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Books on the topic 'English poetry English poetry Romanticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Jamil, Tahir. Transcendentalism in English romantic poetry. New York, N.Y: Vantage Press, 1989.

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2

Jamil, Tahir. Transcendentalism in English romantic poetry. New York: Vantage Press, 1989.

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3

Unfettered poetry: Fancy in British Romanticism. New York: Palgrave Macmillan, 2006.

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4

Imdad, Husain. English romantic poetry & oriental influences. Lahore: REMA, 1994.

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5

Reading Romantic poetry. Hoboken, NJ: John Wiley & Sons, 2012.

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6

Aubrey, Bryan. English romantic poetry: An annotated bibliography. Pasadena, Calif: Salem Press, 1991.

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7

Beyond enchantment: German idealism and English romantic poetry. Philadelphia: University of Pennsylvania Press, 1986.

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8

Poetic form and British romanticism. New York: Oxford University Press, 1986.

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9

Curran, Stuart. Poetic form and British romanticism. New York: Oxford University Press, 1989.

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10

English romanticism: The human context. New York: W.W. Norton, 1988.

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11

Kumar, Nand. Romantic poetry: A study in satiric strain. New Delhi: Sarup & Sons, 1992.

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12

Mahoney, Charles. A companion to romantic poetry. Malden, MA: Wiley-Blackwell, 2011.

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13

A companion to romantic poetry. Malden, MA: Wiley-Blackwell, 2010.

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14

Wordsworth, William. Selected poetry. Oxford: Oxford University Press, 1997.

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15

Wordsworth, William. Selected poetry. Oxford: Oxford University Press, 2008.

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16

Wordsworth, William. Selected poetry. London: Penguin Books, 1992.

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17

Formal charges: The shaping of poetry in British romanticism. Stanford, Calif: Stanford University Press, 1997.

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18

D, Paley Morton. Apocalypse and millennium in English romantic poetry. Oxford: Clarendon Press, 1999.

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19

Romanticism and Zen Buddhism. Lewiston, N.Y: Edwin Mellen Press, 2004.

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20

D, Paley Morton. Apocalypse and millenium in English romantic poetry. New York: Clarendon Press, 1999.

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21

Watson, J. R. English poetry of the romantic period, 1789-1830. 2nd ed. London: Longman, 1992.

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22

Watson, J. R. English poetry of the Romantic period, 1789-1830. London: Longman, 1985.

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23

John, Keats. Lyric poems. New York: Dover Publications, 1991.

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24

Majestic indolence: English romantic poetry and the work of art. New York: Oxford University Press, 1995.

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25

The circle of our vision: Dante's presence in English romantic poetry. Oxford [England]: Clarendon Press, 1994.

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26

The Cambridge introduction to British romantic poetry. Cambridge: Cambridge University Press, 2012.

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27

Women, epic, and transition in British romanticism. Newark: University of Delaware Press, 2011.

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28

Hardy's early poetry: Romanticism through a "dark bilberry eye". Lanham, Md: Lexington Books, 2000.

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29

Malik, Ghulam Rasool. Iqbal and the English romantics. New Delhi: Atlantic Publishers & Distributors, 1988.

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30

Romanticism and improvisation, 1750-1850. Cambridge: Cambridge University Press, 2008.

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31

Young romantics: The tangled lives of English poetry's greatest generation. New York: Farrar, Straus and Giroux, 2010.

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32

Harold, Bloom, ed. English romantic poetry. Philadelphia: Chelsea House, 2004.

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33

1954-, Driver Paul, ed. Romantic poetry. London: Penguin, 1996.

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34

Partridge, Eric. Eighteenth-Century English Romantic Poetry. Kessinger Publishing, LLC, 2007.

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35

Partridge, Eric. Eighteenth-Century English Romantic Poetry. Kessinger Publishing, LLC, 2006.

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36

Duncan, Wu, ed. Romantic poetry. Oxford, U.K: Blackwell Publishing, 2002.

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37

Tedeschi, Stephen. Urbanization and English Romantic Poetry. Cambridge University Press, 2019.

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38

1953-, O'Neill Michael, and Mahoney Charles 1964-, eds. Romantic poetry: An annotated anthology. Malden, MA: Blackwell Pub., 2007.

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39

Woodring, Carl. Politics in English Romantic Poetry. Harvard University Press, 2014.

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40

Pre-Romanticism in English Poetry of the Eighteenth Century. Palgrave Macmillan, 1989.

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41

Rolf, Breuer, Huber W, and Schöwerling Rainer 1937-, eds. English romanticism: The Paderborn Symposium. Essen: Die Blaue Eule, 1985.

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42

Whitehead, James. Madness Writing Poetry/ Poetry Writing Madness. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0007.

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The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is considered in relation to criticism and the canonical role of Romanticism in English literature.

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43

Jonathan, Wordsworth, and Wordsworth Jessica, eds. The new Penguin book of romantic poetry. London: Penguin, 2001.

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44

The New Penguin Book of Romantic Poetry. Penguin (Non-Classics), 2003.

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45

Jonathan, Wordsworth, and Wordsworth Jessica, eds. The New Penguin book of romantic poetry. London: Penguin, 2003.

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46

(Editor), Jonathan Wordsworth, and Jessica Wordsworth (Editor), eds. The New Penguin Book of Romantic Poetry. Allen Lane, 2002.

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47

Poetry of the Romantics (Penguin Popular Classics). Penguin Books Ltd, 1996.

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48

Jones, Chris. Fossil Poetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824527.001.0001.

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Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and ‘invention’ of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on ‘early’ language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton’s apprehension of ‘deep time’ in his 1788 Theory of the Earth. Fossil Poetry argues that two phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of ‘constant roots’ whereby Anglo-Saxon is constructed to resemble, and so aetiologically to legitimize, a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the ‘extinct’ philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. A wide range of eighteenth- and nineteenth-century works of antiquarianism, philology, and Anglo-Saxon scholarship forms the evidential base that underpins the advancement of these two models for understanding the place of Anglo-Saxon in nineteenth-century poetry. New archival research and readings of unpublished papers by Tennyson, Whitman, and Morris is also presented here for the first time.

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49

Robinson, Jeffrey C. Unfettering Poetry: The Fancy in British Romanticism. Palgrave Macmillan, 2006.

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50

(Editor), Michael O'Neill, and Charles Mahoney (Editor), eds. Romantic Poetry: An Annotated Anthology (Blackwell Annotated Anthologies). Wiley-Blackwell, 2007.

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