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Dissertations / Theses on the topic 'English fiction Riots in literature'

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Published: 4 June 2021

Last updated: 6 February 2022

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1

Knox-Shaw, Peter. "The explorer in English fiction." Doctoral thesis, University of Cape Town, 1985. http://hdl.handle.net/11427/22436.

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Although there have been a number of critical works on the novel given over to topics such as adventure, colonization or the politics of the frontier, a comparative study of novels in which an encounter with unknown territory holds central importance has till now been lacking. My aim in this thesis is to analyse and relate a variety of texts which show representatives of a home culture in confrontation with terra incognita or unfamiliar peoples. There is, as it turns out, a strong family resemblance between the novels that fall into this category whether they belong, like Robinson Crusoe, Cora

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2

Ambrosini, Richard. "Conrad's fiction as critical discourse." Thesis, University of Ottawa (Canada), 1989. http://hdl.handle.net/10393/20971.

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3

Jones, Margaret Anne. "The Blackshaw Chord ; Crime fiction, literary fiction : why the demarcation?" Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366620/.

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My thesis is in two parts: Part 1 a novel, Part 2 a critical rationale. The novel examines abuse in a range of manifestations – parental power; alcohol; the press; corporate power – all of which combine to perpetrate a catalogue of abuse against my protagonist. But it is the completely innocent protagonist who is perceived as the abuser. The novel quite deliberately has the feel of a crime story although the only serious crime is off-the-page and not connected with any of the characters or locations. This is intentional. The critical rationale seeks to investigate the classification of crime f

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4

Dalley, Lana Lee. "Writing the economic woman : gender, political economy, and nineteenth-century women's literature /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9430.

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5

Morgan, David Ellis. "Pulp literature a re-evalutation [sic] /." Connect to this title online, 2002. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040820.122551.

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6

Dunwell, Lara Dalene. "We make fiction because we are fiction : authorities displaced in the novels of Russell Hoban." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/21400.

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Russell Hoban, born in Pennsylvania in 1925, is the author of fifty children's books and eight novels. This thesis provides a critical reading of his novels Kleinzeit (1974), The Medusa Frequency (1987), Riddley Walker (1980) and Pilgermann (1983). The thesis argues that the alienation of the protagonist from his society -- a theme common to the novels above -- is the result of the operation of the Derridean process of displacement. Hoban's novels work deconstructively to undermine binary oppositions (such as "reality" versus "fantasy"). I argue that the novels aim to recuperate the marginal b

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7

Barker, Anna. "Green fiction : ecocriticism of the contemporary novel." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/32673/.

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8

Holmgren, Lindsay. "Knowing children: telepathy in Anglo-American fiction, 1846-1946." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121144.

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"Knowing Children" describes the means by which telepathic devices present the mind of the child in novels by Charles Dickens, Henry James, William Faulkner, and Carson McCullers. An intellectual interest in the child and childhood flourished not only during the same period as the formal study of telepathy, but also within the same circles. "Telepathy" can be understood for my purposes as a mode of narrative representation of consciousness and knowledge. Because social, linguistic, and cognitive limitations generally prevent child characters from articulating the contours of their surprisingly

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9

Erhart, Erin Michelle. "England's Dreaming| The Rise and Fall of Science Fiction, 1871-1874." Thesis, Brandeis University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10103436.

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<p> This dissertation grows out of a conversation between two fields—those of Victorian Literature and Science Fiction (SF). I began this project with a realization that there was a productive overlap between SF and Victorian Studies. In my initial engagement with SF, I was frustrated by the limitations of the field, and by the way that scholars were misreading the 19<sup>th </sup> century, utilizing broad generalizations about the function of Empire, the subject, technology, and the social, where close readings would have been more productive. Victorian studies supplied a critical and t

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10

Hensley, Martin. "The Green World of Dystopian Fiction." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/276.

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Northrop Frye was the first theorist to develop the green world archetype; Frye used the term to refer to a recurring motif in Shakespearean comedy. In several of Shakespeare's comedies, the protagonists leave the civilized world and venture into the green world, or nature, to escape from the irrational law of society, which is the case in such comedies as As You Like It and A Midsummer Night's Dream. Elements of the green world can also be found in Shakespearean tragedy, where the natural retreat serves as a temporary escape for the protagonists. Such a green world exists in three of the most

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11

Oehling, Richard. "Contemporary Irish Fiction: Lavin and Trevor." W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539625307.

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12

Herbert, John Richard James. "A revaluation of E.M. Forster's fiction." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4184/.

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This thesis seeks to re-examine the nature of E.M. Forster’s fiction and its place within the canon of modernist writers, examining criticism of Forster’s fiction and claims that it is transitional in its relation to modernism, founded on a liberal humanist outlook antithetical to modernist innovation. The thesis contends that this is a misreading of turn of the century Liberalism, taking Forster’s friend Goldsworthy Lowes Dickinson as an inspiration for Forster’s political and stylistic beliefs, articulated in the latter’s fiction. Following a survey of New Liberalism, the thesis compares Dic

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13

Alvarez, Heidi Lee. "Regional aspects of Miami crime fiction." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/1263.

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This thesis argues that forces of literary regionalism and postmodern culture are behind the explosion of crime fiction being written in and about South Florida by a growing number of resident authors. Research included four methods of investigation: 1. A critical reading of many of the novels that make up the sub-genre. 2. A study of the theories of regionalism, postmodernism and the genre of the crime fiction. 3. Interviews with a number of the authors and a prominent Miami book seller. 4. Sociological studies of Miami in terms of historical events and their cultural significance. Today's So

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14

Van, Pletzen Ermina Dorothea. "The language of painting in nineteenth-century English fiction." Doctoral thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/21770.

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Bibliography: pages 322-332.<br>This thesis examines the material and aesthetic sustenance which the novel as developing genre drew from the burgeoning popular interest in the visual arts, particularly the pictorial arts, which took place during the course of the nineteenth century in Britain. The first chapter develops the concept of the language of painting which for the purposes of the thesis refers to the linguistic transactions occurring between word and pictorial image when writers on art formulate their impressions in language. This type of discourse is described as governed by conceptu

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15

Mullen, Amanda. "Mythic migrations: Recreating migrant histories in Canadian fiction." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/29240.

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This thesis examines the work of five Canadian writers who use their fiction to recreate an immigrant past and to mythologize an originary moment in Canada: a migrant's arrival and settlement in a new land. Mordecai Richter's Solomon Gursky Was Here (1989), Sky Lee's Disappearing Moon Cafe (1990), Jane Urquhart's Away (1993), Lawrence Hill's Any Known Blood (1997), and Nino Ricci's trilogy, Lives of the Saints (1990), In a Glass House (1993), and Where She Has Gone (1997) each express a nostalgic longing for an authenticating mythology that will give a previously silenced ethno-cultural group

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16

DeVuono, Adrian. "Before the law: rethinking censorship in late modernist American fiction." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104831.

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This study examines Djuna Barnes' Nightwood, Henry Miller's Tropic of Cancer, and William S. Burroughs' Naked Lunch within the contextual framework of censorship. In particular, the three texts are studied as providing unique challenges to the way that obscenity has been determined and governed by the trials that defined the modernist period in America. Therefore, the objective of this study is twofold: to investigate the complex, multidirectional and productive mechanisms of censorship; to recuperate the transgressive potential in the obscenity of Barnes, Miller and Burroughs from the afterli

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17

Holland, Joanne. "Narrating Margaret Nicholson: a character study in fact and fiction." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32373.

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This thesis examines the historical and fictional character of Margaret Nicholson (1745-1828), a labouring woman who became notorious for her failed attempt to assassinate King George III in August 1786. After a quick trial, Nicholson was diagnosed as insane and spent the rest of her life in Bedlam. Her story continued to interest readers: she was the subject of multiple biographical chapbooks, the supposed author of a collection of radical poetry actually written by Percy Bysshe Shelley, and a source of

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Derdiger, Paula. ""How shall we build?": fiction and housing in postwar Britain." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=117110.

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This dissertation charts the construction and dismantling of the British Welfare State, through novels, films, and architecture, with a focus on one of the defining issues of the period: housing. In 1942, the Beveridge Report designated housing a basic right for all citizens. After four million homes were destroyed during World War II, the reconstruction of houses and towns was an urgent task for the nation. In the Welfare State, housing became the measure of success for socialist interventions. Drawing upon literary studies, film studies, and architectural history, this dissertation traces fo

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19

Kurata, Kenichi. "Vicissitudes of desire in George Eliot’s fiction." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3751/.

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Critics have long recognised the conflicting tendencies towards progress and conservatism in George Eliot, which are reflected in the behaviour of her characters. This study focuses on the oscillating pattern of desire in this behaviour. As the characters alternately fight with and succumb to their desires, these desires seem to be disproportionately intensified, often leading to tragic consequences. The thesis seeks to analyse this process in the light of G. W. F. Hegel's and Jacques Lacan's elaborations on the nature of desire, which provide the theoretical basis for the discussion of the fi

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20

Malton, Sara. "Commanding language, linguistic authority and female autonomy in Thomas Hardy's fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58482.pdf.

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21

Nas, Aloysia Antonia Sophia Maria. "John Barth's later fiction : intertextual readings, with emphasis on Letters (1979)." Doctoral thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/18874.

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This dissertation consists of five chapters. Chapter I serves as an introduction to intertextuality; it focuses on John Barth's narrative crisis and discusses structuralist and poststructuralist theories of intertextuality. Chapters II, III and IV discuss the agencies of reader, author and text respectively. Chapter II looks at structuralist and poststructuralist notions of reading and John Barth's parodic play with these notions; it also provides an in-depth analysis of the external and internal readers of LETTERS. Chapter III concentrates on the roles of the reader as re-writer and the autho

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22

Schellenberg, Elizabeth A. "Failed plots: Authority and the social circle in eighteenth-century fiction." Thesis, University of Ottawa (Canada), 1991. http://hdl.handle.net/10393/7729.

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Theoreticians of the early novel have canonized as realistic those fictions that portray the desirous individual in sustained tension with his or her social environment. Such fictions bring irreconcilable and subversive voices into conflict, and privilege a strongly linear, teleological plot. This critical focus has contributed to the dismissal of a substantial body of eighteenth-century British fiction which adopts alternative structures in order to express different ideological alignments. In particular, a study of pairs of works by authors who may in the first case be relative unknowns, but

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23

Morel, Pauline. "Rag bags: Textile crafts in Canadian fiction since 1980." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32559.

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The very impetus of this study — to examine the representations of craft in literature — defies the functional binaries so long attributed to art and craft. This study examines the literary formulations of textile crafts and their makers in Canadian works of fiction at the turn of the twenty-first century. Included are three Canadian novels published after 1990: Margaret Atwood's Alias Grace (1996), Austin Clarke's The Polished Hoe (2002) and Rohinton Mistry's A Fine Balance (1995). Through close analysis

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24

Wakota, John. "The making and remaking of gender relations in Tanzanian fiction." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86389.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This study examines the fictional representation of gender relations in novels set during five historical periods in Tanzania – the pre-colonial, colonial, nationalism, Ujamaa, and the current neoliberalism period – each of which is marked by important shifts in the nation’s economic contours. Analysing novels written in both Swahili and English, it tracks the shifts in fictionalized household and extra-household gender relations; analyses how the community and the state (colonial and post-colonial) variously map and remap the w

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25

Rezek, Joseph Paul. "Tales from elsewhere fiction at a proximate distance in the anglophone Atlantic /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1925765691&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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26

McLeod, Melissa. "Sounds of terror hearing ghosts in Victorian fiction /." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-11282007-112908/.

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Thesis (Ph. D.)--Georgia State University, 2007.<br>Title from file title page. Michael Galchinsky, committee chair; Calvin Thomas, Lee Anne Richardson, committee members. Electronic text (181 p.) : digital, PDF file. Description based on contents viewed Feb. 7, 2008. Includes bibliographical references (p. 174-181).

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27

Brocklebank, Lisa M. "Presentiments, sympathies and signs : minds in the age of fiction---reading and the limits of reason in Victorian Britain." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318292.

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28

Stoyan, Sydney Lyn. "The widow's might: Law and the widow in British fiction, 1689-1792." Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6238.

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Repeatedly in eighteenth-century fiction, the widow embodies a narrative agency that has as its actual counterpart the directive relation to property granted to widows by English law: unlike a wife, a widow had a separate legal identity and could hold real property as could a man. Common law dower granted her a life interest in her husband's estate, but over the course of the eighteenth century, dower was increasingly barred by jointure, a monetary provision negotiated in the marriage settlement. Jointure was contractual in nature, often unconnected to land, subject to the ideological vagaries

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29

Surma, Anne. "Disputing authorities : the longer fiction of Rebecca West." Thesis, University of Warwick, 1991. http://wrap.warwick.ac.uk/71979/.

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The thesis offers a reading of Rebecca West's longer fiction as texts constituted by disputing authorities. It begins by placing West in a socio-historical context, showing how her own life, personal and political interests were insistently grappling with questions of authority. It moves on in the second chapter to examine the contradictions inherent in the patterning of narrative structures in West's fiction. The third chapter considers the construction of authority within narrative contexts as a complex of textual power relations. A reading of female subject positions as sites of gendered st

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Rao, Eleonora. "Strategies for identity : the fiction of Margaret Atwood." Thesis, University of Warwick, 1991. http://wrap.warwick.ac.uk/108219/.

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This study is a critical reading of the fiction of contemporary Canadian novelist and poet Margaret Atwood. My analysis focuses on problems pertaining to the questions of genre, identity and female subjectivity. The thesis is thematically structured. Chapter One, 'The Question of Genre: Creative Re- Appropriations, explores the plurality of genres and narrative styles present in the novels. The second Chapter' A Proliferation of Identities: Doubling and Intertextuality' examines constructions of the self in the light of psychoanalytic theories of language and subjectivity which conceive of the

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31

Cave, David P. "The treatment of World War Two in English fiction 1940-1990." Thesis, Aberystwyth University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310275.

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32

Hayball, Constance Nora May. "Some aspects of the treatment of India in modern English fiction." Thesis, Loughborough University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328816.

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33

Hill, Colin. "The modern-realist movement in English-Canadian fiction, 1919-1950." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19471.

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This dissertation offers the first comprehensive examination of realism in English-Canadian fiction of the early twentieth century. It argues for the existence of a "modern-realist" movement that is Canada's unique and unacknowledged contribution to the collection of international movements that makes up literary modernism. This argument involves a detailed analysis of the aesthetics, aims, preoccupations, and techniques of the modern realists, a reexamination of the oeuvres of the movement's most prominent writers, and a critical reevaluation of the "modernity" of Canada's three most signific

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34

Foulds, Alexandra Laura. "Gothic monster fiction and the 'novel-reading disease', 1860-1900." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30684/.

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This thesis scrutinises the complex ‘afterlife’ of sensation fiction in the wake of the 1860s and ‘70s, after the end of the period that critics have tended to view as the heyday of literary sensationalism. It identifies and explores the consistent framing of sensation fiction as a pathological ‘style of writing’ by middle-class critics in the periodical press, revealing how such responses were moulded by new and emerging medical research into the nervous system, the cellular structure of the body, and the role played by germs in the transmission of diseases. Envisioned as a disease characteri

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35

Sparks, Tabitha. "Family practices : medicine, gender, and literature in Victorian culture /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9319.

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36

Harvey, Alison Dean. "Irish realism women, the novel, and national politics,1870-1922 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417800181&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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37

Hedler, Elizabeth. "Stories of Canada : national identity in late-nineteenth-century English-Canadian fiction /." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/HedlerE2003.pdf.

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38

Schofield, Emma. "Independent Wales? : the impact of devolution on Welsh fiction in English." Thesis, Cardiff University, 2014. http://orca.cf.ac.uk/71581/.

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This thesis traces the relation between Anglophone Welsh fiction and politics, in light of the campaign for, and introduction, of devolution. Focusing primarily on the period 1970 – 2011, the thesis analyses a range of novels, short stories and journal articles produced in this period. The Introduction begins with an analysis of the history of devolution in Wales and considers theories of nationalism proposed by theorists including Benedict Anderson and Raymond Williams, both of whom suggest that heightened awareness of a wider national community is integral to the development of a cohesive na

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39

Casero, Eric E. "Mind Against Matter: Isolating Consciousness in American Fiction, 1980-2010." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/38.

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Mind Against Matter uses cognitive literary theory to explore a set of contemporary texts that emphasize characters’ feelings of alienation and isolation from their social and material worlds. Focusing on novels by Nicholson Baker and David Markson, short stories by David Foster Wallace, and the film The Truman Show, I consider how these texts focus on characters’ individual, subjective experiences while deemphasizing their physical environments and social contexts. I argue that by privileging subjectivity in this way, these texts portray their characters as independent, to varying degrees, fr

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40

Nabutanyi, Edgar Fred. "Representations of troubled childhoods in selected post-1990 African fiction in English." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79874.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: The study explores representations of troubled childhoods in post-1990 African narratives. Defining troubled childhoods as the experiences of children exposed to different forms of violations including physical, psychological, sexual and emotional abuse, the study reflects on depictions of such experiences in a selection of contemporary African fictional texts in English. The study‘s central thesis is that, while particular authors‘ deployment of affective writing techniques offers implicit analysis of troubled childhoods, the k

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Strasen, Christian T. "A Postcard From the Future| Technology, Desire, and Myth in Contemporary Science Fiction." Thesis, Southern Illinois University at Edwardsville, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10013970.

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<p> This thesis argues that modern, post-apocalyptic science fiction functions as a projected analysis of the author’s contemporary world. This insight is used to chart the historical trajectory of the spread of automaticity, the reduction of objects, and the loss of historical memory. The Introduction introduces readers to both the literary and critical histories of science fiction, contextualizing the worlds that George R. Stewart, Ursula K. Le Guin, and Margaret Atwood write in. Chapter One analyzes George R. Stewart’s 1949 novel Earth Abides, using it to demonstrate how the gro

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El, Inglizi Najwa Yousif. "Negotiating the gothic in the fiction of Thomas Hardy." Thesis, University of Birmingham, 2003. http://etheses.bham.ac.uk//id/eprint/112/.

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The purpose of this research is to investigate Thomas Hardy’s relation to the Gothic tradition, especially that deriving from the classic period 1760-mid-1820s. The main novels chosen for such an investigation are Two on a Tower, The Mayor of Casterbridge, Tess of the d’Urbervilles and Jude the Obscure. Parallels with the following texts form the heart of the thesis: Horace Walpole, The Castle of Otranto, Ann Radcliffe, The Mysteries of Udolpho, William Godwin, Caleb Williams, Matthew Lewis, The Monk, Mary Shelley, Frankenstein and Charles Maturin, Melmoth the Wanderer. This investigation has

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43

Scott, Tania. "Locating Ireland in the fantastic fiction of Lord Dunsany." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2630/.

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This thesis will locate the fantastic fiction of Lord Dunsany in a tradition of Irish writing, while simultaneously examining representations of Ireland within the texts themselves. Dunsany has been regarded – until now – as a marginal figure in Irish literature, but this study will show that he deserves a place in the canon. My research will demonstrate that, from his early involvement in the Abbey Theatre through to his late introspective novels set in Ireland, Dunsany throughout his life engages with Irish literary and cultural traditions. The first chapter will focus on Lord Dunsany’s thea

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44

Long-Innes, F. A. V. "Stranger than fiction : the case histories of Sigmund Freud." Doctoral thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/10821.

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Bibliography: leaves 201-209.<br>The general aim of this study is to arrive at a critical assessment of the cultural-historical significance of Freud' s major case histories, through a close examination of three of the most famous: the cases of "Dora", "Schreber" and the "WolfMan". My investigation of the case histories themselves is prefaced, in Chapter One, by a selective review of some major strands in the recent critical tradition.

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45

Kagai, Ezekiel Kimani. "Encountering strange lands : migrant texture in Abdulrazak Gurnah’s fiction." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86484.

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Thesis (PhD)-- Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This study engages with the complete novelistic oeuvre of the Zanzibari-born author Abdulrazak Gurnah, whose fiction is dedicated to the theme of migration. With each novel, however, Gurnah deploys innovative stylistic features as an analytic frame to engage with his signature topic. From his first novel to his eighth, Gurnah offers new insights into relocation and raises new questions about what it means to be a migrant or a stranger in inhospitable circumstances and how such conditions call for a negotiation of hospitable spa

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46

Parr, Celeste. "Gurov and Anna: melodrama, metafiction, and the construction of narratives in film and fiction." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97049.

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This thesis contains an original feature screenplay entitled Gurov and Anna, and an accompanying scholarly essay. The essay examines some of the themes found in my screenplay, with a focus on anxiety about the creation and consumption of narratives, and situates them within a grander literary, dramatic, and cinematic tradition, as well as in relation to the scholarly writings of Patricia Waugh and Peter Brooks.<br>Cette thèse contient un scénario original intitulé Gurov and Anna, ainsi qu'un texte d'accompagnement. Le texte d'accompagnement décrit quelques-uns des thèmes présents dans mon scén

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Forbes, Joan S. "Women resisting romance : anti-romantic discourse in English courtship fiction, 1775-1820." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364368.

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48

Cheyette, Bryan. "An overwhelming question : Jewish stereotyping in English fiction and society, 1875-1914." Thesis, University of Sheffield, 1986. http://etheses.whiterose.ac.uk/2948/.

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This thesis sets out to examine the nature of modern Jewish stereotyping in English society with reference to a wide range of English fiction which, for the most part, has been previously undocumented in these terms. Instead of a purely literary analysis of the fictional Jewish stereotype, this thesis places the Jewish stereotype in a specific ideological and historical context which is then related to a given writer-or group of writers—and their fiction. Two chapters, moreover, demonstrate the material results of Jewish stereotyping in English society with reference to the internalisation and

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Altmaier, Catherine. "The Gospel of Cosmopolitanism: Conflict Resolution in Barbara Kingsolver's Fiction." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/439.

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Despite Barbara Kingsolver's ability to create unique characters and storylines, two factors remain constant throughout each of her novels: strong female protagonists and conflict resolution. Though conflict exists in almost all fiction, the way that Kingsolver's characters deal with their situations often speaks louder than any other aspect of her writing. Moreover, though her characters often vary wildly from story to story, their methods of conflict resolution seem to undoubtedly connect them. Through her continuing desire to emphasize "the question of individualism and communal identity,"

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Roach, Katherine. "Between magic and reason : science in 19th century popular fiction." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13687/.

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The scientist in fiction is much maligned. The mad, bad scientist has framed much of the debate about literary representations of science and with good reason since he is a towering icon of popular culture. Yet, I will propose that an equally preeminent figure provides an alternative model of science in fiction. This is the detective. Links between developing scientific disciplines and the emerging genre of detective fiction have been well described to date. Yet the history of the detective as scientific icon has not been told, particularly not as it engages with the history of the mad scienti

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