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Relevant bibliographies by topics / English literature English literature English literature Gothic revival (Literature)

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Academic literature on the topic 'English literature English literature English literature Gothic revival (Literature)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "English literature English literature English literature Gothic revival (Literature)"

1

O’Sullivan, Keith M. C. "Research guide to Gothic literature in English." Reference Reviews 32, no. 7/8 (September 17, 2018): 24–25. http://dx.doi.org/10.1108/rr-06-2018-0094.

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Olsen, C. P. "The Catholic Revival in English Literature, 1845-1961." Literature and Theology 18, no. 4 (December 1, 2004): 496–98. http://dx.doi.org/10.1093/litthe/18.4.496.

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Bruce, Duane. "The Catholic Revival in English Literature, 1845-1961." Newman Studies Journal 1, no. 2 (2004): 116–17. http://dx.doi.org/10.5840/nsj20041229.

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Bosco, Mark. "The Catholic Revival in English Literature, 1845-1961 (review)." Comparative Literature Studies 43, no. 1 (2006): 200–202. http://dx.doi.org/10.1353/cls.2006.0026.

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Watkinson, Caroline. "English Convents in Eighteenth-Century Travel Literature." Studies in Church History 48 (2012): 219–31. http://dx.doi.org/10.1017/s0424208400001339.

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‘A Nun’s dress is a very becoming one’, wrote Cornelius Cayley in 1772. Similarly, Philip Thicknesse, witnessing the clothing ceremony at the English Augustinian convent in Paris, observed that the nun’s dress was ‘quite white, and no ways unbecoming … [it] did not render her in my eyes, a whit less proper for the affections of the world’. This tendency to objectify nuns by focusing on the mysterious and sexualized aspects of conventual life was a key feature of eighteenth-century British culture. Novels, poems and polemic dwelt on the theme of the forced vocation, culminating in the dramatic portrayals of immured nuns in the Gothic novels of the 1790s. The convent was portrayed as inherently despotic, its unnatural hierarchy and silent culture directly opposed to the sociability which, in Enlightenment thought, defined a civilized society. This despotic climate was one aspect of a culture of tyranny and constraint, which rendered nuns either innocent and victimized or complicit and immoral. Historians have noted that these stereotypes were remarkably similar to those applied to the Orient and have thus extended Said’s notion of ‘otherness’ - the self-affirmation of a dominant culture as a norm from which other cultures deviate – to apply not merely to oriental cultures but to those aspects of European culture deemed exotic. In so doing, they have challenged the notion that travel writing was an exact record of social experience and have initiated a more nuanced understanding of textual convention and authorial experience. For historians of eighteenth-century Britain this has led to an examination of the construction of anti-Catholicism within travel literature and its use as an ideology around which the Protestant nation could unite. Thus, Jeremy Black has noted that anti-Catholicism remained the ‘prime ideological stance in Britain’ and has claimed that encounters with Catholicism by British travellers in France ‘excited fear or unease … and, at times, humour or ridicule’. Likewise, Bryan Dolan and Christopher Hibbert have seen encounters with continental convents culminating in negative descriptions of rituals, relics and enclosed space.

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Malhotra, Ashok. "The English “Self” under Siege." Nineteenth-Century Literature 72, no. 1 (June 1, 2017): 1–34. http://dx.doi.org/10.1525/ncl.2017.72.1.1.

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Ashok Malhotra, “The English ‘Self’ under Siege: A Comparison of a Memsahib’s Private Journals and her Novel The History of George Desmond” (pp. 1–34) This paper examines Mary Sherwood’s The History of George Desmond (1821) alongside and against the author’s private journals to demonstrate the ways in which the novel both aligned with and veered away from Sherwood’s own personal experiences as a memsahib living in colonial India. It argues that while the novel reflects her awareness of the agency of colonized Indians and the precarious predicament of the colonizer in the subcontinent, its deployment of Gothic literary modes had the effect of accentuating racism and disorientation in the contact zone. This essay argues that while the memsahib’s private journals allowed space for moments when racial and class distinctions were temporarily eroded, the novel’s prescriptive genre constraints did not allow for such occurrences. It further argues that the novel’s admonitory function and use of Gothic literary tropes led Sherwood to raise problematic questions about the colonial endeavor, which are left unanswered by the narrative.

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Guy, Josephine M., and Matthew C. Brennan. "The Gothic Psyche: Disintegration and Growth in Nineteenth-Century English Literature." Modern Language Review 95, no. 3 (July 2000): 808. http://dx.doi.org/10.2307/3735518.

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Williams, Anne. "The Gothic Psyche: Disintegration and Growth in Nineteenth-Century English Literature (review)." Victorian Studies 42, no. 4 (2000): 674–75. http://dx.doi.org/10.1353/vic.1999.0033.

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9

Kiely, Robert. ": Gothic Manners and the Classic English Novel. . Joseph Wiesenfarth." Nineteenth-Century Literature 44, no. 4 (March 1990): 554–56. http://dx.doi.org/10.1525/ncl.1990.44.4.99p0278l.

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10

Spooner, C. "Gothic Histories: The Taste For Terror, 1764 to the Present." English 60, no. 230 (May 17, 2011): 258–61. http://dx.doi.org/10.1093/english/efr015.

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Dissertations / Theses on the topic "English literature English literature English literature Gothic revival (Literature)"

1

Levine, Jonathan David. "'One wiser, better, dearer than ourselves' : gothic friendship /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6643.

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Shlyak, Tatyana. "Secret as a key to narration : evolution from English Gothic to the Gothic in Dostoyevsky /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6667.

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3

Wozniak, Heather Anne. "Brilliant gloom the contradictions of British gothic drama, 1768-1823 /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1692743101&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Stasiak, Lauren Anne. "Victorian professionals, intersubjectivity, and the fin-de-siecle gothic text /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9491.

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5

Kulperger, Shelley. "Disorienting geographies, unsettled bodies : Anglo-Canadian female Gothic / by Shelley Kulperger." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18401.pdf.

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6

Huang, Cherry. "Jane Austen's attitudes towards the 'masculine' and 'feminine' Gothic in Northanger Abbey (1818)." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586642.

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7

Wright, Angela. "The claustral gaze : visions of imprisonment in the gothic novel and French melodrama." Thesis, University of Aberdeen, 2002. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=158599.

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This thesis provides a critique of the gaze in Gothic novels and French melodramas between 1790 and 1825. After situating itself historically in relation to the eighteenth century's prioritization of vision, the thesis then progresses in chapters two to seven to textual examinations of visual critiques provided by Gothic novelists. It examines the following authors: Sophia Lee; Ann Radcliffe; Matthew Lewis; the Marquis de Sade; Charles Maturin; James Hogg, and William Godwin. The thesis contends that these Gothic novelists demonstrate the function of the gaze in its most violent and reductive light. In the novels examined, the thesis posits that vision is used as a tool of power, rather than one of education and enlightenment. An examination is made of the imprisoning function of the gaze with reference to psychoanalytical essays on the gaze written by Sigmund Freud and Jacques Lacan. These essays help to promote the theory that the Gothic novels studied all portray some form of transgressive gazing: the punishment for this lies in the characters' temporary transition into some form of inanimate image. Whether this be a portrait, a statue, or a dramatic tableau, the transition is indicative of the regressive gaze to the past that the characters have been using. The eighth and final chapter of the thesis turns the focus from Gothic novels to French melodramas. This is done to represent the failure of French melodramatists to regulate the visual responses of their audiences. By examining their critical projects, and the results of them, the thesis concludes by demonstrating the practice, and failure, of the gaze.

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8

Goss, Sarah Judith. "The agony of consciousness : history and memory in nineteenth-century Irish gothic novels /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102166.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 225-231). Also available for download via the World Wide Web; free to University of Oregon users.

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9

Mighall, Robert. "The brigand in the laboratory : a study of the discursive exchange between Gothic fiction and nineteenth-century medico-legal science." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683119.

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10

Wu, He Fang. "Fear and pity in the Castle of Otranto." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586641.

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Books on the topic "English literature English literature English literature Gothic revival (Literature)"

1

Victorian hauntings: Spectrality, Gothic, the uncanny, and literature. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.

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2

Matthew, Brennan. The gothic psyche: Disintegration and growth in nineteenth-century English literature. Columbia, SC, USA: Camden House, 1997.

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3

Davison, Carol Margaret. Anti-semitism and British gothic literature. New York: Palgrave Macmillan, 2004.

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4

Wiesenfarth, Joseph. Gothic manners and the classic English novel. Madison, Wis: University of Wisconsin Press, 1988.

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5

Tichelaar, Tyler R. The Gothic wanderer: From transgression to redemption : Gothic literature from 1794 - present. Ann Arbor, MI: Modern History Press, 2012.

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Tichelaar, Tyler R. The Gothic wanderer: From transgression to redemption : Gothic literature from 1794 - present. Ann Arbor, MI: Modern History Press, 2012.

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7

Fairclough, Peter. Three Gothic novels. London: Penguin Books, 1986.

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8

Fairclough, Peter. Three Gothic novels. London: Penguin Books, 1986.

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9

London gothic. London: Continuum, 2010.

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10

A, Colon Christine, ed. Six Gothic dramas. Chicago, Ill: Valancourt Books, 2007.

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Book chapters on the topic "English literature English literature English literature Gothic revival (Literature)"

1

Cottle, Basil. "The Eighteenth Century: Gothic Revival English." In The Language of Literature, 69–77. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_10.

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2

Gardiner, Michael. "Thatcherism, Neo-Gothic and State-Nationalism." In The Return of England in English Literature, 110–37. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137026026_5.

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Davison, Carol Margaret. "The Rise of the Vampiric Wandering Jew: A Sinister German-English Co-Production." In Anti-Semitism and British Gothic Literature, 87–119. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034_5.

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4

Twyning, John. "Gothic Adaptations and Reprisals." In Forms of English History in Literature, Landscape, and Architecture, 37–66. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284709_3.

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Twyning, John. "Dracula and Gothic Tourism." In Forms of English History in Literature, Landscape, and Architecture, 185–220. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284709_7.

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Twyning, John. "In Pursuit of an English Style: The Allure of Gothic." In Forms of English History in Literature, Landscape, and Architecture, 13–36. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284709_2.

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7

Horstmann, Ulrike. "Schlosses and the Scent of Pine: Images of Austria and Germany in the English Historical Romance and Gothic Romance since 1945." In The Idea of Europe in Literature, 44–63. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27496-3_3.

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8

Vujošević, Vladimir. "“A Horror and a Phantasm”: Heidegger Quotation as a Gothic Device in Flannery OʼConnorʼs “Good Country People”." In Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2, 121–32. Belgrade: Faculty of Philology, University of Belgrade, 2020. http://dx.doi.org/10.18485/bells90.2020.2.ch9.

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9

Powell, Allison. "“If He Be Mr. Hyde, We Shall Be Mr. See”: Using Graphic Novels, Comic Books, and the Visual Narrative in the Gothic Literature Classroom." In Teaching Graphic Novels in the English Classroom, 117–32. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63459-3_8.

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10

"Gothic." In English Literature, 232–40. Routledge, 2013. http://dx.doi.org/10.4324/9781315838274-23.

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