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Journal articles on the topic 'English poetry – History and criticism – Theory, etc'

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Published: 4 June 2021

Last updated: 1 August 2024

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1

Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, w

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Sadowski, Witold. "A Brief History of O!" Poetics Today 43, no. 1 (2022): 103–25. http://dx.doi.org/10.1215/03335372-9471010.

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Abstract In the poetry of many nations, the interjection O! is a marker of poeticalness, a marker that contributes to the factors distinguishing poetry from colloquial speech. O! is treated not so much as an expression derived from the language in which a given poem was written (i.e., English, Italian, Polish, etc.) as a common lexeme within an international poetic language. In different countries, the interjection O! is understood in similar ways and does not require translation, even if the other parts of the poem are rendered in distinct languages. Despite the importance of the interjection

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Mehl, Scott. "Early Twentieth-Century Terms for New Verse Forms (‘free verse’ and others) in Japanese and Arabic." Studia Metrica et Poetica 2, no. 1 (2015): 81–106. http://dx.doi.org/10.12697/smp.2015.2.1.04.

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In the first half of the twentieth century, when Japanese and Arabic poets began writing free-verse poetry, many terms were proposed as labels for the new form. In addition to the calques on “free verse,” neologisms were created to name the new poetry. What is striking is that, in these two quite different literary spheres, a number of the proposed neologisms were the same: for example, in both Japanese and Arabic the terms prose poetry, modern poetry, and colloquial poetry were proposed (among others) as alternatives to the label free poetry. This essay provides an annotated list of the neolo

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Huisman, Rosemary. "The discipline of English Literature from the perspective of SFL register." Language, Context and Text 1, no. 1 (2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian un

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Burney, Fatima. "Strategies of Sound and Stringing in Ebenezer Pocock's West–East Verse." Comparative Critical Studies 17, no. 2 (2020): 319–36. http://dx.doi.org/10.3366/ccs.2020.0365.

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In an effort to capture how Orientalist translations, imitations and criticism of Asian poetry came to inform the idealization of lyric as a universal genre, this paper focuses on the practice of poetic metre in the nineteenth century. How did Victorian conceptions of recitational communities, bounded by shared ‘national’ metres, square against the wealth of translated works that were a major component of Victorian print culture? The amateur Orientalist Ebenezer Pocock explained various metres and musical practices associated with ‘Persian lyrics’ in his book Flowers of the East (1833) and off

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JONES-KATZ, GREGORY. "“THE BRIDES OF DECONSTRUCTION AND CRITICISM” AND THE TRANSFORMATION OF FEMINISM IN THE NORTH AMERICAN ACADEMY." Modern Intellectual History 17, no. 2 (2018): 413–42. http://dx.doi.org/10.1017/s1479244318000318.

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“The Brides of Deconstruction and Criticism,” an informal group of feminist literary critics active at Yale University during the 1970s, were inspired by second-wave feminist curriculum, activities, and thought, as well as by the politics of the women's and gay liberation movements, in their effort to intervene into patterns of female effacement and marginalization. By the early 1980s, while helping direct deconstructive reading away from the self-subversiveness of French and English prose and poetry, the Brides made groundbreaking contributions to—and in several cases founded—fields of schola

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Bolker, Jamie M. "William Falconer and the Rhetoric of the Sea." Eighteenth-Century Life 47, no. 2 (2023): 166–87. http://dx.doi.org/10.1215/00982601-10394936.

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This essay explores how William Falconer's A Universal Dictionary of the Marine exemplifies the “rhetoric of the sea,” which operates according to an inclusive approach to maritime knowledge, which maritime authors adopted in an effort to translate into writing a unique, physical practice at sea. Since maritime practice involved diverse processes in an environment that could not be controlled, maritime and navigation books thereby contained diverse styles and forms, from poetry, to criticism, to illustrations, to definitions, in an effort to reflect the diversity, and experience, of the sea it

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Bovsunivska, Tetyana. "DMITRY CHIZHEVSKY`S CONCEPT OF ROMANTICISM AND CANONS OF THE SOVIET LITERARY CRITICISM." Polish Studies of Kyiv, no. 35 (2019): 70–78. http://dx.doi.org/10.17721/psk.2019.35.70-78.

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The article talks about the role of D. Chyzhevsky in redefining the paradigm of Ukrainian romanticism, since Soviet canons are still being explored in his theory and history. In particular, emphasis was placed on confronting such ideological basis as: avoiding any mysticism; refusal of psycho-intimate immersion; the imposition of revolutionary and democratic tendencies; pan-realism; the militant nature of romanticism and the genesis of its origins from German idealism. Chizhevsky proposed instead: the recognition of the heart as the center of romantic aesthetics; peculiarity and singularity of

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Mozammel Haque, Mohammad. "Sunil Gangopaddhaya’s ‘An Unsent Letter’: A Harrowing Outburst of Long Smothered Wail of a Lacerated Psyche." International Journal of Applied Linguistics and English Literature 9, no. 1 (2020): 24. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.1p.24.

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The statement that the poets are born after their death is universally known. There is hardly any writer who writes the criticism of his writings. They are the critics who criticize their works. It can be said that the writer himself may have only a single idea or message when he produces his piece of writings, but the critics have different views on the same work. Even one critic sometimes innovates miscellaneous ideas and messages from the same poetry, play, novel, short story, fiction, non-fiction etc. Furthermore, a post- colonial critic always tries to find the message of his area of stud

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Merkulova, Mayya Gennadievna, and Irina Gennadievna Prudius. "Genre of the graphic novel: Toward the formulation of the problem (based on modern French-language and English-language texts)." Philology. Issues of Theory and Practice 16, no. 10 (2023): 3379–85. http://dx.doi.org/10.30853/phil20230522.

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The aim of the research is to determine the features of the graphic novel as an independent genre in the modern literary process. The novelty of the research lies in conducting a detailed theoretical study of literary criticism publications on the theory of genres, on the history of the comic book genre and the genre of the novel by Russian and foreign scholars, which made it possible to identify similarities and differences between the graphic novel and the comic book based on the dialogue between text and image, as well as to consider the graphic novel as a modification of the genre of the n

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Klimovskaya, A. Y. "Пасторальные мотивы и образы романа Б. Пим «Несколько зеленых листьев»". Вестник гуманитарного образования, № 1(25) (21 квітня 2022): 123–29. http://dx.doi.org/10.25730/vsu.2070.21.073.

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The actual problem of the traditions of the genre of English pastoral in the late work of B. Pym did not become the subject of a separate study of either foreign or domestic literary criticism. The purpose of the article was to analyze the last novel of Pym "A few Green Leaves" from the point of view of the reception of the traditions of the genre of English pastoral of the XVII–XVIII centuries using the methods of historical and literary, comparative, intertextual, motivic analysis, as well as gender approach. The subject of the study is the study of the implementation of classical pastoral p

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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.

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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatis

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Abramov, Valerii P., Olga I. Kuznetsova, Irina N. Lekareva, and Julia F. Okovitaya. "Kuban State University: Russian Philology on the 45th Parallel." World of the Russian Word, no. 2 (2023): 119–27. http://dx.doi.org/10.21638/spbu30.2023.213.

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The article represents the history and modernity of philological scholarship in Kuban State University, the oldest university of classical education in the south of Russia, which has been preserving and developing the traditions in the sphere of education, science and social and educational activity since 1920. The authors describe the principal directions of philology development at the faculty: teaching Russian language and literature, academic research work in the field of literary studies, the history of Russian literature from its beginning up to present times, including literature of Rus

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APOSTOLOPOULOU, Georgia. "From Ancient Greek Logos to European Rationality." wisdom 2, no. 7 (2016): 118. http://dx.doi.org/10.24234/wisdom.v2i7.144.

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Because of history, culture, and politics, European identity has its archetypical elements in ancient Greek culture. Ancient Greek philosophy brought Logos to fore and defined it as the crucial problem and the postulate of the human. We translate the Greek term Logos in English as reason or rationality. These terms, however, do not cover the semantic field of Logos since this includes, among other things, order of being, ground, language, argument etc. The juxtaposition of Logos (reason) to myth makes up the matrix of rationalism. Ancient Greek culture, however, was a culture of Logos (reason)

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APOSTOLOPOULOU, Georgia. "From Ancient Greek Logos to European Rationality." WISDOM 7, no. 2 (2016): 118–30. http://dx.doi.org/10.24234/wisdom.v7i2.144.

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Because of history, culture, and politics, European identity has its archetypical elements in ancient Greek culture. Ancient Greek philosophy brought Logos to fore and defined it as the crucial problem and the postulate of the human. We translate the Greek term Logos in English as reason or rationality. These terms, however, do not cover the semantic field of Logos since this includes, among other things, order of being, ground, language, argument etc. The juxtaposition of Logos (reason) to myth makes up the matrix of rationalism. Ancient Greek culture, however, was a culture of Logos (reason)

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McLeish, Tom. "The Poetry and Music of Science: Comparing Creativity in Science and Art." Perspectives on Science and Christian Faith 75, no. 2 (2023): 140–42. http://dx.doi.org/10.56315/pscf9-23mcleish.

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THE POETRY AND MUSIC OF SCIENCE: Comparing Creativity in Science and Art by Tom McLeish. New York: Oxford University Press, 2022. 414 pages. Paperback; $16.95. ISBN: 9780192845375. *In this tour-de-force book, British physicist Tom McLeish finally comprehensively argues, in one dense volume, what so many scientists have been claiming piecemeal for centuries: that doing science often looks and feels like doing art. That is a broad, amorphous statement, of course, and scientists have not done a very good job of fully understanding this idea or selling it to the rest of the world. This carefully

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17

Edwards, Karen L., Peter Coss, Michael Hicks, et al. "Reviews: Written Work: Langland, Labor, and Authorship, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching, the Making of Jacobean Culture, the Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800, Romantic Writing and Pedestrian Travel, the Scottish Invention of English Literature, Dante and the Victorians, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, the Imperial Game: Cricket, Culture and Society, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry, Professional Domesticity in the Victorian Novel: Women, Work and Home, Women's Fiction between the Wars: Mothers, Daughters and Writing, British Women Writers of World War II: Battleground of Their Own, the Tyranny of the Discrete: A Discussion of the Problems of Local History in England, Issues of Regional Identity: In Honour of John Marshall, Imperial Cities: Landscape, Display and Identity, Figural Realism: Studies in the Mimesis Effect, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its AcademiesJusticeSteven and Kerby-FultonKathryn (eds), Written Work: Langland, Labor, and Authorship , University of Pennsylvania Press, pp. 347, £42.75.StrohmPaul, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422 , Yale University Press, 1998, pp. xiv + 274, £25.McCulloughPeter E., Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching , Cambridge University Press, 1998, pp. xv + 237, £35PerryCurtis, The Making of Jacobean Culture , Cambridge University Press, 1997, pp. xiv + 281, £35.KelleyDonald R. and SacksDavid Harris (eds), The Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800 , Woodrow Wilson Center Press/Cambridge University Press, 1997, pp. xii + 374, £50.JarvisRobin, Romantic Writing and Pedestrian Travel , Macmillan, 1997, pp. x + 246, £45.CrawfordRobert (ed.), The Scottish Invention of English Literature , Cambridge University Press, 1998, pp. 259, £35.MilbankAlison, Dante and the Victorians , Manchester University Press, 1998, pp. ix + 277, £45.00ThompsonAndrew, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento , Macmillan, 1998, pp. x + 243, £42.50.SandifordKeith A. and StoddartBrian (eds), The Imperial Game: Cricket, Culture and Society , Manchester University Press, 1998, pp. viii + 178, £40.00.GrahamColin, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry , Manchester University Press, 1998, pp. 194, £40.CohenMonica F., Professional Domesticity in the Victorian Novel: Women, Work and Home , Cambridge University Press, 1998, pp. 216, £35.InghamHeather, Women's Fiction Between the Wars: Mothers, Daughters and Writing , Edinburgh University Press, 1998, pp. 180, £40, £14.95 pbLassnerPhyllis, British Women Writers of World War II: Battleground of Their Own , Macmillan, 1998, pp. 293, £45.MarshallJ. D., The Tyranny of the Discrete: A Discussion of the Problems of Local History in England , Scolar Press, 1997, pp. vii + 152, £40RoyleEdward (ed.), Issues of Regional Identity: In Honour of John Marshall , Manchester University Press, 1998, pp. xi + 252, £40.DriverFelix and GilbertDavid (eds), Imperial Cities: Landscape, Display and Identity , Manchester University Press, 1999, pp. 283, £45.WhiteHayden, Figural Realism: Studies in the Mimesis Effect , Johns Hopkins University Press, 1999, pp. 205, £31.50.DohertyThomas, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40." Literature & History 9, no. 1 (2000): 96–116. http://dx.doi.org/10.7227/lh.9.1.8.

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Karam, Benjamin. "Towards a Problematic Canon: Indian Poetry Anthologies and the Construction of Modernism." Rupkatha Journal on Interdisciplinary Studies in Humanities 15, no. 3 (2023). http://dx.doi.org/10.21659/rupkatha.v15n3.20.

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The history of modern Indian poetry in English as evidenced in anthologies is riddled with many modernist tendencies, both linguistic and political. Within anthologies, poetry becomes not merely literary and artistic pieces, but agents in a larger narrative. To establish an argument for Indian poetic modernism (post-1950) in anthologies requires an inquiry into the processes in which editors, through the paratextual matters, (titles, prefaces, introductory notes, headnotes, endnotes etc.) help create a persuasiveness about newness or modernity. With more than 200 Indian poetry anthologies publ

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Mabrook, Murad. "Editorial in English." Ansaq journal 7, no. 1 (2023). http://dx.doi.org/10.29117/ansaq.2023.0171.

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Modern and contemporary Qatari literature constitutes an essential axis in Arabic literature, especially Gulf literature, since the first half of the twentieth century until now (2023) in many areas, including; Poetry, short stories, novels, theater and public literature. Eloquent poetry was the first of the most common literary genres in Qatari literature, followed by p public poetry, short stories, novels and theater. No one doubts that Qatari literature has developed on the quantitative and qualitative levels in the last three decades. Therefore, the editorial board of the magazine decided

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OKYAYUZ, Ayşe Şirin, and Elif ERSÖZLÜ. "The translation of a cartoon history of the universe written for child readers, its’ translation and criticism." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, August 21, 2022. http://dx.doi.org/10.29000/rumelide.1164917.

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This article focuses on the translation of educational comics. A cartoon book and its’ Turkish translation are analyzed: The Cartoon History of the Universe Volumes 1-7 From the Big Bang to Alexander the Great (1990) by Larry Gonick and its’ translation by…. printed in 2010 published by …… The aim of the study is to analyze an educational cartoon translation from the translator’s perspective (referring to constraints, translation challenges, translator choices etc.) and to focus on the same texts from a translation critic/editor perspective who does not have previous knowledge about the sectio

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Lupașcu, Emanuel. "Metamodernismul în teorie și în practică: pentru o conceptualizare a modernității singulare în câmpul literar românesc." Transilvania, 2023. http://dx.doi.org/10.51391/trva.2023.05-06.03.

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Metamodernism is a Eurocentric theoretical fiction, with no adherence to the social and cultural realities of post-communist Romania. This article provides a critique of the theory of metamodernism proposed by Timotheus Vermeulen and Robin van den Akker and used by Alex Ciorogar to describe the post-2010 Romanian poetry system. Even if the concept is inoperative for Romanian literature, it is a symptom of the overcoming of the postmodernist framework, felt by writers as anti-essentialist, light-hearted, and unconcerned with the problems of today’s society (climate crisis, immigrants, marginali

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李, 章斌. "時間的“圍困”與歷史的“滅絶”———穆旦詩歌中的時間、歷史意識". 人文中國學報, 1 листопада 2015, 385–409. http://dx.doi.org/10.24112/sinohumanitas.212145.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 穆旦詩歌中所體現的歷史觀在現代詩人中頗爲獨特，他對同時代人中流行的目的論式的價值觀和決定論式的歷史觀持批判態度，在其詩歌中自覺地批判了這種歷史意識背後所依賴的“時間原型”，即一種朝向未來不斷進步、不可逆轉的時間。關於“時間”，他既有對人的此在被時間所“圍困”的形而上探索，也有關於歷史對人的壓迫和滅絶的具體呈現。“時間”／歷史在他筆下不再是直綫進步的，而是被“現在”這股狂流牽引著下沉，不僅個人無法把握時間和歷史，歷史本身也被看作一場空前的灾難，一種摧毁人性的存在。穆旦對時間與歷史的表現體現出他對現代歷史的一些基本假設的批判性反思，具有深遠的思想史意義。 The historical sense revealed in the poetry of Mudan (1918-1977) is quite unique amongst modern Chinese poets. He criticized two prevalent trends, namely (1) the values in the mode of teleology and (2) the historical sense in the mode of det

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鄭, 滋斌. "吳喬《圍爐詩話》的比興説". 人文中國學報, 1 грудня 2002, 181–208. http://dx.doi.org/10.24112/sinohumanitas.92386.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 吳喬（1611—1695）是明清之際的詩人和詩學理論家，所著詩學論著，現存的有《逃禪詩話》一卷、《圍爐詩話》六卷、《答萬季野詩問》一卷、《答萬季野詩問補遺》一卷和《西崑發微》三卷等。他認為詩是經史之學，主張詩中有人，詩要有意，反對把詩視為應酬工具，而賦、比、興三者是寫詩和評鑒詩歌的重要法則。他拿以上的主張來銓衡詩歌發展，評論詩人的成就高下，成就他的詩學理論，清初《談龍錄》作者趙執信（1662—1744）很欣賞他的詩論，三次尋訪《圍爐詩話》；史學家萬斯同（1638—1702）執弟子禮，才有兩種《詩問》，可見吳喬的詩學理論在當時受到重視。在吳喬的詩學理論架構中，比興説是重要的支柱。他把《詩經》視為詩歌的不祧之宗，而《詩經》中的詩篇是有為而發的，説《詩》者可以因事以逆知其意。作《詩》者運用赋比興三義，成為後世詩人的楷模，因此能符合三義，尤其比興二者的，成績便卓然，否則即使極文字之工，而沒有詩意的，都不是好作品。吳喬運用這詩學觀點，去研究詩歌的發展，評論作品的優劣，從漢一直到明。以詩人論，他崇高杜甫，而李商隱號稱善學杜甫，所以又用比興論李商隱詩。以時代言，他重視唐而貶抑宋、明，尤其不滿明代前後七子的詩作。在六卷《圍爐詩話》中，有數十條談論赋比興的文字，較

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張, 伯偉. "陶淵明的文學史地位新論". 人文中國學報, 1 вересня 2009, 27–56. http://dx.doi.org/10.24112/sinohumanitas.152561.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 陶淵明研究雖經一千五百年之久，但對於他在文學史上的地位，迄今爲止，尚未能得到確切的説明，其癥結在於未能把握住文學史的核心命題。從中國文學批評的傳統來看，文學史的核心命題是“文體”。所謂“文體”，是對文學作品的總體風貌或樣式的概括，對應於西方文論，一近似於風格，一近似於體裁，其特色是综合了二者，是文學性的集中體現。陶淵明是少有的文體大師，他兼采不同文類，融鑄新體；他不守成規舊矩，嘗試新體。無論詩文辭赋，他都有令人驚異的構想，爲自己所要表達的找到最佳的表達方式。因此，他不僅在文體上有很大創造，而且一旦創造便屬完美，成爲文學史上的典範。本文以中國傳統文學批評的“推源溯流”作爲研究方法的基石，以“文體”作爲討論的核心，意在針對今日中國文學研究中存在的兩大問題，即文學本體的缺失和理論性的缺失，企圖對之有所改善或改變。Despite 1,500 years of scholarship on Tao Yuanming (365— 427), no definitive explanation of his place in the literary history of China has been given. This is because the cor

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Bowles-Smith, Emily. "Recovering Love’s Fugitive: Elizabeth Wilmot and the Oscillations between the Sexual and Textual Body in a Libertine Woman’s Manuscript Poetry." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.73.

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Elizabeth Wilmot, Countess of Rochester, is best known to most modern readers as the woman John Wilmot, Earl of Rochester, abducted and later wed. As Samuel Pepys memorably records in his diary entry for 28 May 1665:Thence to my Lady Sandwich’s, where, to my shame, I had not been a great while before. Here, upon my telling her a story of my Lord Rochester’s running away on Friday night last with Mrs Mallet, the great beauty and fortune of the North, who had supped at Whitehall with Mrs Stewart, and was going home to her lodgings with her grandfather, my Lord Haly, by coach; and was at Charing

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Marshall, Jonathan. "Inciting Reflection." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2428.

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   Literary history can be viewed alternately in a perspective of continuities or discontinuities. In the former perspective, what I perversely call postmodernism is simply an extension of modernism [which is], as everyone knows, a development of symbolism, which … is itself a specialisation of romanticismand who is there to say that the romantic concept of man does not find its origin in the great European Enlightenment? Etc. In the latter perspective, however, continuities [which are] maintained on a certain level of narrative abstraction (i.e., history [or aesthetic descri

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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre

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Redden, Guy. "Packaging the Gifts of Nation." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1800.

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The contemporary supermarket is a work of classification and cataloguing as marvellous as any museum. Barcodes are hallmarks by which its computer systems could know, in their own electronic language, every possible product of a certain kind afoot in the nation. It is a rather special institution in this respect -- a huge fund of contemporary synchronic cultural memory, a database and storehouse of collected human tastes to which individuals turn to seek out their own. However, this means that just as Wittgenstein demonstrated the impossibility of a purely private language, there can be no suc

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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d

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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end

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Kabir, Nahid. "Why I Call Australia ‘Home’?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2700.

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   Introduction I am a transmigrant who has moved back and forth between the West and the Rest. I was born and raised in a Muslim family in a predominantly Muslim country, Bangladesh, but I spent several years of my childhood in Pakistan. After my marriage, I lived in the United States for a year and a half, the Middle East for 5 years, Australia for three years, back to the Middle East for another 5 years, then, finally, in Australia for the last 12 years. I speak Bengali (my mother tongue), Urdu (which I learnt in Pakistan), a bit of Arabic (learnt in the Middle East); but

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Phillips, Dougal, and Oliver Watts. "Copyright, Print and Authorship in the Culture Industry." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2340.

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   Historically the impact of the printing press on Western culture is a truism. Print gave rise to the mass reproduction and circulation of information with wide reaching consequences in all fields: political, social, and economic. An aspect that this paper wishes to focus on is that this moment also saw the birth (and necessity) of copyright legislation, to administer and protect this new found ability to package and disseminate text. The term copyright itself, used freely in debates surrounding contemporary topics such as iTunes, DVD piracy, and file-sharing, is not only s

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Kay, Louise, Silke Brandsen, Carmen Jacques, Francesca Stocco, and Lorenzo Giuseppe Zaffaroni. "Children’s Digital and Non-Digital Play Practices with Cozmo, the Toy Robot." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2943.

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Introduction This article reports on the emerging findings from a study undertaken as part of an international research collaboration (Australia, Belgium, Italy, UK; DP180103922) exploring the benefits and risks of the Internet of Toys (IoToys). IoToys builds upon technological innovations such as smartphone apps that remotely control home-based objects, and wearable technologies that measure sleep patterns and exercise regimes (Holloway and Green). Mascheroni and Holloway summarise the features of IoToys as entities that users can program, with human-toy interactivity, and which have network

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Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces

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Brown, Malcolm David. "Doubt as Methodology and Object in the Phenomenology of Religion." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.334.

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Photograph by Gonzalo Echeverria (2010)“I must plunge again and again in the water of doubt” (Wittgenstein 1e). The Holy Grail in the phenomenology of religion (and, to a lesser extent, the sociology of religion) is a definition of religion that actually works, but, so far, this seems to have been elusive. Classical definitions of religion—substantive (e.g. Tylor) and functionalist (e.g. Durkheim)—fail, in part because they attempt to be in three places at once, as it were: they attempt to distinguish religion from non-religion; they attempt to capture what religions have in common; and they a

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Maybury, Terry. "Home, Capital of the Region." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.72.

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There is, in our sense of place, little cognisance of what lies underground. Yet our sense of place, instinctive, unconscious, primeval, has its own underground: the secret spaces which mirror our insides; the world beneath the skin. Our roots lie beneath the ground, with the minerals and the dead. (Hughes 83) The-Home-and-Away-Game Imagine the earth-grounded, “diagrammatological” trajectory of a footballer who as one member of a team is psyching himself up before the start of a game. The siren blasts its trumpet call. The footballer bursts out of the pavilion (where this psyching up has taken

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