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Cavell, Megan Colleen. "Representations of weaving and binding in Old English poetry." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610453.
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Bailey, Hannah McKendrick. "Misinterpretation and the meaning of signs in Old English poetry." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:880a2482-9573-4142-be27-ec8c87cfa3fb.
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This thesis investigates how Old English poets understood the processes of signification and interpretation through analysis of depictions of poor interpreters and the use of 'sign terms' such as tacen and beacen in the longer Old English poems. The first chapter deals with the Beowulf Manuscript, the second and third chapters consider Elene and Andreas within the network of related poems found in the Vercelli Book and the begin- ning of the Exeter Book, the fourth chapter is on the Junius Manuscript, and the conclusion looks at the use of the 'bright sign' motif across all four major poetic codices. I suggest that there is a 'heroic sign-bearing interpreter' character-type which several of the poems utilize or ironically invert, and that poor interpretation is nearly always asso- ciated with hesitation, which often resembles acedia. I also argue that there is greater nuance in the poems' depictions of modes of understanding than has previously been acknowledged: Eve in Genesis B does not stand for the senses which subvert the mind, but rather models the limits of rational thought as a means of understanding God, and Elene does not depict a simple opposition of letter and spirit, but a threefold mental pro- cess of learning about the Cross with analogues in exegesis and Augustine's Trinity of the Soul. Finally, I argue that there is a 'bright sign' motif which functions within a brightness-sign-covenant concept cluster, whose evocation as a traditional poetic unit is not identical to the denotation and connotation of its constituent parts. These strands of inquiry taken together demonstrate how Old English poems invest signs with significance by tapping into a specifically poetic network of allusion.
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Woeber, Catherine. "A study of Christ and his saints as representatives of the values of Christian heroism in Old English poetry." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/21143.
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Bibliography: pages 71-72.This dissertation investigates the concept of Christian heroism as it appears in a number of Old English poems, through a study of the figure of the miles Christi. These poems present a specific Christian heroism which, though couched in terms culled from Germanic heroism, nevertheless exists in its own right and is quite different from it. Christ and his saints are seen as heroes in themselves (Christian servants obedient to the will of God) rather than as heroic warriors as they are usually regarded (Germanic heroes fighting for a Christian cause). They are leaders and heroes in the sense of servants, and not only like kings and warriors of the Germanic code. A study of some poems from the Cynewulf canon shows that the poets understood Christian heroism to mean more than brave battling for the cause of good; in essence, it is complete submission to the will of God.
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Abdalla, Laila. "The dialectical adversary : the satanic character and imagery in Anglo-Saxon poetry." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59563.
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This thesis examines the positive role of evil in select Old English Poetry, namely The Junius Book, "Guthlac", "Vainglory", "The Whale", "Juliana", "Judith" and "Beowulf". Using a background of Augustan and Boethian thought, each adversarial character is discussed with regard to role and imagery, but specifically in relationship to the protagonist. Evil plays a surprisingly positive role when it offers the protagonist the opportunity to defeat it. The protagonists' honour at the poem's conclusion is necessarily defined by the extent of resisting the antagonists. The hero must fight evil on two levels: the temporal in humans and the metaphysical in Satan. The thesis examines the various levels of victory and indeed failure they achieve, and concludes that of all the heroes only Juliana is completely successful. Although evil itself cannot be defined as "good", this thesis discovers that in its relationship with the human hero, it can indeed give rise to goodness.
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Cantara, Linda M. "ST. MARY OF EGYPT IN BL MS COTTON OTHO B. X: NEW TEXTUAL EVIDENCE FOR AN OLD ENGLISH SAINT'S LIFE." UKnowledge, 2001. http://uknowledge.uky.edu/gradschool_theses/276.
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Scholarship of the anonymous Old English prose Life of St. Mary of Egypt ranges from source studies and linguistic analyses to explorations of Anglo-Saxon female sexuality and comparisons to saints' lives translated by the monk Ælfric, but all of these studies have been based on either the text extant in BL MS Cotton Julius E. vii or on W. W. Skeat's edition of the Julius manuscript, Ælfric's Lives of Saints (1881-1900). There is, however, an as yet unedited fragmentary copy of the Old English Mary of Egypt in BL MS Cotton Otho B. x, a manuscript severely damaged by fire in 1731. Digital imaging of damaged manuscripts in concert with ultraviolet fluorescence and other special lighting techniques has been shown to be effective for restoring the legibility of previously inaccessible texts. By means of such digital facsimiles I have transcribed the text of Mary of Egypt in Otho B. x, have collated this text with Skeat's edition, and have discovered that Otho B. x contains textual evidence not found in Julius E. vii. In this thesis, I present my findings and discuss the significance of this new textual evidence for the Old English Life of St. Mary of Egypt.
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Lloyd-Jones, Glyn Francis Michael. "Britain after the Romans : an interdisciplinary approach to the possibilities of an Adventus Saxonum." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1019806.
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In the fifth century, after the departure of the Romans, according to tradition, which is based on the ancient written sources, Britain was invaded by the Angles and Saxons. This view has been questioned in the last century. The size of the ‘invasion’, and indeed its very existence, have come into doubt. However, this doubting school of thought does not seem to take into account all of the evidence. An interdisciplinary, nuanced approach has been taken in this thesis. Firstly, the question of Germanic raiding has been examined, with reference to the Saxon Shore defences. It is argued that these defences, in their geographical context, point to the likelihood of raiding. Then the written sources have been re-examined, as well as physical artefacts. In addition to geography, literature and archaeology (the disciplines which are most commonly used when the coming of the Angles and Saxons is investigated), linguistic and genetic data have been examined. The fields of linguistics and genetics, which have not often both been taken into consideration with previous approaches, add a number of valuable insights. This nuanced approach yields a picture of events that rules out the ‘traditional view’ in some ways, such as the idea that the Saxons exterminated the Britons altogether, but corroborates it in other ways. There was an invasion of a kind (of Angles – not Saxons), who came in comparatively small numbers, but found in Britain a society already mixed and comprising Celtic and Germanic-speaking peoples: a society implied by Caesar and Tacitus and corroborated by linguistic and genetic data.
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Hawkins, Emma B. "Gender, Power, and Language in Anglo-Saxon Poetry." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278983/.
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Many Old English poems reflect the Anglo-Saxon writers's interest in who could exercise power and how language could be used to signal a position of power or powerlessness. In previous Old English studies, the prevailing critical attitude has been to associate the exercise of power with sex—the distinction between males and females based upon biological and physiological differences—or with sex-oriented social roles or sphere of operation. Scholarship of the last twenty years has just begun to explore the connection between power and gender-coded traits, attributes which initially were tied to the heroic code and were primarily male-oriented. By the eighth and ninth centuries, the period in which most of the extant Old English poetry was probably composed, these qualities had become disassociated from biological sex but retained their gender affiliations. A re-examination of "The Dream of the Rood," "The Wanderer," "The Husband's Message," "The Wife's Lament," "Wulf and Eadwacer" and Beowulf confirms that the poets used gender-coded language to indicate which poetic characters, female as well as male, held positions of power and powerlessness. A status of power or powerlessness was signalled by the exercise of particular gendered traits that were open for assumption by men and women. Powerful individuals were depicted with masculine-coded language affiliated with honor, mastery, aggression, victory, bravery, independence, martial prowess, assertiveness, physical strength, verbal acuteness, firmness or hardness, and respect from others. Conversely, the powerless were described with non-masculine or feminine-coded language suggesting dishonor, subservience, passivity, defeat, cowardice, dependence, defenselessness, lack of volition, softness or indecisiveness, and lack of respect from others. Once attained, neither status was permanent; women and men trafficked back and forth between the two. Depending upon the circumstances, members of both sexes could experience reversals of fortunes which would necessitate moving from one category to the other, on more than one occasion in a lifetime.
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Nelson, Nancy Susan. "Heroism and Failure in Anglo-Saxon Poetry: the Ideal and the Real within the Comitatus." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc332044/.
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This dissertation discusses the complicated relationship (known as the comitatus) of kings and followers as presented in the heroic poetry of the Anglo-Saxons. The anonymous poets of the age celebrated the ideals of their culture but consistently portrayed the real behavior of the characters within their works. Other studies have examined the ideals of the comitatus in general terms while referring to the poetry as a body of work, or they have discussed them in particular terms while referring to one or two poems in detail. This study is both broader and deeper in scope than are the earlier works. In a number of poems I have identified the heroic ideals and examined the poetic treatment of those ideals. In order to establish the necessary background, Chapter I reviews the historical sources, such as Tacitus, Bede, the Anglo-Saxon Chronicle, and the work of modern historians. Chapter II discusses such attributes of the king as wisdom, courage, and generosity. Chapter III examines the role of aristocratic women within the society. Chapter IV describes the proper behavior of followers, primarily their loyalty in return for treasures earlier bestowed. Chapter V discusses perversions and failures of the ideal. The dissertation concludes that, contrary to the view that Anglo-Saxon literature idealized the culture, the poets presented a reasonably realistic picture of their age. Anglo-Saxon heroic poetry celebrates ideals of behavior which, even when they can be attained, are not successful in the real world of political life.
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Brooks, Britton. "The restoration of Creation in the early Anglo-Saxon vitae of Cuthbert and Guthlac." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:17b5d20e-446e-4891-90a6-f02a196a7409.
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This thesis explores the relationship between Creation and the saints Cuthbert and Guthlac in their Anglo-Latin and Old English vitae. It argues that this relationship is best understood through received theological exegesis concerning Creation's present state in the postlapsarian world. The exegesis has its foundation in Augustine's interpretations of the Genesis narrative, though it enters the textual tradition of the vitae via an adapted portion of De Genesi contra Manichaeos in Bede's metrical Vita Sancti Cuthberti (VCM). Both Augustine and Bede argue, with slight differences, that fallen Creation can be restored into prelapsarian harmony with humanity by way of sanctity. Each individual vita engages with this understanding of the Fall in distinct, though ultimately interrelated, ways, and the chapters of this thesis will therefore explore each text individually. Chapter 1 argues that the anonymous Vita Sancti Cuthberti (VCA) unites Cuthbert's ability to restore Creation with the theme of monastic obedience, linking the ordering of a monastery to the restoration of prelapsarian harmony. The VCA also seeks to create sites for potential lay pilgrimage in the landscapes of Farne and Lindisfarne by highlighting the present efficacy of Cuthbert's miracles. Chapter 2 argues that Bede's VCM not only reveals his early attempt to fashion Cuthbert into the primary saint for Britain, via a focus on Cuthbert's obedience to the Divine Office, but also that the restoration of Creation functions as a ruminative tool. Chapter 3 argues that Bede transforms the nature of Cuthbert's sanctity in his prose Vita Sancti Cuthberti (VCP) from static to developmental, influenced by the Evagrian Vita Antonii, and that Creation is adapted to function as the impetus for, and evidence of, Cuthbert's progression. Chapter 4 argues that Felix's Vita Sancti Guthlaci (VSG) unites the development of Guthlac with a physically delineated Creation, and that the restoration of Creation is elevated to an even greater degree here than in Bede's hagiography. Chapter 5 argues that the author of the Old English Prose Guthlac (OEPG) grounds his vita by utilizing a landscape lexis shared with contemporary boundary clauses, so that here the relationship between the saint and Creation has greater force; it further argues that Guthlac A uniquely connects Guthlac with the doctrine of replacement, consolidating links between his arrival to the eremitic space and the restoration of prelapsarian Eden.
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Flight, Tim. "Apophasis, contemplation, and the kenotic moment in Anglo-Saxon literature." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:16f34b87-8c3a-4fe1-9dbb-d8c6e3545bd8.
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This thesis reveals the considerable influence of contemplation (sometimes referred to as mysticism) on Anglo-Saxon literature, manifested through the arrangement of narratives according to the theological concepts of apophasis and kenosis. This is demonstrated through a lengthy contextual discussion of the place of contemplation in Anglo-Saxon spirituality, and close analysis of four poems and a prose text. Although English mysticism is commonly thought to start in the High Middle Ages, this thesis will suggest that this terminus post quem should instead be resituated to the Anglo-Saxon period. The first chapter seeks to reveal the centrality of contemplation to Anglo-Saxon spirituality through analysing a range of diverse material, to evidence the monastic reader borne from this culture capable of reading and composing the texts that make up the rest of the thesis in the manner suggested. The thesis places chronologically diverse Anglo-Saxon texts in a contemplative context, with close reference to theology, phenomenology, and narrative structure, to suggest that our interpretation of them should be revised to apprehend the contemplative scheme that they advocate: to cleanse the reader of sin through inspiring penitence and kenosis (humility and emptying of one's will) and direct the mind intellectually beyond the words, images and knowledge of the terrestrial sphere (apophasis), so as to prepare them for the potential coming of God's grace in the form of a vision. This reading is supported by the close taxonomical resemblance of each text's narrative structure. The thesis thus suggests that contemplation was central to Anglo-Saxon spirituality, producing an elite contemplative audience for whom certain texts were designed as preparative apparatus.
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Culver, Jennifer. "Bridging the Gap: Finding a Valkyrie in a Riddle." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3684/.
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While many riddles exist in the Anglo-Saxon Exeter Book containing female characters, both as actual human females and personified objects and aspects of nature, few scholars have discussed how the anthropomorphized “females” of the riddles challenge and broaden more conventional portrayals of what it meant to be “female” in Anglo-Saxon literature. True understanding of these riddles, however, comes only with this broader view of female, a view including a mixture of ferocity and nobility of purpose and character very reminiscent of the valkyrie (OE wælcyrige), a figure mentioned only slightly in Anglo-Saxon literature, but one who deserves more prominence, particularly when evaluating the riddles of the Exeter Book and two poems textually close to the riddles, The Wife's Lament and Wulf and Eadwacer, the only two poems with a female voice in the entire Old English corpus. Riddles represent culture from a unique angle. Because of their heavy dependence upon metaphor as a vehicle or disguise for the true subject of the riddle, the poet must employ a metaphor with similar characteristics to the true riddle subject, or the tenor of the riddle. As the riddle progresses, similarities between the vehicle and the tenor are listed for the reader. Within these similarities lie the common ground between the two objects, but the riddle changes course at some point and presents a characteristic the vehicle and tenor do not have in common, which creates a gap. This gap of similarities must be wide enough for the true solution to appear, but not so wide so that the reader cannot hope to solve the mental puzzle. Because many of the riddles of the Exeter Book involve women and portrayal of objects as “female,” it is important to analyze the use of “female” as a vehicle to see what similarities arise.
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Schubert, Layla A. Olin 1975. "Material literature in Anglo-Saxon poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.
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x, 208 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.The scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material literature bring the relationship between man and object into dramatic play, using the object's point of view to bear witness to the truth of distant or intensely personal events. Material literature is depicted in a love poem, The Husband's Message, when a prosopopoeic runestick vouches for the sincerity of its master, in the heroic epic Beowulf when an ancient, inscribed sword is the impetus to give an account of the biblical flood, and is also implied in the devotional poem The Dream of the Rood, as two crosses both pre-and-post dating the poem bear texts similar to portions of the poem. The study concludes by examining the relationship between material anxiety and the character of Weland in Beowulf, Deor, Alfred's Consolation of Philosophy, and Waldere A & B. Concern with materiality in Anglo-Saxon poetry manifests in myriad ways: prosopopoeic riddles, both heroic and devotional passages directly assailing the value of the material, personification of objects, and in depictions of material literature. This concern manifests as a material anxiety. Weland tames the material and twists and shapes it, re-affirming the supremacy of mankind in a material world.
Committee in charge: Martha Bayless, Chairperson, English; James Earl, Member, English; Daniel Wojcik, Member, English; Aletta Biersack, Outside Member, Anthropology
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Frazier, Dustin M. "A Saxon state : Anglo-Saxonism and the English nation, 1703-1805." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4146.
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For the past century, medievalism studies generally and Anglo-Saxonism studies in particular have largely dismissed the eighteenth century as a dark period in English interest in the Anglo-Saxons. Recent scholarship has tended to elide Anglo-Saxon studies with Old English studies and consequently has overlooked contributions from fields such as archaeology, art history and political philosophy. This thesis provides the first re-examination of scholarly, antiquarian and popular Anglo-Saxonism in eighteenth-century England and argues that, far from disappearing, interest in Anglo-Saxon culture and history permeated British culture and made significant contributions to contemporary formulations and expressions of Englishness and English national, legal and cultural identities. Each chapter examines a different category of Anglo-Saxonist production or activity, as those categories would be distributed across current scholarship, in order to explore the ways in which the Anglo-Saxons were understood and deployed in the construction of contemporary cultural- historiographical narratives. The first three chapters contain, respectively, a review of the achievements of the ‘Oxford school' of Saxonists of the late seventeenth and early eighteenth centuries; antiquarian Anglo-Saxon studies by members of the Society of Antiquaries of London and their correspondents; and historiographical presentations of the Anglo-Saxons in local, county and national histories. Chapters four and five examine the appearance of the Anglo-Saxons in visual and dramatic art, and the role of Anglo-Saxonist legal and juridical language in eighteenth-century politics, with reference to discoveries resulting from the academic and antiquarian research outlined in chapters one to three. It is my contention that Anglo-Saxonism came to serve as a unifying ideology of origins for English citizens concerned with national history, and political and social institutions. As a popular as well as scholarly ideology, Anglo-Saxonism also came to define English national character and values, an English identity recognised and celebrated as such both at home and abroad.
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Tyler, Elizabeth M. "The collocation of words for treasure in Old English verse." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:6e4807b8-5372-4fc7-86a4-598d1fd76b72.
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This thesis uses a study of the collocation of words for treasure to address the question of the relationship between the conventionality and originality of Old English verse. Collocation will be defined as the tendency for words to appear together. Such a definition allows for the examination of patterns of repetition beyond the half-line while also including the half-line formula thereby including stylistic features which have been considered, negatively, as constraints and restrictions on the freedom of the Old English poet, as well as other stylistic features which have been considered positively, as evidence of the rhetorical skill of the Old English poet. Rather than restrict the number of poems which I study, I have chosen to restrict the number of words to five words (mađm, hord, gestreon, sinc and frætwe) for treasure. This restriction allows for a wide spectrum of Old English verse to be examined since the words appear widely throughout the corpus. I hope thus to avoid the tendency common in scholarship to study not the whole of Old English poetry but to focus on Beowulf and verse at one time thought to be at least partly heroic. With few exceptions, the study of the style of Old English verse has largely ignored meaning. The restriction of this study to five words will allow for comments on stylistic features to be drawn with reference not only to the needs of verse form but with careful attention to the subtlety of the semantic fields of the words involved. In Chapter One, I review past scholarship on the lexis and style of Old English Verse with particular emphasis on the question of conventionality and originality. Chapter Two examines the place of treasure in Old English verse. Chapter Three focuses on the semantic analysis of the five words for treasure. I devote attention to the referents of each word and also include an account of such semantic aspects as nuance, connotation and themes associated with each word. Chapter Four consists of a study of the lexical collocations associated with each of these five words for treasure. Chapter Five considers the implications of the collocations of words for treasure for the conventionality and originality of the style and lexis of Old English verse. The conclusion attempts to comment on the style and quality of individual Old English poems. Lexical collocation is an aspect of lexis and style which has been largely ignored and which offers a new vantage point from which to consider Old English poetics further.
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Bolze, Christine. "Forms and functions of the present tense of the verb to be in the Old English Gospels." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608157.
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Hofmann, Petra. "Infernal imagery in Anglo-Saxon charters." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/498.
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Sheen, Ding-Taou. "The historical development of reciprocal pronouns in middle English with selected early modern English comparisons." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/558329.
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In Modern English, EACH OTHER and ONE ANOTHER are morphologically fixed as reciprocal compound pronouns. The reciprocal construction has been developed and used in every period of the English language. The main purpose of this study, nevertheless, was to investigate the ways to express the notion of reciprocity in Middle English and Early Modern English.The morphological analyses of the citations demonstrate that Middle English employed a great variety of head words and phrases than does Modern English in reciprocal structures. EACH, EITHER, EVERY, and ONE most frequently appear as head words of Middle English reciprocal construction, and OTHER usually occurs as a subsequent elements. OTHER, however, may also serve as the head word. Middle English also permits EACH MAN, ILLC MANN, EACH ONE, ILLC ONE, EVERY MAN, EVERY ONE, and THE ONE to function as head phrases. In Early Modem English, Malory employs various structures in his writings, but he prefers EITHER, EITHER OF (US, YOU, THEM) as the head of reciprocal patterns. Shakespeare, nevertheless, more frequently uses ONE as the head word.In Middle English, according to the data, the reciprocal sequence (EACH, EITHER, ONE) / OTHER stands in subject position in twenty examples between c. 1200 - c.1450. Rarely, however, do the pronouns function as a compound subject (subject / complement). The underlying structure of the sentence pattern SOV, nevertheless, is SVO. The need to rhyme, therefore, may cause the change of the word order in the period.(EACH, EITHER, EVERY, ONE, OTHER) may be compounded with the pronoun OTHER in forty examples between c. 1285 - c.1513, but the sequence most frequentlyoccur as direct / indirect object. (EACH, EITHER, EVERY, ONE, OTHER) + OTHER functions as object of preposition in four examples between c.1328 - c.1440.The modem usage of EACH OTHER as a compound object is established in Early Modern English learned, imaginative texts, and the use of ONE ANOTHER as the compound direct object and object of preposition are being established in that period.Since the rules for compounding reciprocal pronouns and for their morpho-syntatic features were not restrictly established before the time of Shakespeare, OTHER could function as an uninflected, separable pronoun in Middle English. In position except modification. the development of OTHER as a nominal occured after Middle English except where the head word is ONE. In Modem English, OTHER must be used as a nominal if the reciprocal pronouns are not compounded.Department of English
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Goering, Nelson. "The linguistic elements of Old Germanic metre : phonology, metrical theory, and the development of alliterative verse." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:d49ea9d5-da3f-4796-8af8-a08a1716d191.
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I examine those linguistic features of Old English and Old Norse which serve as the basic elements for the metrical systems of those languages. I begin with a critical survey of recent work on Old English metrical theory in chapter 1, which suggests that the four-position and word-foot theories of metre are the most viable current frameworks. A further conclusion of this chapter is that stress is not, as is often claimed, a core element of the metre. In chapter 2, I reassess the phonological-metrical phenomenon of Kaluza's law, which I find to be much more regular and widely applicable within Bēowulf than has previously been recognized. I further argue that the law provides evidence that Old English phonological foot structure is based on a preference for precise bimoraism. In chapter 3, I examine the role of syllables in the Norse Eddic metre fornyrðislag, which supports a view of resolution and phonological feet similar to that found in Old English, though Norse prosody is much more tolerant of degenerate, light feet. I reconsider the other major Eddic metre, ljóðaháttr, in chapter 4, integrating the insights of Andreas Heusler and Geoffrey Russom to propose a new system of scansion for this notoriously recalcitrant verse form. This scansion provides important support for the word-foot theory, and suggests that linguistic elements larger than syllables or phonological feet play a crucial role in early Germanic verse. In the final chapter, I give a diachronic account of Germanic metre and relevant linguistic structures, arguing that the word-foot theory provides the best metrical framework for understanding the development of Germanic alliterative verse. This metrical system is linguistically supported by Germanic word structures and compounding rules, and interacts with bimoraic phonological feet, all of which have a long history in Proto- and pre-Germanic.
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Davis, Glenn Michael. "Perception and anxiety in Old English poetry." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077521.
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Simms, Douglas Peter Allen. "Reconstructing an oral tradition problems in the comparative metrical analysis of Old English, Old Saxon and Old Norse alliterative verse /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116396.
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