Journal articles on the topic 'English literature Self in literature. Subjectivity in literature'

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1

Kaviraj, Sudipta. "Laughter and Subjectivity: The Self-Ironical Tradition in Bengali Literature." Modern Asian Studies 34, no. 2 (2000): 379–406. http://dx.doi.org/10.1017/s0026749x00003334.

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By the grace of the Almighty an extraordinary species of sentient life has been found on earth in the nineteenth century: they are known as modern Bengalis. After careful analysis zoological experts have found that this species displays the external bodily features of homo sapiens. They have five fingers on their hands and feet; they have no tails; and their bones and cranial structures are indeed similar to the human species. However as yet there is no comparable unanimity about their inner nature. Some believe that in their inner nature too they are similar to humans; others think that they
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2

Sponsler, Claire, and Richard Hillman. "Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage." Shakespeare Quarterly 50, no. 4 (1999): 536. http://dx.doi.org/10.2307/2902290.

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3

Sparks, Tabitha. "WORKING-CLASS SUBJECTIVITY IN MARGARET HARKNESS'SA CITY GIRL." Victorian Literature and Culture 45, no. 3 (2017): 615–27. http://dx.doi.org/10.1017/s1060150317000092.

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One of the obvious strengthsof Margaret Harkness's 1887 novelA City Girlis its comprehensive visual record of London's East End. Harkness depicts Whitechapel's geography and public and residential spaces with an authority derived, as we know, from her voluntary residence in the Katharine Buildings, thinly disguised in the novel as the Charlotte Buildings. The Katherine Buildings were a block of apartments for working class tenants built by the East End Dwelling Company; Harkness lived in them for a few months in 1887 and was one of a wave of middle-class women who ventured into such residences
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4

Mallier, Clara. "Tenses in translation: Benveniste’s ‘discourse’ and ‘historical narration’ in the first-person novel." Language and Literature: International Journal of Stylistics 23, no. 3 (2014): 244–54. http://dx.doi.org/10.1177/0963947014536507.

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This article deals with Emile Benveniste’s theory of enunciation (see ‘Subjectivity in Language’ and ‘The Correlations of Tense in the French Verb’ in Problems in General Linguistics, 1971 [1966] and ‘L’appareil formel de l’énonciation’ in Problèmes de linguistique générale, tome 2, 1970), in particular his distinction between historical narration and discourse, and the way it applies to the translation of first-person fiction. In French narratives, the main tense of discourse is the passé composé, which is related to the time of enunciation, while the tense of historical narration is traditio
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5

Neumann, Birgit. "“Our mother tongue, then, is no mother at all – but an orphan”: The Mother Tongue and Translation in Ocean Vuong’s On Earth We’re Briefly Gorgeous." Anglia 138, no. 2 (2020): 277–98. http://dx.doi.org/10.1515/ang-2020-0023.

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AbstractThe essay offers a close reading of On Earth We’re Briefly Georgeous, the remarkable novel by Vietnamese American writer Ocean Vuong, showing how the text’s critical engagement with the notion of the mother tongue is used to negotiate subjectivity and community in diasporic contexts. It assesses the importance of the tongue within the broader context of contemporary migrant and transcultural fiction and reveals how the tongue functions as a trope to explore possibilities of self-articulation after the loss of the mother tongue. Further, the essay draws on the concept of translation, ex
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Godley, Min Young. "The Feminization of Translation." Meridians 20, no. 1 (2021): 193–217. http://dx.doi.org/10.1215/15366936-8913188.

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Abstract The awarding of the 2016 Man Booker International Prize to Deborah Smith’s English translation of The Vegetarian brought global recognition to emergent Korean literature, but domestically it has sparked outrage among numerous Korean scholars who believe the literal inaccuracies in Smith’s translation have brought about a “national disgrace.” Situating this overheated reaction in the larger context of the colonial history of Korean nationalism, this article points out the irony that the “noble cause” of anti-imperialist resistance has historically led to the silencing of women’s voices
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7

Qiao, Min. "Rethinking “Subjectivity” in Literature." Prism 17, no. 1 (2020): 172–82. http://dx.doi.org/10.1215/25783491-8163849.

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Abstract This article delves into Liu Zaifu's theoretical construction of subjectivity and his reflections on the dominant paradigm of revolution and enlightenment in twentieth-century China. Realizing the incompleteness and insufficiency of his contemplation on individual subjectivity, Liu shifted his scholarly interests to the composition of and dialogues between multiple subjectivities and examined the complex relationship between subjects and objects, self and others, as well as the individual's psychological relationship with the self. By reframing Liu's theories on subjectivity, this art
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Krevel, Mojca. "Concept of Self in Avant-Pop Literature." ELOPE: English Language Overseas Perspectives and Enquiries 1, no. 1-2 (2004): 115–24. http://dx.doi.org/10.4312/elope.1.1-2.115-124.

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The treatise is an investigation into the construction of character and understanding of subjectivity in general as it appears in the literature of writers associated with the Avant-Pop movement. As a movement, the Avant-Pop emerges at the beginning of the 1990’s – the time of substantial social, cultural and economic changes conditioning deeper changes of basic Geistesgeschichte paradigms marking the rise of a new, postmodern era. This article on the one hand examines the paradigm of subjectivity by discussing examples from Avant-Pop literary production in the light of prevailing theoretical
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9

Thisted, Kirsten. "Imperiets genfærd – Profeterne i Evighedsfjorden og den dansk-grønlandske historieskrivning." Nordlit, no. 35 (April 22, 2015): 105. http://dx.doi.org/10.7557/13.3428.

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<p align="LEFT">While the official Denmark has declined taking part in a reconciliation process with Greenland, its former colony, a large literary audience has embraced the novelist Kim Leine, who puts colonial history and Danish-Greenlandic power relations on the <span style="font-family: TimesNewRomanPSMT;">agenda. Originally published in 2012, his novel </span><em><span style="font-family: TimesNewRomanPS-ItalicMT;">Profeterne i Evighedsfjorden </span></em><span style="font-family: TimesNewRomanPSMT;">(English title: </span><em>&l
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10

Salmenniemi, Suvi, and Mariya Vorona. "Reading self-help literature in Russia: governmentality, psychology and subjectivity." British Journal of Sociology 65, no. 1 (2014): 43–62. http://dx.doi.org/10.1111/1468-4446.12039.

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11

McLaughlin, Mary Martin, and Anne Clark Bartlett. "Male Authors, Female Readers: Representation and Subjectivity in Middle English Devotional Literature." American Historical Review 102, no. 4 (1997): 1146. http://dx.doi.org/10.2307/2170668.

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12

Boffey, Julia, and Anne Clark Bartlett. "Male Authors, Female Readers: Representation and Subjectivity in Middle English Devotional Literature." Modern Language Review 92, no. 3 (1997): 688. http://dx.doi.org/10.2307/3733400.

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13

Seelig, Sharon Cadman. "The Ludic Self in Seventeenth-Century English Literature." George Herbert Journal 15, no. 1 (1991): 80–84. http://dx.doi.org/10.1353/ghj.1991.0002.

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14

Ellis, Juniper. "Tatau and Malu: Vital Signs in Contemporary Samoan Literature." PMLA/Publications of the Modern Language Association of America 121, no. 3 (2006): 687–701. http://dx.doi.org/10.1632/003081206x142823.

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In two contemporary Samoan works, Albert Wendt's short story “The Cross of Soot” (1974) and Sia Figiel's novel They Who Do Not Grieve (1999), tattooing produces and proclaims the psychological and social place of the tattoo bearer. The tattoo signals the splitting or doubling of subjectivity, a mechanism by which the individual human subject is produced continually and repeatedly. The Samoan tatau creates not only Samoan subjects but also the English word tattoo and the French tatouage. Wendt and Figiel treat the production and movement of the tattoo in the Pacific and the world; they thus inv
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ADIGÜZEL, Özkan. "A Literature Review of Self Adjusting File." International Dental Research 1, no. 1 (2011): 18. http://dx.doi.org/10.5577/intdentres.2011.vol1.no1.4.

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A primary aim of root canal treatment is to completely clean and shape the root canal system. Various instruments are available for endodontic instrumentation. Although rotary systems do prepare many canals without major procedural errors, they do not address canal types with long-oval or flat cross sections. A newly developed self-adjusting file (SAF) was designed to address the shortcomings of traditional rotary files by adjusting itself to the canal cross section. This instrument consists of a compressible opened NiTi tube that, on placement into a root canal, will exert pressure against th
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Allen, Sarah. "The Cultivated Self: Self Writing, Subjectivity, and Debate." Rhetoric Review 29, no. 4 (2010): 364–78. http://dx.doi.org/10.1080/07350198.2010.510058.

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17

Langlands, Rebecca. "Latin Literature." Greece and Rome 61, no. 2 (2014): 265–72. http://dx.doi.org/10.1017/s0017383514000102.

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Anyone who has ever taught or studied the Aeneid will be familiar with student gripes that the protagonist, Aeneas, does not meet their expectations of a hero: stolid, boring, wooden, uninspiring, lacking in emotional range. Likewise, students of Lucan's Civil War often find it hard to get a handle on the figure of Cato, and his hard-line heroics are usually met with a combination of disbelieving horror and ridicule. The important and deceptively simple suggestion of J. Mira Seo's new monograph is that such apparently two-dimensional and unsatisfactory ‘problem characters’ in Latin literature
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18

Hess, Scott. "William Wordsworth and Photographic Subjectivity." Nineteenth-Century Literature 63, no. 3 (2008): 283–320. http://dx.doi.org/10.1525/ncl.2008.63.3.283.

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This essay argues that William Wordsworth's poetry constructs a subject position analogous to that of the photographic viewer: hence, a photographic subjectivity. Critics have often read Wordsworth's writing as opposing imagination against visibility and mimetic realism. Many of the visual structures of his poetry, however, continue the structures of the picturesque, whose desire to capture the landscape as framed image culminated in the technology of photography. These structures of perception include the stationed point of view of the observer, focusing the scene from a single location; the
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19

Vallas, Steven P., and Andrea L. Hill. "Reconfiguring Worker Subjectivity: Career Advice Literature and the “Branding” of the Worker's Self." Sociological Forum 33, no. 2 (2018): 287–309. http://dx.doi.org/10.1111/socf.12418.

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20

Maulana, Angga, and Fegy Lestari. "NEEDS ANALYSIS OF ENGLISH LITERATURE STUDENTS IN ENGLISH ORAL COMMUNICATION." ELTIN JOURNAL, Journal of English Language Teaching in Indonesia 5, no. 2 (2017): 45. http://dx.doi.org/10.22460/eltin.v5i2.p45-50.

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The purpose of this study is to identify factual information about the needs of students of English Literature in the activities and supporting factors of oral communication by using English, whether linguistic and non-linguistic, and analyzing the difficulties of the situation of oral communication of English Literature students using English. This research uses descriptive method. Data collection is done through two stages: the questionnaire and the interview, followed by the review of someliteratures. The results of this study indicate that in general the students of English Literature feel
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21

Talvet, Jüri. "Comparative Literature, World Literature and Ethical Literary Criticism. Literature’s “Infra-Other”." Interlitteraria 23, no. 1 (2018): 6–18. http://dx.doi.org/10.12697/il.2018.23.1.2.

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Relying on some of the ideas of Yuri M. Lotman on “semiosphere”, the dynamics and dialogue between “centres” and “peripheries”, as well as on my own ideas on cultural symbiosis expounded in my essay books A Call for Cultural Symbiosis. Meditations from U (Toronto, 2005) and Kümme kirja Montaigne’ile. “Ise ja “teine” (Ten Letters to Montaigne. ‘Self ” and ‘Other’, in Estonian: Tartu, 2014; in English, 2018) and inspired by the recent foundation in China of the International Association for Ethical Literary Criticism, I will try to meditate on the interrelation of Comparative Literature, World L
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22

Hodgkins, Christopher. "Book Review: The Ludic Self in Seventeenth-Century English Literature." Christianity & Literature 41, no. 3 (1992): 343–46. http://dx.doi.org/10.1177/014833319204100313.

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23

Devdiuk, Ivanna. "Urban Existence in the Interwar English Literature." Respectus Philologicus, no. 36(41) (October 16, 2019): 73–83. http://dx.doi.org/10.15388/respectus.2019.36.41.24.

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The paper highlights the peculiarities of the artistic modifications of urban existence in the English literature of the interwar period. We have analysed such novels as Death of a Hero by Richard Aldington, Antic Hay by Aldous Huxley, and Mrs. Dalloway by Virginia Woolf, in which in the light of M. Heidegger’s analytic of Dasein, we investigated the ways of the main characters’ awareness of their own possibilities in a city. The article follows through the correlation between the heroes’ existence and urban reality, in which it is projected. We have discovered that in the novels Death of a He
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24

Hezser, Catherine. "Purity, Body, and Self in Early Rabbinic Literature." Journal of Jewish Studies 66, no. 2 (2015): 442–44. http://dx.doi.org/10.18647/3251/jjs-2015.

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25

Watson, Nicholas. "Male Authors, Female Readers: Representation and Subjectivity in Middle English Devotional Literature. Anne Clark Bartlett." Journal of Religion 77, no. 1 (1997): 137–38. http://dx.doi.org/10.1086/489931.

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26

Godfrey, Mary F. "Male Authors, Female Readers: Representation and Subjectivity in Middle English Devotional Literature. Anne Clark Bartlett." Modern Philology 95, no. 4 (1998): 509–13. http://dx.doi.org/10.1086/mp.95.4.438910.

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27

Watkinson, Caroline. "English Convents in Eighteenth-Century Travel Literature." Studies in Church History 48 (2012): 219–31. http://dx.doi.org/10.1017/s0424208400001339.

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‘A Nun’s dress is a very becoming one’, wrote Cornelius Cayley in 1772. Similarly, Philip Thicknesse, witnessing the clothing ceremony at the English Augustinian convent in Paris, observed that the nun’s dress was ‘quite white, and no ways unbecoming … [it] did not render her in my eyes, a whit less proper for the affections of the world’. This tendency to objectify nuns by focusing on the mysterious and sexualized aspects of conventual life was a key feature of eighteenth-century British culture. Novels, poems and polemic dwelt on the theme of the forced vocation, culminating in the dramatic
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Dewi, Novita. "STUDYING ENGLISH LITERATURE IN INDONESIA: CHALLENGES AND OPPORTUNITIES." Lire Journal (Journal of Linguistics and Literature) 2, no. 2 (2018): 50–56. http://dx.doi.org/10.33019/lire.v2i2.27.

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This article examines the challenges and opportunities for students of English Literature in Indonesia amidst forces of globalization and technological advancements in most aspects of life. Demographic transition of users and providers of the English language has brought about such challenges as observable lack of maturity in English scholarship and automation’s impact on education today. It can be argued that such challenges can be seen as opportunities by a creative rather than product-oriented curriculum. Given that studying literature is not only to train cognitive skills of interpreting t
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Syed, Yasmin. "Creating Roman Identity: Subjectivity and Self-Fashioning in Latin Literature the 1995 Berkeley Conference." Classical Antiquity 16, no. 1 (1997): 5–7. http://dx.doi.org/10.2307/25011051.

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30

Malhotra, Ashok. "The English “Self” under Siege." Nineteenth-Century Literature 72, no. 1 (2017): 1–34. http://dx.doi.org/10.1525/ncl.2017.72.1.1.

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Ashok Malhotra, “The English ‘Self’ under Siege: A Comparison of a Memsahib’s Private Journals and her Novel The History of George Desmond” (pp. 1–34) This paper examines Mary Sherwood’s The History of George Desmond (1821) alongside and against the author’s private journals to demonstrate the ways in which the novel both aligned with and veered away from Sherwood’s own personal experiences as a memsahib living in colonial India. It argues that while the novel reflects her awareness of the agency of colonized Indians and the precarious predicament of the colonizer in the subcontinent, its depl
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Andy Weaver. "It is I: Robert Creeley's Deictic Subjectivity and the Sublime Self." Journal of Modern Literature 41, no. 3 (2018): 77. http://dx.doi.org/10.2979/jmodelite.41.3.06.

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Nnoromele, Salome C. "Representing the African Woman: Subjectivity and Self inThe Joys of Motherhood." Critique: Studies in Contemporary Fiction 43, no. 2 (2002): 178–90. http://dx.doi.org/10.1080/00111610209602179.

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Clifford, Dafna. "The Jewish Self-Portrait in European and American Literature." Journal of Jewish Studies 48, no. 2 (1997): 396. http://dx.doi.org/10.18647/2031/jjs-1997.

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34

Despres, Denise L. "Male Authors, Female Readers: Representation and Subjectivity in Middle English Devotional Literature by Anne Clark Bartlett." Studies in the Age of Chaucer 18, no. 1 (1996): 175–78. http://dx.doi.org/10.1353/sac.1996.0009.

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35

Swann, Marjorie. "The Politics of Fairylore in Early Modern English Literature*." Renaissance Quarterly 53, no. 2 (2000): 449–73. http://dx.doi.org/10.2307/2901875.

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This essay argues that Stuart fairy poetry, rooted in Shakespeare's innovative representation of tiny, consumeristic fairies, attempts to indigenize new forms of elite material display. Rather than the fairies of popular tradition or courtly mythography, Stuart poets depict miniaturized Mabs and Oberons who are notable for their wardrobes, banquets, coaches, and the decor of their palaces. The fairy poetry of William Browne, Michael Drayton, and Robert Herrick must be interpreted not as playful escapism, but as a self-consciously politicized literary mode which reveals these writers’ deep ambi
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Ghesquière, Lobke, An Van linden, and Kristin Davidse. "Subjective Compounds and Subjectivity/Subjectification in the English Noun Phrase." English Studies 94, no. 1 (2013): 90–117. http://dx.doi.org/10.1080/0013838x.2012.739829.

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37

Booker, M. Keith. "Tradition, authority, and subjectivity: Narrative constitution of the self in the waves." Lit: Literature Interpretation Theory 3, no. 1 (1991): 33–55. http://dx.doi.org/10.1080/10436929108580069.

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Ruiz-Rico, Manuel. "Truth as Literature: Ethics of Journalism and Reality in the Digital Society." Estudios sobre el Mensaje Periodístico 26, no. 1 (2020): 307–15. http://dx.doi.org/10.5209/esmp.67309.

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Modern journalism emerged in the XIX century based on truth and reality. The rise of Romanticism in that century proposed an approach against the Enlightenment and its pillars: objectivity, positivism and realism. Unlike it, Romanticism claimed subjectivity and the self as the more authentic reality. Thus, it took beauty out of the base of aesthetics and put in its place communication and expression. With the arrival of Postmodernism, the notions of reality and truth have been in crisis too and so it proposes a moral and epistemological relativism. This view has been a permanent attack on jour
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Mei, Jie, Yanhong Guo, and Xiaokun Li. "Adaptive Learning Mode of a Multimedia-based "English Literature" Learning System." International Journal of Emerging Technologies in Learning (iJET) 12, no. 01 (2017): 71. http://dx.doi.org/10.3991/ijet.v12i01.6483.

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In this paper, a multimedia-based English pronunciation learning system was designed. On this basis, a self-adaptive learning mode which consists of the teaching mode and the independent learning mode was proposed. The self-adaptive teaching model uses corpus technology and covers the exploratory “3I” (Illustration-Interaction-Induction) teaching model, thereby changing the traditional teaching pattern of “spoon-feeding”; when it comes to the independent learning mode, the self-adaptive system can automatically set corresponding learning tasks according to the learning situation of students, t
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Garber, Frederick, and Vincent Newey. "Centring the Self: Subjectivity, Society and Reading from Thomas Gray to Thomas Hardy." Studies in Romanticism 37, no. 2 (1998): 281. http://dx.doi.org/10.2307/25601290.

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Keymer, T. "Review: The Power of the Passive Self in English Literature, 1640-1770." Review of English Studies 56, no. 223 (2005): 149–51. http://dx.doi.org/10.1093/res/hgi017.

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Kenney, Jeffrey T. "SELLING SUCCESS, NURTURING THE SELF: SELF-HELP LITERATURE, CAPITALIST VALUES, AND THE SACRALIZATION OF SUBJECTIVE LIFE IN EGYPT." International Journal of Middle East Studies 47, no. 4 (2015): 663–80. http://dx.doi.org/10.1017/s0020743815000926.

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AbstractThe growing strength of self-help literature in Egypt represents a new cultural expression of accommodation with capitalism, and markedly expands the mix of modern ideas and ethical practices rendered legitimate through association with tradition. The ideas and practices found in self-help, however, are anything but traditional. In its style and content, self-help expresses the values of individualism and neoliberal understandings of subjectivity. Informed by modern insights into the self and its formation, the genre blurs the boundary between psychology and religion, valorizing the pr
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Marsh, Victor. "The Boy in the Yellow Dress: Reframing Subjectivity in Narrativisations of the Queer Self." Life Writing 4, no. 2 (2007): 263–85. http://dx.doi.org/10.1080/14484520701559836.

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Colăcel, Onoriu. "Teaching the Nation: Literature and History in Teaching English." Messages, Sages and Ages 3, no. 2 (2016): 43–53. http://dx.doi.org/10.1515/msas-2016-0014.

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Abstract Teaching English as a foreign language is rooted in the national interest of English-speaking countries that promote their own culture throughout the world. To some extent, ‘culture’ is a byword for what has come to be known as the modern nation. Mainly the UK and the US are in the spotlight of EFL teaching and learning. At the expense of other, less ‘sought-after’ varieties of English, British and American English make the case for British and American cultures. Essentially, this is all about Britishness and Americanness, as the very name of the English variety testifies to the Briti
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Kumari, Suruchi, and Ashish Alexander. "THEOLOGY AND ENGLISH LITERATURE: FROM CHRISTOPHER MARLOWE TO ALEXANDER POPE." Humanities & Social Sciences Reviews 5, no. 2 (2017): 82. http://dx.doi.org/10.18510/hssr.2017.523.

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Generally, it is not obvious to people that theology has contributed a lot in the formation of English literature. So, this paper tries to picture and convince how the writings of English Literature writers have impacts and influences in themselves from the biblical theology. Writers like William Shakespeare uses the theology of grace in his play All’s Well That’s End Well. John Milton pens theology of Freedom of Choice.John Donne writes Trinitarian Theology. Christopher Marlowe shows the theology of Doctor Faustus, which shines under the title like purgatory the highest junction. Alexander Po
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Prystash, Justin. "Rhizomatic Subjects." Nineteenth-Century Literature 66, no. 2 (2011): 141–69. http://dx.doi.org/10.1525/ncl.2011.66.2.141.

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Abstract By examining Thomas Carlyle's scientific writings (often buried in his “literary” texts) and placing them in relation to Charles Kingsley's work on marine biology, this essay explores how these writers posit a transcendent, eternal origin in order to stabilize a normative hierarchy of subjectivity in the present. Their concept of the eternal origin was internally subverted, however, through the metaphorical irruption of organisms from natural history, especially the roots of plants and coral. These nonhierarchical, rhizomatic organisms express, as Carlyle puts it, so many “rhizophagou
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47

Kumari, Suruchi, and Ashish Alexander. "THEOLOGY AND ENGLISH LITERATURE: FROM CHRISTOPHER MARLOWE TO ALEXANDER POPE." Humanities & Social Sciences Reviews 5, no. 2 (2018): 82–87. http://dx.doi.org/10.18510/hssr.2018.523a.

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Generally, it is not obvious to people that theology has contributed a lot in the formation of English literature. So, this paper tries to picture and convince how the writings of English Literature writers have impacts and influences in themselves from the biblical theology. Writers like William Shakespeare uses the theology of grace in his play All’s Well that’s End Well. John Milton pens theology of Freedom of Choice. John Donne writes Trinitarian Theology.
 Christopher Marlowe shows the theology of Doctor Faustus, which shines under the title like purgatory the highest junction. Alexa
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48

Daif-Allah, Ayman Sabry, and Fahad Hamad Aljumah. "Uncovering Saudi English Language Majors' Cognitive Beliefs about Learning English Literature." English Language Teaching 13, no. 4 (2020): 114. http://dx.doi.org/10.5539/elt.v13n4p114.

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Evidence shows that learners' performance is largely influenced by their cognitive beliefs about learning. The main purpose of the present study is to identifying the cognitive beliefs of Saudi English Language major students in order to get a deeper insight into their inner thoughts about studying literature and to find out the effect of gender on deciding their preferences. A total of 71 male and female English language major Saudi students of the English Language and Translation Department in the Main Campus at Qassim University participated in the study. Data were collected quantit
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Raskolnikov, Masha. "Confessional Literature, Vernacular Psychology, and the History of the Self in Middle English." Literature Compass 2, no. 1 (2005): **. http://dx.doi.org/10.1111/j.1741-4113.2005.00128.x.

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50

Yoo, Hyun-Joo. "Depathologising the Traumatised Self in Susanna Kaysen's Girl, Interrupted." International Research in Children's Literature 12, no. 2 (2019): 195–207. http://dx.doi.org/10.3366/ircl.2019.0310.

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In Girl, Interrupted, Susanna Kaysen recounts her traumatic experiences in the women's ward of a psychiatric institution in the USA in the 1960s. The institution was more prison than refuge for Kaysen, who felt the experience denied her her subjectivity. Significantly, as she reworks the memories from her traumatic adolescence, Kaysen does not depict her young self as a psychopath, whose identity is defined, diagnosed, and interpreted as fractured and unstable by medical professionals. The novel provides a way of exercising the agency denied to her as a young adult and in it she rebuilds an im
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