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Journal articles on the topic 'English Literature – 18th Century'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Brown, Marshall, Felicity Nussbaum, and Laura Brown. "The New 18th Century: Theory, Politics, English Literature." Eighteenth-Century Studies 22, no. 4 (1989): 566. http://dx.doi.org/10.2307/2739082.

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2

Nag, Ishita. "ENGLISH LITERATURE THROUGH THE AGES." International Journal of English Learning & Teaching Skills 3, no. 3 (2021): 2284–310. http://dx.doi.org/10.15864/ijelts.3307.

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This review paper deals with the development of the English language through time starting with the Old English literature (450-1066), Middle English Literature (1066-1500), English Renaissance (1500-1660), the Restoration Age (1660-1700), the 18th century, Romanticism (1798-1837), Victorian literature (1837-1901), and the 20th century.

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Wheeler, David. "Jane Austen and 18th-Century English Spa Culture." English Studies 85, no. 2 (2004): 120–33. http://dx.doi.org/10.1076/enst.85.2.120.30500.

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Wheeler, David. "JANE AUSTEN AND 18TH-CENTURY ENGLISH SPA CULTURE." English Studies 85, no. 2 (2004): 120–33. http://dx.doi.org/10.1080/00138380409609830.

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Muehlhaeusler, Mark. "Oriental tales in 18th-century manuscripts … and in English translation." Middle Eastern Literatures 16, no. 2 (2013): 189–202. http://dx.doi.org/10.1080/1475262x.2013.843261.

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6

Arkink, EB, MA van Buchem, J. Haan, MD Ferrari, and MC Kruit. "An early 18th-century case description of cluster headache." Cephalalgia 30, no. 11 (2010): 1392–95. http://dx.doi.org/10.1177/0333102410370871.

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We present a previously unreported early 18th-century description of cluster headache by the English antiquary Abraham de la Pryme (1671–1704) initially attributed to hydrophobia (rabies). We will also give a short overview of other descriptions of cluster and cluster-like headache in historical literature.

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Knezevich, Ruth. "The Invention of Northern Aesthetics in 18th-Century English Literature by Yvonne Bezrucka." Eighteenth-Century Fiction 31, no. 4 (2019): 764–66. http://dx.doi.org/10.3138/ecf.31.4.764.

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Boland, Eavan. "In Which Hester Bateman, 18th‐Century English Silver Smith, Takes an Irish Commission." Yale Review 90, no. 1 (2002): 22–23. http://dx.doi.org/10.1111/0044-0124.00571.

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Almelek İşman, Sibel. "Portrait historié: Ladies as goddesses in the 18th century European art." Journal of Human Sciences 14, no. 1 (2017): 396. http://dx.doi.org/10.14687/jhs.v14i1.4198.

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Portrait historié is a term that describes portrayals of known individuals in different roles such as characters taken from the bible, mythology or literature. These portraits were especially widespread in the 18th century French and English art. In the hierarchy of genres established by the Academy, history painting was at the top and portraiture came next. Artists aspired to elevate the importance of portraits by combining it with history. This article will focus on goddesses selected by history portrait artists. Ladies of the nobility and female members of the royal families have been depic

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10

Houppermans, Sjef. "French Literature in the Perspective of Literary Historiography." European Review 21, no. 2 (2013): 272–80. http://dx.doi.org/10.1017/s1062798712000427.

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Literary History has changed its objectives during the last few decades. In theory as well as in literary analysis strictly demarcated approaches have given way to a worldwide perspective. The openness to the world and the ongoing dialogue with the ‘other’ resonates in recent French Literature. Academic critique can accompany and guide these evolutions. This article focuses on three central concepts:transculturalité,colinguismeandtransmédialité. Special attention will be given to the 18th century French-English author William Beckford and the final word is spoken by Edouard Glissant.

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Wangman, Pauline T., and Keith A. Sandiford. "Measuring the Moment: Strategies of Protest in 18th Century Afro-English Writing." South Central Review 6, no. 1 (1989): 89. http://dx.doi.org/10.2307/3189506.

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Parmegiani, Sandra Parmegiani, Andrea Penso, and Dirk Vanden Berghe. "Mapping the Reception of English Novels in Italy During the Long 18th Century: A Digital Approach." Quaderni d'italianistica 39, no. 2 (2019): 139–54. http://dx.doi.org/10.33137/q.i..v39i2.33264.

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13

Beal, Joan C. "From Geordie Ridley to Viz: popular literature in Tyneside English." Language and Literature: International Journal of Stylistics 9, no. 4 (2000): 343–59. http://dx.doi.org/10.1177/096394700000900403.

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The existence of a large body of literature in the Tyneside and Northumbrian dialects, dating from the late 18th century and continuing to the present day, testifies to a strong and enduring sense of regional identity closely associated with an acute sense of the differences between these dialects and Standard English/RP. Although much of this literature is conservative in nature and conservationist in intent, more recent examples in the local and popular press attempt to represent the salient features of the modern urban dialect (Geordie).This article examines extracts from a selection of tex

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Sokolov, Alexander I., and Irina A. Malysheva. "Turkisms in one of the early Russian translations of the 18th century." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 187–201. http://dx.doi.org/10.21638/spbu09.2021.110.

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The article considers Turkic borrowings in the Russian language at the beginning of the 18th century. The material of the study was a translation of the 17th century treatise “The History of the Present State of the Ottoman Empire” written by the English diplomat Paul Ricaut and translated into a number of European languages. The Russian translation was done by P.A.Tolstoy from the Italian version in 1702–1714 and published as “The Turkish Monarchy” in 1741. The study presents the methods of phonetic (orthographic) and morphological adaptation of Turkisms by comparing a typographical manuscrip

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15

Broadhead, Alex. "Framing dialect in the 1800 Lyrical Ballads: Wordsworth, regionalisms and footnotes." Language and Literature: International Journal of Stylistics 19, no. 3 (2010): 249–63. http://dx.doi.org/10.1177/0963947010370187.

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This article addresses one of the most theoretically and linguistically vexing issues in the history of English poetic language: stylistic variation in Wordsworth and Coleridge’s Lyrical Ballads. It suggests that two footnotes, added to the 1800 edition, offer a new perspective on a question which has prompted debate since its publication: specifically, what is the relationship between Wordsworth’s use of dialect and the language of ‘low and rustic life’ promised by the 1800 Preface to Lyrical Ballads? In sections 1 and 2 the article expands on the importance of the footnotes in relation to th

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Hao, Tianhu. "The Readers of 17th-Century English Manuscript Commonplace Book Hesperides, or the Muses’ Garden." Multicultural Shakespeare: Translation, Appropriation and Performance 23, no. 38 (2021): 197–209. http://dx.doi.org/10.18778/2083-8530.23.12.

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Hesperides, or the Muses’ Garden is a 17th-century manuscript commonplace book known primarily for its Shakespearean connections. The readers of Hesperides generally combine reading and thinking, or reading and writing. Though few, Hesperides is not without its “fit audience.” In addition to the few modern scholars who have examined the manuscripts, the actual known readers of Hesperides include Humphrey Moseley the 17th-century publisher, James Orchard Halliwell-Phillipps in the Victorian period, and a late-18th-century anonymous reader. The last of this group copies Shakespearean and dramati

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Králová, Magda. "When Óðinn meets Pompey : Norse and classical elements in English literature at the turn of the 18th and 19th century." Graeco-Latina Brunensia, no. 2 (2019): 125–41. http://dx.doi.org/10.5817/glb2019-2-9.

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18

Martínez-González, José L., Gabriel Jover-Avellà, and Enric Tello. "Building an annual series of English wheat production in an intriguing era (1645-1761): methodology, challenges and results." Historia Agraria Revista de agricultura e historia rural, no. 79 (June 7, 2019): 41–69. http://dx.doi.org/10.26882/histagrar.079e01m.

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This article presents a method for estimating an annual series of English wheat production in physical units during the intriguing period of 1645-1761, when the English Agricultural Revolution began. It is based on Davenant’s Law and the assumption of a decrease in long-term crop variability, taking into account the yields obtained from probate inventories and farm accounts. The exercise confirms the idea that the King-Davenant accounting of the inverse variation of prices and quantities through price elasticity was indeed a common rule at that time, whereas income elasticity did not become a

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Ettobi, Mustapha. "Literary Translation and (or as?) Conflict between the Arab World and the West." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 1 (2008): 14. http://dx.doi.org/10.21992/t99d06.

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Major developments in the translation of literary works from Arabic into French and English and vice versa tend to indicate that it has been influenced by the geopolitical relationship between the Arab world and Western countries. In my paper I try to show how the essence of this translation history has taken root in the power differentials and conflicts between these two entities by analyzing three different phases of translation, namely:  - Napoleon Bonaparte’s Expedition to Egypt in the 18th century and the translation movement that followed in the 19th century.  - P

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20

Ebert, Magda. "Rozrywki „serc czułych” w „Tajemnicach zamku Udolpho” Ann Radcliffe w świetle pism Jana Jakuba Rousseau." Prace Literackie 57 (July 12, 2018): 41–47. http://dx.doi.org/10.19195/0079-4767.57.4.

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The entertainments of „tender hearts” in Ann Radcliffe’s The Mysteries of Udolpho in the light of Jean Jacques Rousseau’s worksIn the second half of the 18th century, English literature was influenced by sentimentality. One of the most talented writers of this time was Ann Radcliffe. She created the novel by combining the Gothic romance with the novel of sensibility. Radcliffe in her works formed two contrasting groups of heroes: honest and virtuous, and hypocritical and cruel people. With the diversity of character stemmed variety of preferred pastimes. In this article I discuss excerpts from

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21

Groves, Peter. "What, if anything, is a caesura? The ontology of the ‘pause’ in English heroic verse." Language and Literature: International Journal of Stylistics 28, no. 3 (2019): 263–79. http://dx.doi.org/10.1177/0963947019854001.

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The term ‘caesura’ (or ‘pause’) has featured in discussion of English iambic pentameter for four centuries, and yet it still lacks what the Latin hexameter or the French alexandrine have: a definition of the term that might be usefully applied in stylistic description. Despite the temptation to dismiss it as a prosodic chimera or a mere epiphenomenon of syntax, this article will investigate a rough consensus that emerged amongst 18th-century theorists and practitioners about the bisecting caesura as both a normative element of versification and an aesthetic instrument, and attempt to formalize

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22

Paszkowicz, Wojciech. "Inspirations, interactions and associations: On some links between the works of Vladimir Vysotsky and English-, French- and German-language poetry, theatre and pop music." Tekstualia 2, no. 53 (2018): 99–114. http://dx.doi.org/10.5604/01.3001.0013.3290.

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The threads binding the poetry of Vladimir Vysotsky with Russian and foreign literature have a diverse character – some convergences, similarities of his works to those of other authors can be identifi ed in the content, the subject, and the metre of the poems. Some of the literary associations are easily detectable for any recipient, others are more diffi cult to fi nd. The article focuses on the identifi ed links between the works of Vysotsky and those of foreign authors such as Pierre-Jean de Béranger, Robert Burns, and Bertolt Brecht. The convergences observed between Vysotsky’s and de Bér

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23

Trapateau, Nicolas, and Jean-Louis Duchet. "Change from Above and Resistance to Change in the Early Prescriptive Pronouncing Dictionaries of English." Studia Anglica Posnaniensia 54, s1 (2019): 315–36. http://dx.doi.org/10.2478/stap-2019-0015.

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AbstractTo what extent is it possible to interpret the data of pronouncing dictionaries of the 18th century in sociolinguistic terms? Several answers are provided by resorting to Labov’s concepts of change from above and change from below the level of awareness. A systematic investigation of John Walker’s Critical Pronouncing Dictionary (1791, 1809), the most complete and cumulative of all such dictionaries of the time, makes it possible to show that an orthoepist like Walker often reflects the pressure in favour of change from above for vowel quality and resistance to such a change in matters

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24

Zolotova, Maria B. "Attribution of Decorative Marble Papers in the Study of Russian Binding of the 18th — early 20th centuries: Problems and Solutions." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 1 (2021): 89–99. http://dx.doi.org/10.25281/0869-608x-2021-70-1-89-99.

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An important stage in the study and attribution of the Russian binding of the 18th — early 20th century is the description of the flyleaf and other elements of decorative paper. First of all, this applies to paper with marble drawings (marble paper), found in the Russian book since the 18th century. Modern researchers of Russian binding of the 18th — early 20th centuries face a number of problems related to the lack of literature on the topic, including methodological and reference, the lack of specialized collections and exhibitions of decorative paper in Russia and the lack of development in

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Zolotova, Maria B. "Attribution of Decorative Marble Papers in the Study of Russian Binding of the 18th — early 20th centuries: Problems and Solutions." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 1 (2021): 89–99. http://dx.doi.org/10.25281/0869-608x-2021-1-1-89-99.

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An important stage in the study and attribution of the Russian binding of the 18th — early 20th century is the description of the flyleaf and other elements of decorative paper. First of all, this applies to paper with marble drawings (marble paper), found in the Russian book since the 18th century. Modern researchers of Russian binding of the 18th — early 20th centuries face a number of problems related to the lack of literature on the topic, including methodological and reference, the lack of specialized collections and exhibitions of decorative paper in Russia and the lack of development in

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26

Zipfel, Frank. "The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction." Journal of Literary Theory 14, no. 2 (2020): 260–86. http://dx.doi.org/10.1515/jlt-2020-2007.

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AbstractInvestigations into the history of the modern practice of fiction encounter a wide range of obstacles. One of the major impediments lies in the fact that former centuries have used different concepts and terms to designate or describe phenomena or ideas that we, during the last 50 years, have been dealing with under the label of fiction/ality. Therefore, it is not easy to establish whether scholars and poets of other centuries actually do talk about what we today call fiction or fictionality and, if they do, what they say about it. Moreover, even when we detect discourses or propositio

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ΡΑΠΤΗΣ, ΚΩΣΤΑΣ. "ΑΣΤΙΚΕΣ ΤΑΞΕΙΣ ΚΑΙ ΑΣΤΙΚΟΤΗΤΑ ΣΤΗΝ ΕΥΡΩΠΗ, 1789-1914: ΠΡΟΣΑΝΑΤΟΛΙΣΜΟΙ ΤΗΣ ΣΥΓΧΡΟΝΗΣ ΙΣΤΟΡΙΟΓΡΑΦΙΑΣ". Μνήμων 20 (1 січня 1998): 211. http://dx.doi.org/10.12681/mnimon.675.

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<p>Kostas Raptis, Middle classes and middle class culture in Europe, 1789-1914: approaches in modern historiography</p><p>The history of the european middle classes from the late 18th to theearly 20th century is a very wide topic and relates to economic, social,political, gender and culture history. This essay gives a brief overviewof the main subjects regarding it. It draws mainly on (pioneer) germanspeaking,but also on english and french literature. Following the currentdebate, it points to the different social and economic groups making upthe so called ((Bürgertum», to the

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JONES, EMRYS D. "Eighteenth-Century English Literature, 1660-1789. By CHARLOTTE SUSSMAN. Cambridge: Polity. 2012. 291 p. £16.99 (pb). ISBN 978-0-7456-2515-7. The Long 18th Century: Literature from 1660 to 1790. By PENNY PRITCHARD. Harlow: York Press. 2010. iv + 373 p. £10." Journal for Eighteenth-Century Studies 36, no. 3 (2013): 462–66. http://dx.doi.org/10.1111/1754-0208.12015.

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Castillo-Soriano, María de los Ángeles, Alberto Canavati-Espinosa, and Diana Isabel Maldonado-Flores. "O imaginário suburbano e o Mass Media: um reflexo de sua construção e desmontagem na geração do chamado Baby Boom nos Estados Unidos (1946-1974)." Revista Perspectivas 6, no. 1 (2021): 6–23. http://dx.doi.org/10.22463/25909215.2917.

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According to Cambridge Dictionary, the meaning of Suburbia is related to peripheral parts of a city where there are houses, but there is not a considerable amount of retailers, work places and leisure venues. Obviously this definition is understood from an elemental point of view, it is, since the ends of the 18th century according to the urban conditions of English and newly North American towns. Even so, throughout the last six decades, more specifically 1946 and 1974, there was an interesting, as well as a vast record of information regarding this peculiar sort of urban planning, so represe

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Toledano Buendia, Carmen. "Robinson Crusoe Naufraga en Tierras Españolas." Babel. Revue internationale de la traduction / International Journal of Translation 47, no. 1 (2001): 35–48. http://dx.doi.org/10.1075/babel.47.1.05tol.

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The incorporation of English novels into the Spanish literary system during the 18th century is characterized, in general terms, by their late appearance, especially if a comparison is drawn with other European countries, and by French mediation. One of the most illustrative examples is the assimilation process followed by Robinson Crusoe. This work, written by Daniel Defoe in 1719, appears for the first time in Spain in 1826 — more than 100 years after it was originally written — in an abridged version for children. This paper aims to explore some of the many factors that may play a part in t

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Ziemba, Antoni. "Mistrzowie dawni. Szkic do dziejów dziewiętnastowiecznego pojęcia." Porta Aurea, no. 19 (December 22, 2020): 35–56. http://dx.doi.org/10.26881/porta.2020.19.01.

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In the first half of the 19th century in literature on art the term ‘Old Masters’ was disseminated (Alte Meister, maître ancienns, etc.), this in relation to the concept of New Masters. However, contrary to the widespread view, it did not result from the name institutionalization of public museums (in Munich the name Alte Pinakothek was given in 1853, while in Dresden the Gemäldegalerie Alte Meister was given its name only after 1956). Both names, however, feature in collection catalogues, books, articles, press reports, as well as tourist guides. The term ‘Old Masters’ with reference to the a

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Chambers, N. "Letters from the President: the correspondence of Sir Joseph Banks 1." Notes and Records of the Royal Society of London 53, no. 1 (1999): 27–57. http://dx.doi.org/10.1098/rsnr.1999.0062.

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Nothing gives so just an idea of an age as genuine letters; nay, history waits for its last seal from them.Horace Walpole 2 Many scientific ideas have been described in works that have deeply affected the way we regard ourselves and the world. Even when a scientist has not been so influential, his writings might still be a rewarding source of interest. Indeed, they might have artistic worth and broad historical relevance of a kind that is rarely appreciated. Nothing could be more true of the 18th century, when the literary nature of science made the spread of knowledge and enquiry possible. At

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33

Boborykina, Tatiana A. "Tarnished Virtues: From Richardson to Beardsley." Dostoevsky and world culture. Philological journal, no. 3 (2021): 98–120. http://dx.doi.org/10.22455/2541-7894-2021-3-98-120.

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The starting point of the article is a statement about “tarnished virtues” by one of the characters of Poor Folk, Fyodor Dostoevsky’s first novel. The word combination evokes various associations, allusions, and numerous variants of interpretation. A remark on virtues made in the frame of an epistolary novel immediately recalls the novels of a coryphaeus of the genre, 18th-Century English writer Samuel Richardson, especially his first one, in which the word “virtue” appears in the title – Pamela Or, Virtue Rewarded. However, Richardson’s comprehension of virtue seems to be quite narrow, a fact

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Andrianova, Irina. "Stenography and Literature: What did Western European and Russian Writers Master the Art of Shorthand Writing For?" Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (2019): 1–11. http://dx.doi.org/10.1556/060.2019.64101.

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What brings together Daniel Defoe, Charles Dickens, Vsevolod Krestovsky, Nikolai Chernyshevsky, Fyodor Dostoevsky, Аlexander Kuprin, George Bernard Shaw, and Аstrid Lindgren, i.e. writers from different countries and belonging to different epochs? In their creative work, they all used stenography, or rapid writing, permitting a person to listen to true speech and record it simultaneously. This paper discloses the role of stenography in literary activities of European and Russian writers in the 19th and early 20th centuries. Some researchers believe that the first ties between shorthand and lit

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Bankauskaitė, Gabija. "Respectus Philologicus, 2011 Nr. 19 (24)." Respectus Philologicus, no. 20-25 (April 25, 2011): 1–284. http://dx.doi.org/10.15388/respectus.2011.24.

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CONTENTS I. PROBLEMS AND SOLUTIONSMichał Mazurkiewicz (Poland). Sport versus Religion... 11Natalia А. Kuzmina (Russia). Poetry Book as a Supertext... 19Jonė Grigaliūnienė (Lithuania). Possessive Constructions as a Purely Linguistic Phenomenon?... 31 II. FACTS AND REFLECTIONSAleksandras Krasnovas, Aldona Martinonytė (Lithuania). Symbolizing of Images in Juozas Aputis Stories...40Jūratė Kumetaitienė (Lithuania). Tradition and Metamorphosis of Escapism (Running “from” or “into”) in the Modern and Postmodern Norwegian Literature...51Natalia V. Kovtun (Russia). Trickster in the Vicinity

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Nüzket Özen, Neriman. "Heidi's sacrifice, Biene Maya's courage, Pippi Langstrumpf's freedom: Gender stereotypes of traditional and modern German child and youth literature figuresHeidi'nin fedakarlığı, Biene Maya'nın cesareti, Pippi Langstrumpf'un özgürlüğü: Gelenekselden moderne Alman çocuk ve gençlik edebiyatı figürlerinin toplumsal cinsiyet kurguları." Journal of Human Sciences 14, no. 4 (2017): 3366. http://dx.doi.org/10.14687/jhs.v14i4.4932.

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Heidi, Biene Maja and Pippi Langstrumpf books, which are important and well-known works of children and youth literature in the Western World, are also books with quite important functions beyond being mere children 's books. In the 18th century, the great developments of the Enlightenment period have undoubtedly brought certain duties to children’s and youth literature.It has also been a pioneer in the creation of desirable children's images, which sometimes require ideological and sometimes gender-sensitive content due to social conditions.While performing this, they reached their readers wi

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Bowers, Toni O'Shaughnessy, and Elizabeth Bergen Brophy. "Women's Lives and the 18th-Century English Novel." Eighteenth-Century Studies 26, no. 1 (1992): 115. http://dx.doi.org/10.2307/2739245.

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38

Penzl, Herbert. "18th Century American English according to Noah Webster." Dictionaries: Journal of the Dictionary Society of North America 12, no. 1 (1990): 15–25. http://dx.doi.org/10.1353/dic.1990.0013.

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39

Suematsu, Nobuko. "The Comparison of Adjectives in 18th-Century English." NOWELE / North-Western European Language Evolution 45 (October 1, 2004): 33–50. http://dx.doi.org/10.1075/nowele.45.03sue.

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40

Shahmuradyan, Anahit. "The Picaresque in the 18th century English Novel." Armenian Folia Anglistika 4, no. 1-2 (5) (2008): 108–11. http://dx.doi.org/10.46991/afa/2008.4.1-2.108.

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The Picaresque novel was one of the first steps of the establishment of the Spanish realist novel in early Renaissance period. The Picaresque theme found its direct reflection in the 18th century English novel. Both Daniel Defoe in his Moll Flanders, Captain Singleton and other works, Jonathan Swift in his Gulliver’s Travels and Henry Fielding in his The history of Tom John, a Foundling wish to reveal the true picture of the values and morals of the time, the real strives and face of man, the social motives which often create inextricable situations for people and promote picaresque actions ma

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Holm, John. "An 18th-century novel from the Miskito Coast." English World-Wide 35, no. 1 (2014): 52–67. http://dx.doi.org/10.1075/eww.35.1.04hol.

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William Williams (1727–1791) wrote a novel entitled Mr. Penrose: The Journal of Penrose, Seaman about an English sailor marooned on the Caribbean coast of Nicaragua, partly based on the author’s own experience. Internal linguistic evidence confirms that the castaway’s contact was with the Rama and Miskito Indians of this area. The novel’s 350 printed pages are in the formal English of the times, but also include dialogue in the local vernacular English that was still undergoing creolization. It includes words not only from Rama and Miskito, but also Spanish and African languages and phrases su

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Johnstone, H. D. "English 18th Century Concertos--An Inventory and Thematic Catalogue." Music and Letters 87, no. 3 (2006): 431–33. http://dx.doi.org/10.1093/ml/gci238.

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Watts, Gordon P., and Michael Cameron Krivor. "Investigation of an 18th-century English shipwreck in Bermuda." International Journal of Nautical Archaeology 24, no. 2 (1995): 97–108. http://dx.doi.org/10.1111/j.1095-9270.1995.tb00719.x.

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Watts, G. "Investigation of an 18th-century English shipwreck in Bermuda." International Journal of Nautical Archaeology 24, no. 2 (1995): 97–108. http://dx.doi.org/10.1006/ijna.1995.1014.

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Perry, Ruth. "Ann Messenger. His & Hers: Essays in Restoration & 18th-Century Literature. Lexington, Ky.: University of Kentucky Press. 1986. Pp. ix, 271. $26.00. - Bridget Hill, editor. The First English Feminist: “Reflections on Marriage” and Other Writings by Mary Astell. New York: St. Martin's Press. 1986. Pp. vii, 235. $29.95." Albion 19, no. 2 (1987): 248–50. http://dx.doi.org/10.2307/4050416.

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Robinson, Alan, and Harry Blamires. "Twentieth-Century English Literature." Modern Language Review 84, no. 3 (1989): 726. http://dx.doi.org/10.2307/3732463.

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Hopkins, David, and Bruce King. "Seventeenth-Century English Literature." Yearbook of English Studies 17 (1987): 274. http://dx.doi.org/10.2307/3507692.

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Scouten, Arthur H., and Maximillian E. Novak. "Eighteenth-Century English Literature." Yearbook of English Studies 17 (1987): 295. http://dx.doi.org/10.2307/3507706.

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Hawk, Barry E. "English Competition Law Before 1900." Antitrust Bulletin 63, no. 3 (2018): 350–74. http://dx.doi.org/10.1177/0003603x18781397.

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English competition law before 1900 developed over many centuries and reflected changes in political conditions, economic theories and social values. It mirrored the historical movements in England, from the medieval ideal of fair prices and just wages to 16th and 17th century nation-state mercantilism to the 18th and 19th century Industrial Revolution and notions of laissez faire capitalism and freedom of contract. English competition law at varying times articulated three fundamental principles: monopolies were disfavored; freedom to trade was emphasized; and fair or reasonable prices were s

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Gallagher, Noelle. "Cancer and the emotions in 18th-century literature." Medical Humanities 46, no. 3 (2019): 257–66. http://dx.doi.org/10.1136/medhum-2018-011639.

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This essay argues that the emotional rhetoric of today’s breast cancer discourse—with its emphasis on stoicism and ‘positive thinking’ in the cancer patient, and its use of sympathetic feeling to encourage charitable giving—has its roots in the long 18th century. While cancer had long been connected with the emotions, 18th-century literature saw it associated with both ‘positive’ and ‘negative’ feelings, and metaphors describing jealousy, love and other sentiments as ‘like a cancer’ were used to highlight the danger of allowing feelings—even benevolent or pleasurable feelings—to flourish unche

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