Academic literature on the topic 'English poetry Weddings Narrative poetry'

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Journal articles on the topic "English poetry Weddings Narrative poetry"

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Buivytė, Giedrė. "The Manifestations of Fate in Medieval Germanic Poetry and Lithuanian Folk Songs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 8–21. http://dx.doi.org/10.37384/aplkp.2021.26-2.008.

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Reflections of mythical worldview are embedded in traditional oral poetry, viz. Old Icelandic collection of poems Poetic Edda, Old English poem Beowulf, and Lithuanian folk songs. Archaic motifs and archetypal imagery are conveyed by means of poetic grammar (alliteration, kennings, epithets, etc.). Through interpretation, the hidden (symbolic) meaning of the poetic grammar is unveiled, and the connection between the two worlds, the sacred (the divine) and the profane (the human) (Eliade 1959), is exposed. To advance the analysis of poetic narrative, the methodology employed in the paper combin
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Thormann, Janet. "The Jewish Other in Old English Narrative Poetry." Partial Answers: Journal of Literature and the History of Ideas 2, no. 1 (2004): 1–19. http://dx.doi.org/10.1353/pan.0.0081.

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Huisman, Rosemary. "Facing the Eternal Desert: Sociotemporal Values in Old English Poetry." KronoScope 17, no. 2 (2017): 231–53. http://dx.doi.org/10.1163/15685241-12341385.

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Abstract Time is a singular noun, but includes a multiplicity of temporalities, including what J. T. Fraser has termed sociotemporality. In this paper, I discuss facing the urgency of time in a narrative dominated by sociotemporality, that of the Old English poem Beowulf, and suggest how criticism of the narrative structure of Beowulf has derived from a monovalent understanding of narrative time. Moreover, in recognizing sociotemporality as dominant in the organization of the poem, the modern reader can gain greater access to what was valued in the social context of its response to “the urgenc
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Du Plooy, H. J. G. "Narratology and the study of lyric poetry." Literator 31, no. 3 (2010): 1–16. http://dx.doi.org/10.4102/lit.v31i3.55.

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This article provides a brief discussion of the theoretical and historical underpinnings of the study of narrativity in lyric poetry. As part of the justification of studying narrative aspects of lyric poetry, reference is made to contemporary paradigms in postclassical narratology of which transgeneric narratology is one. The project titled, “Verse and narrative: narrative structures and techniques in lyric poetry”, from which the articles in this issue emanated, is described briefly by presenting the objectives of the research and by discussing the theoretical and historical implications of
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Mueller, Alex. "Thorlac Turville-Petre. Description and Narrative in Middle English Alliterative Poetry." Review of English Studies 70, no. 296 (2019): 754–56. http://dx.doi.org/10.1093/res/hgz034.

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Barney, Stephen A. "Thorlac Turville-Petre, Description and Narrative in Middle English Alliterative Poetry." Yearbook of Langland Studies 33 (January 2019): 274–77. http://dx.doi.org/10.1484/j.yls.5.119178.

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Qiu, Yang. "The "Blooming" of English Poetry in the Middle School Classroom---Take “When You are Old” as an Example." Region - Educational Research and Reviews 3, no. 2 (2021): 48. http://dx.doi.org/10.32629/rerr.v3i2.339.

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The poetry teaching in this class aims at cultivating the students’ core literacy in the English subject, training students’ language ability, learning ability, cultural character, and thinking quality as the end point, adopts the "target step by step" teaching model and the narrative research method. Students made perception, recitation, appreciation, imitation and comparison of “When You are Old”. The teaching results found that English poetry has a certain significance and value for the cultivation of English core literacy.
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Goering, Nelson. "The Fall of Arthur and The Legend of Sigurd and Gudrún : A Metrical Review of Three Modern English Alliterative Poems." Journal of Inklings Studies 5, no. 2 (2015): 3–56. http://dx.doi.org/10.3366/ink.2015.5.2.2.

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J.R.R. Tolkien produced a considerable body of poetry in which he used the traditional alliterative metre of Old Norse and Old English to write modern English verse. This paper reviews three of his longer narrative poems, published in The Legend of Sigurd and Gudrún and The Fall of Arthur, examining Tolkien’s alliterative technique in comparison to medieval poetry and to the metrical theories of Eduard Sievers. In particular, the two poems in The Legend of Sigurd and Gudrún, which are adapted from Old Norse material, show a number of metrical and poetic features reminiscent of Tolkien’s source
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Kuchar, Gary, and Marshall Grossman. "The Story of All Things: Writing the Self in English Renaissance Narrative Poetry." Sixteenth Century Journal 30, no. 4 (1999): 1093. http://dx.doi.org/10.2307/2544646.

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Braden, G. "The Story of All Things: Writing the Self in English Renaissance Narrative Poetry." Modern Language Quarterly 60, no. 3 (1999): 409–12. http://dx.doi.org/10.1215/00267929-60-3-409.

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Dissertations / Theses on the topic "English poetry Weddings Narrative poetry"

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Runstedler, Curtis Thomas. "Alchemy and exemplary narrative in Middle English poetry." Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12593/.

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This thesis examines the role of alchemy in Middle English poetry from fourteenth- and fifteenth-century England, particularly how these poems present themselves as exemplary narratives to raise moral points about human behaviour, fallibility, and alchemical experimentation. The introduction suggests the compatibility between the emergence of the vernacular exemplum and the development of alchemical practice and literature in late medieval England. I follow J. Allan Mitchell’s ‘ethics of exemplarity’ for reading the alchemical poems in this study, extending his reading of Middle English poetry
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Lowe, Jeremy. "Desiring truth : the process of judgment in fourteenth-century art and literature /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9463.

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DeVito, Angela Ann. "Gendered speech in Old English narrative poetry: A comprehensive word list." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280305.

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The purpose of this dissertation is to create a word list of male and female speech in those Old English narrative poems which contain dialogue, to use as a reference in determining what, if any, differences existed between the way male Anglo-Saxon poets constructed speech for their male and female characters. Using a specifically designed computer program and an on-line text of the Anglo-Saxon Poetic Records, I electronically tagged those lines assigned to male characters, and then those assigned to female speakers, to generate two separate word lists. I eliminated all immortal speech (God, a
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Welch, Mary T. "Early English religious literature : the development of the genres of poetry, narrative, and homily /." Read thesis online, 2009. http://library.uco.edu/UCOthesis/WelchMT2009.pdf.

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Eastwood, Adrienne L. "Before the threshold : the Elizabethan epithalamium and negotiations of power /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3130410.

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Wright, Michelle. "Time, consciousness and narrative play in late medieval secular dream poetry and framed narratives." Thesis, University of South Wales, 2017. https://pure.southwales.ac.uk/en/studentthesis/time-consciousness-and-narrative-play-in-late-medieval-secular-dream-poetry-and-framed-narratives(7cbf5e12-c655-4177-84f8-1445f1ffef85).html.

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This thesis considers time and narrative play in dream poems and framed narratives. It begins with a chapter on the history of time perceptions and time-telling, and explores how ideas about time influenced medieval writers. It also surveys some modern views on the history of time-measurement a nd its influences on culture and the collective consciousness. Chapter two, after analysing the treatment of time in the Roman de la Rose, surveys some of the ways in which modern criticism has evaluated and conceived the genre of secular dream literature that developed from the Roman de la Rose. Chapte
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RIS, CYNTHIA NITZ. "IMAGINED LIVES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054222125.

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St, Clair-Kendall S. G. (Stella Gwendolen). "Narrative Form and Mediaeval Continuity In The Percy Folio Manuscript: A Study Of Selected Poems." University of Sydney, 1988. http://hdl.handle.net/2123/6143.

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Doctor of Philosophy(PhD)<br>Revised September, 2007<br>This study examines the continuity of mediaeval literary tradition in selected rhymed narrative verse. These verses were composed for entertainment at various times prior to 1648. At or shortly before this date, they were collected into The Percy Folio: BL. Add. MS. 27,879. Selected texts with an Historical or Romance topic are examined from two points of view: modification of source material and modification of traditional narrative stylistic structure. First, an early historical poem is analysed to establish a possible paradigm of the c
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North, John Richard James. "Words in context : an investigation into the meanings of Early English words by comparison of vocabulary and narrative themes in Old English and Old Norse poetry." Thesis, University of Cambridge, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254524.

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Temperton, Barbara. "The Lighthouse keeper's wife, and other stories (novel) ; and Ceremony for ground : narrative, landscape, myth (dissertation)." University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0005.

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The focus of this project is on poetry, narrative, landscape and myth, and the palimpsest and/or hybridisation created when these four areas overlay each other. Our local communities' engagement with myth-making activity provides a golden opportunity for contemporary poets to continue the practice long established by our forebears of utilising folklore and legendary material as sources for poetry. Keeping in mind the words of M. H. Abrams who said
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Books on the topic "English poetry Weddings Narrative poetry"

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Shakespeare, William. The narrative poems. Penguin, 1989.

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Millett, John. Blue dynamite: A narrative. South Head Press, 1986.

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Pushkin, Aleksandr Sergeevich. Collected narrative and lyrical poetry. Ardis, 2002.

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John, Newbolt Henry. The island race, 1898. WoodstockBooks, 1995.

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Shakespeare, William. The Narrative Poems. Penguin USA, Inc., 2009.

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Shakespeare, William. The narrative poems. Penguin Books, 1999.

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Narrative and voice in postwar poetry. Longman, 1999.

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Neil, Roberts. Narrative and voice in postwar poetry. Longman, 1999.

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Shakespeare, William. William Shakespeare: The narrative poems. Penguin Books, 1999.

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Jean Froissart: An anthology of narrative & lyric poetry. Routledge, 2001.

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Book chapters on the topic "English poetry Weddings Narrative poetry"

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Zimbalist, Barbara. "Rethinking the Passion Lyric: Verbal Devotion, Narrative Variation, and the Poetics of Comfort in Middle English Poetry." In Vernacular Aesthetics in the Later Middle Ages. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18334-9_6.

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Drinkwater, John, and St John Ervine. "Poetry and Narrative (1)." In English Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315123516-6.

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Drinkwater, John, and St John Ervine. "Poetry and Narrative (2)." In English Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315123516-7.

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Edmondson, Paul. "The narrative poetry of Marlowe and Shakespeare." In The Cambridge History of English Poetry. Cambridge University Press, 2010. http://dx.doi.org/10.1017/chol9780521883061.012.

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Roberts, Neil. "Language, Nationality and Gender: Seamus Heaney and an English Reader." In Narrative and Voice in Postwar Poetry. Routledge, 2014. http://dx.doi.org/10.4324/9781315843643-10.

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"20. The Narrative Tradition in English Canadian Poetry." In Northrop Frye on Canada, edited by David Staines. University of Toronto Press, 2003. http://dx.doi.org/10.3138/9781442677807-024.

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"Types of symbolic narrative." In Interactions of Thought and Language in Old English Poetry. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511597527.006.

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Philo, John-Mark. "Livy’s Lucretia in English Poetry and Prose." In An Ocean Untouched and Untried. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857983.003.0005.

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Chapter 4 compares Painter’s re-politicizing of the Lucretia legend with Shakespeare’s adaptation of the same narrative in Lucrece. By returning to Livy, this chapter argues, Painter placed a renewed emphasis on the republican hero, Lucius Junius Brutus, whose presence in the narrative had been all but forgotten by the vernacular tradition. While Lucretia’s father and husband are dumbstruck by Lucretia’s suicide, it is Brutus who seizes the opportunity for action and takes their oath to avenge her death. Alerted to the dramatic force of Brutus’s intervention by Painter’s translation, Shakespeare harnessed Livy’s eloquent revolutionary not only in Lucrece, but also in Coriolanus, Julius Caesar, and Titus Andronicus. The significance of Brutus and his republican revolution to Shakespeare is thus traced across his plays and poetry, revealing Shakespeare’s consistent interest in this very specific politically charged moment in Roman history.
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"Vernacular poetic narrative in a Christian world." In Interactions of Thought and Language in Old English Poetry. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511597527.008.

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Kean, P. M. "The Canterbury Tales: the problem of narrative structure." In Chaucer and the Making of English Poetry Volume II. Routledge, 2019. http://dx.doi.org/10.4324/9780429341748-2.

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