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Relevant bibliographies by topics / English Gothic revival (Literature)

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Academic literature on the topic 'English Gothic revival (Literature)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "English Gothic revival (Literature)"

1

Corti, Francisco, and Ofelia Manzi. "The English Gothic Revival in Argentina." Visual Resources 17, no. 3 (January 2001): 289–319. http://dx.doi.org/10.1080/01973762.2001.9658597.

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Degtyarev, Vladislav V. "Gothic Revival and the Possibility of “Gothic Survival”." Observatory of Culture 15, no. 5 (December 14, 2018): 576–83. http://dx.doi.org/10.25281/2072-3156-2018-15-5-576-583.

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The notion of “Gothic survival” is still prevalent in literature on Gothic revival architecture in England. This concept implies the possibility of the unreflexive survival of Gothic architectural tradition in some distant provincial regions, where architects, searching connections with the past or folk traditions, could find it. This notion, dating back to the literature of the beginning of the 20th century, can be convincingly refuted by analyzing the meanings and purposes of different stages of Gothic revival. The article aims to demonstrate that the use of Gothic architectural forms in the second half of the 17th — beginning of the 18th century was initiated by intellectuals and had no connection to the preservation of artisan traditions.The courtiers of Elizabeth I, re-enacting mediaeval romances and Arthurian legends, conducted the earliest known Gothic revival. The relation between Elizabethan architecture and Gothic tradition has been discussed many times. And in later decades — during the Stuart era, the Commonwealth and after the Restoration — Gothic colleges and churches were extensively built.Basing on the sources available, it can be assumed that, though there was not any chronological break in Gothic architectural tradition, Gothic revival had been ideologically biased from its very beginning. We can also say that the spread of classical architecture in England not only was unable to destroy the Gothic tradition, but also gave it new meanings and almost immediately made any appeal to Gothic forms an ideological statement.

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Anderson, Pat. "The Other Gothic Revival: Contemporary Ideals in English Revivalism, 1730-1840." Canadian Journal of History 22, no. 1 (April 1987): 1–18. http://dx.doi.org/10.3138/cjh.22.1.1.

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Kalter, Barrett. "DIY Gothic: Thomas Gray and the Medieval Revival." ELH 70, no. 4 (2003): 989–1019. http://dx.doi.org/10.1353/elh.2004.0006.

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Santa Ana Lozada, Lucia. "Gothic revival in Mexico: French theory, English practices and the Stonemason’s craft." postmedieval: a journal of medieval cultural studies 6, no. 3 (September 2015): 340–57. http://dx.doi.org/10.1057/pmed.2015.29.

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O’Sullivan, Keith M. C. "Research guide to Gothic literature in English." Reference Reviews 32, no. 7/8 (September 17, 2018): 24–25. http://dx.doi.org/10.1108/rr-06-2018-0094.

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Olsen, C. P. "The Catholic Revival in English Literature, 1845-1961." Literature and Theology 18, no. 4 (December 1, 2004): 496–98. http://dx.doi.org/10.1093/litthe/18.4.496.

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Bruce, Duane. "The Catholic Revival in English Literature, 1845-1961." Newman Studies Journal 1, no. 2 (2004): 116–17. http://dx.doi.org/10.5840/nsj20041229.

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Pears, Richard. "Battle of the Styles? Classical and Gothic Architecture in Seventeenth-Century North-East England." Architectural History 55 (2012): 79–110. http://dx.doi.org/10.1017/s0066622x0000006x.

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Research over the last twenty years into seventeenth-century elite British architecture has questioned the view that Classical designs were the preserve of a narrow group of royal and aristocratic patrons at the Stuart court, and also that Inigo Jones was a ‘lonely genius’ misunderstood in his own lifetime but prophesizing the true Classicism that was to bloom in the eighteenth century.The role of patrons in defining architectural styles has also been analysed, and it has been noted that Classicism was not the only style they favoured. For earlier historians, a perception that Classical architecture was an advance upon the Gothic style of medieval English buildings led to discussions of ‘Gothic survival’ or ‘Gothic revival’ and of a ‘Battle of the Styles’ in sixteenth-, seventeenth- and eighteenth-century buildings, with such patrons as Lady Anne Clifford (1590–1676), who commissioned and renovated buildings in Gothic style, being viewed as a ‘curiosity’ for not employing Classical style.

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McCarthy, Michael. "Soane's "Saxon" Room at Stowe." Journal of the Society of Architectural Historians 44, no. 2 (May 1, 1985): 129–46. http://dx.doi.org/10.2307/990025.

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The history of the building of the Gothic Revival library and adjoining lobby and staircase in Stowe House, Buckinghamshire, from 1805 to 1807 by John Soane is discussed in detail following a sequence established by the drawings for the commission and corroborated by letters, accounts, and office records in manuscript. These documents, for the most part preserved in the Sir John Soane Museum, London, have not previously been examined or published in detail in connection with the building, and they allow a very close demonstration of the working of the Soane office. The importance of the Stowe library in Soane's oeuvre is suggested by reference to his earlier and his later works. Though he is generally considered to have been unhappy or unfortunate in his Gothic Revival work, it is argued here that this commission allowed free rein to the expression of his artistic personality and is a notable example of successful historicism. It is further argued that in its close fidelity to the historical model chosen, the Chapel of King Henry VII in Westminster Abbey, the Stowe library represents the culmination of a trend in architectural design that originated with Horace Walpole and was of the first importance to the pioneers of the Gothic Revival, especially of Soane's early patron and friend, Thomas Pitt, Lord Camelford, who had designed the house at Stowe. This commission deserves far greater attention, therefore, than it has received hitherto in the literature of the Gothic Revival. Finally, the iconographical justification of the choice of style and the appropriateness of the model selected by Soane and the Marquis of Buckingham is established by reference to the publications of the antiquary Thomas Astle, whose manuscript collection was to be housed in the new library.

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Dissertations / Theses on the topic "English Gothic revival (Literature)"

1

Shlyak, Tatyana. "Secret as a key to narration : evolution from English Gothic to the Gothic in Dostoyevsky /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6667.

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Wozniak, Heather Anne. "Brilliant gloom the contradictions of British gothic drama, 1768-1823 /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1692743101&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Levine, Jonathan David. "'One wiser, better, dearer than ourselves' : gothic friendship /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6643.

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Stasiak, Lauren Anne. "Victorian professionals, intersubjectivity, and the fin-de-siecle gothic text /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9491.

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Kulperger, Shelley. "Disorienting geographies, unsettled bodies : Anglo-Canadian female Gothic / by Shelley Kulperger." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18401.pdf.

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Wright, Angela. "The claustral gaze : visions of imprisonment in the gothic novel and French melodrama." Thesis, University of Aberdeen, 2002. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=158599.

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This thesis provides a critique of the gaze in Gothic novels and French melodramas between 1790 and 1825. After situating itself historically in relation to the eighteenth century's prioritization of vision, the thesis then progresses in chapters two to seven to textual examinations of visual critiques provided by Gothic novelists. It examines the following authors: Sophia Lee; Ann Radcliffe; Matthew Lewis; the Marquis de Sade; Charles Maturin; James Hogg, and William Godwin. The thesis contends that these Gothic novelists demonstrate the function of the gaze in its most violent and reductive light. In the novels examined, the thesis posits that vision is used as a tool of power, rather than one of education and enlightenment. An examination is made of the imprisoning function of the gaze with reference to psychoanalytical essays on the gaze written by Sigmund Freud and Jacques Lacan. These essays help to promote the theory that the Gothic novels studied all portray some form of transgressive gazing: the punishment for this lies in the characters' temporary transition into some form of inanimate image. Whether this be a portrait, a statue, or a dramatic tableau, the transition is indicative of the regressive gaze to the past that the characters have been using. The eighth and final chapter of the thesis turns the focus from Gothic novels to French melodramas. This is done to represent the failure of French melodramatists to regulate the visual responses of their audiences. By examining their critical projects, and the results of them, the thesis concludes by demonstrating the practice, and failure, of the gaze.

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Huang, Cherry. "Jane Austen's attitudes towards the 'masculine' and 'feminine' Gothic in Northanger Abbey (1818)." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586642.

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Goss, Sarah Judith. "The agony of consciousness : history and memory in nineteenth-century Irish gothic novels /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102166.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 225-231). Also available for download via the World Wide Web; free to University of Oregon users.

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Mighall, Robert. "The brigand in the laboratory : a study of the discursive exchange between Gothic fiction and nineteenth-century medico-legal science." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683119.

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Wu, He Fang. "Fear and pity in the Castle of Otranto." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586641.

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Books on the topic "English Gothic revival (Literature)"

1

Fairclough, Peter. Three Gothic novels. London: Penguin Books, 1986.

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Fairclough, Peter. Three Gothic novels. London: Penguin Books, 1986.

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3

London gothic. London: Continuum, 2010.

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A, Colon Christine, ed. Six Gothic dramas. Chicago, Ill: Valancourt Books, 2007.

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Peter, Fairclough, Walpole Horace 1717-1797, Beckford William 1760-1844, and Shelley Mary Wollstonecraft 1797-1851, eds. Three Gothic novels. London: Penguin Books, 1986.

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6

The first Gothics: A critical guide to the English Gothic novel. New York: Garland Pub., 1987.

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Wiesenfarth, Joseph. Gothic manners and the classic English novel. Madison, Wis: University of Wisconsin Press, 1988.

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Haggerty, George E. Gothic fiction/Gothic form. University Park: Pennsylvania State University Press, 1989.

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9

Queer Gothic. Urbana: University of Illinois Press, 2006.

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Tichelaar, Tyler R. The Gothic wanderer: From transgression to redemption : Gothic literature from 1794 - present. Ann Arbor, MI: Modern History Press, 2012.

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Book chapters on the topic "English Gothic revival (Literature)"

1

Cottle, Basil. "The Eighteenth Century: Gothic Revival English." In The Language of Literature, 69–77. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_10.

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Twyning, John. "Gothic Adaptations and Reprisals." In Forms of English History in Literature, Landscape, and Architecture, 37–66. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284709_3.

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Twyning, John. "Dracula and Gothic Tourism." In Forms of English History in Literature, Landscape, and Architecture, 185–220. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284709_7.

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Gardiner, Michael. "Thatcherism, Neo-Gothic and State-Nationalism." In The Return of England in English Literature, 110–37. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137026026_5.

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Davison, Carol Margaret. "The Rise of the Vampiric Wandering Jew: A Sinister German-English Co-Production." In Anti-Semitism and British Gothic Literature, 87–119. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034_5.

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Twyning, John. "In Pursuit of an English Style: The Allure of Gothic." In Forms of English History in Literature, Landscape, and Architecture, 13–36. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284709_2.

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Vujošević, Vladimir. "“A Horror and a Phantasm”: Heidegger Quotation as a Gothic Device in Flannery OʼConnorʼs “Good Country People”." In Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2, 121–32. Belgrade: Faculty of Philology, University of Belgrade, 2020. http://dx.doi.org/10.18485/bells90.2020.2.ch9.

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Horstmann, Ulrike. "Schlosses and the Scent of Pine: Images of Austria and Germany in the English Historical Romance and Gothic Romance since 1945." In The Idea of Europe in Literature, 44–63. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27496-3_3.

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Powell, Allison. "“If He Be Mr. Hyde, We Shall Be Mr. See”: Using Graphic Novels, Comic Books, and the Visual Narrative in the Gothic Literature Classroom." In Teaching Graphic Novels in the English Classroom, 117–32. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63459-3_8.

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"Gothic." In English Literature, 232–40. Routledge, 2013. http://dx.doi.org/10.4324/9781315838274-23.

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