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Dissertations / Theses on the topic 'English poetry Weddings Narrative poetry'

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1

Runstedler, Curtis Thomas. "Alchemy and exemplary narrative in Middle English poetry." Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12593/.

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This thesis examines the role of alchemy in Middle English poetry from fourteenth- and fifteenth-century England, particularly how these poems present themselves as exemplary narratives to raise moral points about human behaviour, fallibility, and alchemical experimentation. The introduction suggests the compatibility between the emergence of the vernacular exemplum and the development of alchemical practice and literature in late medieval England. I follow J. Allan Mitchell’s ‘ethics of exemplarity’ for reading the alchemical poems in this study, extending his reading of Middle English poetry
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2

Lowe, Jeremy. "Desiring truth : the process of judgment in fourteenth-century art and literature /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9463.

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3

DeVito, Angela Ann. "Gendered speech in Old English narrative poetry: A comprehensive word list." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280305.

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The purpose of this dissertation is to create a word list of male and female speech in those Old English narrative poems which contain dialogue, to use as a reference in determining what, if any, differences existed between the way male Anglo-Saxon poets constructed speech for their male and female characters. Using a specifically designed computer program and an on-line text of the Anglo-Saxon Poetic Records, I electronically tagged those lines assigned to male characters, and then those assigned to female speakers, to generate two separate word lists. I eliminated all immortal speech (God, a
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4

Welch, Mary T. "Early English religious literature : the development of the genres of poetry, narrative, and homily /." Read thesis online, 2009. http://library.uco.edu/UCOthesis/WelchMT2009.pdf.

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5

Eastwood, Adrienne L. "Before the threshold : the Elizabethan epithalamium and negotiations of power /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3130410.

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6

Wright, Michelle. "Time, consciousness and narrative play in late medieval secular dream poetry and framed narratives." Thesis, University of South Wales, 2017. https://pure.southwales.ac.uk/en/studentthesis/time-consciousness-and-narrative-play-in-late-medieval-secular-dream-poetry-and-framed-narratives(7cbf5e12-c655-4177-84f8-1445f1ffef85).html.

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This thesis considers time and narrative play in dream poems and framed narratives. It begins with a chapter on the history of time perceptions and time-telling, and explores how ideas about time influenced medieval writers. It also surveys some modern views on the history of time-measurement a nd its influences on culture and the collective consciousness. Chapter two, after analysing the treatment of time in the Roman de la Rose, surveys some of the ways in which modern criticism has evaluated and conceived the genre of secular dream literature that developed from the Roman de la Rose. Chapte
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7

RIS, CYNTHIA NITZ. "IMAGINED LIVES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054222125.

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8

St, Clair-Kendall S. G. (Stella Gwendolen). "Narrative Form and Mediaeval Continuity In The Percy Folio Manuscript: A Study Of Selected Poems." University of Sydney, 1988. http://hdl.handle.net/2123/6143.

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Doctor of Philosophy(PhD)<br>Revised September, 2007<br>This study examines the continuity of mediaeval literary tradition in selected rhymed narrative verse. These verses were composed for entertainment at various times prior to 1648. At or shortly before this date, they were collected into The Percy Folio: BL. Add. MS. 27,879. Selected texts with an Historical or Romance topic are examined from two points of view: modification of source material and modification of traditional narrative stylistic structure. First, an early historical poem is analysed to establish a possible paradigm of the c
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9

North, John Richard James. "Words in context : an investigation into the meanings of Early English words by comparison of vocabulary and narrative themes in Old English and Old Norse poetry." Thesis, University of Cambridge, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254524.

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10

Temperton, Barbara. "The Lighthouse keeper's wife, and other stories (novel) ; and Ceremony for ground : narrative, landscape, myth (dissertation)." University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0005.

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The focus of this project is on poetry, narrative, landscape and myth, and the palimpsest and/or hybridisation created when these four areas overlay each other. Our local communities' engagement with myth-making activity provides a golden opportunity for contemporary poets to continue the practice long established by our forebears of utilising folklore and legendary material as sources for poetry. Keeping in mind the words of M. H. Abrams who said
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11

McGrath, Barbara Joan Getsi Lucia Cordell. "Journeys toward the communal metaphor and the construction of poetic narrative in the poetry of Ellen Bryant Voigt, Eavan Boland, and Adrienne Rich, with implications for a pedagogy of communal voice in writing /." Normal, Ill. Illinois State University, 2000. http://wwwlib.umi.com/cr/ilstu/fullcit?p9986987.

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Thesis (Ph. D.)--Illinois State University, 2000.<br>Title from title page screen, viewed July 31, 2006. Dissertation Committee: Lucia C. Getsi (chair), William W. Morgan, Cynthia A. Huff. Includes bibliographical references (leaves 182-189) and abstract. Also available in print.
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12

Nieves, John A. "Ashes from Falling Stars." Scholar Commons, 2006. http://scholarcommons.usf.edu/etd/3766.

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This thesis is a book length collection of poetry—all original and by the author. The book has three chapters, each with a different mode of expressing the work’s overall theme: the remnants of unfulfilled wishes. The first chapter deals with ordinary or mundane manifestations of the theme. The second chapter covers extraordinary, but still feasible, variations on the theme. The final chapter deals with subconscious versions of these unfulfilled wishes. It is far more surreal than the other two chapters and exists in a sort of dream-reality. The poetry included in this work is all free verse.
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13

Kärn, Lina. "‘Creative Writing’: An Efficient Supplementary Tool for Teaching English at Swedish High Schools." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117674.

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English is, can be, and ought to be taught through various teaching modes for deeper learning to take place successfully. ‘Creative writing’ has shown to be, according to previous research and interviewed high school teachers, a successful tool for teaching English as a foreign language, just as it can help students reach requirements and course goals constituted by the National Agency for Education in Sweden. Furthermore, creative forms of the English language are shown to be largely what motivate high school students the most to learn English, and what interest them about the English languag
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14

Louviot, Elise. "Les conventions du discours direct dans la poésie narrative vieil-anglaise." Thesis, Université de Lorraine, 2012. http://www.theses.fr/2012LORR0177/document.

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Le but de cette thèse est de mettre en évidence, au-delà des spécificités propres à chaque poème, les caractéristiques communes aux emplois du discours direct dans la poésie narrative vieil-anglaise. À cet effet, un groupe de huit textes a été choisi, représentant au mieux la variété du corpus poétique subsistant, tant par leur sujet que par leur style ou leur rapport éventuel à une source connue : Beowulf, la Genèse A et B, Christ et Satan, Andreas, Elene, Juliana et Guthlac A. Il ne s'agit pas ici simplement d'étudier la forme prise par le discours direct, mais aussi ce que cette forme révèl
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15

Suarez, Veronica. "Nights in The City Beautiful." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3851.

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Nights in The City Beautiful is a collection of confessional, free verse poems that explores sexual trauma, mental health, the exigencies of marriage, and the complexities of human desire. These interconnected poems are grounded with a braided narrative and tackle taboo themes. In Part 1: Monogamy, the reader journeys into the world of Vincent and Victoria, their profound love, and their anxiety disorders. In Part 2: Polyamory, Victoria gets caught in a love triangle when she meets her publishing coworker, Peter Langley. The book evokes the movement of Romanticism and first-and-second-generati
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16

Mitchell, Dianne Marie. "Reading women and writing art in Elizabethan epyllia." 2009. http://hdl.handle.net/10090/8925.

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17

Ghosh, Shami. "The Barbarian Past in Early Medieval Historical Narrative." Thesis, 2009. http://hdl.handle.net/1807/19189.

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This thesis presents a series of case studies of early medieval narratives about the non-Roman, non-biblical distant past. After an introduction that briefly outlines the context of Christian traditions of historiography in the same period, in chapter two, I examine the Gothic histories of Jordanes and Isidore, and show how they present different methods of reconciling notions of Gothic independence with the heritage of Rome. Chapter three looks at the Trojan origin narratives of the Franks in the Fredegar chronicle and the 'Liber historiae Francorum', and argues that this origin story, based
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18

Flak, Kyle. "Escape from the Haunted City of Fright and Doom!" 2011. https://scholarworks.umass.edu/theses/675.

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19

Stasko, Carly. "A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing." Thesis, 2009. http://hdl.handle.net/1807/18109.

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This qualitative study uses narrative inquiry (Connelly & Clandinin, 1988, 1990, 2001) and self-study to investigate ways to further understand and facilitate the integration of holistic philosophies of education with media literacy pedagogies. As founder and director of the Youth Media Literacy Project and a self-titled Imagitator (one who agitates imagination), I have spent over 10 years teaching media literacy in various high schools, universities, and community centres across North America. This study will focus on my own personal practical knowledge (Connelly & Clandinin, 1982) as a cult
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