Relevant bibliographies by topics / English poetry (collections), 19th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'English poetry (collections), 19th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "English poetry (collections), 19th century"

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Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This art
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Šeļa, Artjoms, Petr Plecháč, and Alie Lassche. "Semantics of European poetry is shaped by conservative forces: The relationship between poetic meter and meaning in accentual-syllabic verse." PLOS ONE 17, no. 4 (2022): e0266556. http://dx.doi.org/10.1371/journal.pone.0266556.

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Recent advances in cultural analytics and large-scale computational studies of art, literature and film often show that long-term change in the features of artistic works happens gradually. These findings suggest that conservative forces that shape creative domains might be underestimated. To this end, we provide the first large-scale formal evidence of the association between poetic meter and semantics in 18-19th century European literatures, using Czech, German and Russian collections with additional data from English poetry and early modern Dutch songs. Our study traces this association thr
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Wenjuan, Tian. "TWO ORIENTALISMS: THE ROLE OF ORIENTAL DICTION IN G. G. BYRON’S THE BRIDE OF ABYDOS AND I. I. KOZLOV’S RUSSIAN TRANSLATION." Russkaya literatura 2 (2021): 50–53. http://dx.doi.org/10.31860/0131-6095-2021-2-50-53.

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«Oriental diction» is an important exotic element of Byron’s poem The Bride of Abydos. Using Oriental words that jarred with English poetry of early 19th century, and accompanying them with extensive notes, Byron gave his poem an experimental and scholarly character. While translating the English poem into Russian, I. I. Kozlov chose a creative approach to the problem of reproducing the Oriental diction (the exotic and bizarre words, style and poetics were somewhat downplayed), the reasons being the originality of the Russian culture of the early 19th century and Kozlov’s own literary taste.
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Ūsaitytė, Jurgita. "Personal Collections of Texts from the Second Half of the 19th Century along with Their Historical Context." Tautosakos darbai 55 (June 25, 2018): 107–33. http://dx.doi.org/10.51554/td.2018.28501.

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The subject of the article comprises Lithuanian collections of texts from the second half of the 19th century, compiled by individuals of peasant origins and preserved at the Lithuanian Folklore Archives. The research involves over 40 of such collections, in which part or majority of the inscriptions consist of poetic pieces: personal poetic compositions or folksongs chiefly selected from printed sources of the time. The analysis in the article focuses on the contents of these texts, describing various components of their repertoire, attempting at establishing and identifying the sources, from
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Peric, Djordje. "The life and forgotten poetry collections of Danica-Zorka Raskovic." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 81 (2015): 129–46. http://dx.doi.org/10.2298/pkjif1581129p.

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The paper discusses a little-known Serbian poetess from the second half of the 19th century, Danica-Zorka Raskovic (1849-1910). Based on archival research and a lot of new information, it also features her compiled biography. All her poetical works which she wrote between ages 17 and 19 are presented in the text. They include: Eulogy (Slavopoj, two collections, 1866, 1867), Euphony (Milosplet, 1868) and Elegy (Tugospev, 1868). The last book, Elegy, composed as an integral work, is an attempt at writing an epic. Eulogy celebrates the 50th anniversary of the Principality of Serbia (1815-1865), g
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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyze
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Saif, Mohammad. "Modernism and Romanticism: A Comparative Study of the Selected Poems of W.B. Yeats and John Keats." SMART MOVES JOURNAL IJELLH 7, no. 6 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i6.8849.

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Romantic poetry was especially concerned with the themes of country life which is also known as pastoral poetry; moreover it also employed mythological and fantastic settings. Romanticism focuses more on the individual than society. The Romantics were fascinated especially by the individual imagination and individual consciousness. “Melancholy” was quite the exhortation for the Romantic poets. A firm loosening of the persistent rules of artistic expression, during earlier times, was observed in the Romantic era.
 In English literature, modernism has its roots in 19th and 20th century; the
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Lootens, Tricia. "BENGAL, BRITAIN, FRANCE: THE LOCATIONS AND TRANSLATIONS OF TORU DUTT." Victorian Literature and Culture 34, no. 2 (2006): 573–90. http://dx.doi.org/10.1017/s1060150306051321.

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To a far greater degree than many of us have yet realized, late-nineteenth-century women's poetry may be a poetry of alien homelands: of cultural spaces, that is, in which the domestic proves alien, even as technically alien territory comes to represent some form of home. And partly for this reasosn, to explore poetry in English may require moving not only beyond Britain, but also beyond English itself. Think, for example, of Christina Rossetti, who composed poems in Italian; of Mathilde Blind, with her German accent and translation of the French edition of theJournal of Marie Bashkirtseff; of
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Arnaud, René. "The development of the progressive in 19th century English: A quantitative survey." Language Variation and Change 10, no. 2 (1998): 123–52. http://dx.doi.org/10.1017/s0954394500001265.

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ABSTRACTThe prodigious expansion of the progressive (be + ingperiphrastic form, wherebeis at the same time the copula and a statement of existence) was a major feature of the modernization of the English verb system in the 19th century, when its frequency quadrupled. A survey (1787–1880) of the collections of private letters from 22 people, most of them famous writers, reveals that linguistic factors played a relatively small quantitative role in this development, whereas a clear correlation is found with two sociolinguistic factors: gender and intimacy. Frequencies are consistently higher for
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JEFFRIES, NIGEL, and NICHOLAS MAJOR. "Mid 17th- and 19th-century English wine bottles with seals in London’s archaeological collections." Post-Medieval Archaeology 49, no. 1 (2015): 131–55. http://dx.doi.org/10.1179/0079423615z.00000000075.

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Dissertations / Theses on the topic "English poetry (collections), 19th century"

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Jung, Sandro. "The poetic fragment in the long eighteenth century." Thesis, University of Wales Trinity Saint David, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683194.

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Emig, Rainer. "The end of modernism in English poetry." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.

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'End' as 'goal' and 'limit' is explored in signs, symbols, metaphors, metonymies, and myths in the works of G.M. Hopkins, Yeats, Eliot, and Pound, before the study examines the aesthetics of modernist poetry which - through psychoanalysis, economy, and language philosophy - presents itself as one facet of the 'modernist project'. Modernist poetry struggles with its material, the lacking motivation of signs, the unstable connection of signifier and signified. Already in Hopkins this creates tensions between mimetic endeavour and construction. Appropriation and distancing as compensation strateg
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Maxwell, Catherine. "Looking and perception in nineteenth century poetry." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:8f4ff9be-6c07-4060-b777-6a7402d024c7.

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The thesis examines a series of nineteenth century poets whose poems are concerned with complex relations of looking and perception, and concentrates on Shelley and the poets he influenced: Browning, Rossetti, Swinburne, and Hardy. It focusses on poems dealing with the visual arts and aesthetic modes of perception, and concludes with a study of Walter Pater - an unrecognised follower of Shelley - and his notions of artistic character. An emphasis on the way face and bodily form are scrutinised, in poems concerning painting, sculpture and portraiture, leads to the hypothesis that the way the po
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Williams, Thomas Richard. "Plural perspectives in the social observation of John Clare." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9076.

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My thesis examines social observation in the poetry of John Clare, focusing on his work in the years before he was committed to an asylum in 1837. The project illuminates a plurality of perspectives in his poetry that has not been fully recognized in previous critical studies. It resituates the conventional scholarly approach to Clare, which has been preoccupied by an overly oppositional conception of the ‘two cultures’ that he inhabited: the oral and the literary. My thesis positions him as an intellectually curious seeker whose poetry is invigorated by his experience of different value syste
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Pascolini-Campbell, Claire. "François Villon in English : translation and cross-cultural poetic influence." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11827.

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This thesis argues that François Villon becomes a significant, but overlooked, influence in the tradition of English poetry, and that this influence reveals itself in translations, adaptations, and responses to his work. By focusing on the way in which numerous high profile poets in the United Kingdom and the United States have reacted to Villon, this study will posit that the reasons behind the appeal of his oeuvre as a source text lie both in the protean nature of his narrative voice and in the myth of his life. The inter-lingual intertextual relationships established through translation and
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Moore, Natasha Lee. "The unpoetical age : modern life and the mid-Victorian long poem." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.

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Louw, Denise Elizabeth Laurence. "A literary study of paranormal experience in Tennyson's poetry." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002292.

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My thesis is that many of Tennyson's apparently paranormal experiences are explicable in terms of temporal lobe epilepsy; and that a study of the occurrence, in the work of art, of phenomena associated with these experiences, may be useful in elucidating the workings of the aesthetic imagination. A body of knowledge relevant to paranormal experience in Tennyson's life and work, assembled from both literary and biographical sources, is applied to a Subjective Paranormal Experience Questionnaire, compiled by Professor V.M. Neppe, in order to establish the range of the poet's apparently "psychic"
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Friedlander, Keith. "Born In a Crowd: Subjecthood Across Authorial Modes In the Nineteenth-Century Writer's Market." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35054.

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This dissertation examines representations of authorship and subjecthood in the Romantic period as products of market position and publishing mode. In doing so, it views the traditional concept of Romantic individualism commonly associated with the solitary poet as a strategy developed to help the author navigate a complex writer’s market. Rather than focusing upon individualism as the defining authorial model for this period, however, my project presents it as one example of a diverse range of representational strategies employed by different authors operating from different positions within
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Louw, Denise Elizabeth Laurence. "A study of the numinous presence in Tennyson's poetry." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.

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From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been so
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McDermott, Lydia Eva. "Gerard Manley Hopkins's poetic art as "current language heightened" : (with reference to selected sonnets and in the light of contemporary stylistic theory)." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1002019.

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The aim of this thesis is twofold: To examine Hopkins's writings on poetics and to relate these to modern theories of poetic stylistics; and to show, through an examination of two sets of Hopkins sonnets, the ways in which Hopkins's writings on language and poetics are reflected in his verse (Introductory outline, p. 5)
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Books on the topic "English poetry (collections), 19th century"

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Paul, Negri, ed. English Victorian poetry: An anthology. Dover Publications, 1999.

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1920-1988, Fletcher Ian, ed. British poetry and prose, 1870-1905. Oxford University Press, 1987.

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Serrell, Thomas Donald, ed. The Everyman book of Victorian verse: The post-Romantics. J.M. Dent, 1992.

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B, Ricks Christopher, ed. The new Oxford book of Victorian verse. Oxford University Press, 1990.

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B, Ricks Christopher, ed. The New Oxford book of Victorian verse. Oxford University Press, 1994.

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1960-, Ramazani Jahan, Ellmann Richard 1918-, and O'Clair Robert, eds. The Norton anthology of modern and contemporary poetry. 3rd ed. W.W. Norton, 2003.

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1941-, Karlin Daniel, ed. The Penguin book of Victorian verse. Allen Lane/The Penguin Press, 1997.

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Valentine, Cunningham, ed. The Victorians: An anthology of poetry & poetics. Blackwell Publishers, 2000.

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Isobel, Armstrong, Bristow Joseph, and Sharrock Cath, eds. Nineteenth-century women poets: An Oxford anthology. Clarendon Press, 1996.

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B, Ricks Christopher, ed. The new Oxford book of Victorian verse. Oxford University Press, 2008.

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Book chapters on the topic "English poetry (collections), 19th century"

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Hertel, Ralf, and Peter Hühn. "19th Century Middle to Late: Victorianism." In English Poetry in Context: From the 16th to the 21st Century. Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20511-0.04.

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Hertel, Ralf, and Peter Hühn. "18th and 19th Centuries: From the Augustan Age to Romanticism." In English Poetry in Context: From the 16th to the 21st Century. Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20511-0.03.

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"Poetry: American—19th Century." In Reader's Guide to Literature in English. Routledge, 2012. http://dx.doi.org/10.4324/9780203303290-67.

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"Kongzhai in 19th- and 20th-Century Local Gazetteers and Poetry Collections." In The Aura of Confucius. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781009029681.007.

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"18th, 19th & Early 20th Century Criticism." In Pre-Romanticism in English Poetry of the Eighteenth Century. Bloomsbury Academic, 1989. http://dx.doi.org/10.5040/9781350388246.part-001.

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Caldwell, Tanya M. "Translation." In The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930259.003.0025.

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Abstract Poetic translation in seventeenth-century Britain reflects major cultural shifts as poets negotiated the relationship of the past to the present in the face of monarchical crisis, questions of national identity, women’s increasing leverage over literary production, and an emerging literary marketplace. The first part of this chapter focuses on early Stuart translations, in particular George Chapman’s Ovid. The second part addresses royalist nostalgia at mid-century as expressed through translation of Virgil, Ovid, and Lucretius. At the heart of this section is Lucy Hutchinson’s translation of Lucretius, which ultimately transcends traditional associations of politics, class, and gender. The final section considers the post-Restoration decades and surveys the organic changes in literary production over the century. The miscellany collections that juxtapose translations and original poems embody new practices in poetic composition and production. The key figure here is John Dryden, who developed English literary criticism through his prefatory essays on translation and whose Fables marks the end of an age.
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"Poetic Manuscripts." In The Oxford History of Poetry in English, edited by Julia Boffey and A. S. G. Edwards. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198839682.003.0008.

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Abstract This chapter examines the various forms in which the manuscripts of fifteenth-century poetic texts were produced. It describes the rapidly expanding commercial markets for such texts initially as they circulated in London and subsequently regionally. It also examines other forms of poetic production in religious houses and households as well as those that appear in collections made for personal use. The emergence of the single-poem and single-author manuscript form is explored, as well as the continuing development of earlier forms such as the anthology and more miscellaneous compilation. The chapter concludes with discussion of the relationship between manuscript production and the newly emerging print culture.
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O’Callaghan, Michelle. "Poetic Miscellanies in Manuscript and Print." In The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930259.003.0010.

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Abstract The term ‘miscellany’ slowly and unevenly came into usage across the seventeenth and eighteenth centuries in its modern sense to refer to a book compiled of literary compositions of various kinds and by multiple authors. Looking across early modern miscellanies, it is noticeable that there was no fixed formula or structure in either manuscript or print. Instead, miscellanies are distinguished by an instructive diversity of practice, whether in relation to organising principles, attribution of authorship, or skill. Manuscript verse miscellanies flourished alongside printed collections in the seventeenth century and were produced at universities, the Inns of Court, and in households, both elite and non-elite. Although the history of miscellany production is not evolutionary, progressing incrementally towards stability as a class of books, looking across the seventeenth century, it is possible to see shifts in how miscellanies are framed, the types of poetry they collect, practices of attribution, and how readerships are imagined.
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Verweij, Sebastiaan. "Jacobean to Early Stuart." In The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930259.003.0003.

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Abstract This chapter reviews the potential for impact of a Scottish poetics on early-Stuart English literary culture around the succession of James VI/I (1603). It identifies four sites of convergence: first, a Jacobean poetics shaped by the pre-1603 court cultures of James VI; second, a Scottish Protestant poetry; third, the emergence of newly fashioned identities for poets and writers (the ‘Scoto-Britains’); and fourth, the interchange of books and manuscripts across the border, which also saw some Scottish poets in English printed collections, and the appearance of English and Scottish poetry alongside each other in manuscript verse anthologies. Much traditional criticism of seventeenth-century English poetry ignores what cultural imports the newly crowned king may have brought with him, and so this chapter argues that there was in fact a dynamic relationship between aspects of Scottish and English poetry and poetics.
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Parmar, Paresh C. "EXPLORING THE TIMELESS BEAUTY OF GERARD MANLEY HOPKINS' POETRY." In Research Trends in Language, Literature & Linguistics Volume 3, Book 5. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt5p1ch6.

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Gerard Manley Hopkins, a 19th- century English poet, is celebrated for his innovative and deeply expressive verse that has left an indelible mark on the world of literature. His unique style, marked by intricate language, vivid imagery, and profound spiritual themes, sets him apart from his contemporaries and continues to captivate readers even today. This article delves into the life, works, and enduring legacy of Gerard Manley Hopkins, a master of Victorian poetry.
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