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Journal articles on the topic 'English Pastoral literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Tunstall, L. "Aspects of Pastoral in Sylvia Plath's 'Child'." English 58, no. 222 (2009): 230–42. http://dx.doi.org/10.1093/english/efp024.

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Iammarino, Denna. "Dressed in Sheep’s Clothing: Pastoral and Reform in Spenser’s A View of the Present State of Ireland." Explorations in Renaissance Culture 47, no. 1 (2021): 92–114. http://dx.doi.org/10.1163/23526963-47010007.

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Abstract This study investigates the presence of pastoral themes in Spenser’s prose dialogue, A View of the Present State of Ireland (c. 1596). Tracing the traditional pastoral themes of generational conflict, degeneration, and regeneration in Spenser’s late pastorals, this study considers how Spenser’s inclusion of these pastoral themes shape paradigms of reform in the View. It argues that generational conflict is exacerbated in the colonial space where degeneration is pervasive threatening both the self and the social structure of the English colonial project in Ireland. These connections to

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3

Edden, Valerie, and Edwin D. Craun. "Lies, Slander, and Obscenity in Medieval English Literature: Pastoral Literature and the Deviant Speaker." Modern Language Review 95, no. 2 (2000): 469. http://dx.doi.org/10.2307/3736151.

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4

Fox, Hilary. ":The Old English Pastoral Care." Speculum 99, no. 2 (2024): 572–73. http://dx.doi.org/10.1086/729456.

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5

Svensson, Lars-Håkan. "The Heroines of English Pastoral Romance (Studies in Renaissance Literature: Volume 20)." English Studies 90, no. 6 (2009): 742–43. http://dx.doi.org/10.1080/00138380903181726.

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6

Hamlin, Hannibal. "Another Version of Pastoral: English Renaissance Translations of Psalm 23." Spenser Studies 16, no. 1 (2001): 167–96. http://dx.doi.org/10.1086/spsv16p167.

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Klimovskaya, A. Y. "Пасторальные мотивы и образы романа Б. Пим «Несколько зеленых листьев»". Вестник гуманитарного образования, № 1(25) (21 квітня 2022): 123–29. http://dx.doi.org/10.25730/vsu.2070.21.073.

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The actual problem of the traditions of the genre of English pastoral in the late work of B. Pym did not become the subject of a separate study of either foreign or domestic literary criticism. The purpose of the article was to analyze the last novel of Pym "A few Green Leaves" from the point of view of the reception of the traditions of the genre of English pastoral of the XVII–XVIII centuries using the methods of historical and literary, comparative, intertextual, motivic analysis, as well as gender approach. The subject of the study is the study of the implementation of classical pastoral p

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Yu, Ning. "Thoreau's Critique of the American Pastoral in A Week." Nineteenth-Century Literature 51, no. 3 (1996): 304–26. http://dx.doi.org/10.2307/2934013.

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This essay questions a critical consensus about Thoreau's first book, A Week on the Concord an Merrimack Rivers, as a pastoral elegy for his brother and best friend, John. Reading A Week from a geographical perspective, this essay argues that Thoreau anticipated professional geographers by eighty years in conducting a dynamic analysis of the transformation of New England's landscape. Thoreau re-creates through description and narration the appearance and disappearance of the pastoral, the Native-American, and the industrailized landscape along the two rivers. Presenting these ladnscapes in dyn

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9

Cardona, Elsy. "Elementos pastoriles en la poesía de Eduardo Carranza." Estudios de Literatura Colombiana, no. 9 (November 2, 2011): 53–65. http://dx.doi.org/10.17533/udea.elc.10483.

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Resumen: Este trabajo investiga la presencia de elementos pastoriles en la poesía del piedracielista colombiano Eduardo Carranza en contraste con la poesía pastoril de otras tradiciones como la inglesa y la española. Según la autora, Carranza hace un uso innovador de esta tradición al ponerla dentro de un contexto colombiano. De esta manera, Carranza le da continuidad a la tradición a la vez que se sirve fe ella para imprimirle a su poesía un carácter único. La autora usa como punto de referencia para su estudio comparativo algunos poemas de Ella, los días y las nubes (1936-1941) de Carranza,

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10

Simpson, James. "Unwritten Virtues, Selves, and Texts: Early Modern Self-Erasure." Journal of Medieval and Early Modern Studies 52, no. 3 (2022): 415–43. http://dx.doi.org/10.1215/10829636-9966065.

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The tradition that became liberalism, which claims to have promoted meritocracy and individual agency, was, in both evangelical origin and in a one-hundred-fifty-year tradition thereafter, unremittingly hostile to the claims of human merit and agency upon God. This hostility is considered from three discursive angles: legislation, poetry, and pastoralia. Between at least 1571 and 1660 the English state legislated against confidence in the salutary value of humanly produced virtue. Early modern elegiac poetry evinces the attempted dissolution of evangelical selfhood and the inevitable twin of t

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11

Faulkner, Amy. "Royal Authority in the Biblical Quotations of the Old English Pastoral Care." Neophilologus 102, no. 1 (2017): 125–40. http://dx.doi.org/10.1007/s11061-017-9545-5.

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12

Lynch, Kathryn L. "Lies, Slander, and Obscenity in Medieval English Literature: Pastoral Rhetoric and the Deviant Speaker.Edwin D. Craun." Speculum 74, no. 2 (1999): 398–400. http://dx.doi.org/10.2307/2887066.

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13

Kaplun, Marianna V. "Pastoral motives in A Pitiful Comedy about Adam and Eve by J. G. Gregory." Sibirskiy filologicheskiy zhurnal, no. 4 (2021): 69–81. http://dx.doi.org/10.17223/18137083/77/6.

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The paper examines the functioning of descriptions of the Garden of Eden in A Pitiful Comedy about Adam and Eve by Johann Gottfried Gregory, staged in 1675 at the court of Tsar Alexei Mikhailovich. The description of the paradise garden in the play under study originates from the biblical tradition and is structured according to the Lutheran canon that was well-known to the author. The Russian play on the plot of Adam and Eve shows a connection with Paradise Lost by J. Milton. Following Milton, Gregory depicts Adam as the crown of creation of pastoral harmony. However, unlike Milton, Gregory’s

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14

Carlson, David R. "The ‘Opicius’ Poems (British Library, Cotton Vespasian B.iv) and the Humanist Anti-Literature in Early Tudor England." Renaissance Quarterly 55, no. 3 (2002): 869–903. http://dx.doi.org/10.2307/1261559.

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Following the format of a catalogue manuscript description, this study analyses the design and contents of a manuscript presented to king Henry VII of England about 1492-93. Featuring an epic account of the 1492 English invasion of France and a pastoral dialogue praising the domestic peace imposed by the Tudor regime, the five poems are the work of a little-known Italian writer “Johannes Opicius, “ in a stylishly written and decorated copy. Like other contemporary presentations, especially the works of the early Tudor laureate Bernard Andre”, the verse is as classicizing as the design is Itali

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15

Blythe, Joan. "Edwin D. Craun, Lies, Slander, and Obscenity in Medieval English Literature: Pastoral Rhetoric and the Deviant Speaker." Yearbook of Langland Studies 13 (January 1999): 220–27. http://dx.doi.org/10.1484/j.yls.2.302698.

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16

Blake, Katherine E. "Urban Burial Reform in William Wordsworth’s “Village Churchyard”." Nineteenth-Century Literature 74, no. 3 (2019): 279–304. http://dx.doi.org/10.1525/ncl.2019.74.3.279.

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Katherine E. Blake “Urban Burial Reform in William Wordsworth’s ‘Village Churchyard’” (pp. 279–304) This essay looks at the relationship between space and class in nineteenth-century English burials in order to shed new light on William Wordsworth’s Essays upon Epitaphs (1810, 1876) and “The Brothers” (1800). While Wordsworth’s work dwells on pastoral images of burial, I argue that his representations in fact align more closely with the cultural practices and values underpinning urban burial conventions. Through his representation of burial space, Wordsworth’s work plays out urban concerns abo

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Menghistu, Habtamu Taddele, Amanuel Zenebe Abraha, Girmay Tesfay, and Gebrehiwot Tadesse Mawcha. "Determinant factors of climate change adaptation by pastoral/agro-pastoral communities and smallholder farmers in sub-Saharan Africa." International Journal of Climate Change Strategies and Management 12, no. 3 (2020): 305–21. http://dx.doi.org/10.1108/ijccsm-07-2019-0049.

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Purpose The purpose of this systematic review was to assess the determinant factors of climate change adaptation (CCA) in sub-Saharan Africa (SSA). Design/methodology/approach Studies that focused on determinant factors of CCA by crop–livestock farmers and pastoralists in SSA and written in English were reviewed from five major databases using the applications of Endnote and NVivo. The review process followed a sequence of steps to reach into the final selection. Findings A total of 3,028 papers were recovered from the databases and screened for duplicates (777) and publications before 2000 (2

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18

Stephens, Wendy. "Young Voices from the Field and Home Front: World War II as Depicted in Contemporary Children’s Literature." Children and Libraries 15, no. 3 (2017): 28. http://dx.doi.org/10.5860/cal.15.3.28.

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Promoting support for Allied Forces was a central theme of contemporary children’s literature in the eve of and during World War II; the body of work captures a surprisingly complex and conflicted view of armed conflict and nationhood.Amid the expected imperatives that American children scavenge scrap metal for war bonds and cozy stories of English children evacuated to safety in North America, there is nostalgia for pastoral Russia and an unabashed celebration of the Soviet collective effort. In one of the most charged depictions, a pair of dachshunds forced to wear Nazi uniforms outwit their

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Saif, Mohammad. "Modernism and Romanticism: A Comparative Study of the Selected Poems of W.B. Yeats and John Keats." SMART MOVES JOURNAL IJELLH 7, no. 6 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i6.8849.

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Romantic poetry was especially concerned with the themes of country life which is also known as pastoral poetry; moreover it also employed mythological and fantastic settings. Romanticism focuses more on the individual than society. The Romantics were fascinated especially by the individual imagination and individual consciousness. “Melancholy” was quite the exhortation for the Romantic poets. A firm loosening of the persistent rules of artistic expression, during earlier times, was observed in the Romantic era. In English literature, modernism has its roots in 19th and 20th century; the

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20

Patterson, Annabel. "Sukanta Chaudhuri. Renaissance Pastoral and its English Developments. Oxford: Clarendon Press, 1989. ix + 487 pp. $84." Renaissance Quarterly 44, no. 1 (1991): 171–73. http://dx.doi.org/10.2307/2862434.

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21

Déléris, Alban. "Les vies françaises de l’Arcadia : du roman de Sir Philip Sidney à ses adaptations dramatiques en France." Renaissance and Reformation 40, no. 3 (2017): 133–56. http://dx.doi.org/10.33137/rr.v40i3.28739.

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Dans les années 1580, Sir Philip Sidney s’attelle à l’écriture de son oeuvre majeure, l’Arcadia, vaste roman pastoral dont la composition inachevée s’étale sur plusieurs années, et la publication posthume. Sa diffusion à l’étranger, et notamment en France, est rapide et l’Arcadia fait en effet l’objet dès le début du XVIe siècle de plusieurs traductions, grâce à plusieurs érudits français qui n’hésitent pas à traverser la Manche pour affiner leur compréhension de la langue anglaise. Par ailleurs, le roman pastoral est adapté à trois reprises sur les scènes françaises, entre le tout début du XV

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22

Upchurch, Robert K. "For Pastoral Care and Political Gain: Ælfric of Eynsham's Preaching on Marital Celibacy." Traditio 59 (2004): 39–78. http://dx.doi.org/10.1017/s0362152900002531.

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Writing early in the last decade of the tenth century, the Anglo-Saxon monk Ælfric begins his Second Series ofCatholic Homilieswith a sermon for Christmas Day. The second of five Old English sermons he wrote for the Nativity, it combines dense doctrinal matters with concrete advice about how Christians should commemorate the birth of Christ. After discussing Christ's Incarnation and Virgin Birth, and the Old Testament prophecies anticipating his appearance, Ælfric concludes the sermon with a series of instructions directing believers how to conduct themselves at Christmas. Of particular intere

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23

Rizzi, Giovanni. "African and Rwandan Translations of the Bible." Między Oryginałem a Przekładem 27, no. 3(53) (2021): 85–102. http://dx.doi.org/10.12797/moap.27.2021.53.05.

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The article offers a concise presentation of the project linked to the Library Fund of the Pontifical Urbaniana University, namely, to study the inculturation of the Christian faith by relating the documentation on the editions of the Bible to the catechisms in the territories entrusted to the pastoral care of the Congregation for Evangelization of peoples. The vastness of the project itself is marked today by the difficulty of using more extensive documentation than that present in the Fund of the same Library. However, more limited segments of the indicated material of interest can already b

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24

Kruger, Liam. "World, Class, Tragicomedy: Johannesburg, 1994." College Literature 50, no. 2-3 (2023): 349–82. http://dx.doi.org/10.1353/lit.2023.a902222.

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Abstract: Marlene van Niekerk's 1994 Triomf is a plaasroman , or farm novel, without the farm; it formally resembles a nostalgic pastoral genre initiated by the collapse of Southern African agricultural economy around the time of the Great Depression, but removes even the symbol of the farm as aesthetic compensation for material loss. In the process, van Niekerk composes a post-apartheid tragicomedy of a lumpenproletariat white supremacist family coming into long-belated class consciousness, an epiphany which, surprisingly, survives the novel's translations from Afrikaans to South African Engl

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25

Sokolov, Danila. "Mary Wroth, Ovid, and the Metamorphosis of Petrarch." Modern Language Quarterly 81, no. 1 (2020): 1–31. http://dx.doi.org/10.1215/00267929-7933063.

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Abstract The language of arboreal metamorphosis in Lady Mary Wroth’s pastoral song “The Spring Now Come att Last” from Pamphilia to Amphilanthus (1621) may invoke the myth of Apollo and Daphne. However, the Ovidian narrative so central to Petrarchan poetics celebrates the male poet by erasing the female voice. This essay instead explores parallels between Wroth’s poem and the metamorphosis of the Heliades, who turn into poplars while mourning their brother Phaeton in book 2 of the Metamorphoses. Their transformation is predicated on an act of female speech, however precarious and evanescent. T

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Saifulloh, Ahmad Iklil. "Ecocriticsm as the Development of Teaching Materials in Literary Theories and Appreciation Courses." International Journal of English Education and Linguistics (IJoEEL) 3, no. 1 (2021): 1–9. http://dx.doi.org/10.33650/ijoeel.v3i1.1752.

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Eco Criticism or known as Literary Ecology which was popularized by Greg Gerrad has become a rare scientific discourse if it synergizes with the Indonesian character of education which is one of the educational pillars of the ministry of education. The resonance of these two scientific clumps between environment and literature to be the main topic promoted to realize the value of character education no 16 which is concerned about environment. To achieve this goal, this research using research and development by Plomp in order to form a form of book materials of Eco criticism as applied literar

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Zatorska, Izabella. "Le mythe de Paul et Virginie à travers trois romans francophones de l’océan Indien." Romanica Wratislaviensia 65 (August 4, 2020): 169–83. http://dx.doi.org/10.19195/0557-2665.65.14.

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Ex oriente lux? From the Southern Tropics in any case, since certain myths from former times, forgotten and buried under indifference, come back to us rejuvenated and transformed. In this article, we treat one myth — ‘myth’ given the extent of its cultural hypertext — which arose, strangely but almost necessarily, in an ancient French colony: the Île-de-France (Mauritius). It may seem fairly obvious that Paul and Virginie (hero and heroine of Bernardin de Saint-Pierre’s eponymous novel) should have returned to haunt the literature of the Île-de-France and her “sister island”, La Réunion. We ex

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Heffernan, Megan. "Inventories and Invention: Material Exchange and Literary Value in Englands Helicon." Huntington Library Quarterly 85, no. 4 (2022): 621–42. http://dx.doi.org/10.1353/hlq.2022.a920283.

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abstract: It is well known that collections like Richard Tottel's Songes and Sonettes (1557) were retrospectively classified as miscellanies, as both the lexicon and the conceptual categories for multiauthor books were still being developed in sixteenth-century England. "Miscellany" and "anthology" are bibliographic back-formations, impositions of modern ideals of authorship and coherence on to collections that mix the labors of compilers and poets. This essay asks what histories of production and reception have been hidden by continuing to read Elizabethan poetry books as miscellanies. In par

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Salvadori (book author), Corinna, Peter Brand (book author), Richard Andrews (book author), and Pamela Arancibia (review author). "Overture to the Opera. Italian Pastoral Drama in the Renaissance. Poliziano’s Orfeo and Tasso’s Aminta with Facing English Verse Translations." Quaderni d'italianistica 34, no. 2 (2014): 178–79. http://dx.doi.org/10.33137/q.i..v34i2.21046.

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Mantello, F. A. C., and Joseph Goering. "Robert Grosseteste'sQuoniam Cogitatio, A Treatise on Confession." Traditio 67 (2012): 341–84. http://dx.doi.org/10.1017/s0362152900001392.

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This brief, popular work on confession, here for convenience abbreviated asQC, is ascribed to Robert Grosseteste (ca. 1168–1253), bishop of Lincoln (1235–53), in most of the known manuscripts, and circulated within many copies of collections of his sermons, in association with other texts by him, or on its own. This text enjoyed a very wide readership, as there are presently known to be thirty-six manuscripts of it (see below), all in English hands, of which eleven were copied in the thirteenth century (see MSS C,Cs, G,Gv, Hk, Js, Pt, R7, R9, U, andZ, below). Twenty-seven of these thirty-six c

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31

Sheils, William. "Nature and Modernity: J. C. Atkinson and Rural Ministry in England c. 1850–1900." Studies in Church History 46 (2010): 366–95. http://dx.doi.org/10.1017/s0424208400000711.

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The impact of industrialization and urbanization in the second half of the nineteenth century, and the Churches’ responses to it, in terms of meeting pastoral needs and devotional impulses, has produced an extensive literature since Owen Chadwick’s magisterial study of forty years ago. Much of that has focussed on the social mission of the Church, but the publication of Darwin’s Origin of Species and the rapid transformation of parts of the physical landscape following industrialization and urbanization in the later nineteenth century also raised issues about humanity’s relationship to the nat

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Bravo Lozano, Cristina. "Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644)." Sederi, no. 27 (2017): 195–211. http://dx.doi.org/10.34136/sederi.2017.9.

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The Irish Mission was created in 1610, under the sponsorship of the Spanish monarchy, to preserve Catholicism in the British Isles. The training of priest and friars was heavily reliant on the use of bibliographic material. Short manuscripts, books and printed writings were supplementary tools for the missionaries’ confessional work. Their pastoral duty could not be completed without access to readings and sermons. All these resources had to be smuggled as part of other merchandise to avoid the English control. The supply of doctrinal and theological works, chiefly from the Iberian Peninsula a

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Lanada, Jose Ariel, and Kate Culligan. "The experiences of internationally educated nurses who joined the nursing workforce in England." British Journal of Nursing 33, no. 2 (2024): 78–84. http://dx.doi.org/10.12968/bjon.2024.33.2.78.

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Objectives: There is limited literature on the experiences of internationally educated nurses (IENs) who have joined NHS trusts in England in the past 20 years. The objectives of this integrative review included exploring and analysing the experiences of IENs in the NHS in England and identifying the cultural, pastoral and training needs of IENs during their first 2 years working in England and providing research-informed recommendations to better support IENs. Design: An integrative review of primary research studies using quantitative, qualitative, and mixed methods of data collection. Data

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Fulk, R. D. "Passive Constructions in Old English Translations from Latin, with Special Reference to the OE Bede and the "Pastoral Care.". Matti Kilpiö." Speculum 67, no. 1 (1992): 169–71. http://dx.doi.org/10.2307/2863786.

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Comito, Terry. "Peter Lindenbaum. Changing Landscapes: Anti-Pastoral Sentiment in the English Renaissance. Athens, Ga.-London: University of Georgia Press, 1986. xi + 234 pp. $27.50." Renaissance Quarterly 41, no. 2 (1988): 349–52. http://dx.doi.org/10.2307/2862233.

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Dorré, Gina Marlene. "HORSES AND CORSETS: BLACK BEAUTY, DRESS REFORM,AND THE FASHIONING OF THE VICTORIAN WOMAN." Victorian Literature and Culture 30, no. 1 (2002): 157–78. http://dx.doi.org/10.1017/s1060150302301086.

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WHEN ENGLISHWOMAN ANNA SEWELL died in 1878 of an indeterminate chronic illness, she left a modest note among her papers which read: “I have for six years been confined to the house and to my sofa, and have from time to time, as I was able, been writing what I think will turn out a little book, its special aim being to induce kindness, sympathy and an understanding treatment of horses” (qtd. in Chitty 178). Published in 1877 just months before her death, the “little book” that Sewell wrote proved to be the sixth most popular work printed in the English language1; she entitled it Black Beauty: T

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Lanada, Jose Ariel, and Kate Culligan. "The experiences of internationally educated nurses who joined the nursing workforce in England." Practice Nursing 35, no. 3 (2024): 92–98. http://dx.doi.org/10.12968/pnur.2024.35.3.92.

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The number of internationally educated nurses working in the NHS has skyrocketed over the past three decades. This study examines their experiences of working and living in England Objectives: There is limited literature on the experiences of internationally educated nurses (IENs) who have joined NHS trusts in England in the past 20 years. The objectives of this integrative review included exploring and analysing the experiences of IENs in the NHS in England and identifying the cultural, pastoral and training needs of IENs during their first 2 years working in England and providing research-in

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Blythe, Joan. "Lies, Slander, and Obscenity in Medieval English Literature: Pastoral Rhetoric and the Deviant Speaker. Edwin D. CraunThe Culture of Slander in Early Modern England. M. Lindsay Kaplan." Modern Philology 99, no. 1 (2001): 80–87. http://dx.doi.org/10.1086/493034.

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Morton, John. "Wordsworth's Death and the Figure of the Poet in 1850." Victoriographies 12, no. 1 (2022): 98–114. http://dx.doi.org/10.3366/vic.2022.0449.

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This article will consider the extent and nature of the celebrity of the Poet Laureate William Wordsworth, who died in 1850. Ostensibly the most famous English poet alive in that year, on his death on 23 April 1850, Wordsworth had been Poet Laureate for just over seven years and had been actively producing verse since 1793. Shortly after his death, his longest poem, now considered a masterpiece of autobiographical epic, The Prelude, was published; one could easily assume that the death of such a major poet coupled with the publication of one of his most significant works would dominate the lit

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40

Plaschka, Oliver. "31. Das pastorale Motiv in der englischen und amerikanischen fantastischen Literatur – H.P. Lovecraft, James Branch Cabell, Mervyn Peake, William Gibson [The pastoral theme in English and American fantastic literature – H.P. Lovecraft, James Branch Cabell, Mervyn Peake, William Gibson]." English and American Studies in German 2009, no. 2010 (2010): 54–55. http://dx.doi.org/10.1515/9783484431225.54.

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Fergusson, Peter, and Stuart Harrison. "The Rievaulx Abbey Chapter House." Antiquaries Journal 74 (March 1994): 211–55. http://dx.doi.org/10.1017/s0003581500024434.

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The chapter house (figs, i, 2) is the most puzzling of the buildings that survive at Rievaulx Abbey, North Yorkshire — the Cistercians's first foundation in the north of England. A reconstruction based on the ruined remains shows a two storey interior supported on cylindrical columns, lower flanking aisles, and an apsed termination with a hemicycle and surrounding ambulatory (figs. 3, 4). No other chapter house in England or France shares these features. As a consequence the building has been ignored in the literature for the most part, or drawn criticism on account of its divergence from Cist

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Brewer, Derek. "Lies, slander, and obscenity in medieval English literature. Pastoral rhetoric and the deviant speaker. By Edwin D. Craun. (Cambridge Studies in Medieval Literature, 31.) Pp. xiii+257. Cambridge: Cambridge University Press, 1997. £35. 0 521 49690 X." Journal of Ecclesiastical History 50, no. 3 (1999): 548–616. http://dx.doi.org/10.1017/s0022046999492280.

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Paterson, Ronan. "Utopia, Arcadia and the Forest of Arden." Multicultural Shakespeare: Translation, Appropriation and Performance 26, no. 41 (2022): 147–64. http://dx.doi.org/10.18778/2083-8530.26.09.

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In Utopia (1516) Thomas More created a humorous world with a serious purpose. His invented republic was a place where existing conventions and structures did not exist, allowing the positing of alternatives. The creation of alternative worlds which satirise or critique contemporary society is a technique employed by writers in most genres, in most periods and in most cultures. More’s work is interesting for us in this context at least in part because of the likelihood that Shakespeare was familiar with it. When he created The Forest of Arden in As You Like It, for some of the characters there

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Chernokova, Yevheniya S. "THE ESSENCE OF AN IMAGE IN ENGLISH-AMERICAN IMAGISM: SINGULAR VERSUS UNIVERSAL." Alfred Nobel University Journal of Philology 1, no. 25 (2023): 8–19. http://dx.doi.org/10.32342/2523-4463-2023-1-25-1.

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The paper is aimed at filling the gap in learning the formative image peculiarities of the English and American Imagistic poetry by analyzing the correspondence of the internal and the external and their correlation. This is where the answer lies, why T.S. Eliot called Imagism “an opening salvo” of English/ American Modernist poetry. It also explains the reason for a long-term effect of this short-term “school” in the English poetry of the twentieth century. Imagism hasn’t left any extended or profound theory as far as the criteria for producing “hard, dry images” (T.E.Hulme) are concerned. Si

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Maroshi, V. V. "Gothic beetle: a comment on one of Pushkin’s allusions." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 66–79. http://dx.doi.org/10.17223/18137083/72/5.

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The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearance of a “buzzing beetle” in his translation of T. Gray’s “Elegy Written in a Country Churchyard.” The landscape of the 15th stanza of the novel is rep

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Gear, Rebekah Charlotte, and Krishan Kumar Sood. "School Middle Leaders and Change Management: Do They Need to Be More on the “Balcony” than the Dance Floor?" Education Sciences 11, no. 11 (2021): 753. http://dx.doi.org/10.3390/educsci11110753.

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The term “middle leader” in the context of English education has evolved into an overarching title to describe a leadership position for practitioners who have school wide responsibilities in addition to their classroom duties. Such responsibilities can consist of pastoral leadership; curriculum leadership; leadership of additional student support; leadership of a team or phase and leadership of a specific school improvement priority. Educational middle leadership is founded on the notion of bringing together the duty of contributing to a strategic leadership remit whilst remaining firmly with

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GREENBERG, UDI. "ERNST CASSIRER'S MOMENT: PHILOSOPHY AND POLITICS." Modern Intellectual History 10, no. 1 (2013): 221–31. http://dx.doi.org/10.1017/s1479244312000431.

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The emergence of the German Jewish philosopher Ernst Cassirer (1874–1945) as the object of scholarly attention has been both surprising and rapid. In the decades since his early death while in exile in the United States, Cassirer never fell into complete oblivion. His works remained known to specialists in German intellectual history; his participation in a famous 1929 debate with Martin Heidegger in Davos, Switzerland, one of the most iconic moments in modern Continental thought, made his name familiar to most students of modern philosophy. Yet Cassirer lacked the widespread recognition given

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Freer, Coburn. "Joseph Loewenstein. Responsive Readings: Versions of Echo in Pastoral, Epic, and the Jonsonian Masque. (Yale Studies in English, 192.) New Haven-London: Yale University Press, 1984. xii + 191 pp. $17.50." Renaissance Quarterly 40, no. 1 (1987): 181–83. http://dx.doi.org/10.2307/2861872.

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Cottrell, Jill. "The Functions of the Law of Torts in Africa." Journal of African Law 31, no. 1-2 (1987): 161–84. http://dx.doi.org/10.1017/s0021855300009311.

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Professor Allott observed nearly a quarter of century ago:“There can be no justification (other than inertia) for the continued application of the unreformed English law of torts in modern African countries”.There is no doubt that he was right; there is equally no doubt that it is still substantially the unreformed law which is applied. Certainly there has been very little in the way of legislative change. This paper is not concerned mainly with this question, but with what uses African litigants and their lawyers have found for this exotic field of law, and also, to some extent, with the furt

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Jasper, David. "The Artist and Religion in the Contemporary World." Text Matters, no. 1 (November 23, 2011): 216–27. http://dx.doi.org/10.2478/v10231-011-0016-5.

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Although we begin with the words of the poet Henry Vaughan, it is the visual artists above all who know and see the mystery of the Creation of all things in light, suffering for their art in its blinding, sacrificial illumination. In modern painting this is particularly true of van Gogh and J.M.W. Turner. But God speaks the Creation into being through an unheard word, and so, too, the greatest of musicians, as most tragically in the case of Beethoven, hear their sublime music only in a profound silence. The Church then needs to see and listen in order, in the words of Heidegger, to learn to "d

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