Journal articles on the topic 'English music history'
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Breen, Edward. "The history of medieval English music on record." Early Music 45, no. 1 (February 2017): 135–42. http://dx.doi.org/10.1093/em/cax027.
Full textPorter, Gerald. "The English ballad singer and hidden history." Studia Musicologica 49, no. 1-2 (March 1, 2008): 127–42. http://dx.doi.org/10.1556/smus.49.2008.1-2.7.
Full textCook, James. "Angel Song: Medieval English Music in History. By Lisa Colton." Music and Letters 98, no. 3 (August 1, 2017): 472–74. http://dx.doi.org/10.1093/ml/gcx083.
Full textvan Wye, Benjamin, and Stephen Bicknell. "The History of the English Organ." Notes 55, no. 1 (September 1998): 91. http://dx.doi.org/10.2307/900354.
Full textCoggin, Philip. "‘This easy and agreable Instrument’ A history of the English guittar." Early Music XV, no. 2 (May 1987): 205–20. http://dx.doi.org/10.1093/earlyj/xv.2.205.
Full textBjork, Robert E. "The reception history of Beowulf." SELIM. Journal of the Spanish Society for Medieval English Language and Literature. 25, no. 1 (September 29, 2020): 1–19. http://dx.doi.org/10.17811/selim.25.2020.1-19.
Full textSchmidt, Sebastian. "New Ways of Analysing the History of Varieties of English – An Acoustic Analysis of Early Pop Music Recordings from Ghana." Research in Language 10, no. 2 (June 30, 2012): 123–31. http://dx.doi.org/10.2478/v10015-011-0045-6.
Full textHonisch, Erika Supria. "Encounters with Music in Rudolf II's Prague." Austrian History Yearbook 52 (April 5, 2021): 64–80. http://dx.doi.org/10.1017/s0067237821000126.
Full textKlakowich, Robert. "Scocca pur: Genesis of an English Ground." Journal of the Royal Musical Association 116, no. 1 (1991): 63–77. http://dx.doi.org/10.1093/jrma/116.1.63.
Full textKlein, Tobias Robert. "On the Foundations of Dahlhaus’s Foundations." Journal of Musicology 38, no. 2 (2021): 209–29. http://dx.doi.org/10.1525/jm.2021.38.2.209.
Full textBrooks, D. "A History of Music Therapy Journal Articles Published in the English Language." Journal of Music Therapy 40, no. 2 (June 1, 2003): 151–68. http://dx.doi.org/10.1093/jmt/40.2.151.
Full textHartzell, K. D. "A fragment of a tenth-century English sacramentary." Anglo-Saxon England 46 (December 2017): 259–70. http://dx.doi.org/10.1017/s026367511800008x.
Full textShreffler, Anne C. "Berlin Walls: Dahlhaus Knepler, and Ideologies of Music History." Journal of Musicology 20, no. 4 (2003): 498–525. http://dx.doi.org/10.1525/jm.2003.20.4.498.
Full textOrd, Matthew. "From here." Politics of Sound 18, no. 4 (July 3, 2019): 598–616. http://dx.doi.org/10.1075/jlp.18062.ord.
Full textTurbet, Richard, and John Caldwell. "The Oxford History of English Music. Volume 1: From the Beginning to c.1715." Musical Times 134, no. 1799 (January 1993): 33. http://dx.doi.org/10.2307/1002630.
Full textKuykendall, James Brooks. "Composing History: National Identities and the English Masque Revival, 1860–1920. By Deborah Heckert." Music and Letters 100, no. 1 (February 1, 2019): 154–56. http://dx.doi.org/10.1093/ml/gcz018.
Full textPalmer Heathman, Katie. "Music in the West Country: social and cultural history across an English region." Social History 43, no. 4 (October 2, 2018): 541–43. http://dx.doi.org/10.1080/03071022.2018.1513970.
Full textWeiss, Jernej. "The Art of Music in the Period from Monteverdi to Bach." Musicological Annual 54, no. 1 (July 3, 2018): 163–68. http://dx.doi.org/10.4312/mz.54.1.163-168.
Full textIverson, Jennifer. "FROM ANALOGUE TO DIGITAL: AN INTERVIEW WITH GOTTFRIED MICHAEL KOENIG." Tempo 70, no. 276 (April 2016): 43–55. http://dx.doi.org/10.1017/s0040298215000972.
Full textBARONTINI, MICHELE, and TITO M. TONIETTI. "ʿUMAR AL-KHAYYĀM’S CONTRIBUTION TO THE ARABIC MATHEMATICAL THEORY OF MUSIC." Arabic Sciences and Philosophy 20, no. 2 (August 26, 2010): 255–80. http://dx.doi.org/10.1017/s0957423910000032.
Full textLessen, Martin, and Art Brownlow. "The Last Trumpet: A History of the English Slide Trumpet." Notes 54, no. 2 (December 1997): 484. http://dx.doi.org/10.2307/899543.
Full textLangley, Leanne. "Music in the West Country: Social and Cultural History across an English Region. By Stephen Banfield." Music and Letters 99, no. 4 (November 1, 2018): 693–96. http://dx.doi.org/10.1093/ml/gcy114.
Full textO'Loughlin, Niall. "Intellectual Magic: Tradition Infiltrated by Passion in the String Quartets of the English Composer Hugh Wood." Musicological Annual 43, no. 2 (December 1, 2007): 139–52. http://dx.doi.org/10.4312/mz.43.2.139-152.
Full textSimmonds, Adam. "The Music of George Nicholson." Tempo, no. 183 (December 1992): 18–24. http://dx.doi.org/10.1017/s0040298200017563.
Full textStallsmith, Glenn. "Protestant Congregational Song in the Philippines: Localization through Translation and Hybridization." Religions 12, no. 9 (August 31, 2021): 708. http://dx.doi.org/10.3390/rel12090708.
Full textTemperley, Nicholas, and John Caldwell. "The Oxford History of English Music. Volume 1: From the Beginnings to c. 1715." Notes 49, no. 2 (December 1992): 541. http://dx.doi.org/10.2307/897902.
Full textSaloman, Ora Frishberg. "Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony." Journal of the Royal Musical Association 119, no. 2 (1994): 251–67. http://dx.doi.org/10.1093/jrma/119.2.251.
Full textWehlau, Ruth. "Queen's University." Florilegium 20, no. 1 (January 2003): 106–8. http://dx.doi.org/10.3138/flor.20.030.
Full textBasson, Thomas. "Thomas Basson (1555-1613), English printer at Leiden." Quaerendo 15, no. 3 (1985): 195–224. http://dx.doi.org/10.1163/157006985x00180.
Full textCunningham, John, and Andrew Woolley. "A Little-Known Source of Restoration Lyra-Viol and Keyboard Music: Surrey History Centre, Woking, LM/1083/91/35." Royal Musical Association Research Chronicle 43 (2010): 1–22. http://dx.doi.org/10.1080/14723808.2010.10541029.
Full textFurrow, Melissa. "Dalhousie University." Florilegium 20, no. 1 (January 2003): 125–27. http://dx.doi.org/10.3138/flor.20.038.
Full textCole, Suzanne. "‘Popery, Palestrina, and Plain-tune’: the Oxford Movement, the Reformation and the Anglican Choral Revival." Bulletin of the John Rylands Library 90, no. 1 (March 2014): 345–68. http://dx.doi.org/10.7227/bjrl.90.1.16.
Full textDocherty, Barbara. "Sentence into Cadence: The word-setting of Tippett and Britten." Tempo, no. 166 (September 1988): 2–11. http://dx.doi.org/10.1017/s0040298200024256.
Full textRoud, Steve. "Damnable Practices: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads." Folklore 130, no. 2 (April 3, 2019): 210–11. http://dx.doi.org/10.1080/0015587x.2018.1517959.
Full textGottlieb, Jean S. "Early Science at the Newberry Library: An Introduction." British Journal for the History of Science 19, no. 3 (November 1986): 323–30. http://dx.doi.org/10.1017/s000708740002330x.
Full textWhitehead, Maurice. "‘The strictest, orderlyest, and best bredd in the world’." Cahiers Élisabéthains: A Journal of English Renaissance Studies 93, no. 1 (April 10, 2017): 33–49. http://dx.doi.org/10.1177/0184767817698930.
Full textGOODMAN, GLENDA. "Music before 1800." Journal of the Society for American Music 9, no. 4 (November 2015): 470–76. http://dx.doi.org/10.1017/s1752196315000395.
Full textGoodman, Glenda. "“The Tears I Shed at the Songs of Thy Church”: Seventeenth-Century Musical Piety in the English Atlantic World." Journal of the American Musicological Society 65, no. 3 (2012): 691–725. http://dx.doi.org/10.1525/jams.2012.65.3.691.
Full textLefferts, Peter M. "Music in the Medieval English Liturgy: Plainsong and Mediaeval Music Society Centennial Essays.Susan Rankin , David Hiley." Speculum 70, no. 1 (January 1995): 197–99. http://dx.doi.org/10.2307/2864762.
Full textKutlay, Evren. "A Historical Case of Anglo-Ottoman Musical Interactions: The English Autopiano of Sultan Abdulhamid II." European History Quarterly 49, no. 3 (July 2019): 386–419. http://dx.doi.org/10.1177/0265691419854922.
Full textTaylor, Benedict. "Sullivan, Scott andIvanhoe: Constructing Historical Time and National Identity in Victorian Opera." Nineteenth-Century Music Review 9, no. 2 (December 2012): 295–321. http://dx.doi.org/10.1017/s1479409812000316.
Full textFrancmanis, John. "The ‘Folk-Song’ Competition: An Aspect of the Search for an English National Music." Rural History 11, no. 2 (October 2000): 181–205. http://dx.doi.org/10.1017/s0956793300002090.
Full textKift, Dagmar. "The Unspeakable Events at the Glasgow Music Halls, 1875." New Theatre Quarterly 11, no. 43 (August 1995): 225–29. http://dx.doi.org/10.1017/s0266464x00009106.
Full textStevens, John. "Alphabetical check-list of Anglo-Norman songs c. 1150—c. 1350." Plainsong and Medieval Music 3, no. 1 (April 1994): 1–22. http://dx.doi.org/10.1017/s0961137100000607.
Full textHarris, Ellen T. "With Eyes on the East and Ears on the West: Handel's Orientalist Operas." Journal of Interdisciplinary History 36, no. 3 (January 2006): 419–43. http://dx.doi.org/10.1162/002219506774929863.
Full textDibble, Jeremy. "The Oxford History of English Music, vol. 2, From c.1715 to the Present Day (review)." Notes 57, no. 3 (2001): 600–602. http://dx.doi.org/10.1353/not.2001.0013.
Full textBurgstaller, Georg. "Music in the West Country: Social and Cultural History across an English Region by Stephen Banfield." Notes 76, no. 2 (2019): 282–84. http://dx.doi.org/10.1353/not.2019.0106.
Full textGaray, Kathleen, and Madeleine Jeay. "McMaster University." Florilegium 20, no. 1 (January 2003): 99–101. http://dx.doi.org/10.3138/flor.20.027.
Full textCLARK, GEOFFREY. "COMMERCE, CULTURE, AND THE RISE OF ENGLISH POWER." Historical Journal 49, no. 4 (November 24, 2006): 1239–51. http://dx.doi.org/10.1017/s0018246x06005814.
Full textKisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII." Early Music History 16 (October 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.
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