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Dissertations / Theses on the topic 'English poetry – History and criticism – Theory, etc'

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Published: 4 June 2021

Last updated: 1 August 2024

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1

Bennett, Sarah. "The American contexts of Irish poetry, 1950-present." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.

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Rickey, Russell P. "Referentially speaking, generating meaning(s) in contemporary North American poetry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23476.pdf.

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3

Mogoboya, Mphoto Johannes. "African indentity in Es'kia Mphahlele's autobiographical and fictional novels : a literary investigation." Thesis, University of Limpopo, Turfloop Campus, 2011. http://hdl.handle.net/10386/972.

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Thesis (Ph.D. (English studies)) -- University of Limpopo, 2011<br>This thesis explores the theme of identity in Es’kia Mpha-hele’s fictional and autobiographical novels, with special attention given to the quest for the lost identity of Afri-can cultural and philosophical integrity. In other words, the revival of the core African experience and the efforts to preserve and promote things African. Mphahlele wrote most of his novels during the time when Africa was under colonial influence. His native land was under the abhorred apartheid system which sought to relegate the African expe-rience to

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4

McDermott, Lydia Eva. "Gerard Manley Hopkins's poetic art as "current language heightened" : (with reference to selected sonnets and in the light of contemporary stylistic theory)." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1002019.

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The aim of this thesis is twofold: To examine Hopkins's writings on poetics and to relate these to modern theories of poetic stylistics; and to show, through an examination of two sets of Hopkins sonnets, the ways in which Hopkins's writings on language and poetics are reflected in his verse (Introductory outline, p. 5)

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5

Marques, Pedro. "Olegario Mariano : o cliche nacionalista e a invenção das cigarras." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270146.

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Orientador: Orna Messer Levin<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-08T21:13:33Z (GMT). No. of bitstreams: 1 Marques_Pedro_D.pdf: 2233015 bytes, checksum: cf40cfc607c84d0de986bbba63783afb (MD5) Previous issue date: 2007<br>Resumo: Primeira parte: a introdução (¿Chegando o ouvido¿) propicia, a partir da fortuna critica do poeta, uma tomada aérea dos assuntos e juízos que serão aprofundados ou refutados. O segundo capítulo (¿Nacionalismo sim¿) avalia a poesia de Olegário Mariano na maior balança da lit

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6

董就雄. "屈大均詩學硏究 = Qu Dajun's poetics". HKBU Institutional Repository, 2004. http://repository.hkbu.edu.hk/etd_ra/551.

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7

Mackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm15821.pdf.

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Includes bibliographical references (leaves 246-258) Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels.

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8

Errington, Patrick. "In kind : the enactive poem and the co-creative response." Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/16857.

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How we approach a poem changes it. Recently, it has been suggested that one readerly approach - a bodily orientation characterised by distance, suspicion, and resistance - risks becoming reflexive, pre-conscious, and predominant. This use-oriented reading allows us to destabilise, denaturalise, dissect, defend, and define poetic texts through its manifestation in contemporary literary critique, yet it is coming to be regarded as the sole manner and mood of intelligent, intellectual engagement. In this thesis, I demonstrate the need to pluralise this attentive orientation, particularly when it

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9

Cheadle, Brian Douglas. "The idea of the golden world : a study of the nature of imaginative enlargement, with particular reference to Sir Philip Sidney." Thesis, 2015. http://hdl.handle.net/10539/16500.

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10

Hurley, Martin. "And the Word was made Flesh : Anthropomorphism in the poetry of W.H. Auden." Diss., 2016. http://hdl.handle.net/10500/22171.

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And the Word Was Made Flesh: Anthropomorphism in the poetry of WH Auden examines the reasons for the neglect of Auden’s prolific deployment of anthropomorphism by examining the poetry’s critical reception with a view to understanding what larger purpose, what ‘strategy of discourse’ (Ricoeur 2003, The Rule of Metaphor: 5-9), Auden may have had in mind when he revived a trope traditionally regarded as retrograde. Anxious not to be mistaken for a Modern, yet unable to find a social rhetoric to suit his purposes, Auden elected upon a new style of poetry which questioned the very foundations of l

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11

"清代廣東詩話研究". Thesis, 2007. http://library.cuhk.edu.hk/record=b6074390.

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Shi Hua is an important genre in the traditional Chinese literary criticism. The Qing dynasty (1644-1911) is the prime period of the composition of Shi Hua, the number of which amounts to a total of more than 1,000 works. Compared with other dynasties, this figure is unsurpassable. The study of Shi Hua usually focuses on one author, one school or one dynasty, and a large-scale research from the vision of area is rare. This dissertation aims to study the works of Shi Hua of the Guangdong Province in the Qing Dynasty. Starting to appear in the Ming dynasty (1368-1644), the works of Shi Hua of G

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12

"南北與分合: 陸游、元好問與宋、金詩歌史論述". 2013. http://library.cuhk.edu.hk/record=b5549690.

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在歷史上，南宋與金處於對峙狀態，兩方沒有文學與文化的交流，就詩歌而言，在當時是兩個獨立的詩壇，各自發展；但是在元、明以後的詩歌論述中，它們逐漸發生聯繫，最終被置於同一詩歌傳統中。究竟從分到合，是怎麼的一個過程？過程背後蘊含著甚麼文化及詩學觀念？<br>陸游（1125-1210）、元好問（1190-1257）是繼蘇軾、黃庭堅以後，最著名的古典詩人，分別代表南宋、金源詩學。他們的詩論與詩作都一直是學界關注的議題。由於他們分屬南宋、金源，兩方詩學互不關涉，近世學者遂視他們為彼此無關的詩人。無論是文學通史還是斷代文學史，都是南北各自論述，陸、元絶無關聯。<br>但是，筆者經研究發現，自元代以來，南宋、金詩便被關聯起來，不斷做對比與評價，而衡量標準實既牽涉到正統朔閏的政治問題，也涉及到詩學源流的審美問題。元初文人關注文化承傳，從時代政治判斷金詩優於南宋；明代復古派關注詩歌取徑，以兩者分屬中唐、晚唐，一概貶斥；而清代主變者關注詩學傳統，他們雖承認南宋、金詩並非正統，卻認同兩者值得取逕，甚至將兩者從中、晚唐傳統抽離，視之為杜詩傳統的發展。南宋、金詩地位提高之餘，更由兩個原來獨立的傳統，統合在同一脈絡之下。<br>元明以來，南宋、金詩的比較是詩歌史敘述重要的一環。歷代的評價環環相扣，側重點卻各有不同。這些側重點的差異正反映了論者論述南宋、金詩時用以參照系統的不同。從中，我們可看到陸游、元好問成為後

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13

"宋代詩論中以「味」論詩研究". 2004. http://library.cuhk.edu.hk/record=b6073869.

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錢澤紅.<br>目錄頁頁碼有誤, 頁碼271應為261.<br>論文(哲學博士)--香港中文大學, 2004.<br>參考文獻 (p. 238-260).<br>中英文摘要.<br>Mu lu ye ye ma you wu, ye ma 271 ying wei 261.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Qian Zehong.<br>Zhong Ying wen zhai yao.<br>Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2004.<

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14

Mackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels / Jeremy E. Mackinnon." Thesis, 2001. http://hdl.handle.net/2440/19791.

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Includes bibliographical references (leaves 246-258)<br>258 leaves ; 30 cm.<br>Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels.<br>Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001

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15

"從宋代詩話看杜甫詩的經典化". 2012. http://library.cuhk.edu.hk/record=b5549363.

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杜甫詩是中國古典文學的經典，其經典地位奠定於有宋一代。本文以宋代詩話為考察對象，分析文學批評和杜詩經典化的關係，主要內容如下：<br>首先，本文將討論文壇領袖對杜詩的讚賞，如何演化為整個文壇的普遍觀念。文中指出蘇軾和黃庭堅是杜詩的發明者，二人對杜詩的評價，得到宋詩話的熱烈回應，意義不斷得到擴展和深化，由個人詮釋演化為宋人的集體認知，從而確立了杜詩的典範性。蘇軾「一飯未嘗忘君」的評語，經由詩話的討論和闡釋，最終令杜詩得「詩中六經」的評價。黃庭堅「無一字無來處」的評語，也促使詩話研究杜詩出處和用事手法蔚為風氣，不僅確立了杜甫好用事的特徵，也使杜詩成為宋詩風格的模範。<br>其次，本文探討宋代政治和文化背景對宋人接受杜甫的影響。在「李杜優劣」此一議題上，杜詩得到凌駕李白的地位，批評家看重詩歌內容的社會意義多於藝術性，反映唐宋人期待視野的轉移。宋人對杜甫「詩史」的讚譽，也與宋型文化和南宋戰禍連年有密切關係。宋詩話特別重視杜甫和安史之亂有關的詩作，因為安史之亂與宋代歷史背景有不少相似之處，宋人藉著詮釋杜詩的義理，投射了對胡人的痛恨、戰亂中的自傷之情和淑世理想。宋人憑藉認同杜甫，達至自我認同；通過詮釋杜詩，而完成自我呈現。杜甫在安史之亂中的遭遇，使他成了盛唐詩人中最能引發宋人共鳴者，也為宋人的詮釋提供了前提。宋詩話慣以比興和用事手法解釋杜詩，也使杜詩的詮釋空間擴大，更能貼合宋人的情感寄託。<b

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16

"沈德潛《宋金三家詩選》硏究". 譚卓培], 1996. http://library.cuhk.edu.hk/record=b5888696.

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譚卓培.<br>論文(哲學碩士) -- 香港中文大學硏究院中國語言及文學學部, 1996.<br>參考文献 (leaves 143-150).<br>Tan Zhuopei.<br>Chapter 第一章： --- 緒論<br>Chapter 第一節： --- 硏究旨趣 --- p.1<br>Chapter 第二節： --- 硏究方法 --- p.4<br>Chapter 第三節： --- 相關文獻資料的檢討 --- p.10<br>Chapter 第二章： --- 沈德潛的詩學理論<br>Chapter 第一節： --- 沈德潛的生平和師承 --- p.17<br>Chapter 第二節： --- 沈德潛詩學理論繫年 --- p.24<br>Chapter 第三節： --- 《宋金三家詩選》跟沈德潛晚年詩學理論的關係 --- p.34<br>Chapter 第三章： --- 《宋金三家詩選》的編訂背景<br>Chapter 第一節： --- 《宋金三家詩選》的編訂年代 --- p.43<br>Chapter 第二節： --- 《宋金三家詩選》的編訂動機 --- p.46<br>Chapter 第三節： --- 《宋金三家詩選》所據三家詩集版本 --- p.55<br>Chapter 第四章： --- 《宋金三家詩選》析論<br>Chapter 第一節： ---

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17

"劉熙載詞論硏究". 1989. http://library.cuhk.edu.hk/record=b5895433.

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伍慧珠.<br>稿本(電腦打印本)<br>Thesis (M.A.)--香港中文大學中國語言及文學學部.<br>Gao ben (dian nao da yin ben)<br>Includes bibliographical references (leaves [1-7](last group)).<br>Wu Huizhu.<br>Thesis (M.A.)--Xianggang Zhong wen da xue Zhongguo yu yan ji wen xue xue bu.<br>Chapter 第一章 --- 緒論 --- p.1-3<br>Chapter 第二章 --- 劉熙載的生平和著作<br>Chapter 第一節 --- 劉氏所處的時代背景 --- p.4-5<br>Chapter 第二節 --- 劉熙載的生平 --- p.5-22<br>Chapter 第三節 --- 劉氏治學之概略及述作述要 --- p.22-23<br>註釋 --- p.34-40<br>Chapter 第三章 --- 劉氏論詞的旨趣<br>Chapter (一) --- 雅正 --- p.41-44<br>Chapter (二) --- 比興 --- p.45-47<br>Chapter (三) --- 詞品 --- p.47-60<br>Chapter (四) --

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18

"重建詩歌傳統: 陸時雍詩論探析". 1997. http://library.cuhk.edu.hk/record=b5889228.

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嚴宇樂.<br>論文(碩士) -- 香港中文大學硏究院中國語言及文學部, 1997.<br>參考文獻: leaves 1-8 (3rd group)<br>Yan Yuyue.<br>提要<br>Chapter 第一章、 --- 緒論 --- p.1<br>Chapter 1. --- 有關選本的問題 --- p.1<br>Chapter 2. --- 「重建傳統」槪念簡析 --- p.3<br>Chapter 3. --- 重建詩歌傳統與陸氏編選《詩鏡》的宗旨 --- p.9<br>Chapter 第二章、 --- 陸時雍詩論之時代背景 --- p.14<br>Chapter 1. --- 歷史背景 --- p.14<br>Chapter 1.1 --- 社會背景 --- p.14<br>Chapter 1.2 --- 思想背景 --- p.18<br>Chapter 2. --- 文學史背景 --- p.20<br>Chapter 2.1 --- 明代詩壇槪況 --- p.20<br>Chapter 2.2 --- 明詩創作之取徑 --- p.26<br>Chapter 2.3 --- 明人對歷代詩總集之選編與刊印 --- p.32<br>Chapter 第三章、 --- 陸時雍生平和著述 --- p.36<br>Chapter 1. --- 陸時雍生

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19

"《詩人玉屑》詩論硏究". 1999. http://library.cuhk.edu.hk/record=b6073789.

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蕭淳鏵.<br>呈交日期: 一九九八年十二月.<br>論文(博士)--香港中文大學, 1999.<br>參考文獻 (p. 300-314)<br>中英文摘要.<br>Cheng jiao ri qi: Yi jiu jiu ba nian shi er yue.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Xiao Chun

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20

Lockett, Marcia Stephanie. "A comparative study of Roy Campbell's translation of the poetry of Federico Garcia Lorca." Thesis, 1994. http://hdl.handle.net/10500/17224.

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Roy Campbell (1901-1957), who ranks among South Africa's leading poets, was also a gifted and skilled translator. Shortly after the Second World War he was commissioned by the Spanish scholar Rafael Martinez Nadal to supply the English translations for a planned edition of the complete works of the Spanish poet and dramatist, Federico Garcia Lorca, to be published by Faber and Faber, London. However, most of these translations remained unpublished until 1985, when the poetry translations (but not the translations of the plays) were included in Volume II of a four-volume edition entitled

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21

Hoffman, Nancy Marie. "Mysticism and allegory in Porphyry's De antro nympharum." Thesis, 2014. http://hdl.handle.net/2152/25784.

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This report examines Porphyry’s De antro nympharum and its eclectic mixture of philosophy, allegory, and mysticism in the form of a Homeric commentary. The paper situates Porphyry’s commentary in the broader tradition of Homeric interpretation with special attention to Stoic exegesis and Platonic views on poetry and myth. It also contextualizes Porphyry’s philosophy in terms of the mystery cults, particularly Mithraism, that had grown very popular by Porphyry’s time. The paper argues that Porphyry devised a practice of reading intended to promote a level of philosophical contemplation beyond t

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