Relevant bibliographies by topics / ENGLISH LITERATURE OF THE 19TH CENTURY

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'ENGLISH LITERATURE OF THE 19TH CENTURY'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'ENGLISH LITERATURE OF THE 19TH CENTURY.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "ENGLISH LITERATURE OF THE 19TH CENTURY"

1

Bush, Glen. "Teaching Ethnicity, Gender, and 19th Century English Literature: The Inclusive 19th Century." International Journal of Diversity in Organizations, Communities, and Nations: Annual Review 8, no. 5 (2008): 183–90. http://dx.doi.org/10.18848/1447-9532/cgp/v08i05/39605.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jones, JC. "Cool flames in 19th century English literature." Journal of Fire Sciences 36, no. 3 (March 4, 2018): 291–92. http://dx.doi.org/10.1177/0734904118761642.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mahlberg, Michaela, Viola Wiegand, Peter Stockwell, and Anthony Hennessey. "Speech-bundles in the 19th-century English novel." Language and Literature: International Journal of Stylistics 28, no. 4 (November 2019): 326–53. http://dx.doi.org/10.1177/0963947019886754.

Full text
Abstract:
We propose a lexico-grammatical approach to speech in fiction based on the centrality of ‘fictional speech-bundles’ as the key element of fictional talk. To identify fictional speech-bundles, we use three corpora of 19th-century fiction that are available through the corpus stylistic web application CLiC (Corpus Linguistics in Context). We focus on the ‘quotes’ subsets of the corpora, i.e. text within quotation marks, which is mostly equivalent to direct speech. These quotes subsets are compared across the fiction corpora and with the spoken component of the British National Corpus 1994. The comparisons illustrate how fictional speech-bundles can be described on a continuum from lexical bundles in real spoken language to repeated sequences of words that are specific to individual fictional characters. Typical functions of fictional speech-bundles are the description of interactions and interpersonal relationships of fictional characters. While our approach crucially depends on an innovative corpus linguistic methodology, it also draws on theoretical insights into spoken grammar and characterisation in fiction in order to question traditional notions of realism and authenticity in fictional speech.
APA, Harvard, Vancouver, ISO, and other styles
4

GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (January 1, 2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

Full text
Abstract:
Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open, as well as cities such as Zahle, Damascus and Aleppo, Jesuit schools were opened in Beirut. With the opening of American Protestant schools, the influence of the relevant schools in the emergence and development of the idea of Arab nationalism is inevitable. Especially in Beirut, it would be appropriate to state that the aim of using languages such as French and English instead of Arabic education in missionary schools is to instill Western culture and to attract students to Christianity. The students of the Syrian Protestant College, who constituted the original of the American University of Beirut, worked against the Ottoman Empire within the society they established and aimed to establish an independent secular Arab state. Beirut comes to the fore especially in areas such as poetry and theater before the “Nahda” movement that started in Egypt during the reign of Kavalalı Mehmet Ali Pasha with Napoleon's invasion of Egypt. The advances that paved the way for the development of modern literature in Beirut before Egypt will find a place in the field of literature later. In this study, it is aimed to present information on literary and cultural activities that took place in Beirut and emphasize the importance of Beirut in modern Arabic literature in the 19th century.
APA, Harvard, Vancouver, ISO, and other styles
5

GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (January 1, 2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

Full text
Abstract:
Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open, as well as cities such as Zahle, Damascus and Aleppo, Jesuit schools were opened in Beirut. With the opening of American Protestant schools, the influence of the relevant schools in the emergence and development of the idea of Arab nationalism is inevitable. Especially in Beirut, it would be appropriate to state that the aim of using languages such as French and English instead of Arabic education in missionary schools is to instill Western culture and to attract students to Christianity. The students of the Syrian Protestant College, who constituted the original of the American University of Beirut, worked against the Ottoman Empire within the society they established and aimed to establish an independent secular Arab state. Beirut comes to the fore especially in areas such as poetry and theater before the “Nahda” movement that started in Egypt during the reign of Kavalalı Mehmet Ali Pasha with Napoleon's invasion of Egypt. The advances that paved the way for the development of modern literature in Beirut before Egypt will find a place in the field of literature later. In this study, it is aimed to present information on literary and cultural activities that took place in Beirut and emphasize the importance of Beirut in modern Arabic literature in the 19th century.
APA, Harvard, Vancouver, ISO, and other styles
6

Wenjuan, Tian. "TWO ORIENTALISMS: THE ROLE OF ORIENTAL DICTION IN G. G. BYRON’S THE BRIDE OF ABYDOS AND I. I. KOZLOV’S RUSSIAN TRANSLATION." Russkaya literatura 2 (2021): 50–53. http://dx.doi.org/10.31860/0131-6095-2021-2-50-53.

Full text
Abstract:
«Oriental diction» is an important exotic element of Byron’s poem The Bride of Abydos. Using Oriental words that jarred with English poetry of early 19th century, and accompanying them with extensive notes, Byron gave his poem an experimental and scholarly character. While translating the English poem into Russian, I. I. Kozlov chose a creative approach to the problem of reproducing the Oriental diction (the exotic and bizarre words, style and poetics were somewhat downplayed), the reasons being the originality of the Russian culture of the early 19th century and Kozlov’s own literary taste.
APA, Harvard, Vancouver, ISO, and other styles
7

Hundt, Marianne, and Benedikt Szmrecsanyi. "Animacy in early New Zealand English." English World-Wide 33, no. 3 (October 29, 2012): 241–63. http://dx.doi.org/10.1075/eww.33.3.01hun.

Full text
Abstract:
The literature suggests that animacy effects in present-day spoken New Zealand English (NZE) differ from animacy effects in other varieties of English. We seek to determine if such differences have a history in earlier NZE writing or not. We revisit two grammatical phenomena — progressives and genitives — that are well known to be sensitive to animacy effects, and we study these phenomena in corpora sampling 19th- and early 20th-century written NZE; for reference purposes, we also study parallel samples of 19th- and early 20th-century British English and American English. We indeed find significant regional differences between early New Zealand writing and the other varieties in terms of the effect that animacy has on the frequency and probabilities of grammatical phenomena.
APA, Harvard, Vancouver, ISO, and other styles
8

Bækken, Bjørg. "The Progressive in 19th-century English. A Process of Integration." English Studies 89, no. 3 (June 2008): 370–71. http://dx.doi.org/10.1080/00138380801912677.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dedovic-Atilla, Elma. "Byron’s and Shelley’s Revolutionary Ideas in Literature." English Studies at NBU 3, no. 1 (May 31, 2017): 27–48. http://dx.doi.org/10.33919/esnbu.17.1.2.

Full text
Abstract:
The paper explores the revolutionary spirit of literary works of two Romantic poets: George Gordon Byron and Percy Bysshe Shelley. In the period of conservative early 19th century English society that held high regard for propriety, tradition, decorum, conventions and institutionalized religion, the two poets’ multi-layered rebellious and subversive writing and thinking instigated public uproar and elitist outrage, threatening to undermine traditional concepts and practices. Acting as precursors to new era notions and liberties, their opuses present literary voices of protest against 19th century social, religious, moral and literary conventions. Their revolutionary and non-conformist methods and ideas are discussed and analyzed in this paper through three works of theirs: Byron’s The Vision of Judgement and Childe Harold’s Pilgrimage and Shelley’s Prometheus Unbound.
APA, Harvard, Vancouver, ISO, and other styles
10

Lardreau, E. "The Difference Between Epileptic Auras and Migrainous Auras in the 19th Century." Cephalalgia 27, no. 12 (December 2007): 1378–85. http://dx.doi.org/10.1111/j.1468-2982.2007.01447.x.

Full text
Abstract:
In the International Headache Society classification of headaches, the concept of aura is given a key role. It serves as a boundary between ‘migraine without aura’ and ‘migraine with aura’. Historically, the concept of an aura was borrowed from the epilepsy vocabulary; a borrowing that took place in English medicine at the beginning of the 19th century and in French medicine in the mid-19th century. It would therefore be interesting to see which features of the epileptic aura are used to explain the migraine aura. Based on the French and English medical literature of the 19th century, two processes have been reviewed: (i) the emergence of the concept of aura, and (ii) the modifications of this concept throughout the 19th century. It appears that the original medical use of the term ‘aura’ as a set of rising tactile sensations was in use from the 2nd century until late in the 19th century, but then various other symptoms were recognized and the aura gradually became accepted as an early part of the seizure. By the end of the 19th century the aura that preceded a migraine was seen as a similar process, and thought of as part of the migraine sequence.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "ENGLISH LITERATURE OF THE 19TH CENTURY"

1

Heath, Veronica. "Tradition and innovation : Proust and 19th century English literature." Thesis, University of Reading, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327883.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Neal, Allison Jayne. "(Neo-)Victorian impersonations : 19th century transvestism in contemporary literature and culture." Thesis, University of Hull, 2012. http://hydra.hull.ac.uk/resources/hull:7208.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hanes, Stacie L. "The sense and sensibility of the 19th century fantastic." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618887.

Full text
Abstract:

While studies of fantastic literature have often focused on their structural and genre characteristics, less attention has been paid to the manner in which they address social issues and concerns. Drawing on theoretical, taxonomic, and historical approaches, this study argues that 19th-century England represented a key period of transformation during which fantastic literature evolved away from its folkloristic, mythic, and satirical origins and toward the modern genres of science fiction, feminist fantasy, and literary horror.

The thesis examines the subversive and transformative function of the fantastic in nineteenth-century British literature, particularly how the novel Frankenstein (1831), the poem “Goblin Market” (1862), and the novel Dracula (1897) make deliberate uses of the materials of fantastic literature to engage in social and cultural commentary on key issues of their time, and by so doing to mark a significant transformation in the way fantastic materials can be used in narrative.

Frankenstein took the materials of the Gothic and effectively transformed them into science fiction, not only through its exploration of the morality of scientific research, but more crucially through its critique of systems of education and the nature of learning. "Goblin Market " transformed the materials of fairy tales into a morally complex critique of gender relations and the importance of women's agency, which paved the way for an entire tradition of such redactions among later feminist writers. Dracula draws on cruder antecedents of vampire tales and the novel of sensation to create the first modern literary horror novel, while addressing key emerging anxieties of nationalism and personal identity.

Although historical connections are drawn between these three key works, written at different points during the nineteenth century, it does not argue that they constitute a single identifiable movement, but rather that each provided a template for how later writers might adapt fantastic materials to more complex literary, social, and didactic ends, and thus provided a groundwork for the more complex modern uses of the fantastic as a legitimate resource for writers concerned with not only sensation, but significant cultural and social concerns.

APA, Harvard, Vancouver, ISO, and other styles
4

Roach, Katherine. "Between magic and reason : science in 19th century popular fiction." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13687/.

Full text
Abstract:
The scientist in fiction is much maligned. The mad, bad scientist has framed much of the debate about literary representations of science and with good reason since he is a towering icon of popular culture. Yet, I will propose that an equally preeminent figure provides an alternative model of science in fiction. This is the detective. Links between developing scientific disciplines and the emerging genre of detective fiction have been well described to date. Yet the history of the detective as scientific icon has not been told, particularly not as it engages with the history of the mad scientist. These two paragons of modem culture developed from a groundswell of gothic narrative and imagery that emerged in the late 18th century and continued to entertain and challenge audiences throughout the 19th century, as they still do to this day. My aim is to recover some of the complexity of past public images of science, and the understandings that such icons relate to, as they develop and meander through a variety of 19th century fictions. In a series of time slices I relate these figures, their iconography and narratives, to contemporary debates about science and follow through the elements that each generation retains, remoulds and claims for their own time. Ultimately, I hope to show that an panalysis of the mad scientist alongside other fictional scientific figures provides a far more nuanced picture of potential meanings, than the negative and fearful response that he is often assumed to represent. This is significant because both these icons are current in popular culture today and as such are part and parcel of the present pool of cultural resources that provides tools for thinking about science and society in the 21st century.
APA, Harvard, Vancouver, ISO, and other styles
5

Bouagada, Habib. "Orientalism in translation: The one thousand and one nights in 18th century France and 19th century England." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/26857.

Full text
Abstract:
The objective of this study is to show how translation contributes to the "Orientalist" project and to the past and present knowledge of the Orient as it has been shaped by different disciplines such as anthropology, history and literature. In order to demonstrate this, I have decided to compare the Arabic text Alf Leyla wa Leyla (The One Thousand and One Nights) with the French translation by Antoine Galland (1704-1706) and the English translation by Sir Richard Burton (1885). According to Edward Said, the Orientalist project or Orientalism is mainly a French and British cultural enterprise that has produced a wide-ranging wealth of knowledge about an Orient that has been represented as an undifferenciated entity with despotism, splendour, cruelty, or even sensuality being its main attributes. I have chosen these translations because they come from places with a long Orientalist tradition. In 18th century France, the age of the Belles infideles, Galland is a man of the Enlightenment who appears to be a precursor of Orientalism as embodied in Montesquieu's Lettres persanes and Votaire's zadig. A century later, Burton's The Arabian Nights, backed by a deep knowledge of Islam, is published. Burton is an official in the service of the British Empire---an empire that takes pride in having the highest number of Muslim subjects. The evolution of Alf Leyla wa Leyla and its translations is followed by an analysis of the shifts applied to the representations of Oriental elements found in it (social and religious practices). These shifts as well as the annotations that refer to Arabo-Islamic culture are related to Galland and Burton's intellectual development and to the socio-historical context of their respective translations.
APA, Harvard, Vancouver, ISO, and other styles
6

Pieri, Giuliana. "The influence of English Pre-Raphaelitism on 19th-century Italian art and literature." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313182.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Garske, Kevin T. "Society and Suffering: City as Character in 19th Century Realism." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1219.

Full text
Abstract:
The aim of this thesis is to investigate the relationship between the city and the individual in literature, thereby acknowledging the anthropomorphic qualities we endow with our cities and in turn, how these qualities consolidate into the trope of the city character. We build this understanding by discussing the social, moral, political, literary, etc. associations of the city, and how these lend themselves to expressions of human energy or reflections of human character. These understandings are then given form through close readings of Gustave Flaubert’s Sentimental Education and Fyodor Dostoevsky’s Crime and Punishment.
APA, Harvard, Vancouver, ISO, and other styles
8

Jones, D. Michael. "The Byronic Hero and the Rhetoric of Masculinity in the 19th Century British Novel." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/1476662282/.

Full text
Abstract:
From action movies to video games to sports culture, modern masculinity is intrinsically associated with violent competition. This legacy has its roots in the 19th-century Romantic figure of the Byronic hero--the ideal Victorian male: devoted husband, sexual revolutionary and weaponized servant of the state. His silhouette can be traced through the works of authors like Lord Byron, Jane Austen, Sir Arthur Conan Doyle, Rudyard Kipling and Oscar Wilde. More than a literary genealogy, this history of the Byronic hero and his heirs follows the changes that masculinity has undergone in response to industrial upheaval, the rise of the middle class and the demands of global competition, from the Victorian period through the early 20th century.
https://dc.etsu.edu/etsu_books/1121/thumbnail.jpg
APA, Harvard, Vancouver, ISO, and other styles
9

Hines, Chad Allen. "Evolutionary landscapes: adaptation, selection, and mutation in 19th century literary ecologies." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/514.

Full text
Abstract:
How can a literary theorist account for unselected texts and narratives, and measure the importance of voices no longer audible to readers today? The following dissertation uses various, and variously successful 19th century literary texts as a point of departure for considering the complex forces affecting the fragment of texts selected over time from within a wider field of anonymous and unwritten narratives. Bridging literary theory and Darwinian science, "Evolutionary Landscapes" argues that concepts of mutation, replication and selection can provide a framework for thinking about how narratives and genre developed in the 19th century United States. Current attempts to bring biological insights directly into literary study through evolutionary psychology or cognitive Darwinism ignore the complex systems, including cultural and market forces, that might have been used to predict a given text's chances for longer-term survival. The figure I choose to represent these economic, unwritten, and cultural influences on literary texts is the "adaptive landscape" developed by the geneticist Sewall Wright, and recently adapted by the evolutionary theorist Michael Ruse. The relationships between texts and ecologies fore-grounded in the following chapters, even when dealing with individual authors, necessitates looking at literature from the point of view of the random mutation and subsequent selection of texts in the face of a collectively determined ecology of formal expectations. My approach to the evolution of literature builds on the work of the literary critic Franco Moretti and the philosopher Daniel Dennett, although a turn to U.S. rather than British fiction casts a different light on literary evolution than that described yet by Moretti, and deals more specifically with questions of literary and cultural history than either Dennett's philosophy of memetics or Carroll's socio-biologically inflected Literary Darwinism alone would allow. The 19th century literary ecology to which the fictions of Edgar Allan Poe, Herman Melville, Edward Bellamy and Mary Wilkins Freeman were well or poorly adapted can be imagined as a kind of fitness landscape where literary publications are drawn towards the peaks climbed by previous writers, representing conventions or formula that proven successful in the past. A gradualist focus on textual silence and extinction within literary evolution, along with evolutionary and ecological theory, can provide abstract models to make visible the complex ecology of oral, cultural, written, printed and reprinted information that constitutes the "soft tissues" always missing from the archival past.
APA, Harvard, Vancouver, ISO, and other styles
10

Cattell, Victoria Fayrer. "Irony and alazony in the English Künstlerroman." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65961.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "ENGLISH LITERATURE OF THE 19TH CENTURY"

1

English literature from the 19th century through today. New York: Rosen Educational Services, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Luebering, J. E. English literature from the 19th century through today. New York: Rosen Educational Services, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

S, Pathak R. Profiles in literary courage: Studies in English literature. Delhi: Academic Foundation, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Romantic Victorians: English literature, 1824-1840. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Byron and Greek love: Homophobia in 19th-century England. Berkeley: University of California Press, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

The Cambridge companion to English literature, 1830-1914. Cambridge, UK: Cambridge University Press, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Selected Poems (Broadview Literary Texts). Canada: Broadview Press Ltd., 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Crossing cultures: Nineteenth-century anglophone literature in the Low Countries. Leuven, Belgium: Leuven University Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Why Victorian literature still matters. Malden, MA: Blackwell Pub., 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Victorian transformations: Genre, nationalism and desire in nineteenth-century literature. Burlington, VT: Ashgate Pub. Co., 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "ENGLISH LITERATURE OF THE 19TH CENTURY"

1

Eitner, Lorenz. "English Landscape." In An Outline of 19th Century European Painting, 121–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Caller, Paloma Tejada. "English consciousness in 19th century Spain." In The Dynamics of Language Use, 371–94. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/pbns.140.25cal.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ingrao, Bruna. "Narratives of passions and finance in the 19th century." In Economics and Literature, 19–44. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315231617-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Couttenier, Piet. "National Imagery in 19th Century Flemish Literature." In Nationalism in Belgium, 51–60. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26868-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hickey, Raymond. "Feature loss in 19th century Irish English." In Studies in Language Variation, 229–43. Amsterdam: John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/silv.2.19hic.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Blamires, Harry. "Introductory note." In Twentieth-Century English Literature, 1–2. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Blamires, Harry. "Recent voices The 1960s to the 1980s." In Twentieth-Century English Literature, 253–94. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Blamires, Harry. "The new century 1900–1914." In Twentieth-Century English Literature, 3–39. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Blamires, Harry. "Hors de combat The 1910s and 1920s at home." In Twentieth-Century English Literature, 40–65. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Blamires, Harry. "The first world war (1914–1918)." In Twentieth-Century English Literature, 66–87. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "ENGLISH LITERATURE OF THE 19TH CENTURY"

1

MaZixin, Cindy. "Analysis on Women Education in the 18th and 19th Century Based on Jane Eyre and Other Famous English Literature Written by Women Authors." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.114.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kustini, Siti, Didi Suherdi, and Bachrudin Musthafa. "Moving towards 21st Century English Language Teaching." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.105.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Govorunov, Alexander, and Oleg Nogovitsyn. "Leadership in the Russian literature of the 19th century." In Proceedings of the 3rd International Conference on Social, Economic, and Academic Leadership (ICSEAL 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icseal-19.2019.11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bokos, Borbala. "CITIES AND TOURIST SIGHTS IN TRANSYLVANIA IN 19TH CENTURY ENGLISH TRAVELOGUES." In 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.4/s04.010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

De Marco, Catia. "Translations of Swedish Literature in Italy in the 19th Century: An outline." In CSS Conference 2019. Centre for Scandinavian Studies Copenhagen – Lund, 2020. http://dx.doi.org/10.37852/63.c111.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.

Full text
Abstract:
The background color of Russian literature and Russian painting art in the 19th century is gloomy and heavy, and there exists text intertextuality between them, which is different from single text and single painting. Literary words and painting invisible words quote, permeate, insinuate and rewrite each other. Literature is the writing of painting, and painting is the color of literature. The main line of literature development and the main line of painting development seem to be twisted together like a rope, presenting spiral development, closely linked, complementary and inseparable.The same value orientation and aesthetic purpose have intertextuality, mutual influence, mutual interaction and mutual transformation, no matter in creation method, theme, artistic style or creation background. Direct description or sharp pen, or by the protagonist of indirect irony, using realistic and critical realism creation method, revealing the tsarist autocracy savage, dissatisfaction with the reality in protest of rebellion, as well as being bullied and oppressed pain and struggle, at the same time reflects the immortality of the Russian national literature and art achievement.
APA, Harvard, Vancouver, ISO, and other styles
8

Bondarenko, Natalia. "Echo of Russian Literature Following Works of Slavic Writers of the 19th Century." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.203.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

M. Afridi, Dr Humaira. "A Glimpse of Muslim Women in the 19th Century Indian Society and Literature: Háli and Hossain." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.52.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kokkinakis, Dimitrios, Ann Ighe, and Mats Malm. "Gender-Based Vocation Identification in Swedish 19th Century Prose Fiction using Linguistic Patterns, NER and CRF Learning." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0710.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'ENGLISH LITERATURE OF THE 19TH CENTURY' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography