Relevant bibliographies by topics / English poetry Nationalism and literature Nationalism in literature. Ireland

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'English poetry Nationalism and literature Nationalism in literature. Ireland'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "English poetry Nationalism and literature Nationalism in literature. Ireland"

1

Patke, Rajeev S. "Nationalism, Diaspora, Exile: Poetry in English from Malaysia." Journal of Commonwealth Literature 38, no. 3 (2003): 71–85. http://dx.doi.org/10.1177/00219894030383005.

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Sankar, G. "Nationalism in Rabindranath Tagore Plays." IJOHMN (International Journal online of Humanities) 1, no. 3 (2015): 8–45. http://dx.doi.org/10.24113/ijohmn.v1i3.11.

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History reveals that institutions or artifacts produced by human beings can lead to the exploitation or the loss of freedom of other human beings. Thus the celebration of the good life of an Athenian citizen in Plato‟s time can hide the wretchedness of vast numbers of slaves whose labor made it possible for the few free citizens to enjoy that good life. Our criteria then must apply to all, or at least the vast majority of the vast of the human group concerned, if they are to lay claim to universality. Amiya Kumar Bagchi, Perilous Passage1 The story of Indo-Anglican literature is the story of y
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Reddy, Sheshalatha. "THE COSMOPOLITAN NATIONALISM OF SAROJINI NAIDU, NIGHTINGALE OF INDIA." Victorian Literature and Culture 38, no. 2 (2010): 571–89. http://dx.doi.org/10.1017/s1060150310000173.

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Sarojini Naidu (1879–1949), the English-language Indian poetess and politician, appears before the viewer in the frontispieces to her first two collections of poetry, The Golden Threshold (1905) and The Bird of Time: Songs of Life, Death and the Spring (1912). She presents herself in print, as in her oratory, as both a figure of nineteenth-century verse culture and a cosmopolitan nationalist. The Golden Threshold includes a now well-known introduction by Arthur Symons and a sketch of a young Naidu by J. B. Yeats (father of W. B. Yeats). [See Figure 1.] Arrayed in a voluminous and ruffled white
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Goh, Robbie B. H. "Imagining the Nation: The Role of Singapore Poetry in English in “Emergent Nationalism”." Journal of Commonwealth Literature 41, no. 2 (2006): 21–41. http://dx.doi.org/10.1177/0021989406065770.

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Lipking, Lawrence. "The Genius of the Shore: Lycidas, Adamastor, and the Poetics of Nationalism." PMLA/Publications of the Modern Language Association of America 111, no. 2 (1996): 205–21. http://dx.doi.org/10.2307/463102.

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A collaboration between poetry and nationalism, exemplified by the tutelary border guard or “genius of the shore,” accounts for the interest of many Renaissance poems; redrawing the map, poets express the myths and grievances that hold their nations together. In “Lycidas,” Milton tries to redeem the fatal voyage of Edward King, his Anglo-Irish friend, by renewing the ideal of a missionary spirit, joining poet, saint, and soldier in a protectorate to bridge Ireland and England. In The Lusiads, Camões personifies the Cape of Storms as the titan Adamastor (“Unconquerable”), who curses the audacit
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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open
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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open
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Hodges, Kenneth. "Why Malory's Launcelot Is Not French: Region, Nation, and Political Identity." PMLA/Publications of the Modern Language Association of America 125, no. 3 (2010): 556–71. http://dx.doi.org/10.1632/pmla.2010.125.3.556.

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Discussions of early nationalism need to focus not just on how incipient nations differentiated themselves from international communities, such as the Roman church, but also on how smaller territories fitted into more expansive composite monarchies, in which one king ruled several lands that had separate traditions and laws. Thomas Malory dramatizes the latter situation by having King Arthur's major knights come from lands subject to the English crown but located outside England: Wales, Ireland, Orkney. In their tense efforts to build a fellowship, the knights personify the troubles of buildin
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Ashraf, Ayesha, Sikandar Ali, and Sundes Bashir. "Language and Power Discourse in Zulfikar Ghose’s Poetry Through Lyotard’s Deconstruction of Metanarratives." International Journal of English Linguistics 10, no. 4 (2020): 124. http://dx.doi.org/10.5539/ijel.v10n4p124.

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This paper endeavors to analyze Zulfikar Ghose’s selected poems All in a Lifetime and Silent Birds in light of Jean Francois Lyotard’s theory of Postmodernism that was proposed in 1979. Ghose is a globally recognized Pakistani English poet and his poetry is enriched with pathos, sorrows and resistance against destruction caused due to the domination of modern metanarratives, such as progress, nationalism or political objectives. The current study also applies Foucault’s theoretical concept of bio power through discourse who coined this term in his The Will to Know
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Cullingford, Elizabeth Butler. "British Romans and Irish Carthaginians: Anticolonial Metaphor in Heaney, Friel, and McGuinness." PMLA/Publications of the Modern Language Association of America 111, no. 2 (1996): 222–39. http://dx.doi.org/10.2307/463103.

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Frank McGuinness's Carthaginians (1988) uses the historical relation between Rome and Carthage as a metaphor for the contemporary struggles between Britain and the nationalist community in the North of Ireland. The play, an elegy for thirteen Irish civilians murdered by British paratroopers on Bloody Sunday (30 Jan. 1972) in Derry, draws subversive power from a trope that since the eighteenth century has focused imaginative Irish resistance to British colonial rule. I first explore the history and the gendering of the trope, from early English myths of Trojan descent and medieval Irish genealo
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Dissertations / Theses on the topic "English poetry Nationalism and literature Nationalism in literature. Ireland"

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Reynolds, Matthew Osmund Royle. "English poetry and European nationalism, 1830-1870." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364175.

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Palmer, Ellen Beth. "Scripting native genius : Medieval poetry and the making of British identity, 1760-1785 /." *McMaster only, 2000.

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Cusack, George Thomas. "Restaging Ireland : the politics of identity in the early drama of W.B. Yeats, Augusta Gregory, and J.M. Synge /." Connect to online resource to view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102159.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Includes vita and abstract. Includes bibliographical references (leaves 299-309). Also available for download via the World Wide Web; free to University of Oregon users.
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Tolen, Heather Lorene. "Resurrecting Speranza : Lady Jane Wilde as the Celtic Sovereignty /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2700.pdf.

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Demosthenous, Annika Coralia. "Poetry and national identity in Cyprus and Scotland." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ad65856c-fba7-4a7f-89be-73ddef0c5522.

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This thesis aims to engage with the poetry of Scotland and Greek-speaking Cyprus, and examine the relationship between poetry defined as high culture and articulations of national identity in the two places. Scotland and Cyprus share characteristics that make the establishment of a single, coherent national identity with the appearance of permanence challenging, including their relationships with culturally dominant neighbours, competition between local and official languages, and the insecurity of their status as nations. Both Scotland and Cyprus have historically had hybrid identities; in Sc
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"Byron's Don Juan and nationalism." Thesis, 2010. http://library.cuhk.edu.hk/record=b6074834.

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Firstly in digression Byron presents a national reality which gradually displaces his cherished cosmopolitan ideals. Among many other pressing problems of his day, political renegades, the paradox of scientific innovations, the rise of intellectual ladies and the commoditization of marriage and family constitute the tangible part of Byron's domestic recalling. With retrospective commentaries Byron fulfills the act of imagining native land; and in this regard nationalism is the spiritual support of the expatriate existence.<br>I propose to comprehend the perceptive gap by focusing on Don Juan w
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Glisson, Silas Nease. "Cultural nationalism and colonialism in nineteenth-century Irish horror fiction." Thesis, 2000. http://hdl.handle.net/10500/16852.

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This thesis will explore how writers of nineteenth-century Irish horror fiction, namely short stories and novels, used their works to express the social, cultural, and political events of the period. My thesis will employ a New Historicist approach to discuss the effects of colonialism on the writings, as well as archetypal criticism to analyse the mythic origins of the relevant metaphors. The structuralism of Tzvetan Todorov will be used to discuss the notion of the works' appeal as supernatural or possibly realistic works. The theory of Mikhail Bakhtin is used to discuss the writers' l
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Stobie, Melissa Lauren. "Mise Eire : national and personal identity in two recent Irish memoirs." Thesis, 2001. http://hdl.handle.net/10413/3252.

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Chapter One will outline the way I will be using the constructs of "national" and "personal" identity, and will then move on to provide a brief contextual setting for the creation and importance of certain literary conventions of Irish topography and character, in particular by examining the cultural nationalism in Yeats's poems. In doing so, I will outline the metaphor of evolution which is crucial in this dissertation, and will examine some of the ethical implications of employing this metaphor. Chapter Two will examine the 1996 memoir Angela's Ashes by Frank McCourt, outline McCourt's emplo
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Post, Andy. "Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801)." 2014. http://hdl.handle.net/10222/50412.

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In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthu
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Books on the topic "English poetry Nationalism and literature Nationalism in literature. Ireland"

1

Peter, McDonald. Mistaken identities: Poetry and Northern Ireland. Clarendon Press, 1997.

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McDonald, Peter. Mistaken identities: Poetry and Northern Ireland. Clarendon Press, 2002.

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Mere Irish & fíor-ghael: Studies in the idea of Irish nationality, its development, and literary expression prior to the nineteenth century. John Benjamins Pub. Co., 1986.

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Mere Irish and fíor-ghael: Studies in the idea of Irish nationality, its development and literary expression prior to the nineteenth century. 2nd ed. University of Notre Dame Press, 1997.

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Leerssen, Joseph Th. Mere Irish and fíor-ghael: Studies in the idea of Irish nationality, its development, and literary expression prior to the nineteenth century. 2nd ed. Cork University Press in association with Field Day, 1996.

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Eagleton, Terry. Nationalism, colonialism, and literature. University of Minnesota Press, 1990.

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Literary nationalism in eighteenth-century Scottish club poetry. Edwin Mellen Press, 2004.

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Transatlantic solidarities: Irish nationalism and Caribbean poetics. University of Virginia Press, 2009.

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Kiberd, Declan. Inventing Ireland. Harvard University Press, 1996.

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Kiberd, Declan. Inventing Ireland. Jonathan Cape, 1995.

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