escape for the protagonists. Such a green world exists in three of the most
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Books on the topic "English fiction Riots in literature"

1

Kearney, J. A. Representing dissension: Riot rebellion and resistance in the South African novel. Unisa, 2003.

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Populism, gender, and sympathy in the romantic novel. Palgrave Macmillan, 2010.

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Carson, James Patrick. Populism, gender, and sympathy in the romantic novel. Palgrave Macmillan, 2010.

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Walter, Scott. The heart of Midlothian. Oxford University Press, 2008.

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Walter, Scott. The heart of Mid-Lothian. Penguin Books, 1994.

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Walter, Scott. The heart of Midlothian. Oxford University Press, 1999.

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Walter, Scott. The heart of Mid-Lothian. J.M. Dent, 1988.

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Walter, Scott. The heart of Mid-Lothian. Dent, 1991.

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Walter, Scott. The heart of Mid-Lothian. Edinburgh University Press, 2004.

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Walter, Scott. The heart of Mid-Lothian. J.M. Dent, 1988.

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Book chapters on the topic "English fiction Riots in literature"

1

Rainsford, Dominic. "Prose fiction." In Literature in English. Routledge, 2020. http://dx.doi.org/10.4324/9780429277399-6.

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Alexander, Michael. "Fiction." In A History of English Literature. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_11.

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Hadfield, Andrew. "Prose Fiction." In A Companion to English Renaissance Literature and Culture. Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch48.

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Nayar, Pramod K. "Dementia in recent Indian fiction in English." In Dementia and Literature. Routledge, 2017. http://dx.doi.org/10.4324/9781315207315-10.

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Hadfield, Andrew. "Prose Fiction." In A New Companion to English Renaissance Literature and Culture. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch70.

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Knight, Mark. "Sensation Fiction." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch41.

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Srivastava, Neelam. "Minor Literature and the South-Asian Short Story." In South-Asian Fiction in English. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-40354-4_14.

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Stähler, Axel. "The “Aesthetics” of Fundamentalism in Recent Jewish Fiction in English." In Fundamentalism and Literature. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230601864_4.

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Konurbaev, Marklen E. "The Voices in Fiction." In The Style and Timbre of English Speech and Literature. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137519481_11.

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Borodo, Michał. "Sketching the Context: English Translations of Polish Children’s Literature." In English Translations of Korczak’s Children’s Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38117-2_3.

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Conference papers on the topic "English fiction Riots in literature"

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Nurieva, Nailya, Tatyana Borisova, and Margarita Kulikova. "Application of Blended Learning in English Fiction Literature Course." In the 2nd International Conference. ACM Press, 2018. http://dx.doi.org/10.1145/3284497.3284504.

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Malá, Markéta. "English and Czech children’s literature: A contrastive corpus-driven phraseological approach." In Eighth Brno Conference on Linguistics Studies in English. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9767-2020-8.

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The paper explores the recurrent linguistic patterns in English and Czech children’s narrative fiction and their textual functions. It combines contrastive phraseological research with corpus-driven methods, taking frequency lists and n-grams as its starting points. The analysis focuses on the domains of time, space and body language. The results reveal register-specific recurrent linguistic patterns which play a role in the constitution of the fictional world of children’s literature, specifying its temporal and spatial characteristics, and relating to the communication among the protagonists
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