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Books on the topic 'English Interludes'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Peter, Happé, Heywood John 1497?-1580?, and Fulwell Ulpian fl 1586, eds. Two moral interludes. Oxford: Published for the Malone Society by Oxford University Press, 1991.

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2

Ėrdman, Nikolaĭ Robertovich. A meeting about laughter: Sketches, interludes, and theatrical parodies. New York: Harwood Academic Publishers, 1995.

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3

Richardson, Christine. Medieval drama. New York: St. Martin's Press, 1991.

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4

Clamp. X/1999.: Interlude. San Francisco, Calif: Viz Communications, 2003.

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5

1857-1903, Gissing George, Tragara Press, and Press Collection (Library of Congress), eds. Brief interlude: The letters of George Gissing to Edith Sichel. Edinburgh: Tragara Press, 1987.

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6

Kavan, Anna. Anna Kavan's New Zealand: A Pacific interlude in a turbulent life. Auckland, N.Z: Vintage Book, 2009.

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7

Jennifer, Sturm, ed. Anna Kavan's New Zealand: A Pacific interlude in a turbulent life. Auckland, N.Z: Vintage Book, 2009.

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8

Speaight, George. The earliest English puppet play?: The interlude of the cleric and the girl, with a conclusion. Bicester: DaSilva Puppet Books, 1997.

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9

Four Tudor Interludes. Bloomsbury Publishing Plc, 2014.

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10

Grantley, Darryll. English Dramatic Interludes, 13001580: A Reference Guide. Cambridge University Press, 2007.

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11

Pollard, Alfred William. English Miracle Plays Moralities and Interludes. 8th ed. Kessinger Publishing, 2003.

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12

Grantley, Darryll. English Dramatic Interludes, 1300-1580: A Reference Guide. Cambridge University Press, 2006.

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13

Grantley, Darryll. English Dramatic Interludes, 1300-1580: A Reference Guide. Cambridge University Press, 2004.

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14

Grantley, Darryll. English Dramatic Interludes, 1300-1580: A Reference Guide. Cambridge University Press, 2004.

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15

Grantley, Darryll. English Dramatic Interludes, 1300-1580: A Reference Guide. Cambridge University Press, 2004.

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16

Grantley, Darryll. English Dramatic Interludes, 1300-1580: A Reference Guide. Cambridge University Press, 2009.

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17

Somerset, J. A. B. Four Tudor Interludes. Bloomsbury Publishing Plc, 2013.

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18

Saavedra, Miguel de Cervantes. Cervantes's eight interludes. Applause, 2015.

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19

English dramatic interludes, 1300-1580: A reference guide. Cambridge, UK: Cambridge University Press, 2004.

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20

Ernest, Rhys. "everyman", With Other Interludes, Including Eight Miracle Plays. Franklin Classics, 2018.

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21

various. Everyman And Other Interludes - Mystery Plays and Miracle Plays. Pierides Press, 2007.

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22

(Editor), Peter Happé, and Wim Hüsken (Editor), eds. Interludes and Early Modern Society: Studies in Gender, Power and Theatricality. (Ludus). Rodopi, 2007.

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23

Klausner, David N. Two Moral Interludes: The Pride of Life and Wisdom. Medieval Institute Publications, 2010.

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24

Pollard, Alfred William. English Miracle Plays, Moralities, and Interludes; Specimens of the Pre-Elizabethan Drama. Creative Media Partners, LLC, 2015.

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25

Alfred W. (Alfred William) Pollard. English Miracle Plays, Moralities and Interludes: Specimens of the Pre-Elizabethan Drama. Creative Media Partners, LLC, 2021.

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26

Alfred W. (Alfred William) Pollard. English Miracle Plays, Moralities and Interludes: Specimens of the Pre-Elizabethan Drama. Creative Media Partners, LLC, 2021.

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27

Pollard, Alfred William. English Miracle Plays, Moralities & Interludes: Specimens of the Pre-Elizabethan Drama, Ed. Creative Media Partners, LLC, 2018.

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28

Pollard, Alfred William. English Miracle Plays, Moralities, and Interludes: Specimens of the Pre-Elizabethan Drama. Palala Press, 2016.

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29

English Miracle Plays, Moralities & Interludes: Specimens of the Pre-Elizabethan Drama, Ed. Creative Media Partners, LLC, 2022.

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30

Stebbins, Yvonne C. The moral interludes of Renaissance England as plays of faith and plays of reason. 1987.

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31

Johnston, Jackie, and Christine Richardson. Mediaeval Drama (English Dramatists). Palgrave Macmillan, 1991.

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32

In a manner of morall playe: Social ideologies in English moralities and interludes, 1350-1517. Frankfurt am Main: P. Lang, 2002.

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33

Thomas, Emily. A Continental Interlude. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807933.003.0004.

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This chapter describes the absolutisms of two Continental Europeans: Jan Baptist van Helmont and Pierre Gassendi. These figures are important to us in part because it has been argued that later British writers pick up on their ideas. On Van Helmont’s absolutism, time emanates from God. On Gassendi’s absolutism, space and time are incorporeal, dimensional beings that can be occupied by bodies; it is unclear how they relate to God. The final part of this chapter explores the absolutism of English philosopher Walter Charleton, which draws on Gassendi’s absolutism. Although there are deep similarities between the views of Gassendi and Charleton on space and time, this chapter argues there are differences too.

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34

Carole, Mortimer. Savage Interlude. Harlequin Mills & Boon, Limited, 2015.

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35

Carole, Mortimer. Savage Interlude. G K Hall Audio Books, 1989.

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36

Carole, Mortimer. Savage Interlude. Harlequin Enterprises, Limited, 2018.

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37

Hayes, Douglas William. Rhetorical subversion in the english moral interlude. 2000.

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38

Melissa. A Mere Interlude. Patten Press, 1992.

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39

Jones, Catherine M., William W. Kibler, and Logan E. Whalen, trans. An Old French Trilogy. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066462.001.0001.

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This book provides a modern English translation of three Old French epic poems devoted to the exploits of the legendary William of Orange. The Coronation of Louis, The Convoy to Nîmes, and The Conquest of Orange form the core of William’s early heroic biography. In The Coronation of Louis, the hero saves both king and pope from would-be usurpers, and earns the nickname “Short-nosed William” after a fierce, disfiguring battle with a Saracen giant. In The Convoy to Nîmes and The Conquest of Orange, William conquers two important cities and wins the love of the Saracen Queen Orable. The trilogy is remarkable for its depiction of feudal conflict and crosscultural relations. Like the William cycle as a whole, the three poems are cast in the heroicomic mode, tempering the serious subject matter of epic warfare with comic interludes.

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40

Interlude of God's Promises in Plain and Simple English. Golgotha Press, 2014.

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41

Representations of Flemish Immigrants on the Early Modern Stage. Taylor & Francis Group, 2018.

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42

O, Halliwell-Phillipps J. The Marriage of Wit And Wisdom an Ancient Interlude. Kessinger Publishing, 2005.

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43

O, Halliwell-Phillipps J. The Marriage Of Wit And Wisdom An Ancient Interlude. Kessinger Publishing, LLC, 2007.

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44

The Kitchen A Play In Two Parts With An Interlude. Oberon Books, 2012.

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45

Giddens, Thomas, ed. Critical Directions in Comics Studies. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828996.001.0001.

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Recent decades have seen a blossoming of academic and scholarly concern with comics. Within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods and approaches used to approach the comics form, around the ways we should read comics, how its ‘system’ works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish amidst this verdant landscape of comics studies. These approaches seek to question the reliance on structural linguistics and the tools of English and cultural studies in the examination and understanding of comics. They turn instead to politics, to aesthetics, to law, to critical theory. This collection seeks to grow, and to grow within those more critical directions in comics studies; to fertilize and help sustain them, to multiply them, and continue to cultivate a healthy skepticism, creativity, and openness in the approach to comics knowledge. Accordingly, this volume contains a collection of indicative and provocative essays, accumulated and compiled for readers to explore and make meaning out of: to get lost in, and hopefully find new and enriching directions forward in their encounters with the rich possibilities that comics enable. Traversing phenomenological, existential, material, legal, contextual, political, and revolutionary meanings in their engagements with both comics form and examples of comics work, and interspersed with critical comics interludes, these essays seek to consolidate, exemplify, and open up potential futures for the fecund and amorphous fields of critical comics studies.

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46

Bush, Jessica Dennis. ESV Study Bible, Artist Series (Cloth over Board, Jessica Dennis Bush, Interlude). Crossway, 2023.

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47

Shiel, M. P. Shapes in the Fire: Being a Mid-Winter-night's Entertainment in Two Parts and an Interlude. Creative Media Partners, LLC, 2015.

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48

Bacri, Nicolas. Lyric interlude: A study in pastoral style : pour cor anglais (ou flûte ou clarinette ou alto), violon et violoncelle, op. 110. 2017.

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49

Ermanno, Golisciani Enrico Wolf-Ferrari. Suzanne's secret. Il segreto di Susanna; interlude in one act after the French [i.e. Italian] of Golisciani. The book by Max Kalbeck. English version by Claude Aveling. Ulan Press, 2012.

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