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Relevant bibliographies by topics / English Interludes

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Academic literature on the topic 'English Interludes'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "English Interludes"

1

Hilson, J. "Two Interludes from Organ Music." English 63, no. 243 (July 11, 2014): 347–48. http://dx.doi.org/10.1093/english/efu013.

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Stephanie Thompson Lundeen. "The Earliest Middle English Interludes." Comparative Drama 43, no. 3 (2009): 379–400. http://dx.doi.org/10.1353/cdr.0.0069.

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Christ, Adam. "Religious and Emotional Communities in John Heywood and John Bale’s Interludes." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 7, no. 1 (January 12, 2023): 22–31. http://dx.doi.org/10.18778/2353-6098.7.02.

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The paper examines emotional communities in early modern English drama, specifically interludes by John Heywood and John Bale. It explores the connections between emotion and religion, and seeks to uncover whether and how emotionality changes according to the politically acceptable religious doctrine – particularly in the time of Protestant reformation under Henry VIII Tudor – and how these changes are expressed in the early sixteenth century English interludes by a Catholic (Heywood) and a Protestant (Bale) author. This paper considers early modern texts of culture which have not been researched as broadly as the drama of the later English Renaissance period (such as works by William Shakespeare or Christopher Marlowe), and, drawing upon the concept of “emotional communities” introduced by Barbara Rosenwein, additionally offers insights into an ongoing discussion on emotions in history.

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Brown, Laura Feitzinger, and Darryll Grantley. "English Dramatic Interludes 1300-1580: A Reference Guide." Sixteenth Century Journal 36, no. 3 (October 1, 2005): 851. http://dx.doi.org/10.2307/20477511.

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Sponsler, Claire. "English Dramatic Interludes, 1300-1580: A Reference Guide (review)." Shakespeare Quarterly 56, no. 2 (2005): 216–18. http://dx.doi.org/10.1353/shq.2005.0064.

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Simon-Jones, Lindsey Marie. "Neighbor Hob and neighbor Lob." English Text Construction 6, no. 1 (April 5, 2013): 40–59. http://dx.doi.org/10.1075/etc.6.1.03sim.

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Drawing on scholars like Paula Blank, Janette Dillon and Tim Machan, this article argues that, in the Tudor university and court plays of Shakespeare’s youth, the stigmatization of non-standard, dialect speakers demonstrates a cultural renegotiation of the contemporary linguistic climate. By defining the English language and the English people not against a foreign Other, but rather against the domestic, servile, and dialect-speaking Other, sixteenth-century playwrights demonstrated the threat of non-standard speaking and advocated the standardization of language through education while effecting cultural change through negative reinforcement. Keywords: Tudor drama; interludes; history of English language; dialect; university grammarians

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Baker, William. "English Dramatic Interludes 1300‐1580: A Reference Guide2004383Darryll Grantley. English Dramatic Interludes 1300‐1580: A Reference Guide. Cambridge: Cambridge University Press 2004. xvi + 427 pp., ISBN: 0 521‐82078 2 £65 $95." Reference Reviews 18, no. 7 (October 2004): 33–34. http://dx.doi.org/10.1108/09504120410559681.

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Seoane, Elena. "Telling the true Gibraltarian Story: an Interview with Gibraltarian writer M.G. Sanchez." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 251. http://dx.doi.org/10.14198/raei.2016.29.14.

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Born in Gibraltar in 1968, writer M. G. Sanchez moved to the UK to study English Literature at the age of twenty-seven, where he has lived ever since, with interludes in New Zealand (2004), India (2005-2008) and, more recently, Japan (2014-2016). He took BA, MA and PhD degrees at the University of Leeds, completing his studies in 2004 with a thesis exploring perceptions of ‘hispanicity’ in Elizabethan and Jacobean literature. His first publication was Rock Black: Ten Gibraltarian Stories, a collection of short narratives. Since then he has written three novels on Gibraltar – The Escape Artist, Solitude House and Jonathan Gallardo – as well as numerous stories and essays. His latest work, Past: A Memoir, was published in October 2016, and explores his own family history on the Rock.

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9

Kaplun, M. V. "Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17^th — Early 18^th Centuries: Northern European Sources." Nauchnyi dialog, no. 6 (June 24, 2021): 207–24. http://dx.doi.org/10.24224/2227-1295-2021-6-207-224.

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The article is devoted to the little-studied Northern European sources of Russian plays on the plot about Tamerlane and Bayazet of the late 17th — early 18th centuries. The material was the play “Temir-Aksakovo Action” in 1675, a not preserved version of the play of the early 18th century “The Clear History of Tamerlane, the Tatar Khan how he defeated Saltan of Tursk Bayazet”, plays from the repertoire of “English comedians” of the 17th century, plays by the German playwright Andreas Gryphius and the English playwright Nicholas Roe. It is shown that the interludes of the play “Temir-Aksakovo Action” could be taken from the little-known play “The Comedy of Tamerlane”, staged in Nuremberg in 1667. Analysis of the play by German playwright Andreas Gryphius “The Armenian Leo” in 1656 makes it possible to talk about general formulas in constructing the theme of the overthrow of tyranny, the baroque theme of the mutability of life in the German and Russian drama of the 17th century. The play “The Clear History of Tamerlane ...”, staged at the court of Peter I in the 1700s, has been brought into consideration. Particular attention is paid to the analysis of the typological commonality of the Russian play with the play by the English playwright Nicholas Rowe “Tamerlane” in 1701, containing real historical allusions to the present.

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10

Ranald, Margaret Loftus. "The Performance of Feminism in The Taming of the Shrew." Theatre Research International 19, no. 3 (1994): 214–25. http://dx.doi.org/10.1017/s0307883300006623.

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Performance is ideology! This is particularly true of Shakespeare's The Taming of the Shrew, one of his two comedies concerning the behaviour of husband and wife after the marriage ceremony—the other being The Comedy of Errors. Here he makes use of what may well be the longest-running English female stock character, the recalcitrant wife, who goes back to Mrs Noah, the disobedient woman of the mediaeval religious cycle plays. But at the same time he adapts the technique of classical farce to observation of human behaviour, by taking an impossible premise (that a wife can be tamed) and extending it logically to the utmost limits of absurdity. He also combines the Mrs Noah figure with the Judy puppet and the clever woman of the Interludes who outwits her husband, but with one distinctive omission: the physical violence commonly assumed essential to shrew-taming. I believe that here Shakespeare has forged a new dramatic mode by humanizing the intellectuality of rhetorically based classical farce and psychologizing the knockabout physicality of its Plautine offshoot.

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Dissertations / Theses on the topic "English Interludes"

1

Hayes, Douglas William. "Rhetorical subversion in the English moral interlude." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49881.pdf.

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Books on the topic "English Interludes"

1

Peter, Happé, Heywood John 1497?-1580?, and Fulwell Ulpian fl 1586, eds. Two moral interludes. Oxford: Published for the Malone Society by Oxford University Press, 1991.

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2

Ėrdman, Nikolaĭ Robertovich. A meeting about laughter: Sketches, interludes, and theatrical parodies. New York: Harwood Academic Publishers, 1995.

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3

Richardson, Christine. Medieval drama. New York: St. Martin's Press, 1991.

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Clamp. X/1999.: Interlude. San Francisco, Calif: Viz Communications, 2003.

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5

1857-1903, Gissing George, Tragara Press, and Press Collection (Library of Congress), eds. Brief interlude: The letters of George Gissing to Edith Sichel. Edinburgh: Tragara Press, 1987.

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6

Kavan, Anna. Anna Kavan's New Zealand: A Pacific interlude in a turbulent life. Auckland, N.Z: Vintage Book, 2009.

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Jennifer, Sturm, ed. Anna Kavan's New Zealand: A Pacific interlude in a turbulent life. Auckland, N.Z: Vintage Book, 2009.

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8

Speaight, George. The earliest English puppet play?: The interlude of the cleric and the girl, with a conclusion. Bicester: DaSilva Puppet Books, 1997.

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9

Four Tudor Interludes. Bloomsbury Publishing Plc, 2014.

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10

Grantley, Darryll. English Dramatic Interludes, 13001580: A Reference Guide. Cambridge University Press, 2007.

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Book chapters on the topic "English Interludes"

1

Whiting, Robert. "Interlude." In Local Responses to the English Reformation, 102–13. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26487-2_16.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Hybridity." In Postcolonial Literatures in English, 107–8. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_10.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Indigeneity." In Postcolonial Literatures in English, 131–32. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_12.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Empire." In Postcolonial Literatures in English, 169–70. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_16.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Nation." In Postcolonial Literatures in English, 11–13. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_2.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Language." In Postcolonial Literatures in English, 33–34. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_4.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Orientalism." In Postcolonial Literatures in English, 57–59. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_6.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Diaspora." In Postcolonial Literatures in English, 79–80. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_8.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Epistemic Violence." In Postcolonial Literatures in English, 153–54. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_14.

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Bartels, Anke, Lars Eckstein, Nicole Waller, and Dirk Wiemann. "Interlude: Writing Back." In Postcolonial Literatures in English, 189–90. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-05598-9_18.

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